Tag: Star

  • Trai extends deadline for implementation of new tariff order to February next year

    Trai extends deadline for implementation of new tariff order to February next year

    Mumbai: Telecom Regulatory Authority of India (TRAI) has decided to extend the deadline for implementation of the new tariff order (NTO 2.0) from 30 November 2022 to 28 February 2023.

    As per the regulatory filing, the authority said, “All the distributors of television channels shall ensure that services to the subscribers, with effect from 28 February 2023, are provided as per the bouquets or channels opted by them.”

    Several representations have also been received from the stakeholders requesting an extension of the time limit for implementation of the New Regulatory Framework 2020. According to Trai’s recent notice, it stated, “All the broadcasters shall report any change in name, nature, language, MRP per month of channels, and composition and MRP of bouquets of channels by 30 November 2022, and simultaneously publish such information on their websites,” it stated.

    “The broadcasters who have already submitted their reference interconnect offers (RIO) in compliance with the New Regulatory Framework 2020 may also revise their RIOs by 30 November 2022,” it further added.

    In addition to it, Trai also said, “All distribution platform operators (DPOs) will need to submit their distributor retail price (DRP) of pay channels and bouquets & composition of bouquets of pay and free-to-air channels, by 31 December 2022 to Trai.”  

    The authority further, in compliance with the New Regulatory Framework 2020, asked DPOs to revise their already-submitted RIOs by 31 December 2022. 

    After receiving comments and counter comments from the stakeholders on the consultation paper, TRAI was to conduct an open house discussion (OHD) on 21 July 2022, which is now scheduled to take place on 8 September 2022.

    New Tariff Order

    When NTO was first introduced and gave customers the option to select channels à la carte, the price of entertainment increased, forcing Trai to modify its order. In January 2020, NTO 2.0 was introduced, capping the price of a bouquet channel at Rs 12 as opposed to Rs 19. This was not supported by any logical justification or consumer insight, according to the Indian Broadcasting Digital Foundation (IBDF), a unified representative body of Indian television broadcasters.

    Broadcasters have resisted the new tariff order vigorously and reacted by removing premium channels from bouquets and increasing their prices from Rs 20 to Rs 30 after losing the legal battle to overturn the Trai order in both the Bombay High Court and the Supreme Court.

    Cable operators were compelled to ask the regulator to postpone the implementation of NTO 2.0 as a result of major broadcasters like Star, Zee, Sony, and Viacom18 choosing to raise the MRP of their well-liked channels and keep them out of bouquets. For instance, the All India Digital Cable Federation had urged Trai to reconsider the order’s provisions in light of the sustainability aspect of putting this framework into place.

  • Netflix to lose SVOD revenues in Latin America: Digital TV Research

    Netflix to lose SVOD revenues in Latin America: Digital TV Research

    MUMBAI: Latin American SVOD revenues will reach $8.54 billion by 2027; up from $5.01 billion in 2021. Netflix will account for 41 percent of the 2027 total, down from 72 percent in 2021. Netflix’s revenues will peak at $3.73 billion in 2023.

    Digital TV Research principal analyst Simon Murray said, “Netflix will introduce AVod-SVod tiers [one for Brazil and another pan-regional one for the Spanish-speaking countries] in 2024, with SVOD revenues and Arpus falling slowly as some subscribers convert to cheaper packages.”

    Disney+ is likely to introduce similar tiers in 2024. The platform is expected to follow its US example by converting its current subscription tier to AVOD-SVOD and charging more for SVOD-only. This will push up average revenue per user (ARPU).

    Latin America will have 139 million gross SVOD subscriptions by 2027; up from 75 million end-2021. Seven US-based platforms (Netflix, Amazon Prime Video, Disney+, Star+, Paramount+, Apple TV+ and HBO) will account for 90 percent of the region’s paying SVOD subscriptions by end of 2027.

  • Kristen Finney becomes Disney International’s EVP content curation

    Kristen Finney becomes Disney International’s EVP content curation

    Mumbai: Media conglomerate Walt Disney has announced the appointment of Kristen Finney as Disney International executive VP content curation. Prior to this, she was executive VP distribution, content distribution strategy and development at Disney Media and Entertainment which operates Disney+.  

    Finney will manage the international content strategy across India, the Asia Pacific, Europe, the Middle East, Africa, Latin America and will be responsible for overseeing the creation of original programming for Disney+ and Star+, along with linear channels. She will report directly to International Content and Operations chairman Rebecca Campbell.  

    The division is a centralised hub for international content acquisition information, cross-regional licensing opportunities, content slates and pipelines.

    Speaking on the elevation, Finney said, “I am excited to join the new international content and operations organisation and to have the opportunity to work closely with Rebecca and this team of internationally respected content creators.  The regional teams in IC&O are building a truly impressive slate of engaging and entertaining content, and I look forward to driving strategic opportunities as we aggressively expand these local offerings around the globe.”

    Campbell said, “Kristen has a proven track record of delivering successful content strategies. This expertise, combined with her skillful ability to build and lead innovative teams, makes her the perfect candidate for this important new role. Her extensive and diverse experience will make her a vital part of our IC&O leadership team.”

  • Fox Star Studios rebrands to Star Studios

    Fox Star Studios rebrands to Star Studios

    Mumbai: India’s leading movie studios Fox Star Studios has rebranded to Star Studios, introducing a new visual identity. With this brand refresh, Star Studios will present universal story themes with iconic characters and new-age cinematic spectacles backed by cutting-edge technology, for theatrical releases as well as direct-to-digital

    Associating with the most prominent creative minds, talent and new-age storytellers, Star Studios will continue to bring genre-agnostic stories to global audiences starting with “Brahmastra Part One: Shiva”, “Babli Bouncer”, “Gulmohar” , remake of “Hridayam” and many more in the pipeline.

    The studio has also given blockbuster movies such as “M.S. Dhoni – The Untold Story”, “Sanju”, “Neerja“, “Chhichhore” and many more

    Speaking of this rebranding, Disney Star head of studios Bikram Duggal said, “With Star Studios, we aim to harbour the best creative minds and bring unique stories to audiences with an expanding entertainment palate. We are creating a diverse range of stories across genres from grand visual spectacles to family dramas and everything in between. We are delighted to create a collaborative studio environment at Star Studios that helps create cinematic experiences across theatrical and direct-to-digital films. We have already announced a few of these films, and in weeks and months we will be announcing many more films.”

  • Anant Rangaswami: A friend for life

    Anant Rangaswami: A friend for life

    Mumbai: It’s indeed a sad day when a dear friend passes. Friends aren’t easily made and acquaintances take years to qualify as friends. They are hugely cherished commodities. I, for one, cannot make friends easily. It takes me a long while to get close to someone. To let my guard down enough to let them into my space. They’re not easy to come by. 

    So, when one loses a friend, it’s like losing something really special. Words can never do justice to that kind of close connection or convey one’s feelings of grief sufficiently well but I must attempt to do so anyway. Anant entered my life many moons ago and I’m delighted that he did so. We started as colleagues at Star and unwittingly evolved into friends, for life. That day was so far back, almost three decades ago, that I can barely remember but I do recall that we had some fun times along the way. Anant was a great storyteller and was able to get people on his side as a result without offending anyone. He was innovative to the core and occasionally, ( read frequently ) broke boundaries in his quest for securing his relationships. He once turned up at my office with a great big cardboard box ( the size of a box that could carry a washing machine or a dishwasher ) full of airline tickets which he collected from a client of his instead of an outstanding payment for an on-air sponsorship of a cricket event worth a lot of money, even in those halcyon days. This was after Anant was being put under pressure to get his ‘collections’ under control. As an aside, the airline in question went bust shortly after and all we had to show for it was a boxful of airline tickets, which had neither value to man nor beast. I remember telling him that he should have at least got us an aircraft in lieu. His response was classic Anant- ‘well I could stick them with a few more sponsorships in that case,’ he said!

    I never once saw him lose his cool even after he was made to knock back spurious quantities of what we called ‘liquid refreshment’. I remember one evening when a group of us were out celebrating a milestone achievement (in those days we would celebrate everything as everything was a milestone ) and young Anant, like the rest of us, had a few too many and we were all getting ‘tired and emotional’. The club we were at was closing, in the early hours, well after closing time of course. Anant was sitting by himself (or he could have been sleeping ) by the exit door. Someone put him in the back of our car and drove him to the hotel he was staying at but as he couldn’t get out himself, he was carried into the hotel. The hotel manager came running out and refused to accept Anant in that state. Anant was made to sit out the night at the reception but bless him – he made it to his red-eye flight the next morning to Chennai and he was back at his office at the start of the day. That’s what made Anant special. He was dedicated to his work and was a great team player. He worked hard and played harder.

     

    He was a charmer during work hours and also after work. He was one of those chaps that could talk the hind legs of a donkey if he was convinced about something whilst also being able to be as stubborn as a mule if he didn’t want to do something. Even though there were times when I came close, I never pulled rank on him except, when at times, he simply never claimed his out of pocket expenses – something I could never understand. I would tell him that either he was being paid so much money that he was happy to fund his employer or that he was simply too lazy to attend to his finances. I’m afraid it was always the latter. 

    Many years later, Anant convinced me to write a book and had it not been for him I would never have done so. We argued incessantly about several aspects of it and to be fair I changed so much of what I had originally written thanks to his point of view. He persevered diligently and would remind and nudge me to get it done until I did. Over the years I thought of Anant as a confidant, a family member and a true friend. He was indeed a great ally and in my troubled times, he was the first one to stick his neck out and rally people in my support. He never stopped doing so. I am deeply touched by his actions and sentiments. He never needed to do that. He did that purely out of the goodness of his heart and never once did he ever expect anything in return. He owed me nothing but I owe him a lot. 

    Anant, I will miss you.

  • Disney Star announces the launch of dedicated Odia channel

    Disney Star announces the launch of dedicated Odia channel

    Mumbai: Disney Star has announced the launch of a dedicated Odia general entertainment channel – Star Kiran, which will premiere on 6 June.

    Star Kiran will be the first regional HD channel in Odisha and it will be launched in SD and HD versions. Star Kiran also marks Disney Star’s foray into the seventh local language market in the country.

    With Star Kiran, Disney Star aims to scale up the TV viewing experience of Odisha through captivating storytelling and formats mounted on enhanced production quality. The channel will have a variety of shows ranging from mythology to popular fiction and fantasy thrillers keeping the viewers of Odisha entertained, enchanted and mesmerised, said the statement.

    The channel will also showcase dazzling events and non-fiction shows and be the ultimate destination for Odia films. Viewers can experience latest blockbusters through big World TV premieres with films like “Premam,” “Dil Re Aachi Tore Na,” “Gupchup,” and “Mahabahu” to name a few.

    Speaking about this new venture, Disney Star head- network entertainment channels, Kevin Vaz said, “As we commence our journey in Odisha with a vision to create newer benchmarks of progress and success, we plan to showcase compelling narratives through iconic characters that will celebrate the ethos and emotions of the land. Star Kiran will have a complete bouquet of entertainment for our viewers in Odisha. We are also delighted to introduce Star Kiran HD – the first regional HD channel in Odisha. I sincerely thank our partners and associates who are with us on our journey.”

    The channel will feature following shows:

    “Tu Kahibu Na Mu”

    A fresh love story of two people who are poles apart. An unconventional love story where love is always shielded by clash of ego and pain. A love story where despite being passionately in love, one never accepts the love for the other creating numerous iconic moments of romance that Odisha will cherish forever. The protagonist of the show Akash Singh Deo is being played by the popular film actor Shreyan Kumar who is making his TV debut with this show. The character of Megha Das, the female lead is being played by Mitali Sarghariya. Show is produced by Akshay Kumar Parija Productions. The show will be telecast at 7 p.m from Monday to Saturday on Star Kiran SD and HD.

    “Suhaga Sindura”

    A fascinating journey of a tribal girl who creates her identity in a big city. Set in the backdrop of picturesque landscape of rural Orissa, the story traces the journey of Hema who accidentally gets married to Aditya, a rich urban boy. After marriage she comes to the city with her husband only to discover that Aditya was already promised to another girl called Malini, who happens to be her estranged sister. Here starts the journey of Hema to find her place and her identity amidst the family in a big city. The character of Hema is being played by Sushree Sabita Palei, while Aditya is being played by Jayjeet Das. Pralipta Samal (Jessy) is playing the character of Malini. The show is being produced by DG Creation. Suhag Sindura will be telecast at 7:30 p.m from Monday to Saturday on Star Kiran SD and HD.

    “Shanti”

    A tale of a homemaker rediscovering herself in her own family that she has nurtured so long with her relentless love, care and hard work. Shanti is a simple housewife, in her mid-forties, who has dedicated her entire life to look after her family that consists of her husband, three grown-up children and her in-laws. But in the world that she has made with so much love and affection, where does she fit in? Shanti is being played by Naina Das, who has been a very popular actor in the Odia Film & Television Industry. Show is produced by Akshay Kumar Parija Productions. Shanti will be telecast at 8 p.m from Monday to Saturday on Star Kiran SD and HD.

    “Kiye Para Kiye Apanara”

    The journey of Jai, a simple girl from being a house help to being a suitable daughter-in-law who holds the family together. The show is an ode to celebrate love that runs thicker than blood. The character of Jai is being played by charming Priyanka Kumari Rath, who has been a very popular face in Odia Television and the role of the male protagonist Chandan is being played by Srijit Mahapatra. The show is being produced by Omm Sai Production. Kiye Para Kiye Apanara will be telecast at 8:30 p.m from Monday to Saturday on Star Kiran SD and HD.

  • Disney taps Google’s Jeremy Doig to lead its streaming as CTO

    Disney taps Google’s Jeremy Doig to lead its streaming as CTO

    Mumbai: Media conglomerate Disney has roped in Google veteran Jeremy Doig as the new chief technology officer for Disney Streaming. In this role, Doig will report directly to Disney Streaming president Michael Paull.

    Doig brings 30 years of experience in online media to lead the technology organisation and global technology strategy for The Walt Disney Company’s portfolio of direct-to-consumer streaming services. He will play a key role in driving the next phase of technical innovation and growth for Disney+, Hulu, ESPN+, and Star+.

    During his 18 year career at Google, Doig developed new standards for online media, spanning novel compression approaches for audio and video, streaming protocols for real-time and on-demand delivery, and spatial experiences.

    “Jeremy is a true visionary that has sat at the forefront of making online video streaming possible in his nearly 30-year career at the intersection of technology and media, and we are thrilled to welcome him to the Disney Streaming leadership team, ” remarked Michael Paull. “We have an exceptional team of global technologists, and Jeremy’s experience leading transformational initiatives in complex and dynamic environments will make him an incredible asset to lead this world-class group.”

    “I am thrilled to be joining The Walt Disney Company at this crucial moment in the entertainment industry, ” said Doig in a statement.

  • DTH operators write to TRAI over broadcasters offering pay channels on DD Free Dish

    DTH operators write to TRAI over broadcasters offering pay channels on DD Free Dish

    Mumbai: Direct-to-home (DTH) service providers including Tata Sky and Airtel Digital TV have written to the Telecom Regulatory Authority of India (TRAI) asking the telecom regulator to address the issue of broadcasters making their pay channels available on Prasar Bharati’s FTA platform DD Free Dish.

    According to the DTH players, this goes against the current tariff regime which mandates the designation of channels as either pay or FTA and prohibits their bundling together. Tata Sky and DTH players want that such designation remains constant across distribution platforms, a matter they had requested the TRAI to look into earlier as well, but to no avail.

    It is being alleged that despite the above mandates and guidelines, broadcasters such as Zee, Sony, Star, Viacom18 and others continue to exploit loopholes to make their second-tier channels like Zee Anmol, Sony Pal, Star Utsav and Colors Rishtey available for free on DD Free Dish in order to increase their reach beyond the pay universe and get more advertising dollars. However, the same channels are present on private distribution platforms as pay channels, in accordance with their MRP filing with TRAI.

    DTH operators say that the practice is highly discriminatory as not only are the private DPOs paying the broadcasters to distribute these channels, but also charging subscribers for the same. On the other hand, DD Free Dish receives a license fee for making them freely available to viewers.  

    Reviving their demand, the DTH players have requested the TRAI to level the playing field for the public service broadcaster and themselves in this regard.

    Tata Sky CEO Harit Nagpal says that he is not against these channels being free nor is he asking the broadcasters to pull them off DD Free Dish, but asking for a level-playing field and parity. “We are just demanding that if these channels are available as free on DD Free Dish, it should also be the case on my platform. There are about 20 FTA channels on DD Free Dish that are being offered to my viewers at a price anywhere between ten paise – three rupees, which is highly discriminatory,” he says.

    Responding to the TRAI’s contention of DD Free Dish not being covered under NTO, he says that the regulator misses the point here. “This is not about DD Free Dish, but the channels,” states Nagpal.

    A senior official from a leading cable operator remarks, “I am not sure but the broadcasters may be taking advantage of a legal loophole where TRAI cannot regulate DD Free Dish which comes under Prasar Bharati. A channel that is allotted a slot on DD Free Dish may immediately gain 50 GRPs while FTA channels not on the free DTH players are struggling at seven GRPs. That’s the advantage of DD Free Dish.  Broadcasters slowly want to move pay-TV subscribers away from the value chain. In urban markets, they are going direct-to-customer by distributing their channels on their OTT platforms and in rural markets, they are opting for DD Free Dish. This practice boosts both advertising and subscription revenues for broadcasters.”

    Calling the unfair practice a “double whammy” for DPOs, he reveals that TV broadcasters are ready to pay Rs 8-16 crore in advance to be allotted a slot on DD Free Dish. “They are paying an enormous carriage fee and not charging a subscription fee for their pay channels on DD Free Dish whereas on cable and DTH operators they are paying much lower carriage fees and are charging a subscription fee. It’s a complete double negative.”

    It is important to note here that as per the new tariff order, 1.0 carriage fees on DTH and cable operators are capped at four lakh per month. According to TRAI performance indicator report Jan-March, DTH subscribers declined by 1.4 million at the end of March. 

    The unnatural growth in the number of pay channels on DD Free Dish has unbalanced the equation for cable and DTH operators. “Reports say that 40-50 per cent of the urban markets are already on OTT platforms. The rural market is still growing where broadcasters are trying to cut out ‘middle men’ like cable and DTH operators. This will slowly lead to the decline of the industry in five to ten years,” he reckons.

    Like Nagpal, he also demands that either the broadcasters should pull their pay channels from DD Free Dish or they should make those channels FTA for all DPOs. If there is parity on all platforms, no one will complain. 

  • Star leads TV network sweepstakes

    Star leads TV network sweepstakes

    MUMBAI: Which is the ruling television network in India? Which of them has  raced ahead in the viewership stake post the opening up of the lockdowns? Which network’s content is resonating better with viewer cooped up in homes?

    Well, the Broadcast Audience Research Council (BARC) has released data for four weeks from week 32 to week 35 for All India 2+ audiences to give us its take. And the winner, according to that is the Star network with a share of 22 per cent. Clearly, Uday Shankar, K. Madhavan, and team are doing something right.

    And very close behind it is the Zee network with its 21 per cent slice. Clearly, CEO Punit Goenka is living up to his commitment that he is going to put his best foot forward and help the network regain its leadership position.

     Network18, it looks, like has a lot of catching up to do with a 11 per cent piece.

    The Sun network, which was once ruling is at fourth position with its share of 11 per cent while Sony brings up the rear with a nine per cent piece.

    BARC has clarified that the Star network includes Star, Disney, Asianet, and NGC. Zee, Zee Media ancd Zee Akash have been considered as part of the  Zee network . Network18 includes Viacom18, AETN18, TV18, IBMN Lokmat.

  • Rakesh Jain joins Sony Pictures Networks India as creative director

    Rakesh Jain joins Sony Pictures Networks India as creative director

    MUMBAI: Sony Pictures Networks India has recently appointed Rakesh Jain as creative director. He joined the company in July 2020. Recently, he was one of the key people in launching FTA GEC Shemaroo TV during the pandemic.

    He comes with over 18 years of experience in the media space where he has led the programming teams from the inception stage and has launched two successful Hindi GECs. He has also been instrumental in creating channel driver properties for Star group, Zee group, and Turner group from the broadcasting ecosystem. Jain worked as a vertical head for the commissioning team of one of the flagship channels of ZEE Network (&TV), he was responsible for shaping the content strategy of the channel. His main task was to identify the viewing needs of consumers and shaping stories and content to meet their expectations.

    Jain comes with a great experience of launching GEC channels. He earlier served as associate vice-president in &TV, and helmed the team of Bhabhiji Ghar Par Hain at the time of its inception. Jain was responsible for revamp of a GEC Channel on STAR network twice.  

    From 2001 to 2007, Jain worked in Star Plus as the executive producer and from 2007 till the day Imagine TV shut down, he held the position of the deputy creative director. Jain, who was in Sameer Nair’s core team during the days of Imagine TV’s inception, has also worked as a creative director for JD Majethia and Aatish Kapadia’s Hats Off Productions. He had joined the studio in May   2012 and worked till August 2013

    For the uninitiated Ramayan happened to be his first show on Imagine, and he went on to work with various shows like Jyoti, Chandragupta Maurya, Beend Banoongaa Ghodi Chadhungaa. He also worked on a show called Ganga – a family drama dealing with the prejudice against widows in one of the holiest places in India – Varanasi. Later, he took up the role of editor – vice president at Life OK in 2015.