Tag: Star

  • Tauquir Zaidi appointed as SVP on Chrome Data Analytics & Media

    Tauquir Zaidi appointed as SVP on Chrome Data Analytics & Media

    MUMBAI: Tauquir Zaidi has been appointed senior vice president-revenue in the Pankaj Krishna led Chrome Data Analytics & Media.

    An industry veteran with over 17 years in the broadcast industry, Zaidi has had an integral role in organizations such as STAR, NDTV Media, Times Television and Doordarshan.

    After expanding the market base for Star India, Zaidi joined NDTV Media as AVP, Ad Sales, and went on to head the team for NDTV 24×7 and NDTV India. :Later, Zaidi spearheaded Ad Sales in the North and West Markets as the Regional Head at Times Television.

    Zaidi will focus on growth and expansion of the organization by driving several new initiatives. He will be reporting directly to Pankaj Krishna.

    Commenting on his appointment, Krishna said, “Tauquir comes to us with over 17 years of experience in the media industry, and he will be an important figure in our journey to become the most respected media audit and intelligence company. We are happy and excited about having him on board.”

    Zaidi added, “Working with Pankaj is an opportunity I could not have passed on, having followed his career over the years. Chrome DM is at an exciting juncture, poised to take the leap to the next level with a well laid out diversification plan.  As they grow their stable of products, leveraging their already established market standing, I look forward to the challenge of driving revenue growth and the excitement of working with a young, talented team.”

     

  • Den to sell entire stake in Star Den JV to Star

    Den to sell entire stake in Star Den JV to Star

    BENGALURU: Den Networks Limited (Den) has informed the bourses that it has entered into an agreement to sell its entire fifty per cent stake in its joint venture Star Den Media Services Private Limited (Star Den) to its partner Star India Private Limited (Star India). The agreement price for Den’s stake is Rs 40.35 crore. Star owns an equal share in the JV.

    At the time of filing of this report, buoyed the news of the stake sale, Den shares were up 15.20 per cent from the previous close on the Bombay Stock Exchange (BSE), with each equity share having face value of Rs 10 being traded at Rs 95.50 as compared to yesterday’s close rate of Rs 82.90 and a total traded quantity of 2.1 lakh. The intraday high price of the share was Rs 99.20. The share had opened at Rs 83.75 today at the start of the trading day. The 52 week high price of the share was Rs 169 and the 52 week low was Rs 60.50.

  • Den to sell entire stake in Star Den JV to Star

    Den to sell entire stake in Star Den JV to Star

    BENGALURU: Den Networks Limited (Den) has informed the bourses that it has entered into an agreement to sell its entire fifty per cent stake in its joint venture Star Den Media Services Private Limited (Star Den) to its partner Star India Private Limited (Star India). The agreement price for Den’s stake is Rs 40.35 crore. Star owns an equal share in the JV.

    At the time of filing of this report, buoyed the news of the stake sale, Den shares were up 15.20 per cent from the previous close on the Bombay Stock Exchange (BSE), with each equity share having face value of Rs 10 being traded at Rs 95.50 as compared to yesterday’s close rate of Rs 82.90 and a total traded quantity of 2.1 lakh. The intraday high price of the share was Rs 99.20. The share had opened at Rs 83.75 today at the start of the trading day. The 52 week high price of the share was Rs 169 and the 52 week low was Rs 60.50.

  • Channel V to air ‘Ishq Unplugged’ from 7 March

    Channel V to air ‘Ishq Unplugged’ from 7 March

    MUMBAI: Channel V is planning to launch a new fiction show titled Ishq Unplugged. 

    The youth show is a love story between two contestants of a singing reality show. Scheduled to release on 7 March 2016, it will air from Monday to Friday at 7:30 pm.

    The romance between two completely opposite characters plays out on the backdrop of the reality show, which they want to win for their own reasons.

    Main leads of the show are played by Mohit Gaur and Shruti Prakash who essay the roles of Mandy and Antara respectively. Mandy’s character hails from a middle class background from Delhi. Even though he is an exceptional singer, Mandy faces opposition from his family to fulfill his lifelong dream of becoming a famous singer in the entertainment world. Although Mandy is deserving of success, his notions to achieving stardom is rife with trying any means to get what he wants, by hook or by crook.

    Antara, on the other hand, faces a different circumstance. Daughter of a very famous singer, she is also blessed with a beautiful voice. Her Mother wants Antara to follow her footsteps rather than create her own identity. This competition is the stage to launch her career.

    Speaking about the show, a Star spokesperson said, “Like dance, music and reality shows are a big pull for the youth; this is the first time we have a fiction show, which is a potent combination of music and romance on the backdrop of a reality show. With a fair share of singing and performances along with drama, this unique offering is going to something fresh for the youth to savour and enjoy.”

    The channel has chalked out a marketing strategy to support the show with high decibel promotions across multiple platforms.

  • Channel V to air ‘Ishq Unplugged’ from 7 March

    Channel V to air ‘Ishq Unplugged’ from 7 March

    MUMBAI: Channel V is planning to launch a new fiction show titled Ishq Unplugged. 

    The youth show is a love story between two contestants of a singing reality show. Scheduled to release on 7 March 2016, it will air from Monday to Friday at 7:30 pm.

    The romance between two completely opposite characters plays out on the backdrop of the reality show, which they want to win for their own reasons.

    Main leads of the show are played by Mohit Gaur and Shruti Prakash who essay the roles of Mandy and Antara respectively. Mandy’s character hails from a middle class background from Delhi. Even though he is an exceptional singer, Mandy faces opposition from his family to fulfill his lifelong dream of becoming a famous singer in the entertainment world. Although Mandy is deserving of success, his notions to achieving stardom is rife with trying any means to get what he wants, by hook or by crook.

    Antara, on the other hand, faces a different circumstance. Daughter of a very famous singer, she is also blessed with a beautiful voice. Her Mother wants Antara to follow her footsteps rather than create her own identity. This competition is the stage to launch her career.

    Speaking about the show, a Star spokesperson said, “Like dance, music and reality shows are a big pull for the youth; this is the first time we have a fiction show, which is a potent combination of music and romance on the backdrop of a reality show. With a fair share of singing and performances along with drama, this unique offering is going to something fresh for the youth to savour and enjoy.”

    The channel has chalked out a marketing strategy to support the show with high decibel promotions across multiple platforms.

  • HBO lines up X’mas treat for viewers

    HBO lines up X’mas treat for viewers

    MUMBAI: Come December, people don their party hats to usher in the New Year. From decorations on the streets, lighting, singing Christmas carols to gorging on the diverse range of cakes, this month of the year is much awaited by one and all. To add to this devil-may-care season, English entertainment channel HBO has planned a power packed December with the best Hollywood blockbusters.

     

    The lineup titled as Rewind 2015 starts from 7 December to 31 December, 2015 and will air from Monday to Thursday in the prime time slot of 9 pm.

     

    The star studded action packed movies for this campaign include blockbuster movies like Teenage Mutant Ninja Turtles, Transformers Age of Extinction, Spy Kids 2: Island of Lost Dreams, Ghost Rider, Riddick, Noah and Interstellar to name a few.

     

    The channel will promote the property mostly on-air via promos with digital support and trade. “We believe in providing the best to our viewers. This is our yet another endeavour for our audience to give them an extra reason to celebrate Christmas with more elation. We are already experiencing a lot of buzz about this campaign across all the social platforms. We strive to stick to our vision of keeping the audience entertained with our blockbuster lineup,” says a channel spokesperson.

     

    The campaign is also being promoted on all social media platforms via fun facts, trivia and contests. As far as the marketing strategies for this campaign goes, HBO has chosen the off-air marketing route, which includes digital promotion on the channel’s Facebook and Twitter pages with promoted posts and a contest. The channel will also be releasing a trade mailer.

     

    “The advertisers were quite impressed with our concept and have been a good support to us. We hope and expect that through this initiative, we will go that extra mile to get a smile on the faces on our loyal viewers,” adds another channel spokesperson.

     

    The channel’s property will also be promoted on Instagram.

     

    “I always watch HBO because of the bouquet of various movie genres, which makes my evening lively. I look forward to what HBO is going to offer us this Christmas special,” says a loyal media follower.

     

    However, HBO is not planning any on-ground or print marketing campaigns and will majorly focus on the metro and non-metro cities through the fans that are available on Facebook and Twitter.

  • Impact of DAS on Sports Ecosystem: Rajesh Sethi

    Impact of DAS on Sports Ecosystem: Rajesh Sethi

    DAS  (digital addressable system) is here to stay. Despite the shortcomings, the hiccups in the implementation of the first two phases, the government has announced that it will not extend the deadlines of December 31, 2015 for phase III areas and December 31, 2016 for phase IV, when the entire country is expected to be digitised. After complete switchover, cable TV services will be available only through set top boxes in India.
     
    We, at the Indiantelevision.com are starting a new section – ‘The Impact of DAS’ through which thought leaders, experts from the television ecosystem will share their thoughts, ideas, and say their piece on the subject. We are beginning with the impact of DAS on the sports broadcasting ecosystem. 
     
    Our expert for the section is Ten Sports Network CEO Rajesh Sethi.

     

    Excerpts: 

     

    How big an impact has phase I and II digitization made when it comes to subscription revenue?

     

    Phase I and phase II digitization has made a positive impact as far as the subscription revenue is concerned for the industry and given the trend we expect increase in the revenue once phase III and IV is completed. Ten Sports has also experienced the upside of subscription revenue which can be seen from our increased ARPU.  The addressability has improved but a lot still needs to be done. We believe that as the digitalization matures & packaging is implemented on ground by the operators, we will be able to achieve complete benefits of digitalization.
     

    From sports broadcaster’s point of view are you happy with the two phases of digitization?
     
    Although the implementation of two phases of digitization had been slow as compared to expectations, the completion of the two phases has facilitated increased subscription revenues and more accountability in the industry. From a sports broadcaster’s perspective, it will provide Ten Sports an opportunity to introduce new products based on the type and preference of consumers and provide enhancements like multi camera action, on demand services etc. We as asports broadcaster are keen to enhance the consumer experience and are interested in working with operators to fully reap the benefits of digitalization.

     

    Is the sports broadcasting industry in a subscription positive scenario? Or we are still ad dependent?

     

    The sports broadcasting industry in India is still evolving and ad revenue contributes significant part of revenues and will continue to remain the same in foreseeable future for main streamsports content. However, as digitization is still not complete, there is a high potential of increased subscription revenue and lesser dependency on ad revenues. We expect the niche sports offering to move towards subscription driven revenue model. As a sports broadcaster, we believe that the industry is moving in the right direction and once phase III and IV is complete there will be a possibility for this industry to be in a subscription positive scenario.

     

    Are sports like Football, Badminton which are hugely popular but has very little room for advertisement profitable assets for broadcaster?
     

     

    There has been increased interest from consumers for non-cricket sports in India in the last few years. Football and Badminton have gained traction in an industry which is preliminary dominated by cricket. It’s a step forward in right direction and we have seen advertisement revenue picking up for non-cricket content, the most recent example being Kabaddi. With regards to football and badminton being a profitable asset for a broadcaster, profitability is a function of revenue potential and content cost. Though the revenue potential and content cost presently is limited, it is expected to rapidly grow for these products. This makes it a good opportunity for a broadcaster to obtain future profitability on these content.
     
    With phase III and IV scheduled do you see a substantial inclination in subscription revenue?
     

     

    Phase III and IV is all about getting to remote areas of India. It provides an opportunity for thesports broadcasters to bring local content which connects & relates to the audiences residing in these towns. We see positive growth in subscription revenue as the number of HH’s in these towns provide a growth opportunity from the existing very low ARPU levels.
     

     

    How can a non cricket sport or a sport with least ad room turn profitable for broadcasters?

     

    The subscription revenue and ad revenue are the two key revenue source for a sports broadcaster. However, profitability for a content not only depends on revenue but also on the cost. The sportswhich has least room for ad revenues would depend on increased subscription revenue which we expect to increase once phase III and IV digitization is completed. At Ten Sports, as part of innovation drive, our team analyzes the potential of content across various genres which might not be currently popular in India and then builds it up for the consumers. We see increased traction for non-cricket content in recent years which translates into higher revenue potential and eventually a profitable content.

     

  • TDSAT permits Star to examine MSO’s headend before signing agreement

    TDSAT permits Star to examine MSO’s headend before signing agreement

    NEW DELHI: Noting that it was a ‘fledgling multi-system operator,’ the Telecom Disputes Settlement and Appellate Tribunal (TDSAT) has said that ‘Star India cannot have any objection to give its signals on RIO terms to Akash Tori Infocom Services Pvt. Ltd.

     

    However, accepting the plea by Star India to inspect the MSO’s headend, TDSAT chairman Aftab Alam and members Kuldip Singh and B B Srivastava asked the MSO to inform the broadcaster about the date when it can examine the headend. 

     

    The MSO had filed a petition seeking Star’s signals in digital mode on RIO terms. 

     

    Star counsel Arjun Natarajan accepted the notice on behalf of his client.

     

    Adjourning the matter for 4 November, the Tribunal asked Natarajan to inform it about the result of the headend inspection.

  • TDSAT reflects on unprecedented course of MIB in Star – Arasu case

    TDSAT reflects on unprecedented course of MIB in Star – Arasu case

    NEW DELHI: The Telecom Disputes Settlement and Arbitration Tribunal (TDSAT) hearing a case by a local cable operator against Star India, described as ‘strange and unprecedented’ the course adopted by the Ministry of Information and Broadcasting (MIB) in responding to its question relating to denial of digital addressable system (DAS) licence to the Tamil Nadu Arasu Cable TV Corporation Ltd.

     

    Following an order on 11 August asking the MIB to give its stand on the issue, the Ministry had sent ‘a note to the Tribunal through a messenger.’

     

    Passing its order in the presence of the Section Officer on 14 August, the Tribunal said the Ministry should send a senior level officer and also take an advocate to represent it and may additionally file an affidavit giving its point of view. It made clear that it was not accepting the note brought by the Section officer and was returning it.

     

    The Tribunal had early this month put out a notification asking broadcasters who may want to join the case to get impleaded.

     

    The application by Star India related to a cable operator giving its signals in analogue mode to Chennai – which had gone digital in the first phase – and in violation of the letter of intent by giving signals to Chennai when the agreement was only for the rest of Tamil Nadu.

     

    Listing the matter for 2 September, TDSAT also said Star India, respondent in the case filed by cable operator Thamizhaga Cable TV Communication, New Delhi, was free to negotiate with Arasu and other multi-system operators (MSOs) for areas in Chennai for DAS and outside Chennai for analogue transmission.

     

    At the same time, TDSAT chairman Aftab Alam and members Kuldip Singh and B B Srivastava said that there would be no disconnection of signals until the next date.

     

    It also directed that Indian Broadcasting Foundation (IBF) should be impleaded as a party since other broadcasters were also giving signals to Arasu for Chennai though it did not have the DAS licence. Option was also given to other broadcasters if they wanted to be impleaded.

     

    However, the Tribunal held Arasu guilty of transmitting television signals in Chennai in analogue mode, and at the same time guilty of using Star signals in the metropolis without any authorization from Star India.

  • Uncertainty over ratings dark period grows as b’casters stay away from renewing TAM subscription

    Uncertainty over ratings dark period grows as b’casters stay away from renewing TAM subscription

    MUMBAI: With anxiety comes confusion, and that’s exactly the undercurrent right now in the Indian broadcast industry. When Indiantelevision.com asked broadcasters and media planners about the status of TV ratings in the coming weeks, all we got was uncertainty.

     

    To set things in perspective, the TAM TV ratings subscription of most of the broadcasters including Star, Zee, Colors, Sony and NDTV amongst others expired on 31 March, 2015. What’s more, none of these broadcasters have renewed their agreement with the ratings body. 

     

    Not only this, earlier in March, the Advertising Agencies Association of India (AAAI), Indian Society of Advertisers (ISA) and the Indian Broadcasting Foundation (IBF) had issued a directive asking broadcasters to opt for Broadcast Audience Research Council (BARC) and to review and close off on any of the existing arrangements (read: TAM).

     

    To add to this, while BARC is ready to roll out its data, no formal announcement on the date has been made so far. In such a scenario, the most pertinent question remains – ‘Will the industry see a ratings blackout for a week or two?’

     

    “We haven’t renewed our subscription with TAM, but there is still no clarity on when BARC will start rolling out its data. While a few say it’s April, a few also say it could be extended to May. There is confusion,” said an official from a channel, on condition of anonymity.  

     

    Meanwhile, several media agencies have been informing their clients through email about the current situation. One such email says, “The industry bodies have agreed to cease using TAM ratings from 4 April. Rating blackout period will kick in from 5 April, until such time that BARC is available. Data for blackout period will not be available in the future too.”

     

    The email further reads, “The old data, i.e. till 4 April, will be available during the period of the blackout and beyond. During rating blackout, we plan to use past TAM data as the basis for TV plan creation. All industry bodies- ISA, AAAI and IBF are aligned on this method for ratings in data dark period. The same methodology will be used by all constituents for media planning, buying.”

     

    “Yes, we are informing all our clients, depending upon how it will affect them. There is curiosity and uncertainty and to address that I am sure every agency must be writing to their clients to brief them about what is happening, whether ratings will be there or not and how it will be tackled,” said Dentsu Aegis Network chairman & CEO South Asia Ashish Bhasin. 

     

    TAM, on the other hand, will continue generating ratings data and give it out to broadcasters whose subscription hasn’t expired. “The data will be available, but if broadcasters haven’t renewed their subscription, of course it will not be available to them. Those whose subscription is in place will get the data as usual. So there is no ratings dark period from TAM’s side,” said a source. 

     

    A veteran media expert informed, “TAM can continue coming out with its data, but it will no longer be a viewership currency. It will just work as information.”

     

    A news broadcaster, on condition of anonymity, said, “Our subscription with TAM got over on 31 March. We haven’t heard from BARC on the exact date for rollout of data. We have received a letter from AAAI and IBF asking us to re-evaluate ourselves and take the decision on whether we would like to opt for BARC or TAM, once the former comes out with its ratings.”

     

    The broadcaster added, “Given the fact that our subscription with TAM got over on 31 March and the date for BARC data rollout isn’t yet announced, logically, there could be a 15 day ratings gap.” 

     

    A media planner informed that as per the advisory issued by AAAI, ISA and IBF none of the members should renew their subscription with TAM, until BARC comes out with its data. “I feel there could be more four weeks, until BARC comes out with its data,” the media planner said.

     

    A clearer picture will emerge after BARC’s meeting on 6 April, which will be attended by advertisers, agencies and broadcasters. In the meeting, the debutant monitoring body will be sharing data with those present.