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Tag: Supriya Pathak

  • JioCinema launches Digital Film Festival starting 29 September!

    JioCinema launches Digital Film Festival starting 29 September!

    Mumbai: JioCinema, a streaming destination is all set to launch a digital film festival, JioCinema Film Fest, starting 29 September. The festival is an incredible cinematic celebration that will bring together Kala, Kalakaar aur anokhi Kahaniyaan, through 20 remarkable films across 20 days. These captivating and award-winning stories will bring together a distinguished repertoire of artists such as Nawazuddin Siddique, Naseeruddin Shah, Ira Dubey, Supriya Pathak, Sheeba Chaddha, Amit Sadh, Satish Kaushik, Rajat Kapoor, and Adah Sharma amongst others.

    A celebration of India’s rich storytelling, JioCinema Film Fest includes a robust line-up of films such as The Comedian that will throw light on an ageing comedic actor in the Indian film industry who has no laughter left in his life and Birha (The Journey Back Home), a winner at multiple international film festivals that describes the heart-wrenching story of a family that tears apart due to the unjustified ambitions of a young child.  Other films in the line-up include Ghuspaith: Between Borders, which inspired by the life and tragic death of renowned Indian photojournalist Danish Siddiqui; Rat in the Kitchen, a Neo-Noir Thriller is a story of a man going through loneliness and witnessing surreal experiences while being home alone; Bebaak is a gripping film about a woman’s identity crisis as a Muslim woman in India, trying to make her place in a prejudice-ridden world. Set in an Indian town under curfew, The Daughter is a film about a young woman who sets out in search of a man who can help her carry out an act that will test her limits.

    In addition to this, the film festival boasts of some exceptional stories that include Ring Mili Kya, Munna Ka Bachpan, Laar, Mein Mehmood, Gangster Ganga, Armaand, Maachis Ki Dibiya, Phone Call, Murakh (The Idiot), Before We Die, Dammy, The Last Envelope, Coming Out with the help of a Time Machine and Kofuku.

    Witness the magic of films, starting 29 September streaming exclusively on JioCinema Film Fest. 

  • Zee Cinema to air Taapsee Pannu-starrer ‘Rashmi Rocket’ on 27 Nov

    Zee Cinema to air Taapsee Pannu-starrer ‘Rashmi Rocket’ on 27 Nov

    Mumbai: Zee Cinema is set to telecast the world TV premiere of Taapsee Pannu-starrer “Rashmi Rocket” on 27 November at 8 p.m.

    The film tells the inspiring story of Rashmi Vira (Pannu) – a spirited tomboy from Kutch, with a carefree childhood and supportive parents who always encouraged her to push her limits and become a world athletic champion. However, her career comes to a dead end when she becomes a victim of gender bias faced by female athletes. Thereafter, begins her journey to overcome all barriers and fight for justice.

    Directed by Akash Khurana, the film also features Abhishek Banerjee, Supriya Pathak, Supriya Pilgaonkar and Priyanshu Painyuli in pivotal roles.

    “Playing the role of captain Gagan in Rashmi Rocket has been more than special to me. Growing up, I witnessed the journey of my dad who is a retired colonel from Assam regiment. It’s because of him that my fascination and inclination towards the armed forces only grew, while acting is something that is my passion,” said Priyanshu Painyuli on his character in the film. “My love for cinema and the deep respect for the army perfectly coalesced in this role and I am only grateful that it was offered to me. I remember sending pictures to my family in the army uniform and they all told me that I resembled my dad from his early days as a young captain.”

    “Whenever I pick a role, I place the script and the character at the primal importance. When I read about my character in the film, I was immediately intrigued as Eeshit is someone who fights for a cause – an athlete, someone who takes a stand and wants to bring about a change,” said Abhishek Banerjee. “To prepare for the role, I always thought of someone who fights for change and maybe that’s why I connected with the character. I think this came as a great opportunity to understand a human-like that and it inspired me in ways I didn’t imagine.”

  • Ariel’s Dads#ShareTheLoad campaign receive appreciation from consumers & industry

    Ariel’s Dads#ShareTheLoad campaign receive appreciation from consumers & industry

    MUMBAI: Launched in February of 2016, Ariel India’s Dads#ShareTheLoad campaign has garnered widespread acclaim from consumers, media, advertising and marketing industry as well as celebrities, for its impactful message of change. The movement, dedicated to addressing the cycle of gender prejudiced, sparked conversations across multiple touchpoints, leading to a massive participation from consumers, with 2.1 mn men pledging their support to the cause. 2600 men showed their solidarity towards gender equality by creating a Guinness World Record of most number of men washing clothes together.

    With 2 out of 3 children believing that laundry is a mother’s job, gender biases within the household are subconsciously passed down from one generation to the next. Powered by Ariel Matic’s 1-Wash superiority, the brand joined women in asking Dads to #ShareTheLoad, since anyone can get great laundry results with Ariel.

    Speaking on this occasion, Fabric Care India associate director Sharat Verma said, “We are delighted with the reception to the movement and we are thrilled to have been recognized at an internationally celebrated platforms like the Cannes Lions. This is a testament to the message of the movement and the resonance it’s had with our consumers. Ariel India will continue to join women across the country to address gender prejudice, and we will continue to encourage more dads and husbands to #ShareTheLoad, since with Ariel Matic anyone can get great laundry results.”

    The film went viral internationally and garnered over 50 mn views in just 50 days. The emotionally appealing film, received extensive support from men and women, across countries and continents, paving the way from global recognition.

    Based on a true consumer insight that has resonated globally, Ariel India joined women across the country in bringing to surface the cycle of gender prejudice. This powerful message was very well received by Advertising and Marketing industry, testament by the wide number of awards that came their way.

    The films have also received the support and endorsement of a wide variety of International and Indian celebrities and partners including – Sheryl Sandberg, Melinda Gates, Pankaj Kapoor, Supriya Pathak, Tabu, MandiraBedi, Neha Dhupia, Irrfan Khan, Mary Kom, Sharmila Tagore, Soha Ali Khan, KalNirnay, Tinkle, Whirlpool and Akshara Centre.

    The campaign bagged top international honors at the Oscars of the marketing and advertising world – The Cannes Lions, by taking home an unprecedented 5 Cannes Lions. Ariel India has now become the most awarded Indian campaign in the event’s illustrious history.

    it has won various other accolades which are listed below.

    1. Cannes Glass

    – Ariel Matic for India Mumbai, India.

    2. Cannes Bronze

    – Ariel Matic for Creative Effectiveness, India.

    – Ariel Matic in Cyber for Social Purpose, India.

    – Ariel Matic – India in Entertainment for Online: Fiction 15 Minutes or Under in Length, India.

    – Ariel Matic –India in Short Fiction Film (Under 10 Minutes) in Film, India.

    3. Laadli Grand Prix Award

    4. ADFEST: 1 Silver, 2 Bronze

    5. Dragons of Asia: Black Dragon, Silver, Bronze

    6. EMVIES: 2 Gold, 1 Silver, 1 Bronze

    7. Bloomberg Disruptor: Winner, FMCG

    8. Festival of Media: 1 Gold, 1 Silver, 1 Bronze

  • Ariel’s Dads#ShareTheLoad campaign receive appreciation from consumers & industry

    Ariel’s Dads#ShareTheLoad campaign receive appreciation from consumers & industry

    MUMBAI: Launched in February of 2016, Ariel India’s Dads#ShareTheLoad campaign has garnered widespread acclaim from consumers, media, advertising and marketing industry as well as celebrities, for its impactful message of change. The movement, dedicated to addressing the cycle of gender prejudiced, sparked conversations across multiple touchpoints, leading to a massive participation from consumers, with 2.1 mn men pledging their support to the cause. 2600 men showed their solidarity towards gender equality by creating a Guinness World Record of most number of men washing clothes together.

    With 2 out of 3 children believing that laundry is a mother’s job, gender biases within the household are subconsciously passed down from one generation to the next. Powered by Ariel Matic’s 1-Wash superiority, the brand joined women in asking Dads to #ShareTheLoad, since anyone can get great laundry results with Ariel.

    Speaking on this occasion, Fabric Care India associate director Sharat Verma said, “We are delighted with the reception to the movement and we are thrilled to have been recognized at an internationally celebrated platforms like the Cannes Lions. This is a testament to the message of the movement and the resonance it’s had with our consumers. Ariel India will continue to join women across the country to address gender prejudice, and we will continue to encourage more dads and husbands to #ShareTheLoad, since with Ariel Matic anyone can get great laundry results.”

    The film went viral internationally and garnered over 50 mn views in just 50 days. The emotionally appealing film, received extensive support from men and women, across countries and continents, paving the way from global recognition.

    Based on a true consumer insight that has resonated globally, Ariel India joined women across the country in bringing to surface the cycle of gender prejudice. This powerful message was very well received by Advertising and Marketing industry, testament by the wide number of awards that came their way.

    The films have also received the support and endorsement of a wide variety of International and Indian celebrities and partners including – Sheryl Sandberg, Melinda Gates, Pankaj Kapoor, Supriya Pathak, Tabu, MandiraBedi, Neha Dhupia, Irrfan Khan, Mary Kom, Sharmila Tagore, Soha Ali Khan, KalNirnay, Tinkle, Whirlpool and Akshara Centre.

    The campaign bagged top international honors at the Oscars of the marketing and advertising world – The Cannes Lions, by taking home an unprecedented 5 Cannes Lions. Ariel India has now become the most awarded Indian campaign in the event’s illustrious history.

    it has won various other accolades which are listed below.

    1. Cannes Glass

    – Ariel Matic for India Mumbai, India.

    2. Cannes Bronze

    – Ariel Matic for Creative Effectiveness, India.

    – Ariel Matic in Cyber for Social Purpose, India.

    – Ariel Matic – India in Entertainment for Online: Fiction 15 Minutes or Under in Length, India.

    – Ariel Matic –India in Short Fiction Film (Under 10 Minutes) in Film, India.

    3. Laadli Grand Prix Award

    4. ADFEST: 1 Silver, 2 Bronze

    5. Dragons of Asia: Black Dragon, Silver, Bronze

    6. EMVIES: 2 Gold, 1 Silver, 1 Bronze

    7. Bloomberg Disruptor: Winner, FMCG

    8. Festival of Media: 1 Gold, 1 Silver, 1 Bronze

  • psLIVE allies Parivar with ‘All Is Well’ for effective marketing

    psLIVE allies Parivar with ‘All Is Well’ for effective marketing

    MUMBAI: Experiential marketing division from Dentsu Aegis Network, psLIVE has facilitated a marketing tie-up of the tea brand Parivar with Umesh Shukla’s latest movie – All Is Well. 

     

    With Bollywood emerging as a marketing tool that can be strategically used by brands to talk to consumers, psLIVE assisted Sapat International to associate its tea brand Parivar with the movie as the positioning of both the brand and the film exhibit an extremely seamless fit.

     

    The promos from the All Is Well stable clearly suggest that the movie directly targets family consumption – a coherent purpose that Parivar also desires to achieve.

     

    As part of the tie-up, Sapat International created a co-branded television commercial with All Is Well in an attempt to capitalise on this psLIVE-helmed partnership.

     

    Sapat International group managing director Nikhil Joshi said, “It was an extremely important opportunity that was brought to us at the right time. The way it was presented to us by psLIVE, we knew instantly that the integration cannot be missed. The TVC gave us a chance to amplify the association and market Parivar on a massive scale.”

     

    To leverage the integration amongst maximum audience, the brand too is promoting the movie through the co-branded TVC in addition to a print campaign and ‘on-pack’ packaging.

     

    psLIVE vice president Sidharth Ghosh added, “All Is Well seemed to be a perfect fit for the tea brand ‘Parivar’ as both seamlessly blend with each other. This association will increase the brand recall. At psLive, we are extremely delighted having initiated this integration.”

     

    The movie stars Rishi Kapoor, Supriya Pathak, Abhishek Bachchan and Asin in lead roles.

  • ‘All Is Well’: Not really

    ‘All Is Well’: Not really

    MUMBAI: Some films one just goes to watch without expectations. 

    Same is the case with All Is Well despite being directed by Umesh Shukla, who earlier gave us OMG: Oh My God. This is because, if the script does not add up to much and the credits list actors who are not known to carry a film on their own shoulders, no director can work miracles. 

    The film promises to be at least a visual delight as it takes off in Bangkok but that is just a bait. It soon moves rock stock and barrel into the hinterlands of North India, probably Haryana or is it Punjab? Well, the language and the attires seem to be those of Punjabi / Sikh and so is the ambience. Soon, it stops mattering for, if the makers don’t know, how could we?

    Abhishek Bachchan is a writer and composer of music who has been trying to get a break to cut an album in Bangkok. May be, Bangkok is where new talent in Hindi music are launched!?! Tiku Talsania seems to be the man who holds a monopoly in launching new talent. However, he does not invest; an aspirant has to finance his own album. That is where Abhishek falls short for he has no money. 

    Back home, Abhishek has parents, mother Supriya Pathak and father Rishi Kapoor. This is one messed up family suffering from total lack of communication despite being a family of three. Rishi has inherited a bakery from his father, which has a customer base of around four people. He is badly off, has no ambitions and gives vent to his frustration on his son and wife thus estranging Abhishek, who he asks to leave. Abhishek’s passion is his guitar and his music, which Rishi dislikes. 

    Abhishek has to raise money so that Tiku can launch him and that is when he gets a communication from his father’s lawyer that Abhishek needs to come to India and sign an agreement to sell off the bakery premises since his grandfather left it in the joint name with his father. Abhishek wants nothing of it but his friend convinces him that this probably is the money he was looking for his album. 

    Abhishek also has an admirer in Asin who loves him and wants to marry him. She is in a hurry to convince Abhishek because her father has already found a suitor for her back home. Both are on their way to India and end up taking the same flight. They also end up using the same cab (clichés never went out of fashion). Asin is glued to Abhishek, at times by her own devise, at others, by the writer’s plotting. 

    When Abhishek reaches home, he learns that he has been really fooled into coming by a goon, Mohammed Zeeshan Ayub, to whom Rishi owes a lot of money. The goon wants the bakery premises in lieu of his money. Soon, Abhishek also learns that there is not a single person in his town to whom Rishi does not owe money! The bickering between father and son resumes after a ten year break. Supriya has been conveniently put out of scene consigned as an Alzheimer affected patient, who is left to be a mute spectator to father and son’s verbal duals.

    Here on, the makers seem to decide to take it as it comes with no particular sequence of events as father and son play hide and seek with Mohammed and his bunch of buffoons who pass off as his toughies. In between the mess, they realise that they actually love and care for each other. For whatever corny reason, Rishi had divorced Supriya so Abhishek decides to get them married again. Abhishek has also paid up Mohamed’s dues by selling his songs to another singer against his principles and wishes. 

    That done; it is now Rishi and company’s turn to get Abhishek and Asin together. For convenience sake, Asin’s suitor has decided to marry her cousin. 

    All Is Well is a poorly conceived, half-baked script. Substance is at premium here. The director is totally at sea doing a patch up job giving the film a last century B grade feel and the set designs making it only worse. Even regional films or limited budget small films have more finesse. Editing could have been better. The film has various singers giving voice to Abhishek or his none lip-sync number, which sounds rather odd. The only hummable song is Baaton ko teri…composed by Himmesh Reshamiya (the film has four composers besides having borrowed a number from Anand Milind’s score from Qayamat Se Qayamat Tak).

    Performances are generally bad. Even Rishi does not bother to act. Abhishek and Asin both suffer from poorly etched characters. Supriya manages to look blank forgetting to act; Alzheimer makes a patient forget things, you know. 

    Talking of expectations, All Is Well is a let-down even for one with no expectations.

    Producers: Bhushan Kumar, Kishan Kumar, Shyam Bajaj, Varun Bajaj

    Director: Umesh Shukla

    Cast: Rishi Kapoor, Supriya Pathak,  Abhishek Bachchan, Asin, Mohammed Zeeshan Ayub and Sonakshi Sinha in an item number

  • Emraan Hashmi starred ‘Tigers’ to release next year

    Emraan Hashmi starred ‘Tigers’ to release next year

    NEW DELHI: The Emraan Hashmi starrer ‘Tigers’ directed by Danis Tanovic will be released in India on 6 March next year.

     

    Produced by Prashita Chaudhary of French company Cinemorphic and co-produced by Guneet Monga of Sikhya Entertainment apart from Anurag Kashyap and others, Tigers is a true story of the salesman who blew the whistle on the baby food scandal in Pakistan.

     

    It also stars Geetanjali Thapa, Supriya Pathak and Khalid Abdalla. The film’s music has been composed by Pritam. A salesman working in the pharmaceutical industry in Pakistan, discovers its truths, while selling baby formula products, and tries to fight against the system.

     

    “I’m curious to see how Indians react to Tigers. I’m very happy with the response at the festivals. The theatrical release is the next frontier,” said Tanovic.

     

    The film premiered at the Toronto International Film Festival in September this year followed by a screening at the San Sebastian Film Festival. 

  • ‘Bobby Jasoos’…open and shut case

    ‘Bobby Jasoos’…open and shut case

    MUMBAI: Bobby Jasoos is a curious mix of a light film, a romantic film, and a Muslim family social drama while also packing in a bit of suspense.

    Vidya Balan belongs to a traditional Muslim family from Hyderabad but her interests are not very traditional. She wants to become a private detective. When she seeks a job at an established detective agency, she is turned down. She then decides to start her own agency right opposite this agency. Her assignments are from fellow Muslim men and women from her neighbourhood, a dense Muslim locality.

     One of her clients is Ali Fazal; every time his family wants him to get married and choose a girl for him, he asks Vidya, Bobby Jasoos, to find some negative thing about the girl and to convey that to his parents so the marriage is put off. However, these are petty assignments earning her in the low thousands. What is more, she has to use the tea stall of a friend, Akash Dahiya, for her meetings with clients and has to order tea so that he gets some business for letting her use his joint. Her other sidekick is Prasad Barve, who runs a cyber cafe in the area.

    But Vidya has a problem at home. While her mother, Supriya Pathak Kapur, loves her like any mother would love her ward, her father is upset about her way of life and refuses even to talk to her. That is the family drama part of the film.

    Producers: Dia MIrza, Sahil Sangha, Reliance Entertainment.

    Director: Samar Shaikh.

    Cast: Vidya Balan, Ali Fazal, Arjan Bajwa, Zarina Wahab, Supriya Pathak, Tanve Azmi, KIran Kumar, Rajendra Gupta, Prasad Barve, Aakash Dahiya, Anupriya Goenka

    While working on her petty cases, Vidya suddenly gets her big break. Kiran Kumar, a very stern and suspicious looking person, walks into her life and offers her an assignment with wad of currency as well as an expense account. All she is given is a name and age of a girl and a birthmark on her palm to trace her. With funny trial and error methods, Vidya manages to find her.

    With this success follows another assignment at double the fees. She has to find another girl, again with only a name, age and a birthmark. Vidya is elated and wants to share her success with her father, but he will have nothing of it. For him, this is not how a traditional Muslim girl of 30 behaves.

    Somehow, Vidya succeeds in tracking this girl too through the pretext of carrying out a screen-test for a TV serial. And, now, Kiran Kumar is ready to give her a third and last case. She has to find a young man and is given his name but this time there is no birth mark. Only hint is that the boy has a toe missing in his right leg. But, by this time, Vidya is convinced Kiran Kumar is not a good man and lays a trap to find out his background. This is also the time to end the cat and mouse game and open the cards.

    Bobby Jasoos is basically a Vidya Balan show in toto. Her various getups are well done but the real Vidya pops out of each of them. But what is good about the casting is that, in the supporting cast, the film has a host of veterans in Kiran Kumar, Rajendra Gupta, Zarina Wahab, Supriya Pathak, Tanve Azmi and an effective Arjan Bajwa. The veterans live up to their reputation while the rest of the supporting star cast also does well. Ali lives up to the confidence of casting him.

    But as Vidya’s two lives are juxtaposed: that of family and her love to play detective, the film wavers, loses grip. The suspense created around Kiran Kumar and Bajwa shadowing Vidya turn out to be damp squibs. Gupta and Vidya’s equation, which remained ice cold throughout, changes in a few minutes’ worth of melodrama, which is cliché. Thankfully, there is little of music to slow the pace further.

     With Hyderabad as backdrop and a Muslim background, the release of Bobby Jasoos bang in the middle of the month of Ramzan shows utter lack of wisdom. 

    ‘Lekar Hum Deewana Dil’… going nowhere

    Lekar Hum Deewana Dil is a campus love story. There is a usual group of a bunch of friends, which includes the lead pair. The bunch generally has a good time because they are never in a class room but hang around the campus all day. The hero sports a guitar around his neck on daily basis. So what’s new?

    Armaan Jain and Deeksha Seth are college friends and they are in love but not quite aware of the fact, while to rest of their friends it is obvious that there is more than mere friendship. These two realise they are in love only when they have guzzled a few bottles of beer. Every love story needs a villain so in their case, the villain is the north-south divide. Deeksha is a south Indian and her father believes in maintaining traditions.

    Producers: Dinesh Vijan, Saif Ali Khan.

    Director: Arif Ali.

    Cast: Armaan Jain, Deeksha Seth.

    Besides his guitar, Armaan also owns a bike, mandatory for any college going young man in films! When Deeksha’s father is determined to marry her off to a suitor from his own community, she and Armaan decide to elope. Their first stop is Goa where they take shelter at Armaan’s uncle’s place. Soon the uncle betrays them and informs his family. The couple has to flee in hurry. And, of all the places, they land up in Maoist territory! Meanwhile, they have found the time to go through a temple wedding.

    Their stay at the Maoist camp is used to force in an item song and put on test the romance of the two immature people. Their love snaps under pressure and the bad circumstances they have landed in. The couple now hate each other as much as they loved earlier. Back in Mumbai, the divorce procedure starts at a family court. Sessions with a marriage counselor don’t work as both start fighting at the very sight of the other.

    As the divorce process is in progress, both embark on a great nostalgia montage of their good times together. Such montages have saved many broken romances in so many films so far so why should it not work here too? After all, love stories are all about happy endings. This is no Romeo and Juliet.

    Despite launching a new pair, with the hero much touted as the grandson of late Raj Kapoor, the film seems to be more about saving money rather than spending on it. With two new faces, there is nobody in the supporting cast whom one may have seen before. To add to that, even the promotion leaves much to be desired.

    The story is woven around a very flimsy plot. Screenplay is poor and so is the direction. With a song being forced in at every excuse, just a single number, Khalifa….. seems to have worked with youth. Rest of the aspects are below average. As for performances, Armaan is certainly not an actor; he is too raw and chocolaty. Deeksha, because of her south experience, does better.

  • Vidya Balan gets ready to play a sleuth

    Vidya Balan gets ready to play a sleuth

    MUMBAI: She is not considered the ‘Ms Perfectionist’ of Bollywood for no reason. There’s something about her that has added this tag to her name. We are talking about Vidya Balan, who after portraying a quirky Punjabi woman in Ghanchakkar and making headlines for her odd pairing with Farhan Akhtar in the upcoming Shaadi Ke Side Effects, is back in the news again – this time for getting in to the character of Bobby Jasoos.

     

    On Monday morning, pictures of the actress disguised as a beggar came out in the news. According to reports, the actor was so much in to the character that during the shoot a woman even gave her some money. The actor who has always pushed the boundaries to get in to the character is doing the same again.

     

    And the film’s producers know they have got an awesome performer on board. Dia Mirza, who is producing the movie along with Sahil Sangha, tweeted the picture from the shoot and wrote, “That’s our #BobbyJasoos in DISGUISE 😉 She’s one of a kind. #VidyaBalan”.

     

    The film went on the floor on November 23, 2013 in the picturesque city of Hyderabad and will be shot in one schedule, over a span of 55 days, amongst a host of never seen before real locations that stand testament to the vibrant and royal cultural history of Hyderabad, as it aims to be a summer 2014 release.

     

    Producers Dia Mirza and Sahil Sangha have put together a strong supporting cast that surround Vidya Balan in a pulsating, thrilling and most importantly heartwarming tale of a woman whose solitary dream is to become the numero uno private eye of her community. The cast includes Ali Fazal, Arjan Bajwa, Anupriya, Supriya Pathak, Tanvi Azmi, Aakash Dahiya and Rajender Gupta amongst others. The film also marks the return of Kiran Kumar who has been away from the big screen for some time and the makers are more than excited to present him in a dynamic new avatar.

     

    Shantanu Moitra and Swanand Kirkire are collaborating on the music of the film.

     

    Dia said in a release, “The idea of Bobby Jasoos was born over a year and a half ago. Today, blessed with an ideal cast and fantastic crew we are ready to roll and nothing gives me more pleasure. The actors have been busy in workshops, readings, look tests and their enthusiasm and excitement is palpable. Vidya has ably led from the front and her dedication to preparing for this part is evidence to the fact that she is an actor who continues to respects the craft and is hungry for more despite achieving so much already. I can’t wait for Bobby to be unleashed.”