Tag: Sunshine

  • Viu Sweeps Six National Asian Academy Creative Awards

    Viu Sweeps Six National Asian Academy Creative Awards

    MUMBAI: Viu has won 6 (six) Asian Academy Creative Awards for its Originals out of Indonesia and Malaysia. Receiving top honors in the national qualification round were:

    ●      Best Drama Series for “The Publicist”, Viu Indonesia

    ●      Best Promo or Trailer for “The Publicist”, Viu Indonesia

    ●      Best Theme Song for “Matahari” (“The Sun”) by Alyandra, for “Sunshine”, Viu Indonesia

    ●      Best Actress in Supporting Role for Poppy Sovia for her role as Erika in “The Publicist”, Viu Indonesia

    ●      Best Actor in Supporting Role, for Michael Kho in his role of Arik in “KenapaHarusBule?”, Viu Indonesia

    ●      Best Branded Program for “I Am Woman”, Viu Malaysia

    Since its launch in 2016, Viu has focused on creating content that resonates with millennials. Viuhas created Originals in many local languages including Chinese, Hindi, Arabic, Tamil, Bahasa Indonesia, Bahasa Malay, Telegu and Arabic and is releasing 70 local originals in total in 2018 alone.Viu’sapproach to creating Originals has always been to work with local talent to tell local stories with international-quality production for a global audience. This has resonated with the more than 20 million monthly Viu’ers worldwide.

    “The OTT category has evolved over the past few years to a stage where today on a global basis some of the best shows and talent are emerging from this category. We are certainly focused in pioneering this content transformation in our markets of South East Asia, Middle East & Africa and Indiaand are pleased to be recognized for the results. Millennials are responding well to our efforts and rallying to form a habit of regularly watching shows on Viu,” said Arun Prakash, President and COO of Vuclip.

  • Sun Direct to spread sunshine among subscribers

    Sun Direct to spread sunshine among subscribers

    MUMBAI: Sun Direct has decided to go the extra mile for its customers. The DTH provider will set up customer experience centres, by the name ‘Sunshine’, across four major cities in South India.

    Speaking about the endeavour, Sun Direct managing director Mahesh Kumar says: “We want to facilitate better customer service. ‘Sunshine’ will act as a service hub for customers, who can walk into any service centre to resolve their queries, right from recharging packs to resolving issues related to set top boxes (STBs).”

    Kumar admits digitisation is also responsible for Sun Direct’s increased focus on customer needs. “We have to expand our reach if we want to compete with cable operators post digitisation,” he says candidly.

    The DTH player will launch 500 centres in the south, with already around 15 to 20 centres being opened on a weekly basis. “Since 85 per cent of our customer base is in the south, we are focusing on the region and not expanding in any other region,” says Kumar, defending the choice of region.

    So what’s the objective of these ‘Sunshine’ stores? “It’s a key movement in making strong inroads into smaller towns, where a multitude of services and solutions can be offered under a single roof.  We are sure that this last mile customer touch point will be a game changer in DTH adaption across small towns in India, thereby ensuring a higher level of customer satisfaction,” explains Kumar.  

    Technicians will provide service facilities at these stores “to ensure that quality servicing of our equipment happens with minimum down time,” he adds.

    He goes on to elaborate that there will be service engineers attached to each centre and “Complaints captured through our call centres will be passed to these service engineers or attached to the ‘Sunshine’ centres, where they will be resolved.”
    Based on a franchisee model, Sunshine stores will be set up by Sun Direct in partnership with local players from the service industry, who will attend to customers’ concerns based on norms prescribed by the company.

    Asked about the revenue model, Kumar says: “It will be on commission basis and will depend on the business each store generates. There is no fixed model since a better location will mean a better ROI. We are anyways not looking at it as a revenue generating business.”  

    According to him, the choice of a franchisee model is because: “We plan to set up 500 such centres, and if we had to do it ourselves, it would need more employees. Also, it would be difficult to handle such volumes ourselves. So we are instead encouraging people who are interested in spending the money to set up the stores.”

    To start with, Sun Direct will support the ‘Sunshine’ stores till such time a minimum ROI is established. “Investment will be done by the partners and we will be giving them branding support,” says Kumar.

    The store creative, designed by JWT, will have a standard format, with store dimensions ranging between 150 and 300 sq ft, depending on the requirements of the specific town. However, “the stores will have a standard colour code and they will be similar in look and feel,” says Kumar.

    He points out they are choosing such locations which can be easily accessed by customers. “Also, through this, we will attend to all customer needs like providing them all means of recharge, addressing their complaints related to STBs and also provide an instant swap of boxes. The store is more like a Sun Direct store which is focused on post acquisition and not on adding new customers,” he emphasises.

    Others in the business question the initiative, saying that Sun Direct’s focus should be elsewhere.

    Says Tata Sky CEO Harit Nagpal: “We had started a service like this long back, but stopped it later. The reeason being simple: you don’t expect your customers to carry the STBs to the service centers. Customers can register complaints through the call centres and we can reach out to them anywhere to resolve issues. Also there are several ways to recharge packs.”

    On its part, Sun Direct says it is all part of its endeavour to improve the customer experience. Earlier this month, it revamped its customer care portal www.my.sundirect.in in a bid to provide ease of use to existing and new subscribers.

  • Romedy Now’s yellow spreads sunshine

    Romedy Now’s yellow spreads sunshine

    MUMBAI: The latest addition to the existing bouquet of English entertainment channels is Romedy Now; launched by the Times Television Network (TTN) just yesterday.

    Despite being the Times Network’s fourth offering after Times Now, ET Now and Movies Now, Romedy Now is unique in terms of its logo and packaging as well as what it stands for.

    For a channel that summarises ‘love and laughter’, the logo is apt – a deep sunshine yellow; a colour that would appeal to both male and female audiences.

    London-based digital agency Weareseventeen that has done the entire packaging of the new entrant claims a lot of thought went into designing the logo. “The tone we wanted to convey was not specific to any genre, but rather just a positive and upbeat feel,” says creative director Stephen Simmonds. The logotype aims at a balance between sophistication and legibility, with subtle playfulness.

    English Entertainment Channels CEO (TTN) Ajay Trigunayat too is happy with what the agency has created for them. “Our colour signifies cheerfulness. It’s got a lot of joy and happiness in it,” he says. The OSP (on screen presentation) has been created in such a way that every time a viewer tunes in, he/she will be met with depth and sophistication.

    It was around May this year that TTN took its idea to Weareseventeen, leaving it to them to create a package for Romedy Now. In the course of a study the agency undertook, they found that movies with romance and laughter usually have a man and woman meeting and then parting ways due to differences, but ultimately join again. They used this to create the on-air package. “This core theme of 'coming together' would influence our entire on-air system, with tune-in type and backgrounds joining together in every OSP item,” says Weareseventeen strategic director George Alexander.

    The two sides put their heads together to try out new innovative ideas for the OSP. “The extensiveness of the OSP kit is also unique with top line tune-in versioning being built into the package as opposed to versioned after delivery,” adds Simmonds.

    The project was helmed by a core team of six people comprising the creative director, strategic director, design director, senior designer, animator and executive producer. Other members included 2D and 3D animators and producers. Neon TV assisted as the VFX provider for the post-production of the idents while music and sound designing was done by Boys of Toys Audio.
    George Alexander and Stephen Simmonds have applied their creative liberty to Romedy Now

    “We essentially wanted Romedy Now to have its own contemporary take on gloss and glamour, leading the field when it comes to sophisticated and innovative on-air design,” says Alexander, adding that the newbie is ready to experiment with new ways of delivering on-screen information.

    While the channel with its distinctive yellow stands out from its sister channels with their generous splash of red, it remains to be seen whether it will connect with people the way it claims to…