Tag: Steve Jobs

  • Greg Joswaik replaces Phil Schiller as new marketing head for Apple

    Greg Joswaik replaces Phil Schiller as new marketing head for Apple

    NEW DELHI: Apple Inc long term marketing head Phil Schiller has been replaced by Greg Joswaik on Tuesday. Schiller will be leaving his post as senior vice president of worldwide marketing to become an Apple Fellow but will retain leadership of the app store. Whereas Joswiak, who previously handled the marketing of Apple’s products will take over for Schiller as senior vice president of worldwide marketing.

    Schiller who is often seen on-stage introducing new Apple products, will continue to oversee Apple’s event.

    Schiller has been associated with Apple for the last 30 years and has witnessed the company’s struggles in the mid-1990s and its ascendance after the return of co-founder Steve Jobs in 1996. Apart from Apple’s marketing, Schiller also guided the company’s products and served as one of the few public faces authorized to speak freely for the company.

    “I’ll keep working here as long as they will have me. I bleed six colours, but I also want to make some time in the years ahead for my family, friends, and a few personal projects I care deeply about,” Schiller said in a statement.

    Lately, the company has come under criticism from developers who say its fees and rules create an uneven playing field to compete with the iPhone maker. Schiller has overseen the App Store since 2015.

    Joswiak who is replacing Schiller comes with over 2 decades of experience and has been a veteran of Apple. He was handling the marketing for the original iPod and iPad. He will report to chief executive Tim Cook.

  • The impact of the iPhone battery fiasco on brand Apple

    The impact of the iPhone battery fiasco on brand Apple

    MUMBAI: Ever since Steve Jobs launched his company decades ago, the now ubiquitous Apple stands at the epitome of technology, especially when it comes to laptops and smartphones. For over a decade, users of the iPhone have not only cherished the Apple product as their most prized possession but also one that is worth every penny paid. For Rs 60,000-90,000, you get luxury combined with sleekness, unbeatable hardware and a lifelong association.

    Apple sold 6.1 million first-generation iPhone units over five quarters and over 51 million iPhones in the first quarter of 2014. The iPhone became the best-selling technology product of 2017, selling more units than Samsung Galaxy8 and Nintendo Switch combined. In December 2017, Apple took a risk in introducing three new iPhones, the most expensive iPhone ever, the $999 X.

    But avid iPhone lovers around the world felt angered when the news of Apple deliberately slowing down the battery of older versions was leaked early December last year. Although it was rumoured for the longest time that Apple slows down the earlier models, it was nothing less than a betrayal or shock for most of its ardent devotees as they felt it was a coercive move to get them to ditch the older ones for the latest expensive ones. They felt cheated and resorted to social media to criticise the company for beguiling them about throttling CPU performance of older models.

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    On 28 December 2017, the company was quick to issue an appropriate and well-crafted response on its website, acknowledging the effect that old batteries have on the iPhone’s performance. The company offered $29 (Rs 2000) battery replacements as a solution which would otherwise have cost $79.

    In a media statement, Apple said, “To address our customers’ concerns, to recognise their loyalty and to regain the trust of anyone who may have doubted Apple’s intentions, Apple is reducing the price of an out-of-warranty iPhone battery replacement by Rs 3900 from Rs 5900 to Rs 2000 — for anyone with an iPhone 6 or later whose battery needs to be replaced, available worldwide through December 2018.”

    Early in 2018, Apple will issue an iOS software update with new features that give users more visibility into the health of their phone battery, so they can see for themselves if its condition is affecting performance.

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    Stressing the fact that Apple will need to do a lot more than this, brand strategy specialist Harish Bijoor believes that Apple needs to fight the bad image it has accrued after all these decades with the latest controversy. “The brand is scarred for now on that count. Let’s remember, this is a politically correct world we live in. Something like this is considered a breach of trust with the gullible customer,” he points out.

    While this turned out to be a good PR move for Apple to resolve the issue, it would mean that more iPhone users would now take the offer instead of upgrading to a newer device. Though Apple will gain some revenue with the battery replacement program, it will be nowhere close to the margins the company would have enjoyed on a brand new iPhone sale.

    Barclays’ analyst Mark Moskowitz estimates that 77 percent of iPhone users are among those eligible to upgrade the batteries. “10 per cent of those 519 million users take the $29 offer, and around 30 per cent of them decide not to buy a new iPhone this year. This means around 16 million iPhone sales could be at risk, creating a negative (-) 4 percent downside to our current revenue estimate for C2018,” he says.

    Bijoor emphasises that there is a need for strict actions to be taken against such companies and consumer compensation is a must which needs to be more in terms of brand positive strokes rather than money.

    Indiantelevision.com tired seeking a response from Apple India’s spokesperson to understand the company’s point of view on the same but they did not respond to our message till the time of publication.

    Only time will tell whether the move will further help brand Apple in restoring its image or not. But for now, as Apple says in its advertisements, “If you don’t have an iPhone, well you don’t have a (slow) iPhone!”

    Also Read:

    Apple to acquire Shazam

    Apple commits $4.2 bn for original content

    Jio-Apple strike a win-win deal as Airtel plans aggressive 4G offer

  • 11 Films You Must Watch Before Tuning In to the Oscars

    11 Films You Must Watch Before Tuning In to the Oscars

    Summer is over, and you know what that means in Hollywood – time to dust off those statuettes and start lobbying. Film festival season is about to kick off in earnest, with Venice, Toronto and New York all taking place back-to-back over the next month, which means that we’ll soon have a clear(ish) picture of the 2016 Oscar race. Specifically, we’ll have a sense of which would-be frontrunners are shaping up to be this year’s Birdman and Whiplash, and which look more like this year’s Unbroken and Big Eyes. Let us take a look at all the contenders of 2016’s best film.

    Carol

    Premiering at Cannes this year to rapturous praise and multiple standing ovations, Todd Haynes’s period romance is already one of the year’s most acclaimed releases. Based on Patricia Highsmith’s long-banned novel of the same name, Carol stars Cate Blanchett as a mysterious married woman who enchants Rooney Mara’s lonely young shop assistant.

    Steve Jobs

    Two years on from the best-forgotten Ashton Kutcher biopic, the life of Steve Jobs has been adapted once again in a much more promising form. Danny Boyle directs Michael Fassbender in the role of Jobs, from a script written by Aaron Sorkin which – much like Sorkin’s Oscar-winning script for The Social Network – weaves together multiple timelines in its portrait of Jobs backstage at three iconic product launches.

    The Danish Girl

    Eddie Redmayne may have won Best Actor for his portrayal of Stephen Hawking last year, but he’s making a strong run at round two with the role of transgender pioneer Lili Elbe, one of the first known recipients of gender reassignment surgery. Directed by Tom Hooper – no stranger to the Academy after The King’s Speech and Les Mis – the film also stars Alicia Vikander as Elbe’s wife, who plays a central role in her husband’s gradual self-discovery.

    Joy

    If you felt like there was something missing at last year’s Oscars, it was probably because Jennifer Lawrence wasn’t nominated for a David O Russell movie, following her two-year hot streak with Silver Linings Playbook and American Hustle. But she and O Russell are back in contention for 2016 with Joy, a biopic starring Lawrence as a struggling single mother who went on to invent the Miracle Mop. No, really.

    Macbeth

    He may have been memorably, inexcusably snubbed for Shame a few years back, but Michael Fassbender’s formidable slate this year could put him in line for a double Best Actor nomination. Justin Kurzel’s visceral adaptation of Shakespeare’s Scottish Play stars Fassbender as the conflicted, ambitious anti-hero, and Marion Cotillard as the scheming wife steering him in his fateful plot to kill the King and take his throne.

    Suffragette

    Carey Mulligan, Helena Bonham Carter and Meryl Streep lead the cast of this impressive period piece, which tracks the early years of the British women’s suffragette movement. Written by Abi Morgan, who has enjoyed prior Oscar success with The Iron Lady and Shame, this is a long overdue historical portrait that’s sure to be recognised.

    The Revenant

    Coming off Birdman’s unexpected sweep in the major categories last year, director Alejandro González Iñárritu hasn’t been resting on his laurels. His upcoming drama stars Leonardo DiCaprio as a rugged fur-trapper in the 1820s Rocky Mountains, who’s left for dead by his companions after a bear attack. Having survived the mauling, he sets out to wreak vengeance on the friends who abandoned him (Tom Hardy, Will Poulter and Domhnall Gleeson). Could this finally be the year Leo breaks his Oscar curse?

    Bridge of Spies

    Steven Spielberg’s latest historical picture follows an American lawyer (Tom Hanks) who is recruited by the CIA during the Cold War, to help them negotiate the release of a pilot imprisoned in the Soviet Union. Co-written by Joel and Ethan Coen, the film will premiere at this month’s New York Film Festival, but is already attracting a lot of early awards buzz.

    The Hateful Eight

    Quentin Tarantino’s long-delayed Western follows a group of bounty hunters who are caught up in a treacherous plot, after being forced to take shelter together during a blizzard. There are several intriguing possibilities for comeback performances among the cast – the central plot sees Kurt Russell’s “The Hangman” escorting Jennifer Jason Leigh’s “The Prisoner” to face justice for a murder – and the leaked script drama has only heightened anticipation for the finished product.

    Trumbo

    Having deservedly won all of the Emmys for his career-redefining performance as Breaking Bad’s Walter White, Bryan Cranston could now be in line for an Oscar nomination. He plays 1940s screenwriter Dalton Trumbo, whose career came to an abrupt and painful end after he – along with other scribes – was blacklisted as a communist. Previous years have borne out the idea that the Academy loves a Hollywood insider story, and the story of Trumbo’s fight against government officials and studio bosses alike could well strike a particular chord.

    Room

    Abrahamson gets extra points for the degree of difficulty involved in filming an intimate drama, half of which takes place in a 10-by-10 room, with just two performers, relative newcomer Larson and kid actor Jacob Tremblay.

     Other films: Brooklyn, The Walk, Freeheld, Me and Earl and the Dying Girl, Black Mass, Genius, The Martian, Inside Out

  • 11 Films You Must Watch Before Tuning In to the Oscars

    11 Films You Must Watch Before Tuning In to the Oscars

    Summer is over, and you know what that means in Hollywood – time to dust off those statuettes and start lobbying. Film festival season is about to kick off in earnest, with Venice, Toronto and New York all taking place back-to-back over the next month, which means that we’ll soon have a clear(ish) picture of the 2016 Oscar race. Specifically, we’ll have a sense of which would-be frontrunners are shaping up to be this year’s Birdman and Whiplash, and which look more like this year’s Unbroken and Big Eyes. Let us take a look at all the contenders of 2016’s best film.

    Carol

    Premiering at Cannes this year to rapturous praise and multiple standing ovations, Todd Haynes’s period romance is already one of the year’s most acclaimed releases. Based on Patricia Highsmith’s long-banned novel of the same name, Carol stars Cate Blanchett as a mysterious married woman who enchants Rooney Mara’s lonely young shop assistant.

    Steve Jobs

    Two years on from the best-forgotten Ashton Kutcher biopic, the life of Steve Jobs has been adapted once again in a much more promising form. Danny Boyle directs Michael Fassbender in the role of Jobs, from a script written by Aaron Sorkin which – much like Sorkin’s Oscar-winning script for The Social Network – weaves together multiple timelines in its portrait of Jobs backstage at three iconic product launches.

    The Danish Girl

    Eddie Redmayne may have won Best Actor for his portrayal of Stephen Hawking last year, but he’s making a strong run at round two with the role of transgender pioneer Lili Elbe, one of the first known recipients of gender reassignment surgery. Directed by Tom Hooper – no stranger to the Academy after The King’s Speech and Les Mis – the film also stars Alicia Vikander as Elbe’s wife, who plays a central role in her husband’s gradual self-discovery.

    Joy

    If you felt like there was something missing at last year’s Oscars, it was probably because Jennifer Lawrence wasn’t nominated for a David O Russell movie, following her two-year hot streak with Silver Linings Playbook and American Hustle. But she and O Russell are back in contention for 2016 with Joy, a biopic starring Lawrence as a struggling single mother who went on to invent the Miracle Mop. No, really.

    Macbeth

    He may have been memorably, inexcusably snubbed for Shame a few years back, but Michael Fassbender’s formidable slate this year could put him in line for a double Best Actor nomination. Justin Kurzel’s visceral adaptation of Shakespeare’s Scottish Play stars Fassbender as the conflicted, ambitious anti-hero, and Marion Cotillard as the scheming wife steering him in his fateful plot to kill the King and take his throne.

    Suffragette

    Carey Mulligan, Helena Bonham Carter and Meryl Streep lead the cast of this impressive period piece, which tracks the early years of the British women’s suffragette movement. Written by Abi Morgan, who has enjoyed prior Oscar success with The Iron Lady and Shame, this is a long overdue historical portrait that’s sure to be recognised.

    The Revenant

    Coming off Birdman’s unexpected sweep in the major categories last year, director Alejandro González Iñárritu hasn’t been resting on his laurels. His upcoming drama stars Leonardo DiCaprio as a rugged fur-trapper in the 1820s Rocky Mountains, who’s left for dead by his companions after a bear attack. Having survived the mauling, he sets out to wreak vengeance on the friends who abandoned him (Tom Hardy, Will Poulter and Domhnall Gleeson). Could this finally be the year Leo breaks his Oscar curse?

    Bridge of Spies

    Steven Spielberg’s latest historical picture follows an American lawyer (Tom Hanks) who is recruited by the CIA during the Cold War, to help them negotiate the release of a pilot imprisoned in the Soviet Union. Co-written by Joel and Ethan Coen, the film will premiere at this month’s New York Film Festival, but is already attracting a lot of early awards buzz.

    The Hateful Eight

    Quentin Tarantino’s long-delayed Western follows a group of bounty hunters who are caught up in a treacherous plot, after being forced to take shelter together during a blizzard. There are several intriguing possibilities for comeback performances among the cast – the central plot sees Kurt Russell’s “The Hangman” escorting Jennifer Jason Leigh’s “The Prisoner” to face justice for a murder – and the leaked script drama has only heightened anticipation for the finished product.

    Trumbo

    Having deservedly won all of the Emmys for his career-redefining performance as Breaking Bad’s Walter White, Bryan Cranston could now be in line for an Oscar nomination. He plays 1940s screenwriter Dalton Trumbo, whose career came to an abrupt and painful end after he – along with other scribes – was blacklisted as a communist. Previous years have borne out the idea that the Academy loves a Hollywood insider story, and the story of Trumbo’s fight against government officials and studio bosses alike could well strike a particular chord.

    Room

    Abrahamson gets extra points for the degree of difficulty involved in filming an intimate drama, half of which takes place in a 10-by-10 room, with just two performers, relative newcomer Larson and kid actor Jacob Tremblay.

     Other films: Brooklyn, The Walk, Freeheld, Me and Earl and the Dying Girl, Black Mass, Genius, The Martian, Inside Out

  • “Special ads will soon start storming in for mobile phones:” Rajdeepak Das

    “Special ads will soon start storming in for mobile phones:” Rajdeepak Das

    At a young age he decided to convert his passion into profession. At 21 he made his first ad and by the time he was 23, he joined Contract Advertising. At 25 he was off to BBDO Bangkok where he waited outside the office for 17 days as the security did not allow him to go inside due to a language problem.

     

    At 28 he started BBDO Mumbai with five creative officers and five interns and took the company to new heights. He has many accolades against his name and one of them is being the youngest executive creative director. He is Leo Burnett India chief creative officer Rajdeepak Das.

     

    A Bob Dylan and Steve Jobs fan, a firm believer in Hope, Faith, Love and Charity, Das speaks to Indiantelevision.com’s Anirban Roy Choudhury about the changing advertising industry and the role that mobile is going to play in near future.

     

    Excerpts:

     

    Do you think the ad fraternity will have to start adapting to the growth of smartphones in India?

     

    Special ads will soon start storming in for the mobile phone where the format is not landscape anymore. It will be more candid, more catchy, sometimes longer and interactive. Mobile opens a number of avenues like geo-targetting. For example, there is no point in showing a Bandra person, an ad about Delhi. Moreover, mobile also enables us to know the behavior and attitude of users. The adaptation has already started and the ad fraternity is creating special creatives and strategies for smart phones.

     

    Do you think the device mobile phone is used a little too often in ads now?

     

    We have 300 million TV and 500 million mobile phones and therein lay the answers. In next 10 years, the country will have 1.2 billion mobile phones, which will be three or four times more than a TV. People are on Facebook, Whatsaap, Twitter and the amount of time they spend on the mobile is way more than TV. The time spent on mobile phones is only likely to increase more with time.

     

    Let’s take prime time for example. What has happened to prime time? It used to be from 7 pm – 10 pm but that has changed. Now the prime time is the time you are in the toilet or traveling. The phone has enabled us to decide our prime time where we can consume content at our own convenience. The mobile phone is a major target of brands and hence in every second ad there is a phone on the screen.

     

    Do you think different treatment should be given to campaigns curated for a high magnitude and prolonged event like IPL to avoid repetitiveness?

     

    Vodafone came up with 52 days 52 ads with their Zoo Zoo campaign during IPL. So variety is possible. We launched around five ads during this IPL. Sometimes repetition is necessary to make something noticeable hence you can’t totally get away with it.

     

    What role is social media playing in advertising? Are shares and likes becoming one of the prime demands of clients?

     

    I think this is one of the best times to be in the creative field. While we are solving clients’ problems, it’s not about shares and likes. It’s more about creating something that addresses the problem.

     

    Gone are the days when advertising was just creating an ad. Now it is about understanding issues like clients problem, business problem etc. At times you might not even need an ad. A simple change in packaging, understanding the ground territory or understanding what people want can do the trick

     

    At Burnett, we follow the philosophy of Human Kind, so we try to understand the problem from people’s point of view. Social media has emerged as a weapon for us. The interaction has become faster, we get to know the reaction immediately and if we see that we need to correct it somewhere, we go ahead and do it.

     

    Crash the IPL was a great example of crowd sourcing. Do you think following its success, it can become a trend and disrupt the ad agency?

     

    If I want something to be written, I can go to the crowd. There are many amateur writers. All of them will send something but will it carry a solution for the brand? Maybe… maybe not.

     

    It is not necessary that quality content can become a quality solution. So with crowd sourcing, the chances of hit are less and miss are more while an agency will surely provide you with a solution.

     

    Interaction with crowd will always be there. There will be more interactive creative campaigns, which will make people talk about it. But for the time being, I don’t see crowd sourcing becoming a trend and hurting ad agencies.

     

    Due to YouTube and other technical innovations, foreign ads have become easily accessible and with that emerged a competitive debate. Where do you see us compared to them?

     

    What works in India will work anywhere in the world. We cry, we smile, we fall in love, we have desires and greed and that’s the same everywhere. I love Japanese ads and ads of Thailand. So if it is good work, it will garner global recognition.

     

    The difference is in quality of production. Their crafting is better than us and they exhibit some quality work. Having said that, we are not far behind. Our directors are getting better as is our story telling. At the creative thinking level, we are at par if not better than them.

     

    Do you think out of the box ideas, which once created can be recreated? And if it is recreated, will it work?

     

    It depends on the story telling and how well the execution is. Dil Chahta Hai,Zindagi Na Milegi Dobara and Rock On had the same story. Did it work? Of course it did. It worked and it became bigger and better. So out of the box concepts will always stand out and there will be many more recreations. It will be a mix of new and old, depending on the need of the brand. Everything will work if it is done eloquently.

     

    What should young minds who aspire to become an ad man do? Is classroom education enough?

     

    Classroom education is not enough. They should start working as soon as possible. Work for small clients, less money but work. They should start practicing the art as early as possible. The greatest of minds in this world are college dropouts. I am not insisting anyone to dropout from college but them becoming big have a reason.

     

    They learn by themselves. For them, learning 5+5 = 10 is not as easy as it is for someone in college and schools. In the process of learning 5+5 = 10, they learnt 10 different things, which made them what they are. I want all of them who aspire to become an ad man to start working as early as possible and that will take them a long way.

     

    What do you like about the advertising industry and is there anything that the industry should change?

     

    The beauty of our industry is that whether it is an intern or a chief creative officer, we all start by looking at an empty white page. Whoever cracks the idea and comes with a better concept is victorious. So there’s a subtle unanimity in all hierarchal positions. In other words, there is no boss or everyone is the boss.

     

    The thing that the advertising industry needs to change is to stop making an ad, if it is not necessary. An ad is not the solution of each and every problem. We should understand the problem and address it. After duly understanding the problem, if there is a need of an ad, only then should we go for it. Ads shouldn’t be a subject of hatred for consumers. We can’t keep interrupting someone with a pop-up ad. By doing that, we will only manage to get skipped and nothing beyond that.

     

    What’s the way forward for Rajdeepak Das?

     

    I love what I do and there is one thing that I will do till my last breath and that is ads. I want to keep making quality ads provide creative solutions to brands, which helps them rejuvenate their statistics. I believe in the four magical words that I saw written on Steve Jobs’ grave: Hope, Faith, Love and Charity and that says it all.

  • People Magazine accidentally publishes obituary of Kirk Douglas

    People Magazine accidentally publishes obituary of Kirk Douglas

    NEW DELHI: People Magazine accidentally published its pre-written obituary for renowned actor Kirk Douglas on Sunday night.

     

    Reporting this, Variety of the United States said,“It is not uncommon for major publications to write their elaborate obituaries in advance, and People Magazine clearly did not mean to run the story as evident from the “DO NOT PUB” in the headline.

     

    However, Kirk Spartacus Douglas and his family members are not happy. Douglas, who turns 98 next week, is not the first celebrity ‘death’ botched by People.

     

    In 1982, Abe Vigoda was erroneously referred to as “the late Abe Vigoda” in People Magazine, which became a running joke about Vigoda on talk shows like “Late Night with Conan O’Brien.” Vigoda is, of course, still alive.

     

    Bloomberg made a similar obituary gaffe when it published news of Steve Jobs’ death in 2008 three years before the Apple co-founder’s actually passing away in 2011. The editors of Bloomberg quickly posted a retraction and apologized for the mistake. 

  • Kids of Today and Tomorrow

    Kids of Today and Tomorrow

    If you tell your kid that ‘A is for Apple’…your kid will inform you about how Steve Jobs created Apple and how Newton saw the apple falling to the earth…

     

    Kids, today, are not the same as kids 10 years back! They are tech savvy, have a strong point of view about what they consume and are extremely perceptive about the cultures they absorb. To understand the psyche of kids and to keep pace with them, Viacom and Nickelodeon conducts numerous studies internationally and regionally. Through the research study “Kids of Today and Tomorrow” (2012) and years of experience in entertaining kids, Nickelodeon dives deep into the kids’ minds.

     

    Following are some of the key insights, the network has found out over the years.

     

    Key driver of success is happiness

     

    The key indicator of success for today’s kid is being happy. They are an optimistic bunch with a very positive outlook towards life. Humor plays an important role and it brings fun and relaxation which kids use to navigate their lives. Being funny is considered a great badge of honor. As entertainers, we should bear in mind that humor is important but should be smart and not cynical, a playful approach would be in line with the fun and happiness they seek in life. The brand philosophy of Nickelodeon is “Funny Rules” and this is kept at the core of all that is created and conceptualised on the brand.

     

    Keep it Simple Silly!

     

    This generation can separate the make-believe from what’s real. They can see through fakery and hate it when you try too hard. Kids respond best to authentic brand messages: be honest – they recognise when someone is trying to spin them a line! They’re more interested in real value than superficial trends. They respond best to direct and simple communication and connect immediately with stories told simply with characters that are honest and straightforward.

     

    Outward looking and connected

     

    Being connected is as much a part of everyday life as eating and sleeping. The advances in digital media have played a large part in broadening horizons and helping kids to be more outward looking. They interact with various screens from a very young age and as a consequence of this, broadcasters are bringing entertainment to them on multiple screens and in many different formats. The flip side to this, however, is that they have limitless cyber connections some of whom they have never even met but few close friends in real life. When it comes to the people who inspire them or the people they trust most, it’s all about close family and friends.

     

    Proud to be Indian

     

    The kids of today are increasingly expressing a great sense of love for their country. Their sense of national pride is growing stronger and they believe it’s important to maintain their country’s traditions. However, this doesn’t mean they want to close themselves off from the world or take a narrow view. Hence, it’s important for brands to localize in order to keep the Indian sensibilities intact at the same time be globally appealing to them.  

     

    More We than Me

     

    Today’s kids believe it’s important to help people in the community, protect the earth and the spirit is truly ‘We’ more than ‘Me’. They have the desire and sensitivity to be a bigger and more responsible part of the world they belong to. As a responsible brand, Nickelodeon internationally has created ‘The Big Help’, an ongoing grassroots pro-socio campaign that empowers kids to give back to their communities and planet in many interesting ways.

     

    We have only touched the tip of the iceberg when it comes to cracking their code and our journey will have to keep pace with their constant evolution.

     

    Kids are the real change agents of today. They are wired and versatile, resilient and life ready. They have the potential to change the world for the better and they firmly believe they can make a difference. We believe that too!

     

    (These are purely personal views of Viacom18 Media EVP and business head kids cluster Nina Elavia Jaipuria and indiantelevision.com does not subscribe to these views.)

  • Ogilvy apologises to Malala Yousafzai

    Ogilvy apologises to Malala Yousafzai

    MUMBAI: Looks like Indian advertising is coming under the radar for constant controversies. This time Ogilvy & Mather India’s series of ads for Kurl On titled ‘Bounce Back’ trigged negative conversations. The ad series features Malala Yousafzai, Mahatma Gandhi and Steve Jobs.

    The art work showcases a cartoon depiction of Pakistani young activist Malala being shot, and then miraculously coming back to life after a night’s rest on a Kurl On mattress. Social media was buzzing with thoughts that the ad is offensive at various levels. Considering the gravity of the situation, Ogilvy went ahead to undertake an investigation into process. There are no talks initiated for the other creatives that use Mahatma Gandhi and Steve Jobs as central characters.

    The official release issued by the agency on its website stated, “We deeply regret this incident and want to personally apologise to Malala Yousafzai and her family. We are investigating how our standards were compromised in this case and will take whatever corrective action is necessary. In addition, we have launched a thorough review of our approval and oversight processes across our global network to help ensure that our standards are never compromised again.”

    The agency also tweeted about the same.

    It can be recalled that last year around the same time, the Ford Figo controversial posters caught the attention of the world. JWT’s Bobby Pawar and Ford India’s Sriram Padmanabhan had to take responsibility of this and had to step down.

    So, who will take responsibility from Ogilvy? Any guesses?  

     

  • Danny Boyle may direct biopic on Steve Jobs

    Danny Boyle may direct biopic on Steve Jobs

    MUMBAI: According to a report filed by The Hollywood Reporter (THR) negotiations are mid-way with Danny Boyle on the Steve Jobs biopic with Aaron Sorkin attached to write the screenplay, based on Walter Isaacson’s New York Times bestselling book. The deal is not yet sealed, but the studio is moving quickly to get this to the start line.

     

    A report in THR says Leonardo DiCaprio is the choice to star, and his name was in circulation at the very beginning when the book first was optioned by Sony with producers Mark Gordon and Guymon Casady, who were joined by Scott Rudin when Sorkin came aboard to adapt. However, DiCaprio has just committed to The Revenant with Alejandro Gonzalez Inarritu directing scheduled for the fall, so the timing might not work.

     

    Walter Isaacson’s bestseller is based on more than forty interviews with Jobs conducted over two years, as well as interviews with more than a hundred family members, friends, adversaries, competitors, and colleagues. The author has written a riveting story of the roller-coaster life and searingly intense personality of a creative entrepreneur whose passion for perfection and ferocious drive revolutionized six industries: personal computers, animated movies, music, phones, tablet computing, and digital publishing.

     

    He built a company where leaps of the imagination were combined with remarkable feats of engineering. Although Jobs cooperated with this book, he asked for no control over what was written nor even the right to read it before it was published. He put nothing off-limits. He encouraged the people he knew to speak honestly. And Jobs speaks candidly, sometimes brutally so, about the people he worked with and competed against.

     

    His friends, foes, and colleagues provide an unvarnished view of the passions, perfectionism, obsessions, artistry, devilry, and compulsion for control that shaped his approach to business and the innovative products that resulted. Driven by demons, Jobs could drive those around him to fury and despair. But his personality and products were interrelated, just as Apple’s hardware and software tended to be, as if part of an integrated system. His tale is instructive and cautionary, filled with lessons about innovation, character, leadership, and values.

  • Ted turner: The Maverick man

    Ted turner: The Maverick man

    MUMBAI: CNN founder, Ted Turner, is the subject of a 60-minute profile encompassing his remarkable life and achievements. Reported by CNN anchor Wolf Blitzer, TED TURNER: THE MAVERICK MAN explores his difficult early years, his extraordinary career, his legendary America’s Cup win, Turner’s historic humanitarian and cable television legacies – and everything in between. The documentary will air on Sunday, November 24 at 4.30pm IST.

    Blitzer traveled to Atlanta, Georgia, and outside of Bozeman, Montana – to Turner’s Flying D Ranch – where Turner works to preserve bison and land and water reserves for future generations – for the exclusive profile as Turner approaches his 75th birthday in 2013. During revealing interviews with Blitzer, Turner opens up about his successes and failures, both personal and in business. Intimate interviews with Turner’s five children and key figures in his life, including ex-wife Jane Fonda, President Jimmy Carter, broadcaster Larry King, MLB players Phil Niekro and Dale Murphy, and former U.S. Senator Sam Nunn, add additional layers to the complex portrait.

    “Ted Turner has done for the broadcast media industry what Steve Jobs and Bill Gates have done for technology and personal communications,” Blitzer said. “From this in-depth look behind Ted’s hard won achievements and biographical challenges, viewers will come to understand the man we know today.”

    The film features first-hand accounts from Turner on founding his first “Super Station” and rapidly transforming that venture into a global media company. Of CNN’s ground-breaking, enterprising broadcast coverage of the 1991 Iraq War, Turner reflected it as still the “greatest scoop in the history of journalism.”

    In the film, Fonda describes her first meeting – and being wooed by – her former husband and describes their enduring friendship and love for one another. Carter describes how Turner hatched the idea to pursue Fonda – during a fly-fishing trip at Turner’s Flying D ranch.

    In addition, Nunn and Turner’s children describe Turner’s environmental passions and the motivation for his historic United Nations Foundation gift and other philanthropies. Murphy and Niekro share memories of Turner’s purchase of the Atlanta Braves Major League Baseball team – and the team’s triumphant march from last to first place in the League. Exclusive family videos and photos are also included in the hour.