Tag: Streaming Platform

  • Dice Media forays into regional content with the launch of Telugu show

    Dice Media forays into regional content with the launch of Telugu show

    Mumbai: Pocket Aces’ long-form storytelling channel Dice Media is set to bring in the festivities a little early as it announces its foray into regional content with the launch of its first Telugu series “Alludu Garu.” The five-episodic series will be a weekly release starting 29 October on the Telugu streaming platform aha.

    “Alludu Garu” is a remake of Dice Media’s super hit family drama “What The Folks!” that has seen three successful seasons. It is a coming-of-age story that revolves around the struggles of a newly married son-in-law Ajay (Abhijeeth Poondla) who is forced to stay alone with his over-caring in-laws in a conservative household for a few weeks.

    “We are extremely excited to foray into regional content and expand our reach even deeper with the country. Telugu was a good first language to begin with since the audience is larger and there is a definite content and talent gap,” stated Pocket Aces co-founder and CEO Aditi Shrivastava. “Recreating one of the successful titles with regional talent not only demonstrates the extended value of our IP, but also the relevance of the content throughout India. You will soon see more Telugu as well as Tamil originals from Dice Media.”

    The series also stars veteran actor and director Y Kasi Vishwanath and popular Telugu film actress Dhanya Balakrishna. It is directed by Jayanth Gali, best known for his film “Love Life Pakodi” and co-produced by popular regional digital company Tamada Media. Well-known creators ChaiBisket have written the show.

    “What The Folks! is one of our most loved series franchises and we are happy to be able to recreate its magic for our Telugu audiences. The story’s universal appeal made for a very seamless adaptation and talented creators such as our co-producers Tamada Media, ChaiBisket have helped ensure we capture all the regional flavours and nuances in our storytelling,” said Pocket Aces showrunner Sarjita Jain.

  • Netflix adds 2.2 million subs from APAC in Q3 2021

    Netflix adds 2.2 million subs from APAC in Q3 2021

    Mumbai: OTT Giant Netflix announced its results for Q3 2021. The company grew its revenues by 16 per cent to $7.5 billion year-on-year and added as many as 4.4 million paid subscribers globally bringing its total subscriber base to 214 million subscribers.

    For the second consecutive quarter, the Asia-Pacific (APAC) region was the largest contributor to Netflix’s subscriber growth with 2.2 million subscribers coming from this region alone. The streaming giant added 1.8 million subscribers from the Europe, Middle East, and Africa (EMEA) market.

    The company forecasted 8.5 million subscriber additions for Q4 2021.

    Netflix also reported that ‘Money Heist- Season five’ and ‘Sex Education- season three’ were two of its biggest returning shows of the quarter reaching 69 million and 55 million households, respectively. Korean drama ‘Squid Game’ became its “biggest TV show ever” by reaching 142-million-member households in its first four weeks of launch. The show has ranked #1 in Netflix’s top ten shows across 94 countries including the US.

    The streaming giant said it will shift its metrics to ‘hours viewed’ for its titles rather than the ‘number of accounts that choose to watch them’ later this year.

    “There is some difference in rankings but we think engagement, as measured by hours viewed, is a slightly better indicator of the overall success of our titles and member satisfaction,” it said on Wednesday. “We will start to release title metrics more regularly outside of our earnings report so our members and the industry can better measure success in the streaming world.”

    Barring unforeseen events that result in large-scale production shutdowns the company anticipates a more normalised production slate for 2022 with even more originals releasing than 2021.

    During Q3, Netflix announced its agreement to acquire the Roald Dahl Story Company pending regulatory approval and acquired video game developer Night School Studio.

    Netflix also reported that when Facebook experienced a global outage for several hours on 4 October, the streaming platform saw a 14 per cent increase in engagement during that time period.

  • Starz streamer Lionsgate Play launched in Malaysia

    Starz streamer Lionsgate Play launched in Malaysia

    Mumbai: In continuation of its expansion in Asia, Lionsgate-owned Starz on Friday announced the launch of its independent direct-to-consumer OTT app Lionsgate Play in Malaysia. The service is being introduced in association with Telekom Malaysia (Unifi TV).

    “We are thrilled to launch the eagerly-anticipated Lionsgate Play app in Malaysia, delivering the finest global entertainment to captivate our audiences with bespoke content encompassing current releases and our vast premium library, all at an affordable price and at consumers’ convenience,” said Lionsgate Play MD of South Asia and networks – emerging markets Asia Rohit Jain. 

    “We are also pleased to launch with a great partner in Telekom Malaysia, who will give us a strong head start in the territory with their broadband reach and deep streaming offering,” Jain added.

    Lionsgate Play debuted in India in 2019 and the subsequent expansion took it into Indonesia, Sri Lanka, Bangladesh and, most recently, the Philippines.

    “This partnership will solidify our strong consumer offering with an extensive premium library. Lionsgate Play boasts iconic, bold and edgy content that is gripping and will be loved by our subscribers,” said Telekom’s content head for Unifi TV Ho Hock Doong.

    Lionsgate Play Malaysia will bring blockbuster film franchises such as “The Hunger Games”, “The Twilight Saga” and “Now You See Me” as well as popular and critically acclaimed TV series “Weeds,” “Power,” “Mad Men” and “The Spanish Princess” among others, to Malaysian audiences.

  • Horror movies bring good news for global box office

    Horror movies bring good news for global box office

    Los Angeles: Movie theaters have been struggling to maintain a reopening momentum after being shuttered throughout 2020 due to the coronavirus. The problem has been magnified because many high-profile franchise films have been released in theatres and on streaming services at the same time. However, this hasn’t been the case across the board with Hollywood’s 2021 horror films, which are being shown in theatres exclusively or with delayed streaming access. 

    Horror is turning out to be good news for the box office as it is now estimated that the horror genre has generated 20 per cent of the overall theatrical revenue in North America during the pandemic. Furthermore, studies indicate that horror flicks may actually better prepare people for unsettling true-life events like a pandemic.

    While expensive, franchise-friendly tentpoles such as “Black Widow” have fallen short of expectations, the recently released, smaller $25 million budget, horror-flick “Candyman” had a solid debut earning $22 million at the US box office in its opening weekend. “Horror movies are an accountant’s and studio executive’s dream with a huge upside of profit potential due to their inherent cost-effectiveness,” said Comscore’s senior media analyst Paul Dergarabedian. “You don’t need to break the bank to make a killer scary movie and the box-office results for the genre, particularly during the pandemic, have been most impressive.”

    “A Quiet Place Part II” opened in May with $47.5 million and has earned $160 million domestically and nearly $300 million worldwide against its $60 million budget. “The Conjuring: The Devil Made Me Do It” debuted in June with $24 million domestically and went on to earn $65.5 million domestically and $201 million globally while also streaming on HBO Max. It had a budget of $40 million.

    By comparison, “Black Widow” had a production budget of $200 million and a marketing budget estimated to be around $100 million. With a worldwide box office of $370 million since its July release, which the studio splits with cinemas, the Marvel film likely won’t break even. Disney has reported some of its streaming grosses for the title, which includes an estimated $60 million opening weekend in digital sales.

    Likewise, “The Suicide Squad”, which opened in theaters in August, had a budget of $185 million and has currently collected an estimated $154.5 million in box office receipts. This film was also made available for free on HBO Max to subscribers.

    Just as horror flicks are faring better at the box office during the pandemic, a recent study out of the University of Chicago suggests fans of this genre may also cope better. According to the research team, fans of horror films are more psychologically resilient during frightening world events like the pandemic. Likewise, people who tend to watch so-called ‘prepper’ films about preparing for zombie invasions or the apocalypse reported feeling more prepared for life during the pandemic. These people also are more likely to watch pandemic-themed films during this time.

    According to Hartford HealthCare, the University of Chicago research team studied the answers of 322 American adult participants to questions related to movies, mental health, and the pandemic. Topics included film genre preferences, interest in pandemic films, their preparedness for the pandemic, and their mental health during the pandemic. They were asked if they have felt more depressed than usual, have been sleeping well, and whether they watch the news. They also had to report on their reaction to the pandemic, if they felt they knew what to buy to hunker down at home and if the pandemic itself surprised them.

    According to the team, horror fans were not necessarily more prepared or resilient in the face of the pandemic, but they were far less distressed psychologically. Fans of prepper genres were much more prepared for the pandemic and noted fewer disruptions to their day-to-day life. They were no more likely to exhibit positive resilience, however. Participants with a moderate or greater interest in watching horror films during the COVID-19 pandemic were found to have greater positive resilience in real life than those with no interest.

    “Scary movies allow viewers to practice coping with distressing emotions, such as fear, in a safe and controlled environment” said the director of the Anxiety Disorders Center, part of the Hartford HealthCare Behavioral Health Network, Dr David Tolin. “As we gain a sense of mastery over fear, real-world concerns such as the COVID pandemic become less scary to us as well.”

    The researchers concluded that while people generally watch horror films as entertainment, there are subtle lessons being delivered. Horror fiction allows its audience to practice emotion regulation skills and hone strategies for dealing with fear which may help in effective coping strategies in unusual true-world situations.

    The horror genre has helped buoy film theatres and possibly better prepared its fans to cope with the pandemic. Who would have known in early 2020 as COVID-19 began its deadly spread that watching a good horror flick might prove effective against this real-world enemy?

  • ZEE5 forays into Punjabi content with all-new lineup

    ZEE5 forays into Punjabi content with all-new lineup

    Mumbai: ZEE5 has launched an all-new Punjabi content slate under the ‘Rajj Ke Vekho’ initiative, in order to strengthen its footprint in Punjab and neighbouring areas in Northern India. The video streaming platform’s new content slate will address the demand of over three crore Punjabi native speakers in India, it said.

    The new offering consists of Punjabi films, web series, originals and shows including straight-from-the-theatre titles from Zee Studios including “Puaada”, “Qismat 2”, “Jinne Jamme Saare Nikamme”, and “Fufad Ji”, starring popular Pollywood actors Ammy Virk, Sonam Bajwa, Sargun Mehta, Binnu Dhillon, and Gurnam Bhullar.

    ZEE5 India, chief business officer, Manish Kalra said the ‘Rajj Ke Vekho’ initiative is an attempt to bridge the gap between the TV watching audience and OTT users, bringing everybody onto a common platform. “Punjab, today, boasts of over 70 per cent internet penetration, a telecom infrastructure density that ranks third in the country, with one of the highest GDPs and per capita incomes in India. Despite this, the content offerings in the local Punjabi language are not as diverse as a crucial market like Punjab deserves. While intent among the audience is high, the availability of options is low, which is precisely what ZEE5 is here to address with the initiative,” he added.

  • DistroTV partners with Raj Nayak’s House of Cheer

    DistroTV partners with Raj Nayak’s House of Cheer

    Mumbai: Advertising video on demand platform DistroTV has partnered with House of Cheer to onboard South Asian channels. The platform will cater to USA, UK, and Canadian audiences making it easier to distribute, market, and monetise content at no cost.

    The company is also in advanced discussion with a further 15 to 20 channels that include regional languages like Tamil, Telugu & Malayalam. DistroTV plans to scale this operation over the next 12 to 18 months in other international markets.

    “The DistroTV Desi Bundle is an easy pathway to reach the 20-million, strong South East Asian diaspora across North America and the EU, representing a large revenue opportunity,” said the company in a statement.

    DistroTV is a division of California-based media technology company DistroScale and has partnered with Indian TV broadcasters such as Times Network, Republic Media, News24, Mastii TV, E24 to distribute their content globally. It offers Indian channel content through a free service called DistroTV Desi focusing on entertainment, lifestyle and news geared toward the South Asian population abroad and airs in native languages including Hindi, Gujarati and Punjabi among others.

    “Today’s broadcasters and content creators face a few critical challenges, They struggle with the cost of content delivery, with understanding how to best drive viewership, and with how to effectively market and monetise their content,”  said DistroScale, co-founder and chief executive officer, Navdeep Saini, adding that, “At DistroTV, we aim to address all of these issues so that content creators can focus solely on their craft: producing meaningful content that will resonate with viewers.”

    “DistroTV makes it easier than ever for Indian content creators and channels to distribute and monetise their content globally, without worrying about the setup, infrastructural, and ad costs, which is a huge saving on their bottom line,” said House of Cheer, managing director and advisor to DistroTV, Raj Nayak.

    “The channel owners can simply focus on producing engaging content, and we will host and monetise their content, as well as syndicate their channels to other large streamers to widen their international distribution, income, and revenue opportunities,”  DistroScale, vice president of business development and content acquisition, Rajesh Nair.

    “DistroTV ensures that all content is aggregated into one OTT platform, with the flexibility of having both linear TV and VOD. The platform absorbs all associated costs for content delivery, streaming, and marketing so that broadcasters and content creators do not pay any upfront investment or infrastructure costs. Leveraging its vast network and deep relationships with advertisers, DistroTV also monetises content for all clients,” said a statement.

    “Unlike other streaming providers, DistroTV also offers transparency to content owners through its LIVE dashboard, which allows for direct, real-time access to key viewership and revenue metrics at any given time. Metrics in the LIVE dashboard include viewer location, time of day shows were watched, the frequency of watching a show, and even how many ads a particular viewer saw during episode breaks. With access to key viewership metrics, broadcasters and content owners are able to make informed decisions and tweak strategy in real-time to drive maximum viewership and increase monetisation,” it added.

  • Netflix India, Tinder team up for dating reality show ‘IRL: In Real Love’

    Netflix India, Tinder team up for dating reality show ‘IRL: In Real Love’

    Mumbai: Dating app Tinder is set to collaborate with Netflix as its official casting partner for the Indian dating reality show titled IRL: In Real Love.

    The ongoing July month will see swipe cards appearing in between Tinder members’ stack of potential matches, and if they swipe right on the in-app casting call they will be redirected to a registration page. The applicants have to be single in real life, and need to have an eye-catching Tinder profile to score a chance of being cast for the Netflix show.

    IRL: In Real Love is in tune with other Netflix  Original shows like Indian Matchmaking, Love is Blind, and Too Hot to Handle. The upcoming show, produced by Monozygotic, is set to woo audiences with a true to its time dating format, the app said in a statement.

    “Tinder is thrilled to partner with Netflix to offer this generation’s hopeful romantics a chance to go after a flame that can’t be put out,” said Tinder and Match Group India’s GM Taru Kapoor. “Right from the casting process to its distinctive dating format, this show brings to the table, an opportunity to experience new connections, some heartbreaks, unmatched chemistry and a whole lot of fun. With Tinder’s diverse community of young singletons actively looking for real sparks, this show will provide them with exactly that and more. It’s a perfect match!”

    “IRL: In Real Love is an indigenous dating format and the association with Tinder will help us keep it as real as the times today,” shared Netflix India’s director – International Originals, Tanya Bami. “Authenticity is key to any reality series and Tinder will help us find a cast whose preferences and choices will enable us to understand the everyday dating conundrums. We can’t wait for the Tinder members to swipe right for IRL: In Real Love on Netflix!”

  • STARZ streamer Lionsgate Play launches in Sri Lanka

    STARZ streamer Lionsgate Play launches in Sri Lanka

    Mumbai: In a bid to expand its presence in Asia, the US-based streaming platform STARZ has launched its direct-to-consumer (DTC) OTT app Lionsgate Play in Sri Lanka, following its launch in India and Indonesia.

    The premium subscription service will bring Lionsgate Play’s vast library of Hollywood blockbusters, film franchises, and premium original series and boxsets immediately accessible to the subscribers, the platform said in a statement on Tuesday.

    The service has also launched at attractive price points to Sri Lankan consumers to enjoy the best of global entertainment affordably and at their convenience, it added.

    “We are thrilled to bring Lionsgate’s global brand to Sri Lanka with the launch of the Lionsgate Play app,” MD of South Asia and Networks-Emerging Markets Asia, Rohit Jain said.

    “Sri Lanka is a key market for us with its promising internet penetration, rapid growth in broadband, and the recent introduction of unlimited internet packs. We want to provide the finest, never seen before content that will captivate our audiences with bespoke entertainment drawing on the most exciting current releases and our premium library. The launch of Lionsgate Play will bring premium world-class entertainment right to the pockets of the consumers. We are certain that the launch will initiate altogether a new unparalleled entertainment experience to the island nation.”

  • SonyLIV brings in TCS as its technology partner

    SonyLIV brings in TCS as its technology partner

    MUMBAI: IT company Tata Consultancy Services (TCS) on Tuesday said that it has entered into a strategic partnership with SonyLIV, to help the streaming platform create an innovative business model enabled by digital technologies, enhance customer experience, and pave the path for future growth.

    The partnership will leverage TCS’ next-gen digital capabilities, global expertise, domain knowledge, and innovation ecosystem to define SonyLIV’s platform transformation roadmap for India and global markets, it said in a statement.

    TCS will help enhance its core OTT platform to leverage AI and machine learning to provide personalised experiences to subscribers across devices. It will also help SonyLIV use data and insights to monetise content and create new revenue streams, it added.

    Additionally, TCS will set up a world-class Experience Design Center leveraging its innovation labs, where it will deploy its Location Independent Agile Model to accelerate innovation by rapidly prototyping and helping SonyLIV launch new best-in-class features ahead of the market.

    The partnership will help SonyLIV reimagine the customer experience and engagement, enhance its brand, establish competitive differentiation in the marketplace and drive growth, the statement further said.

    SonyLIV, Sony Entertainment Television and Studio Next, business head, Danish Khan said, “We are delighted to have TCS on board as our technology partner. We will work closely with the TCS leadership team in India, the US, and UK to enhance the user experience of SonyLIV. Further, we hope to harness the TCS global talent reach, infrastructure, and global centers of excellence to bring innovations that will improve engagement and provide a delightful consumer experience.”

    “Through this partnership, TCS will bring its deep domain knowledge in the media and OTT industry along with world-class technology capabilities to enable SonyLIV to innovate at speed and scale. TCS will leverage its global innovation ecosystem to introduce next-gen immersive and interactive features to enrich the overall customer experience,” TCS India, country head, Ujjwal Mathur said.

  • Eurosport and GCN gear up for Tour de France 2021 coverage

    Mumbai: The iconic bike race speeds back onto screens this summer as the crème de la crème of cycling come together to battle for the yellow jersey. Capturing every stage, every sprint and every climb, Discovery-owned broadcaster Eurosport and its Global Cycling Network (GCN) are all set to live-stream 2021 Tour de France for viewers in more than 60 markets across Europe and Asia.

    With total exclusivity in 35 markets, Eurosport and GCN will offer live, on-demand and ad-free coverage of every stage of Le Tour via its digital platforms the Eurosport App and GCN+. For the first time, Discovery’s global streaming service discovery+ will also show all the action via Eurosport with Eurosport 1 also offering live broadcasts of every stage, it said in a statement.

    Eurosport and GCN’s international experts Sir Bradley Wiggins and Alberto Contador will offer LIVE insights to viewers in the UK and Spain respectively. Eurosport and GCN will bring fans closer to their favourite riders with a unique view of the action as its ‘Brad on a Bike’ feature returns for 2021 with Sir Bradley Wiggins and Bernie Eisel reporting live from the heart of the peloton. GCN+ will also offer subscribers exclusive content and original documentaries, both online and via the GCN App.

    Expressing his excitement about the upcoming event, Eurosport’s SVP – content and production, Scott Young said, “With the Grand Départ just days away, we are gearing up for the most comprehensive coverage of the Tour de France anywhere by harnessing the full power of Eurosport, GCN and discovery+ to excite and entertain viewers everywhere.”

    “We are looking forward to having Brad and Bernie back on the bike, offering viewers an innovative and unique insight to life in the peloton, as well as dissecting the drama of each stage through our local analysis and highlights shows. This year, the action does not end at the Champs-Élysées, and with the Olympic Games Tokyo 2020 following just a week after we find out who takes home the yellow jersey, there is so much racing and so many stories to look forward to over the coming weeks,” Young added.

    The exclusive coverage begins on 24 June, before stage one begins from the French city, Brest – on 26 June.