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Tag: Sultan

  • Zeel channels continue to rule Hindi channels; Colors, Star Maa return to across genres list

    Zeel channels continue to rule Hindi channels; Colors, Star Maa return to across genres list

    BENGALURU: Zee Entertainment Enterprises Ltd (Zeel) free to air (FTA) Hindi GECs Zee Anmol and flagship Zee TV were once again ranked second and third in Broadcast Audience Research Council of India (BARC) weekly list of top 10 channels across genres for week 37 of 2018 (Saturday, 8 September 2018 to Friday, 14 September 2018). Viacom 18’s flagship Hindi GEC Colors returned to BARC’s across genres list at rank seven during the week under consideration. The channel has been present for 27 of the first 37 weeks of 2017in BARC’s across genres list. Star India’s flagship Telugu GEC Star Maa also re-entered BARC’s across genres list at rank six in week 37 of 2018. Star Maa was present for 29 of first 37 weeks of 2018 in BARC’s across genres lislts. Since Sun TV occupied its normal rank one, Zee Anmol and Zee TV topped Hindi channels – GEC as well as Hindi movies during week 37 of 2018.
    One channel each from the Hindi movies, Tamil and Telugu genres and seven Hindi GECs were present in BARC’s across genres list for week 37 of 2018. From the networks’ perspective, as has become almost the norm, there were once again four channels from the Star India network in the list. There were two channels each from Zeel and Sony Pictures Network India (SPN), and one channel each from the Sun TV Network and Viacom18.
    As mentioned above, at its normal first rank in week 37 was the Tamil GEC Sun TV with 1,043.906 million weekly impressions as compared to 1,063.806 million weekly impressions in week 36 of 2018. Sun TV also led BARC’s weekly list of top 5 Tamil channels in the Tamil Nadu and Puducherry market and all of the 5 programmes in BARC’s list of top 5 Tamil programmes during primetime in these markets based on average rating across all airings (original and repeat) in the week under review were aired on Sun TV.
    Continuing at its second rank in week 37 of 2018 was Zee Anmol with 816.131 million weekly impressions as compared to 840.010 million weekly impressions in week 36. Zee Anmol was also ranked first in BARC’s weekly list of top 10 Hindi GECs in HSM (U+R) and HSM (R). The Balaji Telefilms produced soap Kumkum Bhagya aired on Zee Anmol was ranked third in BARC’s list of top 5 Hindi GEC programmes during primetime based on average rating across all airings (original and repeat) in the week in HSM (U+R) and was ranked first in HSM (R). Another soap from the channel, Mahek, was ranked second in HSM (R).

    Also retaining its third place was Zee TV with 723.225 million weekly impressions as compared to 721.364 million weekly impressions in week 36. Zee TV was ranked second in BARC’s weekly list of top 10 Hindi GECs in HSM (U+R), fourth in HSM (U) and seventh in HSM (R) during the week. Two programmes that were aired on Zee TV- Kumkum Bhagya, and its spinoff Kundali Bhagya were at fourth and second ranks respectively in BARC’s list of top 5 Hindi GEC programmes during primetime based on average rating across all airings (original and repeat) in the week in HSM (U+R) and HSM (U). Kundali Bhagya on Zee TV was ranked fourth in HSM (R) during primetime.
    Star India’s FTA channel Star Utsav also retained its fourth rank in week 37 of 2018 with 695.203 million weekly impressions as compared to 669.262 million weekly impressions in week 36. Star Utsav was ranked third in BARC’s list of top 10 Hindi GECs in HSM (U+R), second in HSM (R) and was ranked seventh in HSM (U). The soap Rabba Ve aired on Star Utsav was ranked fifth in BARC’s weekly in BARC’s list of top 5 Hindi GEC programmes during primetime based on average rating across all airings (original and repeat) in the week in HSM (R).
    Climbing up a rank to fifth place in week 37 of 2018 was Star India’s flagship Hindi GEC Star Plus with 682.419 million impressions as compared to 650.318 million weekly impressions in the previous week. Star Plus was ranked fourth in BARC’s weekly lists of top 10 Hindi GECs in HSM (U+R) and was ranked second in HSM (U) and tenth in HSM (R). Director’s Kut Productions produced Hindi soap Yeh Rishta Kya Kehlata Hai aired on Star Plus was ranked fifth in BARC’s list of top 5 Hindi GEC programmes during primetime based on average rating across all airings (original and repeat) in the week in HSM (U+R) and was ranked third in HSM (U).
    As mentioned above, Star India’s Telugu GEC Star Maa re-entered BARC’s across genres list in week 37 of 2018 with 668.179 million weekly impressions at rank six. Star Maa was ranked first in BARC’s weekly list of top 5 Telugu channels in the Andhra Pradesh and Telangana market. The first four of the top five programmes that were aired on Star Maa were present in BARC’s weekly list of top 5 Telugu programmes during primetime based on average rating across all airings (original and repeat) in the week.

    Also, as mentioned above, Colors re-entered the across genres list in week 37 of 2018 with 654.144 million weekly impressions at seventh rank. Colors was ranked sixth in BARC’s weekly list of top 10 Hindi GECs in HSM (U+R), third in HSM (U) and ninth in HSM (R). The third season of the Balaji Telefilms produced supernatural drama Naagin 3 was among BARC’s top 5 Hindi GEC programmes during primetime based on average rating across all airings (original and repeat) in the week in HSM (U+R) and HSM (U). Further, the reality show Dance Deewane was ranked fifth among BARC’s top 5 Hindi GEC programmes during primetime based on average rating across all airings (original and repeat) in the week in HSM (R).
    Dropping down three ranks to eighth rank was another Star India channel Star Bharat in week 37 of 2018 with 653.573 million weekly impressions as compared to fifth rank and 652.973 million weekly impressions in week 36. Star Bharat was ranked fifth in BARC’s list of top 10 Hindi channels in HSM (U+R), in HSM (R) and in HSM (U) in BARC’s weekly list of top 10 Hindi GECs during the week under review.
    Retaining its previous weeks ninth rank was SPN’s flagship Hindi GEC Sony Entertainment Television (SET). SET’s ratings in week 37 of 2018 were 629.656 million weekly impressions as compared to 625.080 million weekly impressions in week 36. SET was ranked eighth in BARC’s weekly list of top 10 Hindi GEC channels in HSM (U+R), and first in HSM (U).
    At tenth rank (same as in week 36) in week 37 of 2018 was SPN’s Hindi movies channel Sony Wah with 618.353.million weekly impressions as compared to 623.522 million weekly impressions in the previous week. Sony Wah was ranked first in BARC’s list of top 5 Hindi movies channels in HSM (U+R) and HSM (R) and fifth in HSM (U). Hindi feature films (HFF) Sultan and Chirutha (Ram Charan) that featured on Sony Wah were among the top 5 most watched Hindi movies programmes during primetime based on average rating across all airings (original and repeat) for the week in BARC’s list in HSM (U+R) and HSM (R).

  • Two Zeel channels continue to rule Hindi GECs across genres

    Two Zeel channels continue to rule Hindi GECs across genres

    BENGALURU: Once again two Hindi GECs from the Zee Entertainment Enterprises Limited (Zeel) channels were ranked second and third in Broadcast Audience Research Council’s (BARC) weekly list of top 10 channels across genres in week 26 of 2018 (Saturday, 23 June 2018 to Friday, 29 June 2018). Zeel’s free to air (FTA) Hindi GEC Zee Anmol was ranked second and the network’s flagship Hindi GEC Zee TV was ranked second in across genres list for week 25 of 2018. Like in the previous week, the first rank in the list was held by the regular occupier of the slot – the Sun TV Network’s flagship Tamil GEC Sun TV.

    Behind Sun TV, Zee Anmol and Zee TV topped six Hindi GECs, two channels from the Telugu genre and one channel each from the Hindi movies and the Tamil genre in BARC’s weekly list of top 10 channels across genres during the week under review. From the networks’ perspective, there were three channels each from Star India and Zeel stables, two channels from the Sony Pictures Network India (SPN) and one channel each from the Sun TV Network and Viacom18 in BARC’s across genres weekly list.

    Sun TV held onto its last week’s rank of number one with 975.210 million weekly impressions in week 26 of 2018 as compared to 946.455 million weekly impressions in week 25. Further, Sun TV also was ranked first in BARC’s weekly list of top five Tamil channels in the Tamil Nadu and Puducherry markets and all the programmes in BARC’s weekly list of top five Tamil programmes in these markets during primetime based on average rating across all airings (original and repeat) in the week were aired on Sun TV.

    At second place was Zee Anmol with 722.587 million weekly impressions in week 26 of 2018 as compared to 747.590 million weekly impressions in the previous week. Zee Anmol was also ranked first in BARC’s weekly list of top 10 Hindi GECs in the combined urban and rural Hindi speaking markets or HSM (U+R) as also in HSM (R). The Balaji Telefilms-produced soap Kumkum Bhagya aired on Zee Anmol was ranked third in BARC’s list of top five Hindi GEC programmes during primetime based on average rating across all airings (original and repeat) in the week in HSM (U+R) and was ranked first in HSM (R). Another soap from the channel, Mahek, was ranked second in HSM (R) like last week.

    Retaining its previous week’s third rank was Zee TV with 620.339 million weekly impressions in week 26 of 2018 as compared to 606.439 million weekly impressions in week 25. Zee TV was ranked second in BARC’s weekly list of top 10 Hindi GECs in HSM (U+R), second in HSM (U) and sixth in HSM (R). Two programmes that were aired on Zee TV- Kundali Bhagya, a spinoff of Kumkum Bhagya was ranked second and Kumkum Bhagya was ranked fourth in HSM (U+R) and HSM (U). Kundali Bhagya was also ranked fifth in HSM (R) in BARC’s lists of top five Hindi GEC programmes during primetime based on average rating across all airings (original and repeat) in the week.

    Climbing up one place to fourth rank was SPN’s Hindi movies channel Sony Max with 608.165 million weekly impressions in week 26 as compared to third rank and 597.083 million weekly impressions in week 25 of 2018. Sony Max was also ranked first in BARC’s weekly list of top five Hindi movies channels in HSM (U+R) and HSM (U) and was ranked fifth in HSM (R). The Hindi feature film (HFF) Tiger Zinda Hai that was aired on the channel was ranked first in BARC’s list of top five Hindi movies programmes during primetime based on average rating across all airings (original and repeat) in the week in HSM (U+R) and HSM (U). Furthermore, The Return of the Rebel and Sultan were ranked second and fourth most watched Hindi movies programmes during primetime based on average rating across all airings (original and repeat) in the week in HSM (U).

    The viewership of the third season of the Balaji Telefilms-produced Naagin and the dance show Dance Deewane was helped Viacom18’s flagship Hindi GEC Colors climb up one rank to fifth place with 589.944 million weekly impressions in week 26 as compared to 580.417 million weekly impressions in week 25 of 2018. Colors was ranked fourth in BARC’s weekly list of top 10 Hindi GECs in HSM (U+R) and was ranked first in HSM (U). Naagin 3 and Dance Deewane found places in BARC’s weekly list of top five Hindi GECs during primetime based on average rating across all airings (original and repeat) in the week in HSM (U+R) and HSM (U), while Naagin 3 was ranked fourth in HSM (R).

    At sixth place was Star India’s FTA Hindi GEC Star Bharat with 571.450 million weekly impressions in week 26 as compared to seventh rank and 574.692 million weekly impressions in week 25 of 2018. Star Bharat was ranked third in BARC’s list of top 10 Hindi channels in HSM (U+R); ranked third in HSM (U) and was ranked fifth in HSM (R).

    At seventh rank was SPN’s women focused Hindi GEC Sony Pal with 542.828 million weekly impressions in week 26 as compared to rank four and 601.848 million weekly impressions in week 25 of 2018. Sony Pal was ranked fifth and was ranked second in BARC’s weekly list of top 10 Hindi channels in HSM (U+R) and HSM (R) respectively and was ranked seventh in HSM (U). The sitcom Tarak Mehta ka Ooltah Chashmah aired on Sony Pal was ranked third in BARC’s list of top five Hindi GEC programmes during primetime based on average rating across all airings (original and repeat) in the week in HSM (R).

    Star India’s flagship Hindi GEC Star Plus re-entered BARC’s across genres weekly list in week 26 of 2018 at eighth rank with 531.658 million weekly impressions. Star Plus was ranked sixth in BARC’s weekly list of top 10 Hindi channels in HSM (U+R) and was ranked third in HSM (U). The Indian musical television series Kulfi Kumar Bajewala which aired on Star Plus was ranked fifth in BARC’s list of top five Hindi GEC programmes during primetime based on average rating across all airings (original and repeat) in the week in HSM (U).

    Star India’s flagship Telugu GEC Star Maa was ranked ninth in week 26 with 528.706 million weekly impressions as compared to eighth rank and 520.024 million weekly impressions in week 25 of 2018. Star Maa was ranked first in BARC’s weekly list of top five Telugu channels in the Andhra Pradesh and Telangana market. Three programmes that were aired on Star Maa were present in BARC’s weekly list of top 5 five Telugu programmes during primetime based on average rating across all airings (original and repeat) in the week.

    Zeel’s flagship Telugu GEC Zee Telugu was ranked tenth in BARC’s weekly list of top 10 channels across genre list with 509.048 million weekly impressions in week 26 as compared to ninth rank with 519.127 million weekly impressions in week 25 of 2018. Zee Telugu was ranked second in BARC’s weekly list of top five Telugu channels in the Andhra Pradesh and Telangana market. Two programmes that were aired on Zee Telugu were present in BARC’s weekly list of top five Telugu programmes during primetime based on average rating across all airings (original and repeat) in the week.

  • Lone non-Hindi Sun TV rules across channels list

    Lone non-Hindi Sun TV rules across channels list

    BENGALURU: Numero uno is the position that Sun TV holds in Broadcast Audience Research Council’s (BARC) weekly television ratings for the top 10 channels across genre across in India for age 2+ almost throughout the year. The only exception so far has been during the IPL weeks that the highly cricket hungry Indians consume the dominant channel that airs that mega event. Last year it was Sony Max. Now back to Sun TV – besides the across genre weekly lists, the channel has headed BARC’s weekly ratings for top 5 Tamil channels in the Tamil Nadu/Puducherry markets. This was also the case in week 9 of 2018 (Saturday, 24 February 2018 to Friday, 2 March 2018) – as usual, the Sun TV Network’s flagship Tamil GEC channel topped BARC’s list of top 10 channels across genre, as well as BARC’s list of top 5 Tamil channels. And also, as has been a norm, all the five top Tamil programmes during primetime in week 9 of 2018 were aired on Sun TV. But at the same time, the channel’s ratings have been dropping and the gap in ratings between it and the second-ranked channel in the top 10 across genre channels has been narrowing.

    Overall, the combined ratings of the top 10 channels across genre declined by about 2 per cent in week 9 as compared to week 8 of 2018. One Tamil channel, two Hindi movies channel and seven Hindi GEC channels made up BARC’s list of top 10 channels across genre. Week 9 of 2018 has seen a bit of a shakeup of sorts for BARC’s list of top 10 channels across genre. Three channels each from Sony Pictures Network India (SPN) and Star India, two channels from Zee Entertainment Enterprises Limited (Zeel) and one channel each from the Sun TV Network and Network 18 made up the list of the top 10 channels across genre during the week under review.

    As mentioned above, Sun TV topped the across genre list, though with lower ratings of 895.453 million weekly impressions in week 9 of 2018 as compared to the previous week’s 958.551 million weekly impressions. Sun TV was followed by SPN’s women-focused FTA Hindi GEC Sony Pal which climbed up two ranks with 757.432 million weekly impressions.  The channel had scored 682.137 million weekly impressions in the previous week. Sony Pal was also ranked one in BARC’s list of top 10 Hindi GEC channels list for week 9 of 2018 in the all India urban (U) and rural (R) Hindi speaking markets (HSM). The long-running crime show CID on Sony Pal was among the top 5 Hindi programmes and Balveer and Taarak Mehta Ka Ooltah Chashmah were also among the top 5 Hindi GEC programmes during primetime in HSM (R).

    Trailing very close behind Sony Pal at third rank with a difference of just 4000 weekly impressions in week 9 of 2018 was Star India’s FTA Hindi GEC Star Bharat with 757.428 million weekly impressions. Star Bharat was ranked second in the top 10 Hindi GEC channels in HSM (U+R) and HSM (U) and was ranked third in HSM (R) in the week under review. Star Bharat was ranked second in the top 10 channels across genre in the previous week with 762.407 million weekly impressions.

    At fourth rank in week 9 of 2018 was Zeel’s FTA Hindi GEC Zee Anmol with 686.766 million weekly impressions as compared to the previous week’s third rank and 715.586 million weekly impressions. The Balaji Telefilms produced family soap Kumkum Bhagya on Zee Anmol was among the top 5 Hindi GEC programmes during primetime in HSM (U+R) and HSM (R). Another soap Ganga that had been aired on the channel was among the top 5 Hindi GEC programmes in HSM (R).

    SPN’s Hindi Movies channel Sony Max climbed up to fifth place in week 9 of 2018 with 562.587 million weekly impressions. The channel had been ranked tenth in the list with 507.975 million weekly impressions in week 8 of 2018. The channel also topped BARC’s lists of top 5 Hindi movies channels in HSM (U+R) and HSM (U) and was ranked fifth in HSM (R). The magnum opus Bahubali – The Beginning was among the top five Hindi movies programmes during primetime in HSM (U+R) and HSM (U) in week 9 of 2018. Other movies that were aired on Sony Max – Sultan and Kanchana 2 were among the top 5 Hindi movies programmes HSM (U) during the week under review.

    Zeel’s Hindi GEC Zee TV was ranked 6 in week 9 of 2018 with 551.884 million weekly impressions as compared to the previous week’s rank 5 and viewership of 600.766 million weekly impressions. Kundali Bhagya, a spinoff of Kumkum Bhagya, which also aired on the channel, topped the list of top 5 Hindi GEC programmes in HSM (U+R) and HSM (U). Kundali Bhagya, which also aired in Zee TV, was among the top 5 Hindi GEC programmes in HSM (U+R) and HSM (U).

    Another Star India FTA Hindi GEC channel Star Utsav climbed up a rank to seventh place in week 9 of 2018 with 536.603 million weekly impressions as compared to the previous week’s 543.582 million weekly impressions. Network 18’s flagship Hindi GEC Colors was ranked eighth with 508.570 million weekly impressions as compared to the previous week’s rank six and 574.408 million weekly impressions.

    Another SPN Hindi movies channel Sony Wah, which entered the top 10 channels across genre list was ranked ninth in week 9 of 2018 with 592.512 million weekly impressions. Sony Wah was ranked first in HSM (R), ranked second in HSM (U+R) and ranked fifth in HSM (U) lists for top 5 Hindi movies channels in week 9 of 2018. Hindi feature film Yevadu 2 was among the top five Hindi movies programmes during primetime in HSM (U+R) and HSM (U) and HSM (R). Another HFF – Shivaji the Boss, which was aired on the channel, was also among the top 5 Hindi movies programmes during primetime in week 9 of 2018 in HSM (R).

    Star India’s flagship Hindi GEC Star Plus was ranked tenth in week 9 of 2018 with 497.433 million weekly impressions as compared to the previous week’s rank 7 and 573.432 million weekly impressions. Another Balaji Telefilms produced soap – Yeh Hai Mohabbatein, which aired on Star Plus, was among the top 5 Hindi GEC’s in HSM (U) during the week. Star Plus was also ranked third in HSM (U) during the week.

    Also Read :

    ETV Telugu re-enters across genre list

    Star Bharat continues to top Hindi GECs across genres

    Sony Max returns to top-10 channels in across genre list

  • Kumkum Bhagya boosts Zee TV viewership across genres

    Kumkum Bhagya boosts Zee TV viewership across genres

    BENGALURU: That both the Bhagya soaps (Kumkum Bhagya and its spinoff Kundali Bhagya) from Ektaa Kapoor’s Balaji Telefilms’ stable have been pushing up viewership for Zee Entertainment Enterprises Limited’s (Zeel) flagship Hindi GEC, Zee TV, seems to be a given. Another comedy sitcom from Optimystix Entertainment, Kya Haal Mr. Panchaal, has been bringing in audiences for Star India’s free-to-air (FTA) Hindi GEC, more so from the overall Hindi-speaking markets (HSM) and a big chunk of the HSM rural markets.

    Probably one of the longest-running sitcoms in the genre, Taarak Mehta ka Ooltah Chashmah, has continued to bring in and maintain eyeballs for Sony Pictures Network India’s (SPN) women-focussed Hindi GEC Sony Pal. SPN’s Hindi movies channel Sony Max has often been among the ten most-watched channels across genres, more so when it features the IPL. In week 46 of 2017, Sony Pal was aided by three films–Kanchana Returns, Salman Khan-starrer Sultan, and Son of Satyamurthy–to find a place among the top-10 channels across genres.

    And the results show by the very presence of these channels in Broadcast Audience Research Council (BARC) weekly data for the top-10 channels across channels (All India (U+R) : 2+ individuals) for week 46 of 2017 (Saturday, 11 November 2017 to Friday, 17 November 2017).

    One channel each from the Tamil GEC and Hindi Movies genres, two channels from the Telugu GEC genre and six channels from the Hindi GEC genre made it to the top 10 channels across genres list this particular week. Another way to put it – three channels from Zeel, two channels each from or associated with Star India, SPN and Network18 made it to the top 10.

    Continuing the top position that it seems to have reserved for itself (except during IPL) was the Sun Network’s flagship Tamil GEC Sun TV with 1,088.566 million weekly impressions. As has also become the norm, all the top-five programmes from the Tamil Nadu and Puducherry urban and rural markets (NCCS All : Prime Time [1800 – 2330 hrs] : 2+ Individuals) were also from Sun TV.

    At second place in the across genres list was Zeel’s flagship Hindi GEC Zee TV with 724.307 million impressions followed by Viacom18 flagship Hindi GEC Colors with 668.894 million weekly impressions at third place. Close on the heels of Colors was Zeel’s FTA Hindi GEC Zee Anmol with 665.740 million weekly impressions at fourth place aided to some extent by the soap Gangaa.

    At fifth place was Star India’s Star Bharat with 664.785 million weekly impressions, followed by SPN’s Sony Pal with 633.434 million weekly impressions at sixth place. Star Plus was at seventh place with 558.510 million weekly impressions followed by the Network 18 associated Telugu GEC ETV Telugu with 522.225 million weekly impressions at eighth place.

    SPN’s Hindi movies channel Sony Max was at ninth place in week 46 of 2017 with 519.599 million weekly impressions followed by Zeel’s Telugu GEC Zee Telugu with 490.687 million weekly impressions at tenth place.

  • Sun, Zeel, Star India channels continue presence in across genres lists

    Sun, Zeel, Star India channels continue presence in across genres lists

    BENGALURU: It’s festival season in India. Channels from three major networks in India continue finding presence in Broadcast Audience Research Council of India (BARC) top 10 channels across genres All India (U+R): 2+ individuals. Sun TV from the Sun Network continued its pole position in the top 10 channels list in week 40 of 2017 (Saturday, 30 September 2017 to Friday, 6 October 2017. Two Zee Entertainment Enterprises Limited (Zeel) channels have consistently been leading the Hindi GEC channels band, while three Star India channels (4 Star India channels in week 38 of 2017) have been present in the top 10 channels across genres weekly grouping. In week 40 of 2017, three Sony Pictures Network India (SPN) channels were also present in the weekly top 10 channels across genre table.

    As mentioned above – three channels each from the Star Network and SPN, two channels from Zeel and one channel each from the Sun Network and Network 18 (Viacom 18) were present in the BARC weekly top 10 channels across genres tally for week 40 of 2017. From the genre/languages perspective, seven Hindi GEC, one channel each from the Hindi Movies, Tamil GEC and Telugu GEC genres were present in the weekly top 10 channels lists across channels’ group in week 40 of 2017.

    Sun TV continued its unassailable rule over the weekly across genres band  with 1,114.363 million weekly impressions (sum) at first place, followed by Zeel’s FTA channel Zee Anmol with 788.250 million weekly impressions (sum) at second place. Zee Anmol had strong support from Kaala Teeka in Hindi GEC and Kaala Teeka and Jamai Raja which were among BARC’s top 5 primetime programmes in the Hindi GEC –HSM (U+R) and Hindi GEC HSM (R) markets respectively. At third place was Zeel’s flagship Hindi GEC Zee TV with 665.989 million weekly impressions (sum), strongly supported by Kumkum Bhagya and its spinoff Kundali Bhagya in BARC’s top 5 primetime Hindi GEC – HSM (U+R) market and Hindi GEC – HSM (U) markets.

    Fear Factor – Khatron Ke Khiladi Pain in Spain among BARC’s top 5 primetime programmes in Hindi GEC HSM (U+R) weekly results and Fear Factor Khatron Ke Khiladi Pain in Spain and Udaan in the Hindi GEC HSM (U) weekly results for week 40 of 2017 helped Network 18’s flagship Hindi GEC Colors to fourth place with 661.538 million weekly impressions (sum).  Kaun Banega Crorepati’s (KBC) presence in BARC’s top 5 categories of Hindi GEC – HSM (U+R) and Hindi GEC HSM – (U) markets during primetime helped SPN’s flagship Hindi GEC Sony Entertainment Television to fifth place in BARC’s across genres table with 647.825 million weekly impressions (sum) in week 40 of 2017.

    Star India’s renamed Hindi GEC Star Bharat was placed sixth in the across genres tally for week 40 of 2017 with 632.766 million weekly impressions (sum), followed by SPN’s Hindi Movies channel Sony Max with 615.63 million weekly impressions (sum) at seventh place. Hindi Feature Films’ Bahubali the beginning in BARC’s weekly categories of top 5 programmes for Hindi Movies (U+R) and Bahubali the beginning, Sultan and Raj Mahal 3 in BARC’s weekly results  of top 5 programmes for Hindi Movies (U) helped Sony Max to return to BARC’s top 5 channels across genres list after a hiatus.

    Star India’s flagship Hindi GEC Star Plus was ranked eighth in BARC’s weekly list across genres tally for week 40 of 2017 with 551.267 million weekly impressions (sum). SPN’s women oriented Hindi GEC Sony Pal was ranked ninth in the category with 549.725 million weekly impressions (sum) followed by Star India’s flagship Telugu GEC Star Maa with 524.551 million weekly impressions (sum) at tenth place.

    Please refer to the list below for BARC data for top 10 channels across genres for weeks 38 to 40.

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  • Sony Max is most watched Hindi Movies channel

    Sony Max is most watched Hindi Movies channel

    BENGALURU:  Sony Pictures Network India (SPN) Hindi movies channel Sony Max was the most watched movies channel in 2017 until week 32 (Saturday, 5August 2017 to Friday, 11 August 2017) as per Broadcast Audience Research Council of India (BARC) data. Sony Max was present during all the 32 weeks of 2017 in BARC’s weekly lists of top 5 Hindi Movies channels for HSM (U+R) : NCCS All : 2+ Individuals and garnered a total of 18,391,696 million impressions in 2017 until week 32. The channel was ranked number one in the top 5 channels lists for 26weeks and ranked second for six of the first 32 weeks of 2017. Sony Max network peer and SPN movies channel Sony Wah was ranked first during the six weeks that Sony Max was ranked second.

    The tenth edition of the Indian Premier League (IPL10) was played between weeks 14 and 31 of 2017.Even if the ratings for the 8 weeks between 14 and 21 were neglected, the channel had a total of 10,213.295 million impressions in 2017 until week 32, which was the highest in the HSM (R+U) genre. Excluding the data for the 8 IPL10 weeks, Sony Max was ranked first during 18 of the first 32 weeks of 2017 in BARC’s weekly list of top 5 Hindi Movies (U+R) list.

    This paper must be read with a caveat: It deals only with the players/programmes present in BARC’s top 5 lists of channels and programmes per week. The sums/percentages of channels/programmes of other players as well as other than those indicated in BARC’s top 5 lists of channels/programmes have not been considered/mentioned in this paper during the period under consideration in this paper and those numbers could be more/higher.

    Seven Hindi movies channels were present in BARC’s weekly list of top 5 Hindi Movies (U+R) during the first 31 weeks of 2017. Three Hindi movies channels were present during all the first 32 weeks of 2017 in BARC’s weekly lists of top 5 Hindi Movies channels for HSM (U+R) : NCCS All : 2+ Individuals – they are Sony Max, Sony Wah and Zee Cinema. Please refer to the chart below:

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    The highest ratings obtained by Sony Max was in week 15 of 2017 (second week of IPL10) at 1,334.063 million weekly impressions, while the lowest was in week 3 of 2017 when the channel had 331.76 million weekly impressions. Excluding the 8 IPL weeks, the highest ratings obtained by Sony Max was in week 26 of 2017 at 517.758 million weekly impressions with week 3 of 2017 ratings mentioned above as the lowest.

    Most watched films in the HSM (U+R) market

    The Salman Khan-Anushka Sharma starrer Sultan was the most watched Hindi feature film when it featured in the top 5 programmes list during the first 32 weeks of 2017 as per BARC’s weekly list of most watched programmes in the HSM (U+R) market – NCCS All : 2+ Individuals with total impressions of 433.23 million during eight of the weeks it was in the top 5 Hindi Movies (U+R) programmes lists. When in the lists, Sultan was aired seven times on Sony Max and once on Sony Wah. The first part of the Indian epic historical Bahubali – the Beginning was the second most watched Hindi movie during the first 32 weeks of 2017 with total impressions of 39.482 million – it was aired 5 times on Sony Max and twice on Sony Wah, when it was present in the top 5 programmes lists. S S Rajamouli’s magnum opus was followed by Aamir Khan’s satirical science fiction comedy PK with a total of 28.401 million impressions during the six weeks it featured in the top 5 programmes lists – this was thrice each on Sony Max and Sony Wah.

    Urban Audiences

    HSM Urban (U) audiences also preferred Sony Max, which along with Zee Cinema, Star Gold and &pictures was present in BARC top 5 Hindi Movies channels weekly listduring all the first 32 weeks of 2017. The channel scored 10,741.915 million impressions during the first 32 weeks of 2017. Excluding IPL weeks, the channel scored 6,229.712 million impressions during the first 32 weeks of 2017. Please refer to the chart below:

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    Sultan was the most watched Hindi feature film on Hindi Movies channels in the HSM Urban or U markets – the film appeared in BARC’s weekly list of top 5 Hindi Movies programmes for 9 weeks – 8 times on Sony Max and once on Sony Wah with a total of 29.183 million impressions during the first 32 weeks of 2017. Bahubali- the Beginning was the second most watched Hindi feature film on Hindi Movies channels in the urban markets during the period under consideration – It appeared in the top 5 Hindi Movies programmes list for 6 weeks – all on Sony Max with total impressions of 22.567 million impressions. Bahubali was followed by 3 Idiots – the movie featured 7 times in the top 5 Hindi Movies programmes lists during the first 32 weeks of 2017 with total impressions of 18.613 million impressions.

    Rural Audiences

    Per BARC data on Top 5 Hindi Movies (Rural or R) channels, it was SPN’s Sony Wah that was the most watched Hindi Movies channel in the HSM rural markets with 8,988.642 million weekly impressions during the first 32 weeks of 2017. Three channels were present in the top 5 Hindi Movies channels in the rural markets during the period under consideration in this paper. They were – Sony Wah, Zee Anmol Cinema and Star Utsav Movies. Please refer to the chart below:

    public://3333333333333333_0.jpg

    Karan Arjun was the most watched film on a television movie channel when it appeared in the top 5 HSM rural market programmes lists during the first 32 weeks of 2017. The movie was present in the top 5 Hindi Movies programmes (Rural) lists for 5 weeks with a total of 16.805 million impressions and was aired on Sony Wah during all the 5 weeks that it appeared in the top 5 Hindi Movies programmes (Rural) lists. PK was the second most watched film in the Hindi Movies rural markets during the first 32 weeks of 2017. PK appeared in the top 5 Movies programmes (Rural) lists 4 times on Sony Wah during that period with total impressions of 14.06 million. Bahubali – the Beginning was the third most popular film on television in the HSM rural markets. The film scored a total of 12.212 million when it was present in the top 5 Hindi Movies programmes (Rural) lists – twice each on Sony Wah and Sony Max.

     

  • Indian entertainment channel in US for Amazon’s Prime subs

    MUMBAI: E-commerce giant Amazon is planning to entice the fans of Indian TV shows and movies with a new on-demand subscription service called Heera which will showcase serials, movies and children’s content in five regional languages — Telugu, Tamil, Marathi, Hindi, and Bengali.

    Heera, meaning “diamond” in Bengali, Hindi, Urdu and Punjabi, will have new shows and movies added every month, Amazon says. It’s being seen as the second SVOD channel brand from Amazon, after it debuted the Anime Strike channel earlier.

    Priced at $5 per month, the service is being started only in the U.S. and needs membership of $99-per-year in sync with other Amazon channels.

    Amazon claims ‘Heera’ plans to offer hundreds of recent releases and classic titles including the most popular Bollywood films such as “Fan” starring Shah Rukh Khan, “Sultan” starring Salman Khan and Anushka Sharma and “Kapoor and Sons” with Sidharth Malhotra and Alia Bhatt.

    Heera’s regional best collection would have Marathi classic “Mee Shivajiraje Bhosale Boltoy”, Rajinikanth’s “Kabali,” the best Tamil movie of 2016, and Telugu-language “Eega” starring Sudeep.

    For Prime members, the Amazon Channels lineup includes over 100 add-on video subscription services for Showtime, HBO and Cinemax, Starz, NBCUniversal’s Seeso, Fullscreen, Machinima, Warner Bros.’ DramaFever, A+E Networks’ Lifetime Movie Club, Cinedigm’s Dove Channel, CuriosityStream, Comedy Central’s Stand-Up Plus, PBS Kids, Fandor, Cheddar and Outside TV.

    Almost all the Amazon services are also available separately without subscription.

  • How Sultan and Naagin are being pirated in Russia

    MUMBAI: Here’s some food for thought for Indian TV channel broadcasting executives zapping their channels via satellite, cable TV or VOD services into Russia and syndicating content to Vladmir Putin’s land. And this includes movies such as Sultan, and super popular shows such as Naagin.

    A survey by content and data security specialist IRDETO in partnership with YouGov amongst 1,055 Russian adults online, revealed that 87 per cent of Russian consumers believed that producing or sharing pirated video content is not against the law while 66 per cent think that streaming or downloading pirated content is legal.

    Russia, like India and many other nations, has strict regulations against unauthorized copying, broadcasting, distribution or reproduction of copyrighted material – including audiovisual content.

    More than half of those (57 per cent) who participated in the survey said that they actively watch pirated content while 22 per cent said that they watch stolen shows and films at least once a week or more.

    38 per cent of respondents said that they pirate current movies being shown in theatres, 21 per cent said theat they were interested in pirating a TV series. Pirated live sports, OTT content from Netflix and Hulu was preferred by just six per cent of those who answered the survey.

    Almost 75 per cent use their laptops or desktop computers to watch the pirated content whereas tablets and smart phones accounted for just five percent each respectively.

  • Dangal ends 2016’s poor run

    Dangal ends 2016’s poor run

    Year 2016 may have had a poor run in terms of box office, in general, but Aamir Khan-starrer Dangal bucked the trend and managed to spread the Christmas cheer. Dangal set records from show one, day one. Whatever little exposure the multiplexes gave to earlier releases like Befikre, found no footfalls and the screens were later passed on to Dangal.

    Aamir Khan is the pioneer of the Rs. 300 crore Club in Hindi films and the trade expects him to continue the trend with Dangal — his third entry into the Club.

    *Dangal is set to become a winner and a blockbuster that the indiantelevision.compredicted the film to be. It would be a rare product where a film works sans romance and melody, while also connecting with the viewer via a sportsperson’s biopic. Coming as it did after a disastrous lineup of 2016, the film promised little. Salman Khan-starrer Sultan, with a similar theme of wrestling, was released earlier in the year. However, Dangal surprised the trade with an unbelievable advance booking through bookmyshow.com (the site claims record-breaking business) and the film neared the all-time top grossers as it neared Rs. 30 crore for the opening day.

    Surprise was because of the fact that the film had Aamir Khan in an unconventional role with a few newcomers along with a not-yet- established director.

    Dangal opened with a Rs. 29.7 crore Friday; Saturday was expected by the trade at Rs. 32 crore, which the film bettered by a couple of crore of rupees and, finally, grossing over Rs. 10 core more than the opening day on Sunday. Dangal went on to register a record breaking opening weekend of Rs. 106.9 crore.

    With no new releases to challenge the film till 13 January, 2017, it is expected Dangal will put up a sterling show in the holiday season.

    *Wajah Tum Ho’s release was staggered because of demonetization of high currency notes early November, but failed to click at the box office. It barely managed put together Rs. 10.1 crore for its first week. The film has found it tough to find audience since the release of Dangal leading to ‘no audience no show status’.

    *Shor Se Shuruaat, a seven short film omnibus, fairs poorly.

    *Befikre holds well in its second week to collect Rs. 9.75 crore to take its two week total to Rs. 58.5 crore. However, a show or two spared for the film in its third week opposite Dangal has not worked for the film as the audience is missing and the screens finally got diverted to Dangal.

    *Kahaani 2 has collected Rs. 2.1 crore in its third week taking its three week total to Rs. 30.5 crore.

    *Dear Zindagi has added Rs. 1.4 crore in its fourth week taking its four week total to Rs. 63.8 crore.

  • Dangal ends 2016’s poor run

    Dangal ends 2016’s poor run

    Year 2016 may have had a poor run in terms of box office, in general, but Aamir Khan-starrer Dangal bucked the trend and managed to spread the Christmas cheer. Dangal set records from show one, day one. Whatever little exposure the multiplexes gave to earlier releases like Befikre, found no footfalls and the screens were later passed on to Dangal.

    Aamir Khan is the pioneer of the Rs. 300 crore Club in Hindi films and the trade expects him to continue the trend with Dangal — his third entry into the Club.

    *Dangal is set to become a winner and a blockbuster that the indiantelevision.compredicted the film to be. It would be a rare product where a film works sans romance and melody, while also connecting with the viewer via a sportsperson’s biopic. Coming as it did after a disastrous lineup of 2016, the film promised little. Salman Khan-starrer Sultan, with a similar theme of wrestling, was released earlier in the year. However, Dangal surprised the trade with an unbelievable advance booking through bookmyshow.com (the site claims record-breaking business) and the film neared the all-time top grossers as it neared Rs. 30 crore for the opening day.

    Surprise was because of the fact that the film had Aamir Khan in an unconventional role with a few newcomers along with a not-yet- established director.

    Dangal opened with a Rs. 29.7 crore Friday; Saturday was expected by the trade at Rs. 32 crore, which the film bettered by a couple of crore of rupees and, finally, grossing over Rs. 10 core more than the opening day on Sunday. Dangal went on to register a record breaking opening weekend of Rs. 106.9 crore.

    With no new releases to challenge the film till 13 January, 2017, it is expected Dangal will put up a sterling show in the holiday season.

    *Wajah Tum Ho’s release was staggered because of demonetization of high currency notes early November, but failed to click at the box office. It barely managed put together Rs. 10.1 crore for its first week. The film has found it tough to find audience since the release of Dangal leading to ‘no audience no show status’.

    *Shor Se Shuruaat, a seven short film omnibus, fairs poorly.

    *Befikre holds well in its second week to collect Rs. 9.75 crore to take its two week total to Rs. 58.5 crore. However, a show or two spared for the film in its third week opposite Dangal has not worked for the film as the audience is missing and the screens finally got diverted to Dangal.

    *Kahaani 2 has collected Rs. 2.1 crore in its third week taking its three week total to Rs. 30.5 crore.

    *Dear Zindagi has added Rs. 1.4 crore in its fourth week taking its four week total to Rs. 63.8 crore.