Tag: Surya TV

  • Malayalam GECs resume shooting, hopeful of ad recovery by Onam

    Malayalam GECs resume shooting, hopeful of ad recovery by Onam

    NEW DELHI: After months of standstill, GECs across some states have been permitted to resume indoor shooting of serials with strict guidelines. Regional channels are slowly treading the path to normalcy, Malayalam GECs being one. 

    Malayala Manorama Television COO Satheesh PR shares, “Traditionally, most Malayalam fiction has been indoors. There are some arrangements through the government-owned Chitranjali studios to enable outdoor shoot in a controlled environment and we have a large studio floor of our own which will be put to use for non-fiction with all the guidelines being followed.

    "MMTv has been fortunate to have been managing a profitable business with a fairly decent-sized team. While the entire industry is facing a cash crunch, I don't think the channel's focus being regional might alter the issue.” 

    Zee Keralam too has resumed indoor and outdoor shootings of its programmes and serials from 1 June onwards, strictly adhering to Covid2019 protocols. The shooting is with minimal technicians and crew members following social distancing, wearing masks, gloves, shields and frequently sanitising their hands. The floors of the shooting studio will also be disinfected before and after the shoot.

    Zee Keralam business head Santosh J Nair  says that the shooting unit has been downsized and the channel is giving priority to the safety of its team members. 

    “Zee Keralam's shoots are happening with limited number of crew members (25 people), as permitted by the government. There is a daily temperature check for everybody and all members present on the shoot are compulsorily wearing masks throughout. Even the artistes remove their masks only for the specific shot. We try and finish the shoot with as less takes as possible to ensure banking of episodes and we bank as much footage as possible within the day,” he explains.

    Surya TV has also resumed shooting with 20 people on set. Surya TV business head Reghu Ramachandran shares, “Surya TV is adhering to all government guidelines and having lesser people on the set has not affected the output in any manner.”

    Ramachandran adds that  from the content point of view, it is not going to make any kind of adjustment in the quality of the content. "The content will remain intact. Our only aim will be to improve our  revenue share. As far as Surya is concerned, our ratings have gone up and it has become no two. That way our revenues should shoot up rather than coming down. We are also gearing up for some new launches next month and possibly by August, we will have some new properties up and running."

    Flowers TV managing director R Sreekandan Nair shares that as a network, it has always focussed on developing in-house content. “Format shows have been our forte for a long time. So, now it will be indoor shooting with limited resources, continuing to develop innovative content to surprise and satisfy our viewers' appetite,” he mentions. 

    Nair says that the methodology of programming and ad sales will change considerably. "Human interactions will be minimal and in this scenario, developing and nurturing business relationships will be a challenge. The comeback strategy for Flowers is simple – focusing on our strength, which is highly-engaging non-fiction content,” Nair further adds.

    Madison Media chief buying officer Vinay Hegde says that the lockdown forced production shutdown, leading to a dearth of original content and hence, GECs had no option but to resort to repeats. 

    "This, along with the shift in viewership to news, made things worse for GECs, where both viewership and ad rates took a beating. Some GECs used their movie libraries to try and retain viewership to whatever extent possible, though it didn’t help in attracting revenues. Y-O-Y GECs saw their revenues down by more than 80 per cent, due to low inventory sales and discounts," he says.

    Satheesh shares that MMTv is witnessing greater traction in advertisers' demand in June for both news and GEC as it prepares for Onam in August.

    After a two-month break, the serials of Zee Keralam started airing with new content. The seven serials that were already running successfully in the channel went on-air from 1 June. Nair reveals that the channel is seeing an increase in the numbers of advertisers thanks to the ease in lockdown.

    The Media Ant co-founder Samir Chaudhary says, “Media Ant has experienced a drop of about 30 per cent in the Malayalam GEC business post-Covid2019. In June, there has been an increase in inquiries but has not translated to business yet.”

    Flowers COO Anil Ayroor adds, "We can't change what has happened in the past viz floods, slowdown etc.  But we are very hopeful about the future. It is only a matter of time before the market becomes conducive and advertisers throng back to channels. As much as the media wants advertisers, the vice versa is also true and advertising is the only way to increase sales. And with the biggest festival in Kerala, Onam, coming in August, Kerala will be in a better position to bounce back to normalcy.”

    Maitri advertising managing director Raju Menon says that some of the universities, schools, colleges, jewellery brands, real estate and umbrella brands have started advertising again since the ease of lockdown. Umbrella brands are aggressively advertising on GECS due to heavy rains.

    Flowers senior vice president of sales and marketing Anil Devan reveals that due to the lockdown, a lot of businesses are under stress as the entire supply chain has been disrupted and advertisers don’t see a reason to advertise if it doesn’t translate into sales. So, it has impacted the entire media industry and Flowers is no exception.

    He shares that special packages had been rolled out in order to lure advertisers.  "Now with our original content coming back, we are gradually getting there. Also, what matters to advertisers are the BARC numbers," he explains.  

    Adding to this, Hegde says optimistically, "Changes in plans are already indicating that GECs will be back in demand as originals start coming back and week 22 (BARC) already shows the viewership starting to shift back to GECs. Originals will only make this more consistent. Channels estimate that they would be back to at least 60-65 per cent levels of pre-Covid2019 ad revenue by June end itself."

  • South Indian channels brace for production resumption

    South Indian channels brace for production resumption

    MUMBAI: After an extraordinary lull of two months, during which the entire TV production activity came to an abrupt standstill ravaging advertising revenues in its wake, general entertainment channels (GECs) in some south states soon can air fresh content. While the Karnataka government has given approval for resuming indoor shooting of serials to begin from 25 May, the Kerala government has responded favourably to the TV producers’ request.

    The lockdown caused by the Covid2019 pandemic has affected the television industry adversely. While news channels, having been put under the essential service category, continued to function, most of the GECs found the going tough. It has been even tougher for those entertainment channels which aren’t lucky enough to have a vast movie library to boot.

    In fact, those with a huge movie depository sustained, and even flourished. In Kerala, for instance, Surya TV got lucky with its huge movie bank as it made up for the lack of fresh programmes by banking on its movie library. The GEC, part of the Sun Network, edged out Asianet from its top position in week 15 of BARC just by airing movies back-to-back from its bank. However, between week 16 and 18, it has slipped to the second spot.

    But, not all are lucky. And the unlucky ones are now seeing a glimmer of light at the end of this lockdown tunnel with the prospect of resuming shooting.

    “You will need to give a plot recap before you start airing the fresh sequences to soaps,” a programming head with a Kannada TV channel quipped wryly. That pretty much sums up the desperation on the ground. After all, how long would you bank on the library to keep a home-bound, entertainment-hungry audience hooked?

    Cost constraints

    Regional channels, faced with the twin challenges of cash crunch and limited resources in the changed scenario, will have to adjust to the new normal.  “GECs, especially regional ones, have to deal with the problem of costs and cannot cough up more. They cannot afford to have the kind of strict parameters and protocols that have now been put in place in production activities by studios in Hollywood,” said a senior hand working with an entertainment channel in Bangalore, who prefers not to be named because he is not authorised to speak to the media.  

    Viacom18 regional TV head Ravish Kumar said: “We are currently awaiting approvals from the relevant authorities and will adhere to all norms, formalities and SOPs. We will resume shoots only once we have a formal go-ahead from the concerned authorities and will continue to follow best practices and guidelines laid down by them to ensure safety and well-being of all involved.”

    Viacom18’s Colors has two entertainment channels in Tamil and Kannada.

    Programme producers say that things will not be the same as they were before. “No liberal shooting will be allowed. There will be a lot of restrictions like the number of people allowed in a shooting set, etc. So many things cannot be visualized unlike in the past. We need to plan because of these reasons,” said a programme executive in Karnataka.

    With outdoor shooting still a distant dream, serial plots will go for a lot of changes. Scenes where outdoor shooting are required will have to be rewritten or tweaked.  

    As of now, entertainment channels have an oversupply of scripts for serials and other programmes. “We are ready with scripts for 40 to 50 serials. Writers, with plenty of free times, have been churning out serial plots prolifically since the start of the lockdown. But we are not yet sure as to how we can work it out with all the restrictions,’’ he said.

    SOP for shooting

    The Karnataka government has given tentative approval for TV serials to resume indoor shooting from 25 May, with a lot of restrictions. Shootings in the state came to an end on 22 March following the lockdown.

    Karnataka Television Association (KTVA) has put in place operational procedures for shooting from 25 May. As per the SOP, only indoor shoots are permitted. The social distance should be maintained at the location. Only required actors for the shot and main technicians should be at the spot and others have to wait outside. The number of crew members should not exceed more than 18 people. The director and production manager should decide on crew and casting on a daily basis so as to maintain the minimum crew at any point of time. The artist support staff/ personal assistant should not stay at the shooting spot. They have to drop off and leave.

    The body temperature of each member needs to be checked before entering the shooting spot and if it is high, they should not be allowed. The producer has to provide a thermal scanner at the location. The name and address of all the cast and crew members should be recorded on a daily basis and the same to be provided to visiting government/medical officers at any time. The production manager needs to record this every morning without fail and ask the cast and crew to write it in the ledger.

    Producers have to provide transport for all the actors, technicians and crew members and follow the government instructions on transport facilities. People travelling in generator vehicles too should follow general Covid2019 instructions. No vehicle should be overloaded than the prescribed number of passengers. If not followed, authorities will have all the rights to cancel the shooting.

    The producer has to provide hand sanitizer, liquid soap and other materials to maintain cleanliness at the shooting spot. Everyone at the location should follow instructions provided by the government on covid-19 situation.

    Refillable sanitizers have to be provided along with hand wash dispensers at the wash basins. Covid2019 precautionary instructions have to be printed in bold letters and pasted at shooting spots (both in English and Kannada)

    Except for actors acting before the camera, everyone at the shooting spot should be wearing masks and hand gloves all the time. All the actors and crew should carry their own mask and wear in all the time

    Makeup crew should get sanitized before putting makeup on each artist. No back-to-back makeup without sanitizing. Usage of wet cloth is banned and the same has to be replaced by wet tissues and needs to be disposed of carefully.

    Makeup crew need to report early and artists have to go for makeup according to the shooting plan. Wet tissues have to be provided to actors and they have use it themselves and put the used ones in dedicated waste bin

    The microphones, both lapel and boom rods used in the set, need to be cleaned with sanitizer before putting it on the actors and bringing it into the set.

    Disinfectant spray should be sprayed before and in between the shots at the location. Phenyl mixed with Dettol should be applied on shooting floors, doors, windows, sofas, tables, chairs and other properties before use.

    One set assistant should be kept only for this and he/she should be wearing washable hand gloves and masks all the time.

    Follow the standard travel plan for cast and crew members and make sure no vehicles should carry more than the prescribed number of passengers. All the vehicles needs to be disinfected before using for shooting purpose

    Pressing of costumes should be avoided at the location and all the actors should get ready to wear costumes from their home. The direction and production team need to inform the artist well in advance about the respective costumes with continuity details.

    Only packed food, sealed in aluminium foil, to be provided at the shooting location. Actors and main technicians ideally should carry their own food if possible and avoid sitting next to each other and eating.

    Those travelling from outside for shooting have to follow the self-quarantine rules as per the government order. Actors, associates and assistants need to be informed 15 days in advance to reach Bangalore and be in home quarantine before coming to the shooting spot.

    In other states

    Elsewhere, in Tamil Nadu, the channels are keeping their fingers crossed as they have yet to receive a go-ahead signal from the government. The television fraternity in the state has made representations with the government, hoping for a resumption of production activities. The government allowed post-production works from 11 May.  

    "As of now, we have not got any approvals from the government. We will follow the same SOP proposed by the IBF to the government,” said the business head of an entertainment channel.  

    In Kerala, broadcasters are hoping for a favourable decision from the government to resume the shooting activities. Malayalam television fraternity, an association of television directors and producers, the other day met the chief minister in this regard. The CM has assured the fraternity members that he will consider their request favourably.

    The GECs are hoping that a favourable government decision will come very soon. ZEE Keralam’s business head Santosh J Nair said that the industry is going through very tough times. “There is no new content and advertising revenue is also at the lowest. We are eagerly waiting to start shooting soon keeping in mind protocols. Based on government approvals we will start our work. All this while, we relied on our content bank. But after our original banked episodes were exhausted and shooting stopped, we did not have fresh content. We have survived with a mix of reruns of fictions and films.”

    “The fraternity members got an assurance from the CM. A quick decision will come soon. But it is uncertain about the kind of controls that will be put in place for shooting. But it will be done in a controlled environment. It is unlikely that outdoor shoots will happen,” said Kairali TV programme head Unni Cherian.

  • BARC week 37: Kairali TV replaces Zee Keralam in Malayalam space

    BARC week 37: Kairali TV replaces Zee Keralam in Malayalam space

    MUMBAI: In week 37 of BARC India ratings, Kairali TV has replaced Zee Keralam which was the new entrant last week in Malayalam segment. The channel garnered 68564 weekly impressions (000s). Gujarati segment also witnessed some changes. Colors Gujarati Cinema grabbed the leading position from Colors Gujarati. In Bangla space, Zee Bangla replaced last week's new entrant Aakash Aath. No changes were observed in the Marathi, Kannada, Telugu and Tamil space. 

    Asianet, Flowers TV, Mazhavil Manorama, Surya TV and Kairali TV were the top five Malayalam channels.

    Malayalam

    Rank Channel Name Weekly Impressions (000s) sum
        Week 37
    1 Asianet 269788
    2 Flowers TV 172305
    3 Mazhavil Manorama 118350
    4 Surya TV 117461
    5 Kairali TV 68564
    Kerala (U+R) : NCCS All : 2+ Individuals, 

    Zee Bangla, Star Jalsha, Jalsha Movies, Zee Bangla Cinema and Sony Aath were the top five Bangla channels in week 37 of BARC India ratings.

    Bangla

    Rank Channel Name Weekly Impressions (000s) sum
        Week 37
    1 Zee Bangla 314286
    2 STAR Jalsha 275845
    3 Jalsha Movies 76081
    4 Zee Bangla Cinema 62274
    5 Sony Aath 58695
    WB (U+R): NCCS All : 2+ Individuals, 

    In Bhojpuri space Dabangg and Bhojpuri Dhamaka DISHUM exchanged their places at fourth and fifth positions. 

    Bhojpuri

    Rank Channel Name Weekly Impressions (000s) sum
        Week 37
    1 Bhojpuri Cinema 58377
    2 B4U Bhojpuri 55223
    3 Big Ganga 36368
    4 Dabangg 16102
    5 Bhojpuri Dhamaka DISHUM 11565
    Bihar/Jharkhand (U+R) : NCCS All : 2+ Individuals, 

    In week 37 of BARC India ratings, Colors Gujarati slipped to second position. TV9 and ABP Asmita also exchanged their place at third and fourth positions. 

    Gujarati

    Rank Channel Name Weekly Impressions (000s) sum
        Week 37
    1 Colors Gujarati Cinema 27301
    2 Colors Gujarati 26120
    3 TV9 Gujarati 21627
    4 ABP Asmita 21048
    5 Sandesh News 12041
    Guj / D&D / DNH (U+R): NCCS All: 2+ Individuals, 

    Zee Kannada, Colors Kannada, Udaya TV, Star Suvarna, and Udaya Movies were the top five Kannada channels in week 37.

    Kannada

    Rank Channel Name Weekly Impressions (000s) sum
        Week 37
    1 Zee Kannada 458191
    2 Colors Kannada 319728
    3 Udaya TV 208404
    4 Star Suvarna 183802
    5 Udaya Movies 130085
    Karnataka (U+R) : NCCS All : 2+ Individuals, 

    No changes were observed in the pecking order of Marathi channels. Zee Marathi, Colors Marathi, Fakt Marathi, Zee Talkies and Star Parvah continued to remain the top five Marathi channels. 

    Marathi

    Rank Channel Name Weekly Impressions (000s) sum
        Week 37
    1 Zee Marathi 344125
    2 Colors Marathi 165067
    3 Fakt Marathi 143503
    4 Zee Talkies 125421
    5 STAR Pravah 116552
    Mah/ Goa (U+R) : NCCS All : 2+ Individuals, 

    Sun TV, Star Vijay, Zee Tamil, KTV and Star Vijay Super were the top five Tamil channels in week 37 of BARC India ratings. 

    Tamil

    Rank Channel Name Weekly Impressions (000s) sum
        Week 37
    1 Sun TV 790860
    2 STAR Vijay 497058
    3 Zee Tamil 365023
    4 KTV 268009
    5 STAR Vijay Super 97828
    Tamil Nadu/ Puducherry (U+R) : NCCS All : 2+ Individuals,

    No changes were observed in the pecking order of Telugu channels, Star Maa, ETV Telugu, Zee Telugu, Gemini TV and Star Maa Movies continued to be the top five Telugu  channels. 

    Telugu

    Rank Channel Name Weekly Impressions (000s) sum
        Week 37
    1 STAR Maa 729257
    2 ETV Telugu 437588
    3 Zee Telugu 405596
    4 Gemini TV 356853
    5 Star Maa Movies 188022
    AP/ Telangana (U+R) : NCCS All : 2+ Individuals, 
  • Vodafone Idea partners Sun NXT

    Vodafone Idea partners Sun NXT

    MUMBAI: Vodafone Idea, the telecom service provider in India, today announced a strategic partnership with Sun TV Network. Network’s OTT platform, Sun NXT, which has over 50,000+ hours of content will now be accessible to Vodafone Idea customers. This partnership will offer Vodafone Idea’s customers access to Sun NXT’s exclusive digital content which caters to Tamil, Telugu, Kannada and Malayalam audiences.

    Customers are increasingly looking forward to entertainment in regional languages. Through this partnership, Vodafone Idea has widened its bouquet of regional content through Sun NXT on Vodafone Play and Idea Movies and TV app respectively.

    Commenting on the partnership, Vodafone Idea CMO Sashi Shankar said, “When it comes to content, we are singularly focused on providing entertainment to our customers keeping in mind their consumption, languageand culture. We believe that video and vernacular are the new growth drivers in digital content consumption today, especially in markets of South India. Regional content creates affinity amongst the consumers. We are delighted to partner with Sun TV Network to provide enriched entertainment to our customers by offering high quality regional content on Vodafone &Idea’s Mobile apps.”

    Sun NXT will power 30 + Live TV channels, 4000+ movies and a huge repository of TV shows, music videos and short format content on both Vodafone Play and Idea Movies & TV App. Vodafone Idea is first in the industry to launch this partnership for the entire catalogue including movies.

    Sun NXT Spokesperson said, “Vodafone Play and Idea Movies & TV app has built a robust portfolio of regional content. Now with Sun NXT, customers will have access to South India’s biggest movie library, Top TV shows and Live TV in their native language.”

    The customers will be able to access top TV channels like Sun TV, Gemini TV, Udaya TV, Surya TV and many other such channels and also popular movies and top-rated TV shows across the four languages on Sun NXT through Vodafone Play and Idea Movies &TV.

    From its launch in June 2017 till now, Sun NXT has fast become the most preferred content consumption destination for South Indians, not only in India but also across the World.

  • No changes in Tamil, Marathi, Telugu segments in BARC data week 46

    No changes in Tamil, Marathi, Telugu segments in BARC data week 46

    MUMBAI: In the Bengali space, Aakash Aath climbed to the third position from fifth position as compared to the previous week in BARC data week 46. News18 Bihar Jharkhand emerged as the new player in the market by securing fifth position. Mazhavil Manorama and Surya TV interchanged their third and fourth positions in the Malayalam market. No changes were observed in Tamil, Marathi and Telugu segment.

    Bangla

    Zee Bangla and Star Jalsha continued to be on first and second positions with 359602 impressions '000s and 289451 impressions '000s respectively. Aakash Aath climbed to the third position from fifth position as compared to the previous week with 61725 impressions '000s. Colors Bangla and Jalsha Movies stood at fourth and fifth positions respectively with 61205 impressions '000s and 60091 impressions '000s.

    Bhojpuri

    Big Ganga, Bhojpuri Cinema, Bhojpuri Dhamaka Dishum, and Housefull Action retained their first, second, third and fourth positions with 57272 impressions '000s, 48736 impressions '000s, 16193 impressions '000s and 5110 impressions '000s respectively. News18 Bihar Jharkhand emerged as the new player in the market by securing fifth position with 3958 impressions '000s.

    Kannada

    No changes were observed in this segment. Colors Kannada, Zee Kannada, Udaya TV, Udaya Movies and Star Suvarna continued to be at first, second, third, fourth and fifth positions with 462359 impressions '000s and 401719 impressions '000s, 227776 impressions '000s, 184480 impressions '000s and 143776 impressions '000s respectively.

    Malayalam

    Asianet, the Malayalam general entertainment channel from Star TV and Flowers TV retained their first and second positions this week as well with 297815 impressions '000s and 105029 impressions '000s respectively. Mazhavil Manorama and Surya TV interchanged their third and fourth positions with 85263 impressions ‘000s and 76099 impressions '000s respectively. Asianet Movies continued to be at fifth position with 63712 impressions '000s.

    Marathi

    No changes were observed in this sector. Zee Marathi, Colors Marathi, Star Pravah, Zee Talkies and Zee Yuva continued to be in first, second, third, fourth and fifth positions respectively with 411590 impressions '000s, 135799 impressions '000s, 131606 impressions '000s, 112065 impressions '000s and 37392 impressions '000s.

    Tamil

    Sun TV, Zee Tamil, Star Vijay, KTV and Adithya TV retained their first, second, third and fourth positions respectively with 871265 impressions '000s, 484799 impressions '000s, 459320 impressions '000s, 352072 impressions '000s and 100077 impressions '000s.

    Telugu

    Star Maa, Zee Telugu, Gemini TV, ETV Telugu and Gemini Movies continued to be on first, second, third, fourth and fifth positions respectively with 637863 impressions '000s, 504682 impressions '000s, 452339 impressions '000s, 442173 impressions '000s and 213367 impressions '000s.

  • No changes in Bhojpuri, Kannada, Marathi segments in BARC week 41

    No changes in Bhojpuri, Kannada, Marathi segments in BARC week 41

    MUMBAI: In the Bengali space, Jalsha Movies and Colors Bangla swapped their third and fourth positions in BARC data week 41. No changes were observed in the Bhojpuri, Kannada and Marathi segments. Moreover, Gemini TV and Zee Telugu swapped their second and third positions in the Telugu sector. Flowers TV and Surya TV exchanged their second and third positions in the Malayalam segment. While in Tamil, market Zee Tamil and Star Vijay interchanged their second and third positions.

    Bangla

    Zee Bangla and Star Jalsha continued to be on the first and second positions respectively with 382780 impressions '000s and 332389 impressions '000s. Jalsha Movies and Colors Bangla swapped their third and fourth positions with 76057 impressions '000s and 61831 impressions '000s respectively. Sony Aath remained at its fifth position with 51304 impressions '000s.

    Bhojpuri

    This week, no changes were in this sector. Big Ganga, Bhojpuri Cinema, Bhojpuri Dhamaka Dishum, Housefull Action and Oscar Movies Bhojpuri retained their first, second, third, fourth and fifth positions with 57026 impressions '000s, 54151 impressions '000s, 16562 impressions '000s, 5974 impressions '000s and 3852 impressions '000s respectively.

    Kannada

    No changes were observed in this segment. Colors Kannada and Zee Kannada continued to be at first and second positions with 459362 impressions '000s and 407731 impressions '000s respectively. Udaya TV, Udaya Movies and Star Suvarna also retained their third, fourth and fifth positions with 220046 impressions '000s, 194338 impressions '000s and 161084 impressions '000s respectively.

    Malayalam

    Asianet, the Malayalam general entertainment channel from Star TV retained its first position this week as well with 290139 impressions '000s. Flowers TV and Surya TV exchanged their second and third positions with 96184 impressions '000s and 81179 impressions '000s respectively.

    Mazhavil Manorama and Asianet Movies retained their fourth and fifth positions respectively with 79272 impressions '000s and 64440 impressions '000s.

    Marathi

    Zee Marathi retained its first position with 364531 impressions '000s. Star Pravah and Colors Marathi swapped their second and third positions respectively with 140521impressions '000s and 133337 impressions '000s. Zee Talkies and Zee Yuva also continued to be in the fourth and fifth positions respectively with 101420 impressions '000s and 41954 impressions '000s.

    Tamil

    Sun TV retained its first position with 941998 impressions '000s. Zee Tamil and Star Vijay interchanged their second and third positions with 490228 impressions '000s and 469215 impressions '000s after interchanging their places. KTV and Sun Life retained their fourth and fifth positions with 283853 impressions '000s and 103492 impressions '000s.

    Telugu

    Star Maa continued to be on the first position with 660235 impressions '000s. Gemini TV and Zee Telugu swapped their second and third positions respectively with 494389 impressions '000s and 474375 impressions '000s. ETV Telugu and Gemini Movies also retained their fourth and fifth positions with 438988 impressions '000s and 216632 impressions '000s respectively.

  • Kalanithi Maran, Sun TV: the evolution

    Kalanithi Maran, Sun TV: the evolution

    MUMBAI: In the late eighties, a scrawny young man returned to India from the US having completed his MBA from the University of Scranton. He had lights in his eyes, fascinated as he had become by television in the US during his management freshman and graduation days.

    But television in India was a domain restricted to only state-owned Doordarshan. For a while, he dabbled in the print media that his family owned but the lure of the moving image proved too strong. So, he did the next best thing: he started producing a video magazine in Tamil.

    Kalanithi Maran had bigger ambitions; he wanted to start a TV channel in Tamil; not just a TV channel; TV channels in the various south Indian languages. With that goal in mind, he approached the then-emerging TV baron Subhash Chandra whose Zee TV had caught the imagination of the nation with edgy fast-paced general entertainment programming.

    The young man wanted a slot (one in the afternoon) on Zee TV’s service to start his own TV channel; but a Zee TV executive saw no merit in the plan and turned it down. He never got a chance to meet the goateed Chandra.  It was to prove to be a colossal mistake. However, another cable TV operator–Siddhartha Srivastava–who has the distinction of launching the first Indian private TV channel (not Subhash Chandra as many commonly believe) called ATN was more giving and provided him with a slot.

    Kalanithi cobbled together his savings and also got his father the late Murosali Maran to guarantee a bank loan for him. The same 25 friends who were working on the video magazine–Poomalai (which was by then plagued by piracy) and the cable TV programme Tamizh Maalai–stood by him and drew up the programming for the to-be-launched channel.

    Thus, Sun TV was born on 14 April 1993 beaming off the wobbly Russian satellite called Gorizont. The programming was primarily film entertainment-based. Kalanithi and his team had to work hard to build cable TV distribution infrastructure in the state, coaxing shop owners to become cable TV operators and set up headends and distribute Sun TV  so that it could be seen by Tamilians who had little else to watch in the comfort of their homes.

    His efforts bore fruit: cable TV operators soon thereafter popped up all over Tamil Nadu, courtesy consumer demand for the channel. Both fuelled each other and, by 1996, Sun TV was notching up revenue of Rs 450 million with a penetration of 86 per cent in the state. Apart from Zee TV, it was the only other channel that was sporting a black bottom line at that time.

    Kalanithi went about fulfilling his dream to have a southern Indian language network, just as Chandra was expanding his Zee Network. The aggressive young entrepreneur launched Udaya TV in Karnataka in 1994, took over Gemini TV soon thereafter and Surya TV followed.  There has been no stopping him and, today, the group runs 33 channels and another nine are being added. His portfolio covers the genres of entertainment, news, comedy, music, movies, kids and classic.

    Along the way, Kalanithi appears to have shed his inhibitions of foraying outside his comfort zone of the south–Tamil, Telugu, Kannada and Malayalam. For some time now, the Sun group has been gestating Bengali and Marathi language channels. Six to eight months from now, the two are slated to be launched and teams have been hired in Kolkata and in Mumbai. Hectic parleys are going on to decide the programming, the positioning, the distribution and marketing of the two channels.

    Kalanithi also owns 42 FM radio stations, the second-largest Tamil-circulated daily newspaper in India Dinakaran, and five other magazines, DTH platform Sun Direct and the Sunrisers Hyderabad IPL cricket team. Then, there is the cable TV network SCV, which has presence in Chennai. The Sun group made an ill-informed dash to acquire and run an airline SpiceJet, which Kalanithi found challenging to do and quickly did a volte face and sold it to Ajay Singh who has since been doing a better job. And then there is the network’s new OTT offering Sun Nxt.

    Recently, the group celebrated 25 years of its television existence with full front-page ads across select newspapers and a week of celebrations with its 1,500 employees nationwide. The ads crowed about Sun TV’s no 1 status in India and then went on to thank everyone saying it would not have been possible without “your support.” Silver coins, plates were given out to long-serving employees during the celebrations. Print ads aside, the Sun network did no press or public relations blitz–in the mainline nor the trade media.

    That’s in keeping with Kalanithi’s innate tendency to stay away from the limelight. He and the group have been publicity shy to the T. The company does not have any media relations to speak of or have a structured communications department like the other big four networks do. Star India, Zee, Viacom18, Sony Pictures Networks Television, do. Zee TV, Viacom18 and Sony Pictures all celebrated lavishly during their individual anniversaries inviting important partners, clients, and vendors.

    The shunning of the media probably stems from the fact that his roots are in one of the most important political families in the country. His grand uncle M Karunanidhi heads the DMK party, his uncles are politicians while his late father Murosali Maran held ministerial positions in various political regimes and his brother, Dayanidhi Maran, has been a minister, too.

    This apart, the group also owns powerful print media titles, which serve as a very strong platform to communicate the messaging Kalanithi wants to convey.

    All along, mutters have been doing the rounds that the Sun network got several benefits and favours courtesy Kalanithi’s political lineage. Allegations have also been hurled that Sun TV Network misused the clout and used strong-arm tactics with Tamil film producers demanding movie titles for broadcasting on his network to the exclusion of other television stations. And at surprising prices.

    Additionally, most media went to town alleging that the Sun TV network worked as a strong supporter of the DMK party. But which news channel in India does not have political backing, leaning or favourites? And Kalanithi’s DMK leaning was probably at a time when the AIADMK was going hammer and tongs against the DMK with its own party mouthpiece Jaya TV. Even then, Sun TV’s reportage at times caused heartburn to DMK supporters as Kalanithi worked on maintaining a balance.

    Moreover, over the years, most Indian TV news channels have become more blatant in their support of specific political agendas and parties–whether national or state wise or region wise. So, singling out Kalanithi as a political beneficiary is like the pot calling the kettle black.

    Finally, that myth must have been totally exploded following the distancing of grand-nephew from grand uncle and the launching of a competing television network by the DMK patriarch. Also, oodles of trouble followed with Kalanithi and Dayanidhi in relation to the 2G telecom scandal. Both have been since absolved and freed of the charges by the courts.

    The fact is that it is not political equations that have allowed Kalanithi to build his Sun group. It has been his savvy ability to see opportunity where others don’t, grab it and diligently make it successful. And he has done this fearlessly time and again–with the exception of SpiceJet. His radio stations are some of the more innovative ones and attract a wide demographic with a lot of it being youth. They are profitable. His newspapers give him wide reach and coverage and, in the process, media clout. And they make money.

    What’s above all this is the fact that Sun is highly profitable and its stock price has been holding strong when others have not. That itself speaks highly of the confidence the investor community has in him. As a businessman and as an innovator. No other media enterprise has come even close to breaking the stranglehold he has on viewers in the south; the programmers seem to understand the pulse of the Sun Network viewers. Several have tried including smaller players and the big four. But none has managed to race ahead of the Sun network.

    The Sun TV stock appears to be an investor’s darling, often times being talked of being undervalued. Both investors and shareholders have come to terms and have accepted the high pay cheques Kalanithi hands out to himself and his wife Kavery every year, ranking him among the top-paid CEOs in India.

    Many scions of political leaders have been given similar silver spoons but none have been able to scale up their ventures to the level that Kalanithi and the team Sun TV have. Clearly, credit should be given to his business acumen rather than just the political lineage.

    Clearly, it’s about time–during its silver jubilee year–Kala be given his due place in the media sun as an entrepreneur who has made it big. On his own steam.

  • Surya TV set to launch first celebrity couple show

    Surya TV set to launch first celebrity couple show

    Surya TV, leading Malyalam channel is launching “Super Jodi” its first Malayalam television reality couple show.The first episode will go on air on February 18th 2018. The show is scheduled to be aired every Sunday at 9:00 pm. Super Jodi would be the faceoff from the reel image to the real image of a star couple

    The reality show will have nine glorious heroines with their partners as the contestants. Famous cine artist Manikuttan will be hosting the show and prominent actress Swetha Menon is the celebrity judge.

    The episodes will capture behind the scenes emotions of the couples which they  undergo. Each couple would be facing various tasks every week which would test their unity, intimacy, consideration, caring and other qualities based on which the winner will emerge.

    The fun filled entertainment show would bring out the essence of relationships and also hundreds of tales from the celebrity home.

  • Sun TV to air Nandini on four GEC channels

    Sun TV to air Nandini on four GEC channels

    MUMBAI: Sun TV Network is set to launch its magnum opus fiction Nandini on all its four south Indian GEC channels, namely — Sun TV, Gemini TV, Udaya TV and Surya TV from 23 January.

    The show is scheduled from Monday – Friday at 8.30 pm time band for Udaya TV while the similar show will be aired at 9pm time slot from Monday to Saturday on Sun TV. On Gemini TV it will aired from Monday to Saturday at 9pm and Monday to Friday on Surya TV.

    Produced and presented by the acclaimed Tamil film director Sundar. C Nandini is a supernatural fiction series.

    Nandini boasts of high end graphics and big scale production values that is sure to provide the viewers a wholesome entertainment.

    The story narrates the life of a family whose life is intertwined by supernatural species.

    The star cast includes Vijayakumar, Nithya Ram, Malavika, Ramesh Pandit, Gayathri Jayaram, Narasinha Raju to name a few.

  • Sun TV to air Nandini on four GEC channels

    Sun TV to air Nandini on four GEC channels

    MUMBAI: Sun TV Network is set to launch its magnum opus fiction Nandini on all its four south Indian GEC channels, namely — Sun TV, Gemini TV, Udaya TV and Surya TV from 23 January.

    The show is scheduled from Monday – Friday at 8.30 pm time band for Udaya TV while the similar show will be aired at 9pm time slot from Monday to Saturday on Sun TV. On Gemini TV it will aired from Monday to Saturday at 9pm and Monday to Friday on Surya TV.

    Produced and presented by the acclaimed Tamil film director Sundar. C Nandini is a supernatural fiction series.

    Nandini boasts of high end graphics and big scale production values that is sure to provide the viewers a wholesome entertainment.

    The story narrates the life of a family whose life is intertwined by supernatural species.

    The star cast includes Vijayakumar, Nithya Ram, Malavika, Ramesh Pandit, Gayathri Jayaram, Narasinha Raju to name a few.