Tag: Starz

  • International streaming service Starzplay rebrands as Lionsgate+ in 35 countries

    International streaming service Starzplay rebrands as Lionsgate+ in 35 countries

    Mumbai: Starz has announced that its premium international streaming service, Starzplay, will rebrand as Lionsgate+ in 35 countries. This coincides with a new brand look and graphics package, rolling out globally on 29 September 2022.

    The new brand look, with its graphics package, colour palette, and design elements, will be deployed in the U.S. and begin rolling out in the majority of Starz’s 63 country footprint. Starzplay will rebrand to Lionsgate+ in 35 Starz markets, excluding the US and Canada, where it will remain Starz. Brand names for Starzplay Arabia, along with South and Southeast Asia’s Lionsgate Play, will also remain in place.

    “We recognised the potential of the global OTT market early, and over the last few years we have built an incredible global streaming service, which has become a destination for audiences seeking premium, provocative programming. Operating under Lionsgate+ internationally brings a distinct and differentiated identity in an increasingly crowded international marketplace and builds on the brand equity in the Lionsgate name that our extensive research has proven is strong around the world. Even with the separation of STARZ and the Lionsgate studio business, the Lionsgate brand will continue to be valuable to the ongoing success of our international platform,” said Starz president & CEO Jeffrey Hirsch.

    “Our commitment to delivering bold, curated stories where we push boundaries and defy expectations remains the same. We have built strong relationships with our viewers and look forward to continuing providing them with premium storytelling as Lionsgate+,” said Starz president of international networks Superna Kalle.

    Lionsgate+ subscribers have access to a library of exclusive, premium content, including original series premiering globally on the same day as the United States, such as the political thriller Gaslit; period dramas in its royal collection, such as the upcoming series Dangerous Liaisons; and a series set in the universe of the blockbuster Power franchise. Lionsgate+ is also home to Spanish-language original series such as the drama Señorita 89, sci-fi thriller El Refugio and crime drama Express, and offers first-run series on television, including the genre-bending series The Great, and the action-thriller series Gangs of London, plus a collection of movies added to the platform every month.

    Starz established itself as one of the first US linear channels to enter the global market upon launching its global SVoD service, now Lionsgate+, in 2018, offering audiences access to what it calls bold, curated storytelling. Since its initial launch, coupled with its Starzplay Arabia joint venture, Starz’s global footprint has expanded into 63 countries throughout Asia, Canada, Europe, Latin America, MENA and Southeast Asia.

    With the rebrand in effect, below is the breakdown of service names across the 63 countries where SVoD has a presence.

  • Starz streamer Lionsgate Play launched in Malaysia

    Starz streamer Lionsgate Play launched in Malaysia

    Mumbai: In continuation of its expansion in Asia, Lionsgate-owned Starz on Friday announced the launch of its independent direct-to-consumer OTT app Lionsgate Play in Malaysia. The service is being introduced in association with Telekom Malaysia (Unifi TV).

    “We are thrilled to launch the eagerly-anticipated Lionsgate Play app in Malaysia, delivering the finest global entertainment to captivate our audiences with bespoke content encompassing current releases and our vast premium library, all at an affordable price and at consumers’ convenience,” said Lionsgate Play MD of South Asia and networks – emerging markets Asia Rohit Jain. 

    “We are also pleased to launch with a great partner in Telekom Malaysia, who will give us a strong head start in the territory with their broadband reach and deep streaming offering,” Jain added.

    Lionsgate Play debuted in India in 2019 and the subsequent expansion took it into Indonesia, Sri Lanka, Bangladesh and, most recently, the Philippines.

    “This partnership will solidify our strong consumer offering with an extensive premium library. Lionsgate Play boasts iconic, bold and edgy content that is gripping and will be loved by our subscribers,” said Telekom’s content head for Unifi TV Ho Hock Doong.

    Lionsgate Play Malaysia will bring blockbuster film franchises such as “The Hunger Games”, “The Twilight Saga” and “Now You See Me” as well as popular and critically acclaimed TV series “Weeds,” “Power,” “Mad Men” and “The Spanish Princess” among others, to Malaysian audiences.

  • Lionsgate Play announces its launch in the Philippines

    Lionsgate Play announces its launch in the Philippines

    Mumbai: Lionsgate Play, South Asia-based platform of premium subscription service STARZ, on Friday announced its continued expansion in Southeast Asia by getting ready for launching operations in the Philippines. The media company has appointed Ma Cecilia Marino as the general manager to lead its business in the region.

    With a population of 109 million, the Philippines will become the newest territory added to the STARZ global footprint which now includes 60 countries, the company said in a statement.  

    Lionsgate Play, MD South Asia, and networks – emerging markets Asia, Rohit Jain will continue to spearhead operations in the region. Marino will begin operations in the Philippines under the guidance of Jain, it added.

    “We are thrilled to expand into the Philippines where over a third of the population uses OTT services, a trend that has accelerated in the past two years as Filipinos become avid streaming consumers,” Jain said. “We see this as a great opportunity to reach and engage with them.  As part of this process, we are building a strong leadership team beginning with the appointment of Ma Cecilia Marino to lead our growth there, taking Lionsgate Play to new heights while creating long-term value for our stakeholders,” he added.

    Marino has over 25 years of experience in business strategy & development, brand marketing, and partnerships. She has worked closely with the dynamic telecommunications and fast-paced consumer industries. Most recently, she headed the integrated sales group of KidZania Manila, a global learning and entertainment brand.

    “I am delighted to join the team at Lionsgate and bring my expertise and a fresh perspective to the table,” Marino said. “The Philippines is an indispensable market for the South Asian business, and I am confident that the Filipino audience will enjoy Lionsgate Play’s unique and exclusive streaming offering.”

    According to a recent study by the Trade Desk, 36 million consumers stream two billion hours of OTT content per month in the Philippines, making OTT one of the fastest-growing media channels in the country. The mounting dominance of Hollywood films and soaring OTT viewership in the Philippines, coupled with only a few premium services to meet demand, creates a great market opportunity for Lionsgate Play to thrive in the country.

    The premium video streaming service also recently launched its service in Indonesia, Sri Lanka, and Bangladesh, after a successful rollout in India last year.

  • STARZ streamer Lionsgate Play launches in Sri Lanka

    STARZ streamer Lionsgate Play launches in Sri Lanka

    Mumbai: In a bid to expand its presence in Asia, the US-based streaming platform STARZ has launched its direct-to-consumer (DTC) OTT app Lionsgate Play in Sri Lanka, following its launch in India and Indonesia.

    The premium subscription service will bring Lionsgate Play’s vast library of Hollywood blockbusters, film franchises, and premium original series and boxsets immediately accessible to the subscribers, the platform said in a statement on Tuesday.

    The service has also launched at attractive price points to Sri Lankan consumers to enjoy the best of global entertainment affordably and at their convenience, it added.

    “We are thrilled to bring Lionsgate’s global brand to Sri Lanka with the launch of the Lionsgate Play app,” MD of South Asia and Networks-Emerging Markets Asia, Rohit Jain said.

    “Sri Lanka is a key market for us with its promising internet penetration, rapid growth in broadband, and the recent introduction of unlimited internet packs. We want to provide the finest, never seen before content that will captivate our audiences with bespoke entertainment drawing on the most exciting current releases and our premium library. The launch of Lionsgate Play will bring premium world-class entertainment right to the pockets of the consumers. We are certain that the launch will initiate altogether a new unparalleled entertainment experience to the island nation.”

  • Lionsgate Play marches into Indonesia market

    Lionsgate Play marches into Indonesia market

    KOLKATA: Global streaming platform Starz has launched its direct to consumer OTT app Lionsgate Play in Indonesia, expanding its presence in Asia following a successful launch in India.  With this, Lionsgate Play’s deep library of Hollywood blockbusters, film franchises and first-to-Indonesia original series and boxsets are immediately accessible to a wide Indonesian audience.

    Lionsgate Play Indonesia will bring blockbuster film franchises including The Hunger Games and Twilight Saga, the star-studded global box office hit Now You See Me, Academy Award-winning films from other studios like The Aviator and Babel, romantic drama Remember Me and acclaimed original television series Weeds, Power, Mad Men, and The Spanish Princess directly to Indonesian consumers.

    Starz president and CEO Jeffrey A Hirsch said: “Indonesia is an exciting market for us. The large and diverse population, increased data usage in urban and rural markets, and adoption of OTT across all demographics created an exciting opportunity for us to launch Lionsgate Play. We’re confident that our unique, exclusive and exceptionally curated content will generate a great response from Indonesian audiences.”

    The service has also launched with an attractive price point in Indonesia, making the app available as part of two subscription models, IDR 35 per month and IDR 179 for a year, price points that give Indonesian consumers the opportunity to enjoy the best of global entertainment affordably and at their convenience. Lionsgate Play content will also be made available through various bundle offerings with key partners such as Telkomsel and Telkom. The attractive price points and flexible availability give Indonesian viewers multiple convenient options to enjoy Lionsgate Play.

    Lionsgate Play Indonesia general manager Guntur Siboro believes that the combination of the OTT app launch and the previously-announced partnership with big players Telkomsel and Telkom will bring a seamless customer experience and easy access to Lionsgate Play content for their subscribers. “The partnership allows us to give more Indonesians the best entertainment experience. With a diverse audience reach, Lionsgate Play can be exposed to various levels of society. Everyone can enjoy Lionsgate Play content. Stay tuned for more exciting announcements,” he said.

  • Lionsgate sets up shop in India; appoints Rohit Jain as country head

    Lionsgate sets up shop in India; appoints Rohit Jain as country head

    MUMBAI: Global American content leader and NYSE-listed Lionsgate has finally set up shop in India to tap one of Asia’s biggest media markets. It has appointed Rohit Jain, a media industry veteran, to head the ops here as managing director.

    Jain, who till some time back worked with DTH operator Videocon d2h as deputy CEO for seven years contributing to the company’s growth in size and its Nasdaq listing, confirmed to Indiantelevision.com over phone his appointment and opening of the Mumbai office.

    Lionsgate India will spearhead all licensing to local linear and digital platforms in the territory from feature films, television series and library content under the Lionsgate and Starz brands.  It will work closely with the studio’s theatrical distribution partners to maximise box office for Lionsgate films, and it will partner with local production companies to develop intellectual property for theatrical release as well as distribution across other media platforms.

    Apart from that, Lionsgate India, a 100 per cent subsidiary of its American parent, will also explore investment opportunities throughout the Indian media market.

    “We’ve been focused on the enormous opportunity created by the Indian marketplace for years, and Rohit checks off all the boxes as the right executive to lead our business there,” said Lionsgate chief executive officer Jon Feltheimer in an official statement. 

    Feltheimer added: “Lionsgate brings to this territory a global content platform, an entrepreneurial mind set, and the agility of a next generation digital age company. Rohit is ideally qualified to leverage these strengths into accelerating growth and new business initiatives in the years ahead.”

    Lionsgate has been steadily expanding its global content platform with the continued growth of Lionsgate UK into a leading film and television production and distribution company, a growing operation in China that has established strong relationships with nearly all major platforms in the territory and increased the studio’s box office gross by 63 per cent from last year, and a new Canadian office that was opened in Toronto earlier this year.

    “I’m thrilled to join Jon and the rest of the Lionsgate team as we continue to build the company’s brand in India,” according to Jain, a 20 years veteran of the Indian media industry.

    Jain further pointed out that as India was the next logical frontier for Lionsgate’s multi platform content creation, marketing expertise and digital initiatives, he was “incredibly excited” at the opportunities that lie ahead.

    Boasting the world’s second largest consumer population and fastest-growing middle class, India has achieved double-digit annual growth across television, film, interactive games and delivery of content to digital platforms.  With over 800 television channels, more than 30 over-the-top platforms, 8,500 theatrical exhibition screens and an evolving interactive game business, opportunities for content producers and distributors are continuing to increase, according to Lionsgate.

    In the past few years, the company said it has tripled its revenue from India and made Hindi-language film `Brothers, a remake of Lionsgate’s critically-acclaimed `Warrior. A Hindi-language remake of the studio’s action hit comedy `Red is also in the works with a possible involvement of Hindi film star Anil Kapoor.

    Rohit Tiwari of Morris Street Advisors, who had previously served as Lionsgate’s local sales agent in India, has transitioned to a consulting relationship to Lionsgate India, the company said.

    The first major new studio in decades, Lionsgate is a global content platform whose films, television series, digital products and linear and over-the-top platforms reach next generation audiences around the world.  In addition to its filmed entertainment, Lionsgate claims its content drives a growing presence in interactive and location-based entertainment, gaming, virtual reality and other new entertainment technologies.

    ALSO READ:

    Lionsgate properties in film and TV on Amazon Prime Video India

    Endemol India and Lionsgate collaborate on a project

    Warner Bros’ Chad Kennedy joins Lionsgate as SVP current programming

  • Most TV execs can’t sell streamlined multichannel ads, rely on homegrown tech: Study

    Most TV execs can’t sell streamlined multichannel ads, rely on homegrown tech: Study

    MUMBAI: Most TV companies are unprepared for advanced TV, a research has revealed.

    SintecMedia Survey finds that 69 per cent of TV media executives admitted their inability to sell streamlined multichannel advertising, while 59 per cent rely on homegrown technology.

    SintecMedia, a leading provider of broadcast and digital management software, has announced the results of a research study of TV media executives and agency media buyers about the future of TV, problems facing media companies, and how media companies plan to manage advanced TV advertising and delivery.

    The study includes results from a survey in partnership with MediaPost as well as interviews with executives from market-leading companies including Charter Spectrum Reach, Hulu, Scripps Network, and Turner.

    Fifty-nine per cent of TV media companies rely on homegrown technology to sell their inventory, a fact that will make it difficult for companies to adapt as advanced TV forces new technology and process into the advertising organization. The study also finds that the executives believe that their companies are unprepared for changes. Less than one third, 31 per cent believe that their company has what they need to sell digital and linear TV in a single streamlined process.

    SintecMedia is also a software partner for brands including NBCU, CBS, ABC, AT&T, STARZ, Star India, Seven Australia and Sky. SintecMedia and MediaPost surveyed TV executives, digital executives and agency media buyers.

    TV media executives, the study reveals, are not aligned with media buyers about several key advanced TV elements. While TV executives believe that TV ratings metrics will become the standard for multichannel and advanced TV advertising, agencies believe that the impression will become the significant metric. What’s more, TV companies feel confident that the TV department will take on more digital sales while agencies believe that digital will take on more TV sales.

    The study finds that demand for advanced TV inventory is founded on fast transactions, easy delivery and big scale. Technical and organizational friction within TV companies creates barriers that could frustrate media buyers looking for easy ways to buy audience-targeted campaigns from TV companies, potentially giving digital companies like Facebook and Google a window of opportunity.

    TV companies are, however, in a good position to grab market share in advanced TV if they can overcome technical and operational hurdles quickly.

    “TV companies and digital companies are both vying for advanced TV market share, with widely varying business models. The future of TV requires a profitable combination of quality content, multichannel distribution and ad sales built on a flexible, centralized technology stack. This strategy empowers the media company to control their transactions and make decisions quickly,” said SintecMedia CEO Lorne Brown.

    “Our research shows that many TV executives are facing critical trade-offs to reap small rewards from compromised projects now compared to more ambitions strategic initiatives that ensure that they preserve their control and profitability in the future,” Brown added.

  • Starz  greenlights ‘American Gods’ from FremantleMedia North America

    Starz greenlights ‘American Gods’ from FremantleMedia North America

    MUMBAI: Starz has given a greenlight to FremantleMedia North America’s adaptation of Neil Gaiman’s contemporary fantasy novel American Gods.

     

    Bryan Fuller and Michael Green will pen and showrun the series. Gaiman will also executive produce the series. FremantleMedia North America will produce. Start of production is dependent on casting the lead role of Shadow Moon.

     

    Starz will retain all network pay TV and SVOD rights to the project. FremantleMedia will distribute the series worldwide.

     

    Starz CEO Chris Albrecht said, “Starz is committed to bring American Gods to its legions of fans. With our partners at FremantleMedia and with Bryan, Michael and Neil guiding the project, we hope to create a series that honors the book and does right by the fans, who have been casting it in their minds for years. The search for Shadow begins today!”

     

    Gaiman added, “I am thrilled, scared, delighted, nervous and a ball of glorious anticipation. The team that is going to bring the world of American Gods to the screen has been assembled like the master criminals in a caper movie: I’m relieved and confident that my baby is in good hands. Now we finally move to the exciting business that fans have been doing for the last dozen years: casting our Shadow, our Wednesday, our Laura…”

     

    Fuller and Green said, “Almost 15 years ago, Neil Gaiman filled a toy box with gods and magic and we are thrilled to finally crack it open and play. We’re grateful to have Starz above us and FremantleMedia at our backs as we appease the gods, American or otherwise.”

     

    FremantleMedia North America co-CEO Craig Cegielski said, “American Gods has been the passion project for us since Stefanie Berk brought this exceptional piece of literature to the company when she joined two years ago. Chris, Carmi and the entire team at Starz are committed partners, sharing the same creative vision and ambition for this series. Neil’s novel is a brilliant work of art, and together with the talented Bryan Fuller and Michael Green, we are committed to delivering a series that is nothing short of extraordinary.”

     

    The 2001 novel has been translated into over 30 languages and earned numerous accolades including Hugo, Nebula and Bram Stoker Awards for Best Novel.

     

    The plot posits a war brewing between old and new gods: the traditional gods of biblical and mythological roots from around the world steadily losing believers to an upstart pantheon of gods reflecting society’s modern love of money, technology, media, celebrity and drugs. Its protagonist, Shadow Moon, is an ex-con who becomes bodyguard and traveling partner to Mr. Wednesday, a conman but in reality one of the older gods, on a cross-country mission to gather his forces in preparation to battle the new deities.

     

    FremantleMedia North America’s Craig Cegielski and Stefanie Berk will executive produce the series along with Bryan Fuller, Michael Green and Neil Gaiman. Senior vice president of original programming Ken Segna will be the Starz executive in charge ofAmerican Gods.   

  • Prime Focus Technologies completes acquisition of DAX

    Prime Focus Technologies completes acquisition of DAX

    MUMBAI: Prime Focus Technologies (PFT), the technology subsidiary of Prime Focus today announced that it has completed the acquisition of DAX, a leading provider of cloud-based production workflow and media asset management applications to the entertainment industry.

     

    On 11 March, PFT announced a definitive agreement to acquire DAX for a base consideration of $ 9.1 million in a uniquely structured performance linked transaction. PFT through its US subsidiary will acquire all the assets of DAX for an upfront payment with balance payable over three years primarily from cash flows from the North American operations.

    The acquisition gives PFT ownership of DAX’s patented technology (US Patent No: 7,660,416/ 8,218,764) and products including the Primetime Emmy award winning Digital Dailies solution which is the de-facto industry standard in television production.

    It also sets the course for PFT’s strategic expansion in North America. PFT will significantly enhance the value proposition to DAX’s marquee customers including major studios and broadcast networks (Warner Bros. Television Studios, CBS Television Studios, 20th Century Fox Television Studios, Legendary Pictures, Fox Television Studios, A&E, Showtime, Starz, Relativity Media and Lionsgate) and many independent production and distribution companies.

    The combination now creates an unrivaled industry leader, offering a uniquely robust and dynamic stack of enterprise-class Media ERP solutions to broadcasters and studios claims the technology arm of Prime Focus.

  • TV industry targets heavy VOD buyers, TV valuable customer for commercials

    TV industry targets heavy VOD buyers, TV valuable customer for commercials

    NEW DELHI: Highly addressable advertising has been a long-standing plan for the TV business, which wants to rival the ad targeting available online, and the biggest beneficiary of addressable commercials so far may be the TV industry itself even as marketers want to make their spending more efficient.

    Cable networks like Starz and HBO have begun trying DirecTV’s addressable advertising platform to find specific viewers who they believe would actually be interested in their shows. Cable and satellite operators, meanwhile, are taking advantage of the system to more efficiently target specific customers and get current subscribers to upgrade.

    Such advertising could be most effective for the actual TV operators, said Visible World executive VP- marketing and research Claudio Marcus. Visible world provides targeting technology to Cablevision.

    According to the National Association of Broadcasters of the United States, this is partly because paid TV services do not want to waste sign-up ads on people who already shell out for the product. Other kinds of marketers have a greater interest in marketing to current customers, so they’ll stick with the brand for their next box of crackers or new smartphone.

    It can also be laborious to match specific households with the cars or packaged goods they buy but pay-TV operators like DirecTV know exactly which premium channels each of its households pays for.

    “People are telling us they have enough TV,” said Media Storm co-founder and managing partner Craig Woerz. Media Storm’s clients including WeTV and NFL Network use DirecTV’s addressable advertising. “We need to make it more personalised and break through the clutter. We don’t want to break through with everyone, just the right people, who will be highly engaged.”

    “Clients using addressable advertising are seeing a 20-40 per cent higher tune in rate than those not doing it,” informed Woerz.

    Addressable commercials let you plan a TV campaign the way you would plan digital, said Starz exec VP-marketing Nancy McGee, which has run two campaigns using DirecTV’s addressable system. “Addressable makes sense in light of how people are consuming TV, cherry-picking programming and networks,” she said.

    The premium cable channel tested a small campaign in March, urging viewers to add Starz, and followed up in June with a promotion for the premiere of the second season of “Magic City.”

    In the initial test, which ran over five days, Starz showed ads to non-subscribers who frequently bought movies on demand or who subscribed to other premium channels, groups that the network believed had a higher propensity to be won over.

    The network saw a 49 per cent higher jump in sales among viewers who saw the ads than in a control group, McGee said, adding that the system provides information on how many people were exposed to the campaign, how many watched it live and in playback, on which network they saw it and during which part of the day.

    HBO, too, has used the DirecTV system for a campaign pegged to Game of Thrones, showing commercials to consumers who met criteria such as frequent VOD orders, on the same logic that Starz applied. It will run a similar effort later this year for the return of Boardwalk Empire.

    HBO is still learning, according to HBO director, domestic network distribution Gina DeSantis. But the network intends to increase its investment in addressable ads next year, she said.

    Scripps Networks is early in its exploration of addressable advertising, using it to send programming messages to viewers based on geographic location, said VP, national accounts, content and marketing group Brent Scott.

    “There are so many shows and competitive networks, if you can pinpoint a specific customer you have a better chance of tune in,” he said. “Why advertise to DirecTV’s entire customer base of 20 million if 19 million of those have no interest. I’d rather reach a couple of hundred thousand that are interested.”

    “In a lot of ways what we are doing here is no different than what Spotify is doing, what Amazon has been doing for years,” said DirecTV exec VP- chief revenue and marketing officer Paul Guyardo. “They see what you like to purchase, they see the songs you like to listen to, and they serve up songs they think you might be interested in. We are only putting the commercials in homes of people that want to know more about new cars or a premiere of a particular show because it is a show they like to watch.”

    Auto, insurance and financial marketers have also been using the addressable technology, according to Guyardo, but the limits of the pay-TV systems’ reach have held back widespread adoption.

    Some in the TV business also worry about the impact of easy, highly targeted TV commercials. “There’s a fear factor,” said Marcus. “The concern is if media buys become more efficient, does money come out of the marketplace because advertisers can do more with less?”

    But the biggest challenge is educating the marketplace, with many media buyers and planners still thinking in traditional gross rating points, according to Guyardo.

    DirecTV is trying to overcome that by pitching directly to CMOs, especially those who are data-driven. “If they value and appreciate data and analytics and they have a good understanding of exactly who they want to target, the beauty of this addressable product is it provides all of the reach that they want without the waste,” Guyardo said.