Tag: SVOD

  • US audiences to pay for more online movies in 2012 than for physical video

    US audiences to pay for more online movies in 2012 than for physical video

    MUMBAI: Americans will pay to consume more movies online this year than they will on physical video formats, marking the first year that legal, Internet-delivered movies will outstrip those of DVDs and Blu-ray discs combined.

    The legal, paid consumption of movies online in the United States will reach 3.4 billion views or transactions in 2012, approximately 1.0 billion units higher than the 2.4 billion for physical video for this year, according to the IHS Screen Digest Broadband Media Market Insight report from information and analytics provider IHS. As recently as last year, physical video had claimed a commanding share of the market with 2.6 billion views or transactions, compared to 1.4 billion for online.

    This year’s online video consumption via the open Internet represents annual growth of 135 per cent from 2011. Online video transactions and videos are also set to continue increasing in the years to come, while physical video sales are expected to decline or stagnate in comparison.

    IHS senior principal analyst, broadband, digital media Dan Cryan said, “The year 2012 will be the final nail to the coffin on the old idea that consumers won’t accept premium content distribution over the Internet. In fact, the growth in online consumption is part of a broader trend that has seen the total number of movies consumed from services that are traditionally considered ‘home entertainment’ grow by 40 percent between 2007 and 2011, even as the number of movies viewed on physical formats has declined.”

    The physical segment consists of retail sales and rentals of VHS, DVD and Blu-ray discs (BD). The online portion is consists of electronic sell-through (EST), Internet video on demand (iVOD) and subscription video on demand (SVOD).

    Key to the surge in consumption of online video has been the rise of all-you-can-eat subscription services such as Netflix and Amazon Prime, which offer customers unlimited on-demand movies for a flat monthly or annual fee. The result is that subscriptions in 2011 accounted for 94 per cent of all paid online movie consumption in the United States, compared to just 1.3 per cent of units consumed that were bought on an ownership basis via electronic sell-through.

    Although it is declining, physical video this year will still command more viewing time from Americans, who will spend an estimated 4.3 billion hours on DVDs and Blu-ray discs, compared to 3.2 billion hours for movies online.

    And although online will account for the majority of transactions this year, it is set to attract a far lower share of revenue in 2012, at $1.7 billion, measured against $11.1 billion derived from physical formats. This is because consumers will pay an average of 51 cents for every movie consumed online, compared to $4.72 for physical video. The pattern will likely remain unchanged even by 2016, with online accounting for 17 percent of revenue, compared to 75 percent for physical video, and pay-TV video on demand taking the remaining 8 percent.

    Netflix, while unquestionably the market leader, is not the only online SVOD game in town. Last year saw both Amazon and Hulu develop online streaming businesses at levels unheard of just a couple of years ago. For Amazon in particular, 2011 marked the transformation of Amazon Prime from a discounted shipping offer into a diverse entertainment proposition in its own right, allowing subscribers who paid the $79 per-year service access to a range of movies and TV shows.

    The phenomenal growth of subscription movie consumption raises the prospect that as SVOD services become more widely adopted, they become an appreciable drain on the time that consumers would have used to watch movies in more lucrative ways, IHS believes. When this is combined with the possibility that consumers will always find something to watch, the still-nascent EST business could have its wings clipped before it can really take flight, even as consumption reaches previously unattainable highs.

    “After more than 30 years of buying and renting movies on tapes and discs, this year marks the tipping point as U.S. consumers now are making a historic switch to Internet-based consumption, setting the stage for a worldwide migration of consumption from physical to online. We are looking at the beginning of the end of the age of movies on physical media like DVD and Blu-ray. But the transition is likely to take time: almost nine years after the launch of the iTunes Store, CDs are still a vital part of the music business,” Cryan said.

  • HBO launches SVoD service in the UK

    HBO launches SVoD service in the UK

    MUMBAI: Home Box Office (HBO) has launched a subscription video on demand (SVoD) service in the UK.

    The launch marks HBO’s first entry into the UK marketplace bringing its renowned programs to audiences in the region under a stand alone HBO branded destination.

    HBO president, programming distribution and international Simon Sutton says, “HBO’s programming has always done very well in the UK and the arrival of an HBO service has been long desired and anticipated. We are very excited to offer HBO programming in a subscription video on demand format, where we can deliver our acclaimed series and specials to UK audiences on their schedule. This opportunity enables us to raise our profile in the region, while providing viewers with a distinct HBO environment.”

    With launch dates to be determined by each of the distributors, the HBO SVoD service will be made available on BT Vision, Tiscali TV and Virgin Media. The service will provide at least 50 hours of HBO’s acclaimed original programming upon its full rollout, including award-winning series, miniseries, documentaries and comedy specials.

    On 1 July, 2001, HBO first launched its SVoD service, HBO On Demand, in the US. HBO On Demand not only allows subscribers to watch HBO programming when they wish and as much as they like, they can also enjoy the benefits of pausing, rewinding and fast-forwarding their selections.

    The programming line-up on the UK HBO on demand service will be updated on a weekly basis and will provide consumers with the freedom to enjoy HBO programming whenever they want. Over time, the library on the service will build to include all episodes of the featured HBO series, starting with the first episode of season one and growing each consecutive week.

    Included among the programs available at launch will be the shows The Sopranos, Six Feet Under, Entourage and Curb Your Enthusiasm.

    The service will also feature miniseries Band of Brothers, Angels in America and From the Earth to the Moon.

  • AXN goes mobile to spread the buzz

    AXN goes mobile to spread the buzz

    MUMBAI: The mobile is increasingly becoming a way for channels to reach their consumers. A case in point is the action oriented AXN.

    AXN Mobile, a mobile Wap entertainment portal by AXN, is ready to be launched in Asia and will be available to consumers from early November 2006.

    Now viewers acros Asia will not only get to catch high-octane action and adventure programmes on TV; supplement their programme knowledge and have fun with games and contests via the website; live the AXN lifestyle by participating in specially formatted made-for-TV challenge-reality shows… but to top it all off, AXN Mobile is now available to continue providing the AXN buzz while on the move – giving consumers an adrenaline-charged “power snack bar” to get them freshened up for their next appointment.

    Through the mobile AXN is looking to catch viewers whether they are on a lunch or coffee break from work, commuting on public transport to meet friends, or soaking their stress away in the Jacuzzi.

    AXN Mobile offers exclusive streaming video on demand (SVOD) services and downloadable personalisation products such as ringtones and wallpapers from the channel’s flagship programmes that have garnered a huge loyal following around the region.

    In Singapore and Malaysia, AXN has expanded its partnership with affiliates like StarHub to carry the mobile products on their platform and with Astro to distribute AXN mobile to major telcos. In the Philippines, AXN has partnered with Smart Communications. Direct deals with major telcom firms are also in negotiation in Hong Kong and Taiwan, which will be announced at a later date.

    The channel says that a clear differentiation about AXN Mobile, is the exclusive made-for-mobile contents offered to consumers, in an effort to ensure the desirability and relevance of AXN Mobile. Unlike other mobile TV services that are mostly an extension of the TV contents (like news updates or the linear channel service), AXN offers a library of video clips from its stable of signature shows that are specially produced for streaming via mobile.

    AXN Mobile will be available in various Asia markets in early November, in conjunction with the much-awaited premiere of AXN’s biggest original production – The Amazing Race Asia. Special made-for-mobile contents have been created that will allow viewers of The Amazing Race Asia to supplement their knowledge of the show – like host Allan Wu’s Host Video Diary, where he shares his thoughts at the end of each race day; interviews with eliminated teams on their reflection of what may have caused their elimination and their thoughts on which team they believe will emerge victorious.

    In the final stages of the race, viewers can also download clips of interviews with the remaining teams after every episode to see what would be each team’s strategy going into the next leg of the race. These videos will serve to “whet the appetite” of viewers as they wait in anticipation for the next episode. Of course, there will also be the ever-popular “unseen footages” or “behind-the-scene” shots of the funny moments, big arguments or even too-hot-for-TV catfights…

    Similar offerings from other shows like Mondo Magic Singapore and The Contender are also in the pipeline, as well as a special segment known as AXN Moments featuring great moments of fun, courage, and laughter from some of the best daredevil record-breaking challenges from AXN original productions and events.

    SPE Networks Asia GM Ricky Ow says, “AXN has always been a leading trendsetter, being the first action and adventure channel, the first to bring the reality craze to Asia, the first in Asia to take on such a mega scale production like The Amazing Race Asia. And now we will also be the first to provide a true-blue entertainment WAP portal that allows our viewers to have a seamless, well-rounded, enriching entertainment experience that complements their TV viewing.

    “Mobile technology is very much a part of our viewers’ lifestyle, our core audience being the working executives and professionals. With the rapid advancement and pick-up of mobile technology in Asia, we feel that it is the right time to venture into mobile TV, and I am confident that our viewers will appreciate the unique content offerings we have.”