Tag: Studio

  • Karan Johar’s Dharma Productions hires senior distribution executive?

    Karan Johar’s Dharma Productions hires senior distribution executive?

    MUMBAI: First came Adar Poonawalla who handed out  Rs 1000 crore to Karan Johar for a 50 per cent stake in his Dharma Productions. Now Dharma Productions  CEO Apoorva Mehta and Karan are clearly indicating  the direction the company is taking – becoming  a complete studio a la YRF. That is it wants to produce and distribute its own releases as well as possibly do it for others.

    Hence, the alleged hiring of former Zee Studios  senior acquisitions and distribution executive Bhumika Tewari, if reports are to be believed. (Actually, Bhumika’s  linkedin profile has her as recently as  one week ago reposting  a post from Roy Kapur Films about  Zee Studios’ release of the Shahid Kapoor-Pooja Hegde starrer Deva on 31 January)

    Bhumika has a rock solid film distribution background. She has spent almost 12 years at Zee Studios heading worldwide theatrical distribution and then content acquisition. She also has more than 16 years on the exhibition side working with Fun Multiplex (thirteen and a half years) and Cinepolis (two years eight months)

    She has been behind some big blockbusters like Good Newz and Kesari while at Zee Studios.

    Confirmations about Bhumika joining Dharma were not available from anyone at the time of writing.  Keep watching this space. 
     

  • Dori Media sets up Mumbai office; to be led by Devdatta Potnis

    Dori Media sets up Mumbai office; to be led by Devdatta Potnis

    Mumbai: Multinational studio Dori Media has set its eyes on India. Led by CEO & president Nadav Palti and held in Israel, the firm has set up a sales outpost in Mumbai. (This is in addition to the offices it has in Spain, Switzerland and Argentina.) And it has hired former Cosmos Maya exec Devdatta Potnis to head it.

    With more than 20 years of experience, Potnis is well-suited for the job. His last assignment was with Animeta as its CEO – an influencer-driven firm spawned by his former boss at Cosmos Maya, Anish Mehta. Prior to Cosmos Maya, Potnis served as chief manager, marketing & communications, for Reliance MediaWorks. He has had stints as associate vice president, marketing at Balaji Motion Pictures and head of sales & marketing for Maya Digital Studios.

    “We’re thrilled to have someone with Devdatta’s tremendous industry experience joining our team at Dori Media and helping us further expand our global sales reach,” said Palti. “We’ve been successfully selling content in India for years now and the dynamic growth that we’ve seen in that marketplace recently made it a no-brainer for us to open an office in Mumbai.”

    Agreed Potnis: “Dori Media has a world-class catalogue of programming and produces and distributes many of the top hits in our industry, series often filled with powerful human emotions that resonate with audiences and win hearts globally, including here in India. So, I am really excited to be joining the team to help the company further grow its presence in India.”

    The Dori Media library carries approximately 7,500 TV hours including international hits such as Rebelde Way, Lalola, Split, Ciega a Citas, Be Tipul (In Treatment), Power Couple, The New Black, Losing Alice, Dumb, Normal and more. The group’s production arms in Israel produce top-end series, daily dramas as well as feature films for the Israeli and international markets.

    Dori Media Contenidos produces fiction in Argentina for local and international markets.

    Dori Media International produces fiction globally, in Turkey, Colombia, Mexico, Uruguay, Canada and Argentina.

    The company also offers production services to foreign production companies who seek co-productions in the Middle East.

  • New Australian TV studio Dreamchaser aims to showcase Australian content to the world

    New Australian TV studio Dreamchaser aims to showcase Australian content to the world

    Mumbai: In a bid to create local Australian content that can travel globally, former Nine Entertainment CEO Hugh Marks and Endemol Shine Australia co-founder Carl Fennessy have announced the launch of Dreamchaser.

     It is being positioned as being Australia’s first full-service production and distribution studio based in Sydney, Australia. Marks and Fennessy will serve as joint CEOs.

    The new studio will provide a home for Dreamchaser to partner with established and emerging creators to develop programming slates, cultivate distinctive creative identities and bring the next generation of Australian stories to the world.

    Backed by global content studio Endeavor Content, Dreamchaser will establish a collection of creative partnerships across the scripted, factual and entertainment genres under one portfolio, with a focus on driving global projects out of the Australian market.

    Marks and Fennessy said, “We’re seeing an explosion of global demand for premium content from new and traditional television platforms that shows no sign of slowing. At the same time Australian creatives are at the forefront of many of the biggest shows in the world. There has never been a greater opportunity for global content to be developed and sold from this market. With Endeavor Content’s strategic partnership, Dreamchaser will be a unique home for our creative partners to realise all of their ambitions and for content commissioners to have confidence that Dreamchaser will be the Australian studio where those ambitions can be delivered,”

    Endeavor Content’s Co-CEOs Chris Rice and Graham Taylor said, “We are excited for Hugh and Carl to bring their combined industry expertise to launch Dreamchaser, harnessing Australia’s flourishing creative and production communities.”

    “With Dreamchaser, Australia solidifies its standing as a major global destination for best-in-class content, bringing next-level storytelling from new and established voices from the continent to export there and to the world beyond.”

    Joining Marks and Fennessy are a management team including COO Sara Horn, CFO Megan Rees-Williams and head development Monique Keller.

    Marks and Fennessy added, “We’re grateful to the amazing and highly experienced team that have agreed to go on this journey with us. “Their expertise and proven track record will help achieve Dreamchaser’s ambition of taking Australian creatives and their stories to the world.”

    In the coming months, Dreamchaser will announce a number of new projects, as well as first-look and multi-title picture deals with Australian creatives.

  • Netflix inks major streaming deal with Steven Spielberg’s studio

    New Delhi: Streaming giant Netflix Inc has clinched a major deal with Academy Award-winning filmmaker Steven Spielberg for his Amblin Partners production company to supply multiple movies a year.

    The new development has come as a shot in the arm for Netflix, at a time when the streaming war is heating up, with a host of competitors including Disney plus and Amazon Prime stepping up the game.

    Known for his classics such as E.T. the Extra-Terrestrial, Jurassic Park, and Schindler’s List, Spielberg will continue to direct and produce movies for Comcast Corp’s Universal Pictures under a different agreement, reported Reuters.

    “At Amblin, storytelling will forever be at the center of everything we do, and from the minute Ted (Netflix co-CEO Ted Sarandos) and I started discussing a partnership, it was abundantly clear that we had an amazing opportunity to tell new stories together and reach audiences in new ways,” Spielberg said in a statement. Amblin produces several movies apart from the ones that Spielberg directs himself. 

    Netflix operates the world’s largest streaming service with nearly 209 million subscribers worldwide. “By deepening our ties with Netflix via this new film partnership, we are building on what has for many years been an incredibly successful working relationship in both television and film,” Amblin Partners CEO Jeff Small stated.

    Under the deal, Amblin is expected to produce at least two films a year for Netflix for an unspecified number of years. It is possible that Spielberg may even direct some of the projects. Netflix is expected to provide financing for some of these productions, reported Variety.

    Recent Amblin projects included 2018 Oscar best picture winner Green Book and 2019 World War One drama – 1917 which won three Oscars and two Golden Globes. Both movies were distributed by Universal. 

  • Warner Media-Discovery merged outfit named Warner Bros.Discovery

    Warner Media-Discovery merged outfit named Warner Bros.Discovery

    MUMBAI: When two well-known media firms fuse, there’s always a big debate about what the new organisation should be called? But the folks at Discovery and AT&T have kept their life simple: they have decided to call the proposed global entertainment outfit being born out of the merger between Hollywood entertainment powerhouse Warner Bros and  the firm founded by John Hendricks as ‘Warner Bros.Discovery.’

    A press release issued by Discovery stated that “The Warner Bros. Discovery name will honor, celebrate and elevate the world’s most-storied creative studio in the world with the high quality, global nonfiction storytelling heritage of Discovery.”

    David Zaslav, President and CEO of Discovery and the future CEO of the proposed Warner Bros. Discovery combined company, unveiled the new name to WarnerMedia employees from the Warner Bros. studio lot in Burbank, CA, where he said:

    “Warner Bros. Discovery will aspire to be the most innovative, exciting and fun place to tell stories in the world – that is what the company will be about.  We love the new company’s name because it represents the combination of Warner Bros.’ fabled hundred year legacy of creative, authentic storytelling and taking bold risks to bring the most amazing stories to life, with Discovery’s global brand that has always stood brightly for integrity, innovation and inspiration. There are so many wonderful, creative and journalistic cultures that will make up the Warner Bros. Discovery family. We believe it will be the best and most exciting place in the world to tell big, important and impactful stories across any genre – and across any platform: film, television and streaming.”

    The initial wordmark for the proposed company includes the iconic line from the Maltese Falcon, “the stuff that dreams are made of,” an additional homage to the rich legacy of Warner Bros. and the focus of what the proposed company will be about.

    In May, AT&T and Discovery reached a definitive agreement to combine WarnerMedia’s premium entertainment, sports and news assets with Discovery’s leading nonfiction and international entertainment and sports businesses to create a single company.

    Warner Bros. Discovery will bring together leadership teams, content creators, and high-quality series and film libraries in the media business, while accelerating both companies’ plans for leading direct-to-consumer (DTC) streaming services for global consumers. The new company will unite complementary and diverse content strengths with broad appeal — WarnerMedia’s robust studios and portfolio of iconic scripted entertainment, animation, news and sports with Discovery’s global leadership in unscripted and international entertainment and sports.

    The “pure play” content company will own one of the deepest libraries in the world with nearly 200,000 hours of iconic programming and will bring together over 100 of the most cherished, popular and trusted brands in the world under one global portfolio, including: HBO, Warner Bros., Discovery, DC, CNN, WB Games, Turner Sports, Cartoon Network, HGTV, Food Network, TNT, TBS, Turner Classic Movies, Wizarding World, Adult Swim, Eurosport, Magnolia, TLC, Animal Planet, ID and many more.
    Warner Bros. Discovery will be able to increase investment and capabilities in original content and programming; create more opportunity for under-represented storytellers and independent creators; serve customers with innovative video experiences and points of engagement; and propel more investment in high-quality, family-friendly nonfiction content, says the press release.

  • Corey Smith appointed north American creative supervisor at ReDefine Montreal

    Corey Smith appointed north American creative supervisor at ReDefine Montreal

    MUMBAI: ReDefine, the innovative animation and visual effects services company, has appointed Corey Smith as north American creative supervisor in a further boost to its service offering.

    Corey will play a leading role in the studio’s creative direction, providing guidance, oversight and support for the projects going through ReDefine’s Montreal hub. He will also work closely with ReDefine’s global creative leadership team and support the development of new projects, co-productions and internal intellectual property in north America.

    Corey joins ReDefine from DNEG, where he was head of CG in Montreal. Prior to this, Corey worked as part of DNEG’s feature animation team, having previously spent many years at Walt Disney Animation Studios. At Disney, Corey worked on projects such as Dinosaur, Chicken Little, Tinker Bell and Meet the Robinsons, and was VFX supervisor on Gnomeo and Juliet. He is a graduate from the University of Buffalo with a BS in aerospace/mechanical engineering.

    Launched in 2019, ReDefine provides creative visual effects and animation services to expanding international markets and independent filmmakers everywhere. Leveraging DNEG’s groundbreaking technology infrastructure alongside a highly client-centric approach,ReDefine tailors its work to the individual needs of each project and client.

    Corey Smith said, “I am looking forward to hitting the ground running with the ReDefine team, helping to steer and support our creative process and continuing to ensure that we deliver the very best work for our clients. It’s exciting to bring my experience and knowledge to ReDefine’s exciting pipeline of projects. On a personal level, I’m also thrilled to have the opportunity to spend more time on my first love, animation.”

    ReDefine global head Rohan Desai said, “ReDefine has grown substantially over the course of the last year – both in terms of the scope of the projects that we are delivering for our clients and the size and experience of our global team. This is a great time to welcome Corey to ReDefine; he is an experienced and innovative creative leader, and he will be a fantastic mentor and guiding light for our teams as we continue to grow.”

    Corey’s appointment will bolster the creative team at ReDefine as it continues to deliver a growing pipeline of work. Current ReDefine visual effects projects include Sweet Girl and The White Tiger for Netflix; The Undoing for HBO; Brahmastra, written and directed by Ayan Mukherjee and starring Amitabh Bachchan, Ranbir Kapoor and Alia Bhatt; 83 for director Kabir Khan; and Kung Fury 2 for director David Sandberg and starring Arnold Schwarzenegger and Michael Fassbender. ReDefine is also in production on animation projects Rock Dog 2, Rock Dog 3 and The Silk Road Rally, having recently delivered 100% Wolf, a co-production with Flying Bark Productions which has been enjoying great box office success around the world. 

  • ColourCraft bags AIESEC India digital mandate

    ColourCraft bags AIESEC India digital mandate

    MUMBAI: The India chapter of the youth-run, non-profit organization AIESEC has given the mandate to ColourCraft Studio (CCS) for designing and developing multiple websites to strengthen the organization’s digital presence.

    CCS will leverage and amplify the appeal of India as a major contributor to AIESEC’s aim to address the United Nation’s Sustainable Development Goals through AIESEC’s volunteership and professional internship programs. By emphasizing on India’s rich historical and cultural background, CCS plans to project the country as an internship destination. The projects were won following a two month-long brainstorming session between CCS & AIESEC.

    ColourCraft is working on understanding what makes AIESEC such an inspiring organization for the youth worldwide and aims to emit the spirit of the organization while showcasing India as a major cultural destination for global interns.

    CCS Co-founder and business director, Aditi Gandhi said, “The trust in CCS is a huge opportunity for us to create large-scale, strategy-driven and creatively-inclined digital assets.”

    AIESEC in India B2B VP Sean Ankit Bothra said, “We were looking for a partner who would understand and communicate our core values in an out-of- the-box manner. The idea is to work together towards building effective designs and strategies to further enhance AIESEC’s iconic status.

    “We hope to explore AIESEC in India’s potential to enhance the development of today’s Indian youth and break the mindsets of Internationals about the Indian realities.”

  • ColourCraft bags AIESEC India digital mandate

    ColourCraft bags AIESEC India digital mandate

    MUMBAI: The India chapter of the youth-run, non-profit organization AIESEC has given the mandate to ColourCraft Studio (CCS) for designing and developing multiple websites to strengthen the organization’s digital presence.

    CCS will leverage and amplify the appeal of India as a major contributor to AIESEC’s aim to address the United Nation’s Sustainable Development Goals through AIESEC’s volunteership and professional internship programs. By emphasizing on India’s rich historical and cultural background, CCS plans to project the country as an internship destination. The projects were won following a two month-long brainstorming session between CCS & AIESEC.

    ColourCraft is working on understanding what makes AIESEC such an inspiring organization for the youth worldwide and aims to emit the spirit of the organization while showcasing India as a major cultural destination for global interns.

    CCS Co-founder and business director, Aditi Gandhi said, “The trust in CCS is a huge opportunity for us to create large-scale, strategy-driven and creatively-inclined digital assets.”

    AIESEC in India B2B VP Sean Ankit Bothra said, “We were looking for a partner who would understand and communicate our core values in an out-of- the-box manner. The idea is to work together towards building effective designs and strategies to further enhance AIESEC’s iconic status.

    “We hope to explore AIESEC in India’s potential to enhance the development of today’s Indian youth and break the mindsets of Internationals about the Indian realities.”

  • 16 brands line up to ‘Find Dory’ in India

    16 brands line up to ‘Find Dory’ in India

    MUMBAI: It’s not just the Finding Nemo fans who are impatiently waiting to throng the theatres for its sequel Finding Dory, several brands are equally excited for the latest animated delight from Pixar and Disney that will release on 17 June in Hindi and English in 2D, 3D and IMAX formats across 600 screens in India.

    Including Myntra, Bioworld, Trucare, Hamleys, Gingercrush, Firstcry,  Colgate and Yakult — as many as 16 Indian brands have come on board to celebrate the animated adventures Nemo, Dory and Marlin. As per Disney India, that is the highest number of brand integrations that any animated movie has achieved in India. 

    Which doesn’t come as a surprise given the increasing importance of kids in purchase decisions in families as per industry recognised Turner’s New Generations report 2016. With the growing popularity of animated movies in India amongst kids, brands too are paying keen attention and increasing their visibility.  

    Explaining why Finding Dory would strike a chord with a larger audience, Disney India consumer products head and VP Abhishek Maheshwari said, “Finding Nemo was one of the most successful Disney and Pixar movies and we are very confident that the then younger audience, who are now grown up to be young adults or parents will come watch Finding Dory and at the same time introduce the franchise and its lovable characters to their kids, nephews and nieces.”

    Apart from the usual brands that are believed to have kids as their primary TG, Finding Dory has seen media promotions and merchandising deals across a wide range of categories.  While Myntra, Bioworld and Trucare have signed merchandising deals for its apparel range , brands My Baby Excel, Frank and  Rowan have struck merchandising deals to launch for the new Finding Dory toys product line. 

    Excited about launching an apparel collection for the much anticipated Disney film, Myntra Fashion Brands head Abhishek Verma said, “The in-house brand, YK (Yellow Kite) has specially associated with Disney for a fun filled Finding Dory kids wear collection. We are extremely excited about our collaboration and look forward to its success”.

    In the household segment, Essfil is producing special Finding Dory themed frames and mugs, while Raghuvir Lifestyle  is weaving bedsheets with the colourful characters on. 

    For the consumer electronics segment, Macmerise and Hamee have signed deals for their power banks and mobile covers.

    Retail and eCommerce players didn’t lose out either in making the most of the eyeballs the movie promises to grab with Hamleys, Gingercrush and  Firstcry on board as brand partners. 

    “Activations around movies gives us a good opportunity to engage with the customers and create lasting impressions, especially if there is good movie merchandise available. Finding Dory is one such successful story where we are seeing a lot of traction on the sales front with animatronic models of Dory, Nemo and others selling as hot cakes in our stores even before the movie hits the theatres. We are planning multiple activities across our stores in association with Disney over the next two weeks to promote the movie and the merchandise,” shared Hamleys head of products Manu Sharma on how associating with animated films that targets kids is a significant marketing move for brands.

    The media spends for the movie’s promotion are in the range of between Rs 75 lakh to Rs 1 crore approximately for each media association, while the merchandising deals for toys and apparels  etc., start at Rs 50 lakh and go up to Rs 1 crore as well.  As per industry estimates, these brand associations amount to between Rs 15and 18 crore worth of media value for the studio. 

    Going by insights from media management agencies, brands like Hamleys and Yakult with kids as their TG would predominantly spend on kids channels for media promotions of the movie, followed by English GEC channels to target young parents. 

    Apart from the media promotional deals that the studio has signed with Colgate and Yakult, Disney has focused the film’s marketing strategy on two key points — firstly, it reached  out to Finding Nemo fans and built affinity towards Dory among kids; and secondly by creating a local relativity in the market by inducing local elements.

    The film was dubbed in Hindi with dialogues written by Mayur Puri. Puri and his team of writers along with the extraordinary voice cast have given a unique twist to the Hindi dubbed version of Finding Dory, by giving the characters special localized accents – such as the Nawabi Sea Lions as seen in the Hindi trailer.

    Speaking of his association, Puri said, “After The Jungle Book and Captain America: Civil War, this is my third project with Disney India and I cannot think of a better project to complete our ‘hat-trick’. It has been a learning experience as well as a joyride to bring Dory, Nemo and a host of new adorable characters to life. I’m extremely proud of the Hindi version which keeps the essence of the original intact but is more relatable for the Indian audience.”

    Disney India had earlier used the same strategy which successfully worked for its popular international release The Jungle Book. 

    Disney’s marketing strategy further included tie-ups with media houses to host special ‘Bring your kids to work’ activities wherein kids were treated to fun Dory related activities to build affinity towards the character.

    In addition, Disney India has partnered with PVR cinemas for on ground activities like  ‘Doryminders’, reminding people of movie going etiquette and the ‘Finding Dory’ treasure hunt, which allows lucky moviegoers to win exciting prices. Disney has also partnered with Imagica and Hamleys for Dory centric activities and photo opportunities with interactive standees.

  • 16 brands line up to ‘Find Dory’ in India

    16 brands line up to ‘Find Dory’ in India

    MUMBAI: It’s not just the Finding Nemo fans who are impatiently waiting to throng the theatres for its sequel Finding Dory, several brands are equally excited for the latest animated delight from Pixar and Disney that will release on 17 June in Hindi and English in 2D, 3D and IMAX formats across 600 screens in India.

    Including Myntra, Bioworld, Trucare, Hamleys, Gingercrush, Firstcry,  Colgate and Yakult — as many as 16 Indian brands have come on board to celebrate the animated adventures Nemo, Dory and Marlin. As per Disney India, that is the highest number of brand integrations that any animated movie has achieved in India. 

    Which doesn’t come as a surprise given the increasing importance of kids in purchase decisions in families as per industry recognised Turner’s New Generations report 2016. With the growing popularity of animated movies in India amongst kids, brands too are paying keen attention and increasing their visibility.  

    Explaining why Finding Dory would strike a chord with a larger audience, Disney India consumer products head and VP Abhishek Maheshwari said, “Finding Nemo was one of the most successful Disney and Pixar movies and we are very confident that the then younger audience, who are now grown up to be young adults or parents will come watch Finding Dory and at the same time introduce the franchise and its lovable characters to their kids, nephews and nieces.”

    Apart from the usual brands that are believed to have kids as their primary TG, Finding Dory has seen media promotions and merchandising deals across a wide range of categories.  While Myntra, Bioworld and Trucare have signed merchandising deals for its apparel range , brands My Baby Excel, Frank and  Rowan have struck merchandising deals to launch for the new Finding Dory toys product line. 

    Excited about launching an apparel collection for the much anticipated Disney film, Myntra Fashion Brands head Abhishek Verma said, “The in-house brand, YK (Yellow Kite) has specially associated with Disney for a fun filled Finding Dory kids wear collection. We are extremely excited about our collaboration and look forward to its success”.

    In the household segment, Essfil is producing special Finding Dory themed frames and mugs, while Raghuvir Lifestyle  is weaving bedsheets with the colourful characters on. 

    For the consumer electronics segment, Macmerise and Hamee have signed deals for their power banks and mobile covers.

    Retail and eCommerce players didn’t lose out either in making the most of the eyeballs the movie promises to grab with Hamleys, Gingercrush and  Firstcry on board as brand partners. 

    “Activations around movies gives us a good opportunity to engage with the customers and create lasting impressions, especially if there is good movie merchandise available. Finding Dory is one such successful story where we are seeing a lot of traction on the sales front with animatronic models of Dory, Nemo and others selling as hot cakes in our stores even before the movie hits the theatres. We are planning multiple activities across our stores in association with Disney over the next two weeks to promote the movie and the merchandise,” shared Hamleys head of products Manu Sharma on how associating with animated films that targets kids is a significant marketing move for brands.

    The media spends for the movie’s promotion are in the range of between Rs 75 lakh to Rs 1 crore approximately for each media association, while the merchandising deals for toys and apparels  etc., start at Rs 50 lakh and go up to Rs 1 crore as well.  As per industry estimates, these brand associations amount to between Rs 15and 18 crore worth of media value for the studio. 

    Going by insights from media management agencies, brands like Hamleys and Yakult with kids as their TG would predominantly spend on kids channels for media promotions of the movie, followed by English GEC channels to target young parents. 

    Apart from the media promotional deals that the studio has signed with Colgate and Yakult, Disney has focused the film’s marketing strategy on two key points — firstly, it reached  out to Finding Nemo fans and built affinity towards Dory among kids; and secondly by creating a local relativity in the market by inducing local elements.

    The film was dubbed in Hindi with dialogues written by Mayur Puri. Puri and his team of writers along with the extraordinary voice cast have given a unique twist to the Hindi dubbed version of Finding Dory, by giving the characters special localized accents – such as the Nawabi Sea Lions as seen in the Hindi trailer.

    Speaking of his association, Puri said, “After The Jungle Book and Captain America: Civil War, this is my third project with Disney India and I cannot think of a better project to complete our ‘hat-trick’. It has been a learning experience as well as a joyride to bring Dory, Nemo and a host of new adorable characters to life. I’m extremely proud of the Hindi version which keeps the essence of the original intact but is more relatable for the Indian audience.”

    Disney India had earlier used the same strategy which successfully worked for its popular international release The Jungle Book. 

    Disney’s marketing strategy further included tie-ups with media houses to host special ‘Bring your kids to work’ activities wherein kids were treated to fun Dory related activities to build affinity towards the character.

    In addition, Disney India has partnered with PVR cinemas for on ground activities like  ‘Doryminders’, reminding people of movie going etiquette and the ‘Finding Dory’ treasure hunt, which allows lucky moviegoers to win exciting prices. Disney has also partnered with Imagica and Hamleys for Dory centric activities and photo opportunities with interactive standees.