MUMBAI: When your lead actor jokes, “I’ve mastered dying on screen,” you know a show isn’t playing it safe. At the 9th edition of The Content Hub Summit 2025, the spotlight fell on Netflix’s Rana Naidu’s second season, an audacious blend of blood, baggage, and brutal family dynamics that’s got everyone talking (and watching).
Director Suparn Verma, screenwriter Vaibhav Vishal, and actor Sushant Singh were joined by session chair and RJ Stutee Ghosh for a frank, no-holds-barred conversation on the show’s gritty new season where the emotions run as high as the body count.
“Reaching the heart is the real win,” said Verma. “The kind of emotional and thematic depth we’ve explored this season, I genuinely believe it hasn’t been done before in Indian storytelling.”
Indeed, the father-son conflict, explored with near-mythological gravitas, was framed by Verma in classic archetypes: “There’s a Shakti, a Vishnu… and now, with Angam, we’ve created a force that’s just as primal and layered.”
But it hasn’t all been smooth sailing. The team faced backlash after Season 1 for its raw language and depiction of abuse. Vaibhav Vishal admitted that it did prompt some introspection and even self-censorship but only to widen the show’s reach without diluting its essence.
“There was a lot of criticism, and I’d be lying if I said it didn’t affect me,” he said. “But then came the numbers. That’s when we knew we weren’t off-track Rana Naidu shot up to become the number one show.”
Sushant Singh, whose character meets a dramatic end in the new season, brought humour to the session. “He told me during the loop test, ‘You’re going to die.’ I just smiled and said, ‘I’ve mastered dying on screen by now.’”
The team also addressed representation especially of women with intention. Vishal noted that Arya’s character this season wasn’t written as a love interest or sidekick. “In her mind and ours, she’s the main character.”
This season also marked a shift in tonal choices. While the violence has intensified, the language has been consciously restrained. “We created narrative solutions,” said Vishal. “Like Venkatesh’s character doing Angoom Gilo to avoid abusing, it was all thought through.”
The makers are clear-eyed about the creative trade-offs involved in storytelling for a broad OTT audience. “You adapt, learn, evolve,” said Vishal. “Once Season 1 was out and we saw how the family dynamic resonated, we layered it back in for Season 2.”
OTT, for actors like Sushant Singh, has also offered meatier roles than cinema ever did. “It’s given me hope,” he said. “The kind of characters I’ve gotten on streaming platforms are far richer than most I got in films.”
The Netflix show creators didn’t shy away from controversy, but they also didn’t pander. Their belief? Let the characters be flawed, the dialogue be daring, and the women be unapologetic.
And if a few heads roll in the process well, that’s just part of the Naidu family tradition.
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