Tag: Sushant Singh Rajput

  • Remembering Sidharth Shukla: Perception and reality

    Remembering Sidharth Shukla: Perception and reality

    “Absolutely shocked and stunned on learning about the demise of Sushant Singh Rajput! Unbelievable! Sincere condolences and prayers for his family. Rest in peace..#SushantSinghRajput”

    When TV and film actor Sidharth Shukla posted this tweet on 20 July 2020, little did he know or even guess that the whole of social media would be buzzing, with tweets and messages pouring in by the tens of thousands mourning his own passing away. Most of them expressed utter shock, disbelief, and numbness that the absolutely fighting fit Sidharth had indeed passed onto the other world.

    His early death at just 40 will surely see him attain legendary status, just like Sushant Singh Rajput’s demise did for him. Or even James Dean did in the previous century.

    Sidharth has a following that runs into millions – nay, hundreds of millions. He has a popularity that is akin to many big Bollywood stars.

    We at Indiantelevision.com had signed him to perform at the height of his popularity during “Balika Vadhu” days for the Indian Telly Awards. With tight and long shooting schedules, he still found time to come rehearse for his act late into the night past the midnight hour.

    But apparently, he would have liked more rehearsals. He was a tight bundle of energy waiting to explode, go on stage and complete his performance, on the evening of The Indian Telly Awards gala. One of the backstage crew said he was upset as there was a reshuffling of acts as one of his co-performers was not yet ready. “He’s extremely agitated,” said he. “We will have to calm him down.”

    So we called Indiantelevision.com and the Indian Telly Awards founder Anil Wanvari to speak with him. Wanvari took him aside and asked him what the problem was. Sidharth explained he had had a rough shooting schedule and that he was expected on his sets the next day for an early morning shoot. He kept pacing around saying he wanted to go home. 

    Wanvari, putting his arm around his shoulder, gave him a bottle of water to sip, and spoke to him like he was his son, and explained to him why there was a delay in his multi-star dance act. He also told Sidharth that it is important that he dances as the performance would be incomplete without him, and his partner would not have anyone to dance with her. Wanvari’s soothing voice helped and we saw his sweaty face which had anger written all over it, soften and then break into a smile.

    When his turn came to go on stage to dance, he performed like his life depended on it. The audience broke into applause. Wanvari went up to him and thanked him for his patience and for putting in his best into the performance. Sidharth only smiled shyly, his eyes crinkling and he looked away.

    From thereon, the young man went on to achieve even greater fame and fan-following. Some controversial publications wrote about his occasional outbursts, while others talked about his better side. Initially, he used to react strongly to all the negative reports but recently had learned to laugh at them. Said he in a tweet recently: “Being reading a few newz articles …. Least said they are hilarious….. bhayi eye balls he Chahiyea tho kuch positive likh lo ….itni negativity kaha se latte ho…How do you’ll manage to know more about me better than me… least I can say .. may God bless you all.”

    The educated, well-spoken interior design graduate who became a model and then shot to fame with “Balika Vadhu” and then climbed even higher with “Bigg Boss 13”, appears to have made peace with himself and with industry pressures. His posts clearly showed he had a sharp and intuitive mind. May his soul rest in peace!

  • Can media reporting hamper due course of law, asks Bombay HC

    Can media reporting hamper due course of law, asks Bombay HC

    NEW DELHI: The Bombay high court has sought written submissions from all parties regarding the adverse effects of media reporting on any investigation and the court’s own jurisdiction in such cases, in the ongoing case of PIL against media trials. The case has been pushed to 6 November for further hearing. 

    Stating that the court wants to give guidelines with respect to interference during investigation prior to the filing of the charge sheet, the bench of chief justice Dipankar Datta and justice GS Kulkarni sought answers on the issue of if the media should report responsibly keeping in mind the facts. 

    Regarding the reporting on ‘accused’, the court asked if trial by media would lead to interference in deciding whether an accused goes for trial or not; accused being on guard or tampering with evidence; tarnishing of reputation in case of an innocent person, et al. 

    It also asked, “Can you guarantee a police officer will not be influenced by media statements like ‘this is not the right track for investigation’ and then start hounding an innocent person?"

    Read our coverage on the Sushant Singh Rajput case 

    The court has also directed the parties to answer if the sensationalised reportage in the Sushant Singh Rajput case amounted to a media trial and whether the court can intervene in such matters.  

    The bench noted, “Let us not be blinded by precedents. Come to the bare facts, let us know the boundaries of our own jurisdiction.”

    The court also showed concern for the safety of the witnesses and if media trial can force them to turn hostile. 

    The court also opined that if the media wants to aid in the investigation, it can do so under the provisions of the Code of Criminal Procedure by giving information with the police.

    At its last hearing, the Bombay high court said it may have to lay down guidelines to check the rash of media trials in the country. 
     

  • NBF forms separate regulatory body PNBSO to oversee fair reporting

    NBF forms separate regulatory body PNBSO to oversee fair reporting

    NEW DELHI: With the TV news industry finding itself in hot water over the last few weeks, the News Broadcasters Federation (NBF), an association of over 20 organisations and multiple channels, has set up a self-regulatory body named Professional News Broadcasting Standards Organisation (PNBSO).

    The self-regulatory organization will oversee fair news reporting in its member companies. It aims to bring in self-regulation of high standards and international repute. The key mission of the organisation is to support those who feel wronged by the press, to uphold the highest professional standards in the broadcast, and to determine whether standards have been breached and provide redress if so.

    The former chief justice of India Jagdish Singh Khehar has been appointed the first chairman of the PNBSO.

    The self-regulatory organisation comprises nine members: one chairman appointed from a pool of retired judges from the Supreme Court of India, four editorial members and four eminent citizens. The NBF-PNBSO will meet every three months to review any complaints filed against member companies.

    The panel is currently led by former chief justice Khehar, along with RTI activist Shailesh Gandhi and media veteran Chintamani Rao. The names of the other panellists will be announced soon.

    Members of NBF, who are also a signatory to NBF-PNBSO, abide by the broad framework on editorial guidelines and must refrain from making–

    ·   Criticism of friendly countries

    ·   Attack on religion or communities.

    ·   Anything obscene or defamatory.

    ·   Incitement to violence or anything against maintenance of law and order.

    ·   Anything amounting to contempt of court.

    ·   Aspersion against the integrity of the president, governors, and the judiciary.

    ·   Attack on a political party by name.

    ·   Hostile criticism of any state or the centre.

    ·   Anything showing disrespect to the constitution or advocating change in the constitution by violent means (but advocating changes in a constitutional way should not be debarred).

    The PNBSO is determined to uphold the standards of broadcast news and will ensure that all the member channels follow the news broadcasting code of conduct. It will work closely with all stakeholders to prevent the menace of fake news.

    The organisation has also drafted a complaint mechanism. In case of any violation, the panel will issue a warning including a channel to run an apology scroll specifying the date and time – an action to be complied with and reported back to NBF-PNBSO within seven days of the order. Any repeat or serious violations would attract a financial penalty up to Rs 10 lakh. A repeat violation by the channel/anchor would be penalized with a warning to run an apology scroll for two days with a specific date and time; removing the anchor up to 3 months and/or a financial penalty up to Rs 5 lakh.

    The code is based on the UK based Impress and International Press Standards Organisation (IPSO) and the Society of Professional Journalism of the USA.

    It is worth noting that the current president of the NBF’s governing board, Arnab Goswami, has been named in a lawsuit against "irresponsible reporting by certain media houses" filed by leading Bollywood producers and filmmakers. Goswami’s channel Republic TV is also being probed by the Mumbai police in an alleged TV manipulation racket.

    Yesterday, the Bombay high court questioned the union government why there should not be a statutory body to regulate the content broadcast through news channels.

    The court sought to know why the electronic media should have an "open hand" over its coverage. It was hearing a bunch of public interest litigations (PILs) seeking that the press, particularly TV news channels, be directed to exercise restraint in their reportage of actor Sushant Singh Rajput's death case and the related investigation by police and CBI.

  • Bollywood associations & producers file legal suits against Times Now & Republic TV

    Bollywood associations & producers file legal suits against Times Now & Republic TV

    NEW DELHI: The trouble surrounding the nation’s news broadcasting industry does not seem to be dying down. Last week, a few channels got embroiled in the TRP manipulation scandal, and now the Indian film fraternity appears to have joined forces against them.

    Four Bollywood industry associations and 34 leading film producers have filed a civil suit before the Delhi High Court against Republic TV’s Arnab Goswami and Pradeep Bhandari, and Times Now’s Rahul Shivshankar and Navika Kumar, on their coverage of the drugs probe being carried out by the Narcotics Control Bureau in connection with the Sushant Singh Rajput death case.

    The suit urges the court to restrain these channels – along with their editors and journalists – from making “irresponsible, derogatory and defamatory remarks” against Bollywood and the members of the film fraternity. 

    The producers have taken exception to several derogatory phrases used during the coverage such as ‘dirt,’ ‘filth,’ ‘scum,’ ‘druggies’ and expressions such as ‘it is Bollywood where the dirt needs to be cleaned,’ ‘all the perfumes of Arabia cannot take away the stench and the stink of this filth and scum of the underbelly of Bollywood,’ ‘This is the dirtiest industry in the country,’ and ‘cocaine and LSD drenched Bollywood’.

    The suit states, "The livelihood of persons associated with Bollywood is being severely impacted by the smear campaign being run by the Defendants. This is in addition to the ongoing pandemic which has resulted in extreme revenues and work opportunity loss. The privacy of the members of Bollywood is being invaded, and their reputations are being irreparably damaged by painting the entire Bollywood as criminals, seeped in drug culture, and making being part of Bollywood as synonymous with criminal acts in the public imagination."

    In their plea, the producers have asked Delhi High Court to pass directions ordering Times Now and Republic TV to withdraw, recall and take down all the defamatory content published by them against Bollywood. The suit also seeks that the channels and the four people mentioned abide by the provisions of the Programme Code under the Cable Television Networks Rules, 1994.

    While the producers don't call for blanket media gag in the Sushant Singh Rajput investigation, they want the court to stop reportage that violates the law. The suit further asks the channels not to conduct media trials of Bollywood personalities and to stop interfering with the privacy of those associated with Bollywood.

    Reacting to the lawsuit, Times Now news editor Rahul Shivshankar said in a tweet that filing cases against journalists "that have only sought justice for those who are wronged" would set a bad precedent.

     

     

    Navika Kumar also took to Twitter, saying: "All the A-listers can come together but India will continue to fight for the truth. You can’t intimidate us."

     

     

  • IPL 13 grows and grabs television viewership

    IPL 13 grows and grabs television viewership

    BENGALURU: Live telecast of the Indian Premier League (IPL) must seem an abomination for competitors’ networks. Year in and year out, the period during which the cricketing bonanza is played, all genres and competing sports networks have seen viewership numbers dip as Indians tuned into the channels of the network that aired the event live – the network being Star India in this edition of IPL or IPL 2020 or IPL13 as it is known. The Covid2019 pandemic delayed IPL by around five to six months. In a normal year, IPL commences around the end of March or at the beginning of April every year and runs for about six weeks or so. The event this year clashes with flagship programmes such as the twelfth season of Hindi Kaun Banega Crorepati hosted by Bollywood doyen Amitabh Bachchan and with the initial weeks of the Salman Khan hosted fourteenth edition of the Hindi Bigg Boss. This paper comes with a caveat – the conclusions in it are based on BARC weekly data of the top 2, 3, 4, 5 or 10 channels/programmes of various genres in different languages/platfroms in the public domain.

    Week 38 of 2020 (Saturday,19 September 2020 to Friday, 25 September 2020, week or period under review) saw television viewership climb 2.4 percent to 17.0 billion weekly impressions from 16.5 billion weekly impressions reported for the previous week according to Broadcast Audience Research Council of India (BARC) data published in the public domain. Viewership in week 38 of 2020 was 15.1 percent higher than the pre-Covid2019 average of 14.77 billion weekly impressions. Ratings watchdogs BARC and Nielsen have standardized the average data for weeks 02 and 04 2020 as the pre-Covid2019 average. As is obvious from the figure below, television viewership had started declining from week 34 of 2020. IPL 13 week saw viewership growth. 

    BARC weekly list of the Top 10 Channels on All Platforms Across genres saw Star Sports 1 Hindi catupult into it, and that too at rank 1.  Though the combined ratings of the Top 10 Channels in this list grew 5.8 percent to 8,322.475 billion weekly impressions in week 38 of 2020 from 7,863.577 billion weekly impressions in the previous week, seven of the channels in the list saw a decline in viewership. Two channels exited the list in week 38 of 2020. Star Sports 1 Hindi entered the list as mentioned above at rank 1 with 1,247.407 billion weekly impressions. It must be noted that Star India is airing IPL 13 on Star Sports 1, Star Sports 1 HD, Star Sports 2, Star Sports 2 HD, Star Sports 1 Hindi and Star Sports 1 Hindi HD TV channels as well as live streaming on the Disney+ Hotstar digital platform.

    Read more news on IPL

    Analysis of BARC data in the public domain of the top 2, 3, 4, 5 or 10 channels of various genres in different languages/platfroms for week 38 of 2020 reveals that the top channale of all major genres such as GECs’, news, movies and kids saw ratings dip. According to BARC-Nielsen reports these four genres garnered around 90 percent of television viewership. BARC data shows that combined impressions data for the Top 5 Sports channels grew 8.6 times to 1,734.956 billion weekly impressions in week 38 of 2020 from 201.549 billion weekly impressions in the previous week. It is quite obvious that the sports genre has helped television viewership grow, while at the same time has eaten into viewership of other genres/sub-genres across platforms – be they pay or free or combined free and pay.

    Top 10 Channels on All Platforms, Pay Platform and Free Platform Across Genres

    The Star India Network pulled viewership eyeballs with five channels in BARC’s weekly list of Top 10 Channels on All Plaform Across Genres in week 38 of 2020. There were two channels from Sony Pictures Network (SPN) and one channel each from Enterr10 Television, Sun Tv Network and Zee Entertainment Enterrpises Limited (Zeel) besides those of Star India in the top 10 weekly list for the week under review.Two channels, Viacom18’s Hindi GEC Colors Rishtey and Zeel’s flagship Hindi GEC Zee TV exited the list and were replaced by Star Sports 1 Hindi and Star India’s flagship Tamil GEC Star Vijay. There were six Hindi GEC channels, two Tamil channels and one channel each from the sports and the Telugu genres in BARC’s weekly list of Top 10 Channels on All Platforms Across Genres.

    BARC’s weekly list of Top 10 Pay Channels Across Genres also was dominated by Star India channels – there were four of them. Besides, there were 3 channels from Zeel and one channel each from SPN, Sun Tv Network and Viacom18. While the combined weekly impressions of the Top 10 Pay Channels Across Genres increased 10 percent to 7,285.986 billion weekly impressions in week 38 of 2020 from 6,624.357 billion weekly impressions in week 37 of 2020, five of the channels saw week-on-week (w-o-w) decline in weekly impressions. One channel – Star India’s flagship Bangla channel Star Jalsha exited the list in week 38 of 2020 and was replaced by Star Sports 1 Hindi. There were four Hindi GECs’, three Tamil channels, two Telugu channels and one Sports channel in BARC’s weekly list of Top 10 Pay channels Across Genres.

    BARC’s weekly list of Top 10 Free Channels Across Genres in week 38 of 2020 had the same line up of channels in the same order as in the previous week. However, the combined weekly impressions of the 10 channels in week 38 of 2020 declined 1.5 per cent to 3,535.728 billion weekly impressions from 3,588.256 billion weekly impressions in week 37. Six of the channels in the list saw viewership decline, while four saw viewership increase. Six of the channels were Hindi GECs’ while four were Hindi Movies channels. There were three channels from Zeel, two channels from Viacom18, and one channel each from B4U Network, Enterr10 Television, Goldmine Telefilms, Star India and SPN in BARC’s weekly list of Top 10 Free Channels Across Genres in week 38 of 2020.

    Please refer to the chart below:

  • Non-Hindi channels continue to dominate top 10 pay channels across genres

    Non-Hindi channels continue to dominate top 10 pay channels across genres

    BENGALURU: As the progress in the Sushant Singh Rajput case seemingly tapered off, the news genre lost some of its sheen in terms of weekly impressions in Week 37 of 2020 (Saturday 12 Sep 2020 to Friday 18 Sep 2020, week or period under review). Broadcast Audience Research Council of India (BARC) data for top five Hindi, English, Assamese, Bangla, Kannada, Malayalam, Marathi, Oriya, Tamil and Telugu channels reveals that the top news channels lost viewership in Week 37 of 2020 as compared to the previous week (Week 36 of 2020). At the same time, overall television viewership in Week 37 of 2020 at 16.6 billion weekly impressions was just a fraction higher than the 16.5 billion weekly impressions in Week 36. BARC data for the top 10 Hindi GEC channels, top four Assamese channels and top five Bangla, Bhojpuri, Gujarati, Kannada, Malayalam, Marathi, Oriya, Punjabi, Tamil and Telugu channels for the week under review shows that viewership of most of these genre/sub-genres in respective platforms and markets increased to contribute to the small increase in overall viewership. The top five channels of English entertainment channels, infotainment, lifestyle, English & Hindi movies, music, sports and top four youth channels also saw viewership in terms of weekly impressions grow.

    Top 10 Channels on All Platforms, Pay Platform and Free Platform Across Genres

    BARC’s weekly list of top 10 channels on all platforms across genres saw the combined weekly impressions in Week 37 of 2020 increase as compared to the previous week. Nine of the channels in the All Platforms channels list were the same with a slight shuffling of ranks as in the previous week. One Telugu channel from the Zee Entertainment Enterprises (Zeel) stable exited the list in week 37 of 2020 to be replaced by its sister channel and Zeel’s flagship Hindi GEC Zee TV at rank 10. There were eight Hindi GECs and one channel each from the Tamil and the Telugu genres in the list. There were three channels from Star India, two channels from Sony Pictures Network India (SPN) and Zeel and one channel each from Enterr10 Television, Sun Tv Network and Viacom18 in BARC’s Weekly list of Top 10 Channels on All Platforms Across Genres in Week 37 of 2020.

    Read more news on BARC

    BARC’s Weekly list of top 10 pay channels across genres was dominated by two south Indian language channels – three from the Tamil genre, two channels from the Telugu genres and one from the Bangla genre along with four Hindi GECs. There were four channels from Star India, three channels from Zeel, one channel each from SPN, Sun Tv Network and Viacom18. One channel exited the list in Week 37 of 2020 – the Viacom18 associated ETV Telugu which was replaced by Star India’s flagship Banga GEC Star Jalsha at rank 10.

    All the 10 channels in BARC’s weekly list of top 10 free channels in Week 37 of 2020 were the same as in the previous in the same rank order. Six of the channels were Hindi GECs’ while four were Hindi Movies channels. There were three channels from Zeel, two channels from Viacom18, and one channel each from B4U Network, Enterr10 Television, Goldmine Telefilms, Star India and SPN. 

    Please refer to the table below:

  • Is Sushant Singh Rajput case a blanket on bigger issues; Arnab Goswami answers

    Is Sushant Singh Rajput case a blanket on bigger issues; Arnab Goswami answers

    NEW DELHI: A celebrated and in equal amounts criticised journalist, Arnab Goswami has found himself embroiled in controversies quite many times. His distinct style of reporting, his presence on the camera, and the way he pursues his subjects, everything has been a matter of public scrutiny, meme fests on social media, and dinner table discussions.

    In most recent times, his extensive reportage on the Sushant Singh Rajput case, which he has been following extensively with a number of on-ground reporters, has gained for him immense praises from the later actor’s fans. At the same time, he is being questioned if with such reporting he is taking the attention away from the centre’s handling of the pandemic and the economic slowdown. In a virtual fireside chat with Indiantelevision.com founder CEO and editor-in-chief Anil Wanvari. Goswami presents his case.

    Edited excerpts follow: 

    How has the Covid2019 lockdown been for you?

    Everything has been good. My family and team are safe and we are working very hard. It did impact the business for us. I think, we were in denial till the middle of March but by April, we realised that it was a triple whammy for us; as journalists, we couldn’t operate in the field, with the sort of restrictions around, then our distributors couldn’t connect with our partners because of the travel restrictions. Our revenues got hit in a big way. It was not as much as others in the market, but yes, advertising revenues took a big hit too. 

    But we turned this adversity into opportunity. When the pandemic had started, we had around 38 per cent of the market share, it is now at 53 per cent. Our prime time now has 76 per cent of the market share. 

    We also pushed our digital strategies massively. So, we actually hired about 150 people during the Covid period. We redesigned our product centre and backend. We started making our own technology with Luca live streaming with multiple distribution platforms, and we increased the amount of publishing. Today Republic English alone publishes about 1100 stories every day. If you take that as an 18-hour cycle you can imagine that we are putting out a story of the three or four minutes. 

    It's a large publishing house and we are publishing about a hundred videos. This is taken our monthly uniques over 50 million uniques in Republic English. We will reach a hundred million-plus monthly average uniques by Feb making us perhaps among the top two or three digital news Publishers in the third thing was for us in the market. 

    Congratulations on that. But I also wanted to know, how has the time been for you personally as well? I see you have lost some weight too. 

    Well, personally, I think there are a few things that all of us are missing, like a walk in the park or exercising in the gym. But the blessing has been that we get to spend a lot more time with our family. 

    And yes, I have lost some weight (chuckles). I have been doing yoga regularly now. I had always been in some or other forms of exercise but I guess this period has given me more time to focus on myself, which I had didn't have earlier. So the last year particularly, you know, I've had much more time. I think this is the result of a good work-life balance. 

    And have you done a lot of introspection like others, in terms of what you want to achieve or do?

    I live in the moment and then I don't look back and forth to watch. I don't set for myself these huge targets. I immerse myself at the moment. I've always been clear of what I do want to do. I'm just doing it until slightly faster pace these days. 

    And how is the faster pace impacting you? Does it get tiring?

    I do what I love; whether it’s editorial or distribution, or sales, Republic for me is a labour of love. There is no work here, I feel. 

    Also, the good part is that over the last four months, I have spent significantly more time on editorial work. I have strengthened my core team and have given them a free hand to handle the distribution part, the sales part, and everything else so that I can do what I love. 

    I did not start the Republic network to sit in a room and look at excel sheets and manage sales. I have full faith in my team who are looking at all these aspects, while I manage the editorial. 

    But there have been complaints about your editorial style too. A certain section would come up and say that you are deep diving into the Sushant Singh Rajput case to take the focus away from the economy and how the government is managing the Covid situation. 

    I think the government is doing a great job of managing the pandemic. There are some people who will say that the lockdown is impacting the economy, and when you open up, then the same people will come and say that the numbers are going up. I think, eventually, only the vaccine is the solution now. 

    As far as the government is concerned, neither you nor I, or Michaelangelo could come and do it better. They have pushed the curve as far as possible. So all the critics should ask themselves if they were prime minister what would they do? Do they have a ready-made solution? 

    Also, I'm a believer that the economy is opening too. People come with fake arguments, pointing out that the economy is down by 23 per cent. But have you looked at the relative numbers? Canada is down by 38 per cent. Singapore, while they tried their best to contain the virus, their economy went down by 43 per cent. 

    But Germany’s numbers are not that bad, right?

    Yes, it is because Germany is moving three months ahead of us. Their peak came three months before us. I believe even our numbers will be better by the end of this year. 

    There is no reason to be pessimistic right now. GST collection has been good, all the macroeconomic numbers are picking up, and these are the early positive signs. 

    But shouldn’t there be more coverage around it?

    We have done the highest numbers of shows on Covid2019 in the past few months. We have hosted more than 500 health experts on our channels and done live calling programmes. We have strived to spread as much awareness as possible. But this is not all that we can do. When there is a breaking story, we have to report it. 

    I want to ask people that when other channels were showing what Amitabh Bachchan ate in the hospital when he was tested positive for Covid, where are they trying to take the attention away from the economy and the pandemic? So many of them have flown to Mumbai to do PR interviews with Aditya Thackeray, are they trying to take the attention away? 

    When did your interest in Sushant Singh Rajput’s case pique? What made you pursue it the way you are doing it right now?

    So, initially, I was not much into the story, but it started with Kangana’s interview. She called me and we scheduled an interview because there was a lot of talk around nepotism. We ran the interview and it got an amazing response. Also, I began to study more and look back at what had happened. That's when I realized that the Mumbai police were trying to conceal things and put everything under the garb of an encore which is not a recognizable offence called nepotism. And then I thought that why would the Mumbai police do that? And that's how I began to look at it because of the suspicious behaviour of the Mumbai police. And then after that, it's like peels of an onion. 

    How big a team is following the story for you now?

    I had to fly in about 30 people from Delhi, Including 15 anchors. A total of 50 reporters are reporting there are 15-20 camera units. So that's the largest manpower we have invested in for any story and that too for such a long time. 

    And by when are you expecting a logical end to this case?

    See, I am not an expert or with CBI or ED, but I see it going on for some more time and I will pursue it till it reaches there. I want to continue to explore a story as long as I feel that justice has not been served so I think that's the right. I feel answerable to the audiences which expect us to pursue until the truth comes out. 

  • CINTAA comes out in support of actors, upholds dignity of women

    CINTAA comes out in support of actors, upholds dignity of women

    MUMBAI: Cine And TV Artistes' Association (CINTAA) has released an official statement in support of the actors that are being attacked by news organisations. The statement read, “News Media, an integral part of the media and entertainment Industry has been outrageously vehement these last few weeks, in attacking men and women from the actor’s fraternity.”

    According to CINTAA, news channels are treating actors as if they are participants and instigators in an alleged conspiracy around Sushant Singh Rajput’s death that has occupied headlines recently in the public domain.

    The association feels it is important for news organisations to realize that one cannot function as a self-appointed judge, jury and executioner.
     
    It read, “In an attempt to boost viewership ratings, the catastrophic repercussions are ignored. That itself is reason enough for all to seriously introspect and put an end to the ill-informed debates and personal opinions being voiced by all and sundry. Without prejudice, the Cine & TV Artists Association (CINTAA), which represents the actors Community for over six decades, thought it befitting to break its silence in retaliation to those who are out to defame and slander its members.”

    CINTAA believes that till the time that the truth is not unearthed, a person's reputation should not be maligned, their livelihood should not be snatched away, their self-esteem should not be trampled upon and their integrity should not be questioned.

    It also mentions that actors are cultural ambassadors of this nation and the country's core values are shared through them with the rest of the world.

    Read the entire statement here:

     “CINTAA is one of the strongest Unions in the Film Fraternity. Our ideology is truly secular and it fosters true brotherhood, no matter what caste, creed or religion any member belongs to. As the fifth largest member of the International Federation of Actors-Performers Union (FIA) our voices and statements are valued world over. For us it is heartening to say that many of our Actors have been a recipient  of the Padma Shri/Padma Bhushan  awards coupled with many National & International citations. We belong to an intelligent, respectful and educated class and our body of work in the world of Entertainment stands second to none, even in the Global Arena.”

    Some members from the media and entertainment community are also members of parliament and to defame the whole community is far from acceptance. A retired Army officer who has stood on the Borders is  an actor today. A nursing officer who rendered her services much beyond the call of her duty during these pandemic times is also an actor.  In times of any national adversities the actors fraternity have stood shoulder to shoulder to mitigate miseries of people, be it financially, emotionally or otherwise.

    CINTAA, very strongly advocates upholding the Dignity of all women and hence have put in place all the necessary checks and balances at the work spots. Any instances of disrespect to our female colleagues is a matter of serious concern  and we do adopt taking the severest of actions and punishments to the offenders. Pertinent to add that the Me-too movement that emerged for sexual abuse has been very appropriate.

    We, therefore reiterate, that the Industry for the larger part, is a safe haven and yes, we would be the first to acknowledge that like in any other sector, there may exist some bad elements and by recognising and weeding them out, we are constantly looking to improve ourselves.

    However, stretching beyond one’s wildest imagination, the exuberance showcased by some anchors to capture eyeballs is outrageous and without any hard evidence. We deeply condemn such impetuous topics of debate that tarnishes the image of a whole community.

  • What’s in the world of Arnab Goswami?

    What’s in the world of Arnab Goswami?

    NEW DELHI: Some might revere him as one of the most prominent and successful journalists of modern times, who revamped the English News genre in India while some might be critical of his loud anchoring style and his way of handling prime time debates, but none can ignore him when he comes on screen. The favourite fodder of the meme police and the managing director and editor-in-chief of Republic Media Network, one of the top news networks in India, Arnab Goswami is nothing short of a phenomenon in himself.  

    As much as surrounded by controversies as much as he is liked, the journalist has a sharp stance on stories, and he doesn’t hesitate to admit that he holds his own biases too when reporting.  

    In recent times, he is gaining widespread attention and criticism for his coverage of Sushant Singh Rajput’s death case. To talk more about the same and his journey into the media world, how he is handling criticism, and the many allegations of being a pro-g0vernment journalist, Goswami will sit down for an exclusive virtual fireside chat with Indiantelevision.com founder CEO and editor-in-chief Anil Wanvari, tomorrow 11:30 am.

    The live video will be simulcasted on Indiantelevision.com, Tellychakkar.com, and their social media handles.

  • Producers Guild issues statement, slams attackers who are maligning film industry’s reputation

    Producers Guild issues statement, slams attackers who are maligning film industry’s reputation

    The Producers Guild of India (PGI) today issued a statement related to the countless attacks against the film industry. The guild has accepted that the Indian film industry has its own imperfections, but it also highlights that the industry is also one of the most important sources of soft power for the nation at a global level.

    Following the death of Bollywood actor Sushant Singh Rajput, celebrities like Kangana Ranaut have re-ignited the nepotism debate and highlighted the drug abuse in Bollywood. While she has been targeting influential filmmakers for favouring celebrity kids, Ranaut recently claimed that 99 per cent of Bollywood was on drugs.

    “The last few months have seen relentless attacks on the reputation of the Indian film industry across all media. The tragic death of a promising young star has been used by some as a tool to defame and slander the film industry and its members,” the statement read.

     “A picture has been painted of the industry as a terrible place for outsiders to aspire to; a place that treats those who dare to enter it with contempt and derision; a murky den of substance abuse and criminality. This narrative is salacious enough for the media to exploit to great effect in order to boost its ratings, readership and page views. But it is not the truth” the guild added.

     “Like any other sector, there is no doubt that the film industry has its imperfections, and there must always be an ongoing attempt by any industry to improve upon itself, learn and evolve while weeding out unsavoury elements or improper practices that hold it back. But to paint an entire industry with the same brush is a gross misrepresentation of reality,” the guild further said.

    On the positive aspects of the industry, the guild shared, “The film industry employs hundreds of thousands of people, boosts travel and tourism and is one of the most important sources of soft power for India across the world. It has entertained hundreds of millions of people for over a century and has brought joy, honour, and glory to the nation. It has welcomed and embraced talent from across the country – from the worlds of literature, poetry, art and music – and has drawn them in to create a unique cinematic language.”

    The statement read, “This has ensured that we are one of the few countries in the world to still have a vibrant and thriving local film industry across multiple languages, despite the decades-long onslaught of Hollywood.” It also mentioned that the industry has always contributed generously to national causes in times of need, and has offered its resources – name, recognition, time and funds – whenever needed.

    The guild also agreed that it’s not easy to enter the industry.

    “We do not negate the personal experiences of anyone from the industry, and undoubtedly many of those entering the business and seeking to establish themselves have faced numerous hardships, struggles and disappointments in the course of building a career here. But that is no different from the challenges and obstacles faced by new entrants in any field that they are not born into – be it politics, law, business, medicine or the media,” the guild further added.

    It said, “However, a concerted effort has been made to single out the film industry as one that specifically inhibits and prohibits new talent from the outside from thriving. This could not be further from the truth.”

    The letter also mentioned that there are scores of talented actors, directors, writers, musicians, cinematographers, editors, sound designers, production designers, costume designers, art directors, and numerous other film professionals across multiple disciplines who had absolutely no connection in the industry, but they have flourished and done pathbreaking work, which has redefined Indian cinema.

    The statement further read: “Being born into the industry most definitely affords you the privilege of access and a first break, but after that it is up to each individual’s talent, hard work and drive to propel them forward. This is a place that ultimately rewards your talent, work ethic and ability to connect with an audience – regardless of your religion, gender, caste or economic strata.”

    It agreed that the industry is undoubtedly more difficult for an outsider to get that first chance to display their talent. However, with perseverance, persistence and a little bit of luck – it could be achieved.

     “These are difficult times for our country and the world, so rather than venting our fears and frustrations on each other with vile and vicious trolling, it is more important than ever to come together instead of tearing each other apart. Members of the industry on both sides of this debate, especially women, have been subjected to rape threats and death threats. This is unacceptable and must stop now,” the statement said.