Tag: Star

  • Star to host Premier League movement on 2 & 3 March, legend Alan Shearer to participate

    MUMBAI: The Football Movement, jointly hosted by India On Track, is being held in partnership with the Premier League’s Indian broadcast partner Star Sports. The conference will bring British and Indian football organisations and businesses together to discuss ways to continue to grow the sport in India.

    The UK businesses and Premier League football clubs including Arsenal, Everton, Manchester City, Southampton and Watford will attend the meet.

    The UK Department for International Trade (DIT) together with India on Track (IOT) and the Premier League will bring key British and Indian football clubs, sports organizations and businesses together at the second holding of ‘The Football Movement’ conference in Mumbai.

    This football conference, which takes place on 2 & 3 March , will give a platform to clubs, businesses and experts from India and the United Kingdom to interact and explore commercial opportunities in the sport.

    The Football Movement, jointly hosted by India On Track, is being held in partnership with the Premier League’s Indian broadcast partner Star Sports. This two-¬‐day conference will feature keynote speakers including Richard Scudamore, Executive Chairman of the Premier League, St.John Gould, Director for UK Trade and Economics, India at the British High Commission and senior representatives of the Indian Super League and Premier League clubs. Panel sessions, workshops and keynote speeches will provide a platform for UK and Indian businesses to discuss potential opportunities and the sustainability of the game in India’s emerging football sector.

    A delegation of UK businesses and top British football clubs are participating in the conference as part of DIT’s ‘Sport is GREAT’ campaign. The delegation includes top football companies such as; Amaven, Alad, Baltic Publications, Final Third Sports Media, PwC, Deltatre, AVC Immedia, Barriers International India, Steer Davies Gleave and senior management from the following clubs; Arsenal, Southampton, Everton, Manchester City, Tottenham Hotspur, Watford and Charlton Athletic.

    The theme for this year’s conference is ‘Strengthening the Football Ecosystem in India’. It will focus on the broader aspects of the game, with a view to assessing the current landscape in greater detail. The conference seeks to address the core pillars of modern-¬‐ day football such as commercial sustainability, youth development, leagues and competitions, broadcasting, support services as well as the role of corporates through CSR.

    St.John Gould, Director for UK Trade and Economics, India at the British High Commission, New Delhi will deliver the welcome address at the conference, which will be attended by distinguished panelists and speakers, including industry leaders, policy-¬‐ makers, investors, and pioneers in the field of commerce of football, from both India and the UK.

    St. John Gould said: “As someone who spends a huge chunk of his waking hours thinking about the ‘the beautiful game’, this conference is very exciting. But I am not just a fan, with a cold-eyed business approach; this is one of India’s boom areas. There is a rapid growing interest in football in India. The Premier League dominates the screens and is avidly followed. The huge success of the Indian Super League has captured the imagination of the next generation of Indians and they now look at football as a serious sport. UK football wants to be part of that. I am delighted to welcome the Premier League, clubs, business, experts and legends to India.”

    “From cutting – edge sports technology to skills, we want to bring the best of British football to India and use this conference to explore opportunities for collaboration”

    Premier League executive chairman Richard Scudamore said: “Football continues to grow apace in India and the Football Movement conference will provide an excellent opportunity to knowledge share with local clubs and leagues, and to meet businesses interested in contributing to the growth of the sport.”

    “At the Premier League, we and our clubs are committed to supporting the development of all levels of Indian football. At the top end of the sport we have a co-¬‐operation agreement with the Indian Super League, and at grassroots level our Premier Skills programme works across the country to provide opportunities for local coaches and referees to take AIFF accredited courses. The Football Movement conference will provide a great platform for us to discuss with other football bodies and businesses how we might work together to further grow all elements of the sport. I am looking forward to attending.”

    “Football is at an inflection point in India driven by a passionate and young fan base. The deep fan affinity for the Premier League and the mass following of the Indian Super League all point to a great future for the sport in India. Our vision of a day when Indian fans would have their own home-¬‐grown heroes to follow is soon going to be a reality. The ‘Football Movement’ is a great opportunity for stakeholders from across the ecosystem to unify and collaborate to take Football in India to fulfil that vision, said Sanjay Gupta, Managing Director of Star India, the Premier League’s official broadcast partner in India, who will also be speaking at the event.

    India On Track founder and CEO Vivek Sethia added:
    “Indian Football has seen a seismic shift in its positioning in the sports ecosystem in India in the last 3 years with the emergence of the Indian Super League (ISL). We are now at the cusp of a new phase in the country’s footballing journey and to ensure its continued growth, we need to lay down strong foundations by creating a sustainable support ecosystem that will keep pace with the rapid growth of the game.”

    The Indian delegates will get an opportunity to meet English footballing legend and the Premier League’s all-¬‐time top goal scorer (260 Premier League goals), Alan Shearer, who will present a special address at the conference.

    Alan Shearer said: “I’ve seen the power football has to bring communities together all over the world, whether through playing or coming together to watch the sport. It’s fantastic to see the growing interest in the Premier League in India and I hope that The Football Movement will identify opportunities and help establish partnerships that will contribute to the continued development of the local game.”

    The Premier League trophy will be on display at the conference and delegates will have the chance to have their photograph taken next to the silverware.

    The Football Movement is also part of the UK/India Year of Culture 2017 a major celebration of bilateral cultural exchange, jointly organized by the UK Government and Government of India.

  • Over 50 HD channels now available in Dolby Audio in India

    Over 50 HD channels now available in Dolby Audio in India

    MUMBAI: Dolby Laboratories has announced that more than 50 high-definition channels in India are now powered by Dolby Audio.

    Leading broadcasters such as Star, Viacom18, and HBO are now able to offer cinematic experiences in their living rooms.

    Dolby Audio enhances the quality of content for a more enjoyable consumer experience. Whether you listen at home or on the go, Dolby Audio works in the background, intelligently pairing each piece of content to your entertainment device to deliver high-quality sound output. With a vast amount of content available in Dolby Audio, you can easily enjoy the entertainment you love.

    “Your favorite TV shows and movies sound even better when you hear them in Dolby Audio,” said Dolby Laboratories emerging markets senior director Pankaj Kedia, . “We are excited to partner with the leading broadcasters and content creators in India to unlock a dynamic audio experience for consumers, fully transforming the way consumers enjoy their entertainment.”

    Dolby Audio enhances the value of content for service providers and consumers alike. Ensuring optimised sound quality and bandwidth efficiency, Dolby Audio delivers superior audio quality for a richer sound experience over a wide range of bit rates. With access to a vast ecosystem of tools, solutions, devices, and content, as well as support from Dolby, service providers will give their customers more reasons to love their entertainment.

  • Over 50 HD channels now available in Dolby Audio in India

    Over 50 HD channels now available in Dolby Audio in India

    MUMBAI: Dolby Laboratories has announced that more than 50 high-definition channels in India are now powered by Dolby Audio.

    Leading broadcasters such as Star, Viacom18, and HBO are now able to offer cinematic experiences in their living rooms.

    Dolby Audio enhances the quality of content for a more enjoyable consumer experience. Whether you listen at home or on the go, Dolby Audio works in the background, intelligently pairing each piece of content to your entertainment device to deliver high-quality sound output. With a vast amount of content available in Dolby Audio, you can easily enjoy the entertainment you love.

    “Your favorite TV shows and movies sound even better when you hear them in Dolby Audio,” said Dolby Laboratories emerging markets senior director Pankaj Kedia, . “We are excited to partner with the leading broadcasters and content creators in India to unlock a dynamic audio experience for consumers, fully transforming the way consumers enjoy their entertainment.”

    Dolby Audio enhances the value of content for service providers and consumers alike. Ensuring optimised sound quality and bandwidth efficiency, Dolby Audio delivers superior audio quality for a richer sound experience over a wide range of bit rates. With access to a vast ecosystem of tools, solutions, devices, and content, as well as support from Dolby, service providers will give their customers more reasons to love their entertainment.

  • Star World to launch Lee Daniel’s musical drama series ‘Star’

    Star World to launch Lee Daniel’s musical drama series ‘Star’

    MUMBAI: After creating the juggernaut series Empire, multi award-winning director and creator Lee Daniel’s brings a brand new television series. Titled Star, he musical drama series is based on the lives of three girls who overcome numerous hardships to realize their musical dreams. The show launches on Star World and Star World HD on 22 December and will air every Thursday at 9 pm soon after the U.S. telecast.

    This series that revolves around dreams, perseverance and glamour will fill the Empire hiatus gap before the latter returns in March 2017.

    Starring Queen Latifah and Benjamin Bratt, the show is staged around Star Davis played by Jude Demoreset, a tough chick from the wrong side of the tracks. Within the first 15 minutes Star is seen rescuing her younger sister, Simone played by Brittany O’Grady after plunging a knife into the latter’s foster father. Together with bestie Alexandra Crane played by Ryan Destiny – who’s trying to escaping her ivory tower in Manhattan – the ladies drive to Atlanta seeking shelter with Star and Simone’s godmother, Carlotta Brown played by Latifah. With a number of struggles paving her way forward, Star must face her life’s most difficult phase – the road to building a successful singing career.

    Star gives viewers an opportunity to navigate the dark corridors of the world of music through the eyes of three hard-working, independent and talented girls who dare to dream.

    Promo Link: https://www.facebook.com/StarWorldIndia/videos/10154632514566745/

  • Star World to launch Lee Daniel’s musical drama series ‘Star’

    Star World to launch Lee Daniel’s musical drama series ‘Star’

    MUMBAI: After creating the juggernaut series Empire, multi award-winning director and creator Lee Daniel’s brings a brand new television series. Titled Star, he musical drama series is based on the lives of three girls who overcome numerous hardships to realize their musical dreams. The show launches on Star World and Star World HD on 22 December and will air every Thursday at 9 pm soon after the U.S. telecast.

    This series that revolves around dreams, perseverance and glamour will fill the Empire hiatus gap before the latter returns in March 2017.

    Starring Queen Latifah and Benjamin Bratt, the show is staged around Star Davis played by Jude Demoreset, a tough chick from the wrong side of the tracks. Within the first 15 minutes Star is seen rescuing her younger sister, Simone played by Brittany O’Grady after plunging a knife into the latter’s foster father. Together with bestie Alexandra Crane played by Ryan Destiny – who’s trying to escaping her ivory tower in Manhattan – the ladies drive to Atlanta seeking shelter with Star and Simone’s godmother, Carlotta Brown played by Latifah. With a number of struggles paving her way forward, Star must face her life’s most difficult phase – the road to building a successful singing career.

    Star gives viewers an opportunity to navigate the dark corridors of the world of music through the eyes of three hard-working, independent and talented girls who dare to dream.

    Promo Link: https://www.facebook.com/StarWorldIndia/videos/10154632514566745/

  • Star, Sony or Etc, BCCI will have the last laugh

    Star, Sony or Etc, BCCI will have the last laugh

    MUMBAI: If you have the set-up, we have the story. If you have the money, we have got the ideas. In spite of all IPL bidders prepared to make the highest bid for the media rights, what are the chances that BCCI may favour the ones who have the infrastructure and wherewithal to give the game maximum and utmost exposure and BCCI the best mileage? A level playing field for IPL broadcast rights bidders is suspect.

    The India digital rights and rest of the world rights are for five IPL seasons each, between 2018 and 2022 and the Indian sub-continent television rights being offered are for 10 IPL seasons (2018 – 2027).

    It is being speculated that broadcasters may have the upper hand in the selection of the winner of IPL media rights. The Board of Control for Cricket in India (BCCI) said it has sold 18 tenders for the IPL rights. However, experts speculate that the tendering process may have been tilted in favour of television broadcasters.

    The row is connected to the format in which bids had to be submitted. The original tenders had specified that separate bids would have to be made for the three buckets into which media rights have been divided — India digital rights, television broadcast rights for the Indian subcontinent, and a third one for international media rights.

    In the new bundled versus separate format, if a single bidder were to quote higher than the sum of individual bidders globally, that bidder could walk away with all the rights. This change will significantly benefit Sony Pictures and Star India one of which may pocket all IPL rights. BCCI changed the bidding pattern and dynamics to permit consolidated bids across digital, TV, and international, the Times of India had reported.

    The probable winners hence could be Sony Pictures or Star India. These two broadcasters only seem to be keen for television broadcast rights, the biggest media rights component. This modification could make it uncertain for international or digital rights bidders to compete for those rights. Crucial interest was shown by Amazon, Twitter, and Reliance Jio, and by ESPN and Sky Sports for digital rights and international rights.

    Sources familiar with the tendering process said that BCCI reserved the right to pick either separate bids or consolidated bid. Bidders were earlier asked to give a separate value for each of the three packages. But, later, bidders were allowed to put in a single figure for all three rights, making it difficult for BCCI to compare consolidated bids against bids for individual rights pieces.

    By permitting TV broadcasters to put in one figure for all three packages, it seems to have nullified the international or digital bidders such as GroupM, Amazon, or ESPN, from being able to bid at par with the established TV broadcasters.

    This could also bring down the number of stakeholders BCCI may have to deal with. The new proposed change will also keep out deals between the BCCI and international broadcasters in key territories.

    Sports broadcast giant Star India and its competitor, Sony Pictures Network, seem to be in neck-and-neck race for television broadcast rights. The latter has been arguing with BCCI that its existing contract grants it the first right of refusal. While SPN enjoyed the telecast rights to Twenty-20 tournament since inception in 2008, Star India has been making inroads into IPL system. SPN has grown the property on television with innovations around language feeds, marketing, and monetising the IPL from a distribution and advertising stand-point. The 2016 edition of the IPL reached nearly 350 million TV viewers in India, a significant boost over 2015’s 200 million viewers thanks to the addition of rural households in the reporting of television viewership.

    Vinit Karnik, business head, ESP Properties, had told Business Standard, that, “It is no longer about the bouquet or distribution. The biggest change in the sports broadcast landscape is that the rights will now be awarded on the basis of production and packaging. When there are only two options, the organiser will go for the one that will present the property in the best way possible. Investments in sports production should increase now.”

    ALSO READ-

    Top court throws out BCCI’s review petition on Lodha recommendations

    18 prospective bidders for IPL Media Rights

  • Star, Sony or Etc, BCCI will have the last laugh

    Star, Sony or Etc, BCCI will have the last laugh

    MUMBAI: If you have the set-up, we have the story. If you have the money, we have got the ideas. In spite of all IPL bidders prepared to make the highest bid for the media rights, what are the chances that BCCI may favour the ones who have the infrastructure and wherewithal to give the game maximum and utmost exposure and BCCI the best mileage? A level playing field for IPL broadcast rights bidders is suspect.

    The India digital rights and rest of the world rights are for five IPL seasons each, between 2018 and 2022 and the Indian sub-continent television rights being offered are for 10 IPL seasons (2018 – 2027).

    It is being speculated that broadcasters may have the upper hand in the selection of the winner of IPL media rights. The Board of Control for Cricket in India (BCCI) said it has sold 18 tenders for the IPL rights. However, experts speculate that the tendering process may have been tilted in favour of television broadcasters.

    The row is connected to the format in which bids had to be submitted. The original tenders had specified that separate bids would have to be made for the three buckets into which media rights have been divided — India digital rights, television broadcast rights for the Indian subcontinent, and a third one for international media rights.

    In the new bundled versus separate format, if a single bidder were to quote higher than the sum of individual bidders globally, that bidder could walk away with all the rights. This change will significantly benefit Sony Pictures and Star India one of which may pocket all IPL rights. BCCI changed the bidding pattern and dynamics to permit consolidated bids across digital, TV, and international, the Times of India had reported.

    The probable winners hence could be Sony Pictures or Star India. These two broadcasters only seem to be keen for television broadcast rights, the biggest media rights component. This modification could make it uncertain for international or digital rights bidders to compete for those rights. Crucial interest was shown by Amazon, Twitter, and Reliance Jio, and by ESPN and Sky Sports for digital rights and international rights.

    Sources familiar with the tendering process said that BCCI reserved the right to pick either separate bids or consolidated bid. Bidders were earlier asked to give a separate value for each of the three packages. But, later, bidders were allowed to put in a single figure for all three rights, making it difficult for BCCI to compare consolidated bids against bids for individual rights pieces.

    By permitting TV broadcasters to put in one figure for all three packages, it seems to have nullified the international or digital bidders such as GroupM, Amazon, or ESPN, from being able to bid at par with the established TV broadcasters.

    This could also bring down the number of stakeholders BCCI may have to deal with. The new proposed change will also keep out deals between the BCCI and international broadcasters in key territories.

    Sports broadcast giant Star India and its competitor, Sony Pictures Network, seem to be in neck-and-neck race for television broadcast rights. The latter has been arguing with BCCI that its existing contract grants it the first right of refusal. While SPN enjoyed the telecast rights to Twenty-20 tournament since inception in 2008, Star India has been making inroads into IPL system. SPN has grown the property on television with innovations around language feeds, marketing, and monetising the IPL from a distribution and advertising stand-point. The 2016 edition of the IPL reached nearly 350 million TV viewers in India, a significant boost over 2015’s 200 million viewers thanks to the addition of rural households in the reporting of television viewership.

    Vinit Karnik, business head, ESP Properties, had told Business Standard, that, “It is no longer about the bouquet or distribution. The biggest change in the sports broadcast landscape is that the rights will now be awarded on the basis of production and packaging. When there are only two options, the organiser will go for the one that will present the property in the best way possible. Investments in sports production should increase now.”

    ALSO READ-

    Top court throws out BCCI’s review petition on Lodha recommendations

    18 prospective bidders for IPL Media Rights

  • “TV ad rates will continue to be under pressure” – Ashish Bhasin

    “TV ad rates will continue to be under pressure” – Ashish Bhasin

    MUMBAI: From leading brands discussing the advertising fraternity’s readiness to deal with the digital onslaught to panel discussions after panel discussions dedicated to cracking the content code of the digital world in reputed conferences; the Indian media world is truly enamored with the word ‘digital.’ And rightly so, as the media has completely changed how the trade works in the sector.

    But little is being discussed on the specifics of digital media’s effect on television and its business. To put this into perspective and shed light upon the current realities of the television industry from a media executive’s point of view, indiantelevision.com reached out to Dentsu Aegis Network chairman and South Asia CEO Ashish Bhasin.

    In a free flowing conversation, Bhasin opens up on sophistication employed in a new age television plan with the help of data analysis, ad-rates discrepancies in India,  future of TV media from advertising perspective, and more.

    Excerpts:

    Does Big Data and interpreting it play a role in today’s TV plans?

    It is important to pay attention to Big Data and analyse it right. At Dentsu Aegis Network we have set up our own data stack, which is driving through econometric modelling. That team is using it…it is composed of a young team of statisticians and senior data analysts, economists, and technicians who are analysing and decoding the available data on behalf of our clients.

    For example, you can get 44 percent reach for a particular plan on television.  Now if you spend 10 percent extra on your budget, you probably can get 46 percent reach on the same plan. This 10 percent of budget spends for 2 percent of incremental reach isn’t viable for the client. Thats where the data team comes in, who have developed a software who figures out where is that wastage happening. They combine the television exposure and digital exposure and tells us here is the sweet spot for advertisers to spend that 10 percent on.

    The age old problem of advertising is that advertisers know 50 percent of their advertising works but don’t know which half. Our approach helps the advertisers to know to some extent which half works.

    Many fear that digital will eat into television’s ad revenues even as TV continues to grow. What are your thoughts on this?

    Well in the distant future, in theory, digital will eat into television’s market share because everything will become digital. It is already happening in the more mature western markets but in India that has a long way go because television penetration has some way to go. We are all seeing it still from a Mumbai-Delhi point of view but the growth is not going to come from these two metros, there is already 100 per cent penetration there. The growth will come from tier III tier IV rural towns.

    There it is a long way to go. Therefore for the next five to 10 years there is enough space for all media to grow. Even print, which is collapsing everywhere else in the world is still still growing in India because literary levels are growing. But we don’t doubt that digital will grow faster – at least we believe – than any other medium.

    Will the per unit realisation (valuation) of television go up?

    Per unit realisation is the function of the audiences you get. More your distribution, more your audience, more is the realisation. I don’t think it will go because there are contradictory factors acting. On the one side you are getting more audiences, on the other side, the time of these audiences is getting more fragmented. It is getting fragmented — within television, and also between television and digital.

    So, there will be a balancing factor. It won’t collapse like it has in many other parts of the world. It may go up but gradually because there will be the other factor of the fragmentation which will come into play. There will be the two paradoxical forces acting together.

    Compared to markets like US, Indian television ad rates are very low even after adjusting the purchasing power parity. Your comments?

    I think it is unfair to compare US national rates with Indian semi regional rates because they are operating on completely different bases. There are 300 million people in the US. Out of that the TV audience is about 150 million. Per person per secondage average if you compare the two, you will understand, there are two different bases you are operating from. It’s unfair to compare US national rates with Indian semi-national or regional programs. Because then what you should compare is the 0800 ads in Minnesota, Iowa. You see their rates, their rates are less than or equal to the rates in India, even though the ones there are in dollars. The Super Bowl, one refers to, is a dense packed audience nationally – it is a unique phenomenon.

    Could the IPL be that property in India?

    It probably could be, But the IPL has already peaked; it will not go beyond this. That’s why IPL is commanding the premium; one spot on IPL is so expensive. It is anywhere between Rs three to five lakh for a 10 second spot.  

    What trend do you notice in the current television advertising rates per spot?

    I feel that the pricing on television will further go down. Today, we are looking at 0.1 rated programs. There are hundreds of programs that rated 0.1 by BARC. Tomorrow, you will be having programs with e rated 0.05, hypothetically. An advertiser is ultimately paying for the eyeballs the show is getting. If that number will go down, suddenly the prices can’t go up right?

    It is true that some premier shows will command higher ratings, such as a cricket match etc. But I don’t see the ratings going up in general.

    An advertiser is only paying more money to get more audience. To an advertiser it does not matter whether the viewer is watching it on Zee, Sony, Star or Colors, he is interested in that my target audience, say a million people, where do I reach them? So, if the reach or number of people is going to get more and more fragmented, then the per spot rate is headed south. Overall the advertiser may end up spending more because he has to take that many more spots to reach the audience he wants, but the per spot rate realisation will not go up, it will come down.

    The problem with television is also that there is too much supply, too many channels, too much inventory. The TV industry had one chance to limit the supply when the TRAI asked them to limit ad time on TV to 12 minutes an hour. Limiting supply could have had to benefit of taking rates up. But the industry did not comply with this. Hence, now there has been a commodisation of television air time.

    Do you think we will need  TV broadcaster going forward?

    The reduction of dependency on a broadcaster is at least five to 10 years away in India, which is what I keep reminding people. We are at that sweet spot where everything is going to grow. While there will be a lot of digital pressure and digital will grow fast, actually if there were no other contradictory pressures, TV should have started collapsing. That will not happen because TV is growing.

    Doordarshan has started giving away its Free Dishes in the south now. They started this in the north earlier. With this the penetration of free to air channels is going to really rise. Hence the distribution increase is going to keep an inward positive upward pressure for TV coming up. Digital is going to put pressure on it to push it down. Therefore it will remain in balance for four to five years. Finally, digital will prevail. Once you more or less have penetrated India. You have more or less got everyone in. That stage, that will be tipping point when digital will take over.

    What will happen when Jio launches?

    Globally, if you see, smart phone penetration when it goes over one third, it’s the rule of thumb. That’s the inflection point in digital anywhere. In India we are probably at around 18-20 per cent. We are about 12-18 months away from that point. The moment smartphone penetration crosses 33 per cent, bandwidth gets available cheaper and cheaper. And you get good quality bandwidth. That inflection point is going to happen.

    How will that impact the advertising agency?

    Lines are blurring. There is no difference between media  or technology or content. There is only one solution. And the advertiser is looking at a comprehensive digital solution from his communications partner.

    What does a traditional client looking for digital solutions want from an agency these days?

    The client today doesn’t want generalists. He wants super specialists. If it is digital, he doesn’t want a normally media guy to handle it, he wants a digital specialist to handle its social media, a search specialist and then a display specialist.

    The clients today want the benefits of specialization but he does not want the hassles of silos. Fortunately or unfortunately, all the legacy agencies are constructed in silos. For a guy in a creative agency, it does not matter if the media goes to any other agency. Because they are all separate companies. Because of this they have not been able to provide a single solution under one umbrella.

    The reason we have been successful is that we are structured as one P&L. Everything from media in India reports into me – whether it is Carat or Isobar or iProspect or  Dentsu Creative or whatever. And that is our biggest strength because you can bring talent in, think around the client in one seamless way.  And almost all of the others have not focused on this.

    Your take on ad blockers?

    Ad blocking is a very tricky subject. As a consumer when I look at it, ad blockers are damn good because audiences don’t want an intrusion when they consume content. I think advertising businesses are to be blamed for getting the pushback from the consumers because people just went berserk with displays online. Consumers are not paying to see your advertising, they are paying for content. So if advertisers start intruding so much, there will be push back. And it will only go up unless we figure out some standardisation. The future of digital advertising is going to be opted.

    We see ad blocking in conjunction with bot fraud and click fraud, it will lead to a scenario where the media will collapse unless the cleaning up doesn’t happen.

    We have a large programmatic buying division. The biggest challenge they face is how do you that it’s a human being consuming the content on the other end. So ad blocking will continue to happen unless you have incentivized the consumer to opt it. Either by choice or by incentives. Privacy laws will get stronger, they are much stronger abroad than they are here.

     

  • “TV ad rates will continue to be under pressure” – Ashish Bhasin

    “TV ad rates will continue to be under pressure” – Ashish Bhasin

    MUMBAI: From leading brands discussing the advertising fraternity’s readiness to deal with the digital onslaught to panel discussions after panel discussions dedicated to cracking the content code of the digital world in reputed conferences; the Indian media world is truly enamored with the word ‘digital.’ And rightly so, as the media has completely changed how the trade works in the sector.

    But little is being discussed on the specifics of digital media’s effect on television and its business. To put this into perspective and shed light upon the current realities of the television industry from a media executive’s point of view, indiantelevision.com reached out to Dentsu Aegis Network chairman and South Asia CEO Ashish Bhasin.

    In a free flowing conversation, Bhasin opens up on sophistication employed in a new age television plan with the help of data analysis, ad-rates discrepancies in India,  future of TV media from advertising perspective, and more.

    Excerpts:

    Does Big Data and interpreting it play a role in today’s TV plans?

    It is important to pay attention to Big Data and analyse it right. At Dentsu Aegis Network we have set up our own data stack, which is driving through econometric modelling. That team is using it…it is composed of a young team of statisticians and senior data analysts, economists, and technicians who are analysing and decoding the available data on behalf of our clients.

    For example, you can get 44 percent reach for a particular plan on television.  Now if you spend 10 percent extra on your budget, you probably can get 46 percent reach on the same plan. This 10 percent of budget spends for 2 percent of incremental reach isn’t viable for the client. Thats where the data team comes in, who have developed a software who figures out where is that wastage happening. They combine the television exposure and digital exposure and tells us here is the sweet spot for advertisers to spend that 10 percent on.

    The age old problem of advertising is that advertisers know 50 percent of their advertising works but don’t know which half. Our approach helps the advertisers to know to some extent which half works.

    Many fear that digital will eat into television’s ad revenues even as TV continues to grow. What are your thoughts on this?

    Well in the distant future, in theory, digital will eat into television’s market share because everything will become digital. It is already happening in the more mature western markets but in India that has a long way go because television penetration has some way to go. We are all seeing it still from a Mumbai-Delhi point of view but the growth is not going to come from these two metros, there is already 100 per cent penetration there. The growth will come from tier III tier IV rural towns.

    There it is a long way to go. Therefore for the next five to 10 years there is enough space for all media to grow. Even print, which is collapsing everywhere else in the world is still still growing in India because literary levels are growing. But we don’t doubt that digital will grow faster – at least we believe – than any other medium.

    Will the per unit realisation (valuation) of television go up?

    Per unit realisation is the function of the audiences you get. More your distribution, more your audience, more is the realisation. I don’t think it will go because there are contradictory factors acting. On the one side you are getting more audiences, on the other side, the time of these audiences is getting more fragmented. It is getting fragmented — within television, and also between television and digital.

    So, there will be a balancing factor. It won’t collapse like it has in many other parts of the world. It may go up but gradually because there will be the other factor of the fragmentation which will come into play. There will be the two paradoxical forces acting together.

    Compared to markets like US, Indian television ad rates are very low even after adjusting the purchasing power parity. Your comments?

    I think it is unfair to compare US national rates with Indian semi regional rates because they are operating on completely different bases. There are 300 million people in the US. Out of that the TV audience is about 150 million. Per person per secondage average if you compare the two, you will understand, there are two different bases you are operating from. It’s unfair to compare US national rates with Indian semi-national or regional programs. Because then what you should compare is the 0800 ads in Minnesota, Iowa. You see their rates, their rates are less than or equal to the rates in India, even though the ones there are in dollars. The Super Bowl, one refers to, is a dense packed audience nationally – it is a unique phenomenon.

    Could the IPL be that property in India?

    It probably could be, But the IPL has already peaked; it will not go beyond this. That’s why IPL is commanding the premium; one spot on IPL is so expensive. It is anywhere between Rs three to five lakh for a 10 second spot.  

    What trend do you notice in the current television advertising rates per spot?

    I feel that the pricing on television will further go down. Today, we are looking at 0.1 rated programs. There are hundreds of programs that rated 0.1 by BARC. Tomorrow, you will be having programs with e rated 0.05, hypothetically. An advertiser is ultimately paying for the eyeballs the show is getting. If that number will go down, suddenly the prices can’t go up right?

    It is true that some premier shows will command higher ratings, such as a cricket match etc. But I don’t see the ratings going up in general.

    An advertiser is only paying more money to get more audience. To an advertiser it does not matter whether the viewer is watching it on Zee, Sony, Star or Colors, he is interested in that my target audience, say a million people, where do I reach them? So, if the reach or number of people is going to get more and more fragmented, then the per spot rate is headed south. Overall the advertiser may end up spending more because he has to take that many more spots to reach the audience he wants, but the per spot rate realisation will not go up, it will come down.

    The problem with television is also that there is too much supply, too many channels, too much inventory. The TV industry had one chance to limit the supply when the TRAI asked them to limit ad time on TV to 12 minutes an hour. Limiting supply could have had to benefit of taking rates up. But the industry did not comply with this. Hence, now there has been a commodisation of television air time.

    Do you think we will need  TV broadcaster going forward?

    The reduction of dependency on a broadcaster is at least five to 10 years away in India, which is what I keep reminding people. We are at that sweet spot where everything is going to grow. While there will be a lot of digital pressure and digital will grow fast, actually if there were no other contradictory pressures, TV should have started collapsing. That will not happen because TV is growing.

    Doordarshan has started giving away its Free Dishes in the south now. They started this in the north earlier. With this the penetration of free to air channels is going to really rise. Hence the distribution increase is going to keep an inward positive upward pressure for TV coming up. Digital is going to put pressure on it to push it down. Therefore it will remain in balance for four to five years. Finally, digital will prevail. Once you more or less have penetrated India. You have more or less got everyone in. That stage, that will be tipping point when digital will take over.

    What will happen when Jio launches?

    Globally, if you see, smart phone penetration when it goes over one third, it’s the rule of thumb. That’s the inflection point in digital anywhere. In India we are probably at around 18-20 per cent. We are about 12-18 months away from that point. The moment smartphone penetration crosses 33 per cent, bandwidth gets available cheaper and cheaper. And you get good quality bandwidth. That inflection point is going to happen.

    How will that impact the advertising agency?

    Lines are blurring. There is no difference between media  or technology or content. There is only one solution. And the advertiser is looking at a comprehensive digital solution from his communications partner.

    What does a traditional client looking for digital solutions want from an agency these days?

    The client today doesn’t want generalists. He wants super specialists. If it is digital, he doesn’t want a normally media guy to handle it, he wants a digital specialist to handle its social media, a search specialist and then a display specialist.

    The clients today want the benefits of specialization but he does not want the hassles of silos. Fortunately or unfortunately, all the legacy agencies are constructed in silos. For a guy in a creative agency, it does not matter if the media goes to any other agency. Because they are all separate companies. Because of this they have not been able to provide a single solution under one umbrella.

    The reason we have been successful is that we are structured as one P&L. Everything from media in India reports into me – whether it is Carat or Isobar or iProspect or  Dentsu Creative or whatever. And that is our biggest strength because you can bring talent in, think around the client in one seamless way.  And almost all of the others have not focused on this.

    Your take on ad blockers?

    Ad blocking is a very tricky subject. As a consumer when I look at it, ad blockers are damn good because audiences don’t want an intrusion when they consume content. I think advertising businesses are to be blamed for getting the pushback from the consumers because people just went berserk with displays online. Consumers are not paying to see your advertising, they are paying for content. So if advertisers start intruding so much, there will be push back. And it will only go up unless we figure out some standardisation. The future of digital advertising is going to be opted.

    We see ad blocking in conjunction with bot fraud and click fraud, it will lead to a scenario where the media will collapse unless the cleaning up doesn’t happen.

    We have a large programmatic buying division. The biggest challenge they face is how do you that it’s a human being consuming the content on the other end. So ad blocking will continue to happen unless you have incentivized the consumer to opt it. Either by choice or by incentives. Privacy laws will get stronger, they are much stronger abroad than they are here.

     

  • Tauquir Zaidi appointed as SVP on Chrome Data Analytics & Media

    Tauquir Zaidi appointed as SVP on Chrome Data Analytics & Media

    MUMBAI: Tauquir Zaidi has been appointed senior vice president-revenue in the Pankaj Krishna led Chrome Data Analytics & Media.

    An industry veteran with over 17 years in the broadcast industry, Zaidi has had an integral role in organizations such as STAR, NDTV Media, Times Television and Doordarshan.

    After expanding the market base for Star India, Zaidi joined NDTV Media as AVP, Ad Sales, and went on to head the team for NDTV 24×7 and NDTV India. :Later, Zaidi spearheaded Ad Sales in the North and West Markets as the Regional Head at Times Television.

    Zaidi will focus on growth and expansion of the organization by driving several new initiatives. He will be reporting directly to Pankaj Krishna.

    Commenting on his appointment, Krishna said, “Tauquir comes to us with over 17 years of experience in the media industry, and he will be an important figure in our journey to become the most respected media audit and intelligence company. We are happy and excited about having him on board.”

    Zaidi added, “Working with Pankaj is an opportunity I could not have passed on, having followed his career over the years. Chrome DM is at an exciting juncture, poised to take the leap to the next level with a well laid out diversification plan.  As they grow their stable of products, leveraging their already established market standing, I look forward to the challenge of driving revenue growth and the excitement of working with a young, talented team.”