Tag: Star Plus

  • Catch some more Shararat on Star Utsav

    Catch some more Shararat on Star Utsav

    Mumbai, May 8, 2006: Viewers just seem to love magic. Serials about miracles, magic wands, muggels and angels bewitch the TV audiences. Adding some more fun and a dash of magic this summer Star Utsav brings to you the magical serial Shararat – Thoda Jaadu Thodi Nazaakat from the 7th of May every Sunday at 8 pm.

    Starring the versatile Farida Jalal, the fun filled Shruti Seth and Mahesh Thakur, Shararat directed by Rajiv Mehra has won the hearts of all its viewers immaterial of their age. Being considered as one of the best children’s show on Star Plus, Shararat is now making its foray into Star Utsav.

    Set in modern times, it is about three women of the Malhotra household — Jeeya (Shruti Seth), her mother (Poonam Narula) and grandma (Farida Jalal) who are blessed with supernatural powers that would be handed down to each daughter in the generations to come.

    The story revolves around Jeeya who inherits these supernatural powers on her 18th birthday. The teenager not able to control her magical powers keeps putting the family in trouble. Such is the commotion that people are always curious about the goings-on in the house. One over-inquisitive neighbor (Shoma Anand) is sure there’s something untoward happening and keeps a constant — and hilarious — vigil.

    Says Ajay Vidyasagar, Executive Vice President Marketing & Communications “Utsav means festivity and with the launch of Shararat we intend to add more fun and entertainment to the children programming slot. It is our token of appreciation to our young viewers for their interest and enthusiasm and to let them know how much they matter to us”.

    It takes immense amount of time and sustainability for any tele serial to establish itself in the entertainment market and it was no different for Shararat. After getting good TRP’s on Star Plus Shararat is now all geared to entertain its audiences in the rural markets too.

    Catch Shararat on Star Utsav every Sunday at 8 pm.

  • Plus is all India ‘star’ in GECs, while Sun shines brightest among regional channels: IRS 2006

    Plus is all India ‘star’ in GECs, while Sun shines brightest among regional channels: IRS 2006

    MUMBAI: While in the regional space, Star Plus has managed to rise up on the charts more than any other Hindi general entertainment channel (GEC) in the last five years; the story is no different as far as the Top 10 television channels in the country are concerned.

    Since 2000, Star’s flagship channel has managed to topple DD2/Metro, Sony, Zee TV and Zee Cinema to claim the second position with a viewership share of nine per cent in 2006. DD1 (National Network) has maintained its top position over the years.

    DD1’s viewership in the Top 10 TV channels in the All India market in 2006 is 27.4 per cent as compared to its share of 43.2 per cent in 2000 according to the findings of IRS Round I done by Hansa Research and Media Research Users Council (MRUC). Going by these numbers, DD1 viewership on an all India basis has dropped by almost half in the last five years.

    DD2/Metro, which was second in line in 2000 with a share of 11 per cent has completely gone off the Top 10 television channels list in 2006.

    Sony Entertainment Television, on the other hand, which was the number three channel in 2000 with a viewership share of 9.4 per cent, has fallen to the seventh position in 2006 and currently has a share of 4.6 per cent. Rival channel Zee TV saw an even steeper fall over the years, but all the same has maintained its place in the Top 10 television channels list. From its third position in 2000 with a share of 9.2 per cent, Zee TV lost 5.6 per cent share to other channels and fell straight to the tenth position this year with a share of 3.6 per cent.

    The reason for the drop in Sony and Zee’s channel shares, which were the third and fourth best viewed channels after the national channels in 2000, could be because of the change in the program genre of these channels. Both channels focused more on music shows and game shows to garner viewership, reasons Hansa Research marketing and client servicing India head V Sudarshan.

    Going by the data thrown up, the fact remains that viewers are still hooked to the soaps and serials, which is clearly indicated by Star Plus viewership numbers, predominantly garnered by the ‘K’ serials. However, now both Sony and Zee have a robust line up of dramas like Thodi Khushi Thode Gham, Aisa Desh Hai Mera, Saath Phere and Jabb Love Hua in the primetime. Hence it remains to be seen whether the channels’ popularity soars on the charts riding on these shows. Zee TV’s Saath Phere, for one, has been consistently delivering for the channel in terms of ratings.

    While three channels from the Top 10 All India list have disappeared from the charts in 2006, three other channels have made their entry. DD2/Metro (second position), Star Sports (seventh position) and DD10 Marathi (eighth position), which were on the charts in 2000 seem to have made way for DD News (third position), Aaj Tak (fourth position) and Sun TV (fifth position) in 2006.

    One of the interesting trend that is seen in the current Top 10 and the Top 10 five years back is that in 2000, no news channel made its way to the Top 10 list. Whereas in 2006, DD News and Aaj Tak have been featured.

    “This explains a very big phenomenon, that there are possibilities that these news channels are now eating into the share of the print medium, and it could be that people are now preferring to tune rather than turn, for their news requirement. Viewers are interested in current news, and not yesterday’s news and this also reiterates the fact, why magazine readership has come down so dramatically over the period,” said Sudarshan.

    One channel that has maintained a consistent performance on the charts since 2000 is Zee Cinema. In term of viewership share, the channel has dropped only marginally from 6 per cent in 2000 to 5.3 per cent in 2006 and is now placed in the sixth position as opposed to its fifth position in 2000.

    Among the regional channels, apart from Sun TV, that have made a mark in the Top 10 channels in the All India market in 2006, are ETV (4.4 per cent) and Gemini TV (4.1 per cent) in the eighth and ninth position respectively.

  • Star makes a mark in regional; Sun’s flanking strategy pays off: IRS Survey

    Among Hindi general entertainment channels (GEC), only Star Plus has been able to really improve its position in the regional television space over the years, according to the 2006 IRS survey Round I.

    The data offered by Hansa Research and Media Research Users Council (MRUC) on the regional space also reveals the success of Sun Network‘s flanking strategy across the South.

    HINDI GEC

    The top 10 lists of the Tamil Nadu and Kerala markets offered by the survey don‘t have a single Hindi GEC player present from this category. The markets Hindi GECs are doing extremely well, according to the survey, are West Bengal, Maharashtra and Punjab.

    Though these channels have gone down in rankings overall — as compared to the 2000 data — they still have managed to find a place in the top 10 in the Andhra Pradesh and Karnataka markets.

    The 2006 rankings of Hindi general entertainment channels in various regional markets. Rankings are given in brackets.

    Star Plus: Maharashtra (2), Punjab (2), West Bengal (3), Karnataka (5), Andhra Pradesh (7)
    Zee Cinema: West Bengal (4), Punjab (5), Maharashtra (7), Karnataka (9)
    Sony: Maharashtra (6), West Bengal (7), Punjab (7), Andhra Pradesh (10)
    Zee TV: Maharashtra (8), Punjab (9)
    Max: West Bengal (9)
    Star Gold: Punjab (10)

    Now, compare these positions with the 2000 rankings:

    Star Plus: Maharashtra (7), Punjab (6), West Bengal (10), Karnataka (9), Tamil Nadu (10)
    Zee Cinema: West Bengal (3), Punjab (5), Maharashtra (6), Karnataka (10)
    Sony: Maharashtra (4), West Bengal (4), Punjab (4), Andhra Pradesh (5), Karnataka (4), Kerala (10)
    Zee TV: Karnataka (5), Andhra Pradesh (6), Maharashtra (3), West Bengal (5), Punjab (3).
    Star Sports: Karnataka (7), Andhra Pradesh (8), Kerala (7), Maharashtra (8), West Bengal (8), Tamil Nadu (7), Punjab (10)
    ESPN: Andhra Pradesh (9), Kerala (8), Maharashtra (10), West Bengal (7), Tamil Nadu (8)

    The chart projects an improved performance from Star Plus, when comparing the viewership figures of 2000 and 2006. For example, its West Bengal performance graph has shot up from the 10th position to the 3rd. Though the general entertainment channel (GEC) lost the Tamil Nadu market as it reached 2006, the consolation has come in the form of Andhra Pradesh, where it is positioned in the seventh spot as per the data.

    “The data clearly portrays Star Plus‘ journey post Kaun Banega Crorepati (KBC). KBC established the channel in the Hindi speaking markets and it proved to be a strong launch pad for the channel in the non-Hindi regions. This followed the strategy to strengthen this position through serials, and that saw the entry of all those K serials. Star Plus used its serials effectively lure the all India market. The strategy worked except for Kerala and Tamil Nadu, which are known as hardcore regional language markets,” says Hansa Research marketing & client servicing India head V Sudarshan.

    Speaking on the channel‘s good show in Karnataka and Andhra Pradesh, Sudarshan offers, “These states have certain Hindi speaking belts and hence, the channel is doing considerably well in these South markets as well.”

    Zee Cinema has been successful in retaining all the four markets as it reached 2006, but improvement came only from the Karnataka market. At the same time, the 2006 regional performance graphs of Zee and Sony are not very convincing. As the data given above reveals, Zee TV has lost the top 10 position in as many as three markets, while Sony lost in two. For both the channels, Maharashtra and Punjab proved to be the comfort zones.

    “Zee and Sony were doing decently well with their serial-oriented strategy in the regional markets. However, of late, both the channels were seen devoting their important slots to gameshows and talent hunts. This diversion might have failed to impress the regional market,” opines Sudarshan.

    REGIONAL CHANNELS

    Now coming to regional channels, the 2006 picture is predictable as far as top rankings are concerned. The data shows a Sun Network dominance in Karnataka (Udaya) and Tamil Nadu (Sun) markets. ETV is number one in Andhra Pradesh, while Asianet has edged out Sun‘s Surya TV to clinch the top spot in Kerala.

    In Tamil, while Raj TV has gone down from the 3rd position (2000) to 6th (2006), Jaya TV has done well to reach the third spot this year. The data also offers a portrayal of how Sun Network‘s flanking strategy worked in the Southern space. The bonanza came from the Tamil Nadu market, where Sun‘s movie and music channel KTV holds the second position behind the market leader Sun TV. SCV is in the 5th spot, while Sun News has made it into the 8th spot. In Karnataka, Sun channels hold the top positions. Behind Udaya (1) and ETV Kannada (2), placed in the third position is Ushe, a niche channel from Sun.

    In Andhra Pradesh, Sun has in its hold the second (Gemini) and third positions (Teja), which together beat the estimated viewership numbers of ETV. Thus the data even puts ETV‘s inactivity in the flanking realm under scrutiny. The only multiple channel ETV has is ETV 2, the news channel, in Andhra Pradesh.

    As per the data, the entry of new regional players has taken a toll on Hindi general entertainment channels‘ viewership share in these markets. The new entrants Maa TV (4th rank) in Andhra Pradesh, Kairali (4), Jeevan TV (7), Asianet News (8) and Kiran TV (10) in Kerala have done well in 2006.

    HINDI GEC IN NON-SOUTH REGIONS

    Hindi general entertainment channels continue to hog the limelight in the non-South markets in 2006 also. In Maharashtra, there are only three regional channels which have made it into the top ten list: ETV Marathi (3), DD Sahyadri (4) and Zee Marathi (9).

    Except for ETV Bangla‘s strong second position, the West Bengal market also presents a somewhat similar picture: DD Bangla (5), Akash Bangla (6) and Zee Bangla (10). Again, there is a complete dominance by Hindi general entertainment channels in the Punjab market. Only ETC Punjabi (6th rank) and Balle Balle (8) are the regional channels which have made it into the top 10.

    SPORTS & NEWS CHANNELS

    Surprisingly, sports channels ESPN and Star Sports haven‘t made it into the top 10 in 2006, in any of the seven regional markets presented. “In India, the most valued property for a sports channel is cricket. The lack of cricket content has its negative effect on ESPN and Star Sports this year,” reasons Sudarshan.

    News channels might be in the limelight presently, but the report mentions only two in the 2006 chart: DD News in Punjab, West Bengal (8), Maharashtra (10) and Kerala (9); Aaj Tak (4) in Punjab. Explains Sudarshan, “You would find only two national news channels in 2006‘s top ten list, but even that is a huge phenomenon when compared to the no show in 2000. As per indications, the next two years will see more Hindi news channels entering the top 10. Speaking about the inactivity from English news channels, they cater to only SEC A & B. And these segments together constitute only 20 per cent of the all India market.”

    DOORDARSHAN

    The superiority DD – 1 National Network enjoyed in 2000, by topping in the viewership chart in six out of seven regional markets, is a tale of the past when the market enters 2006. In 2000, Karnataka, Tamil Nadu, Maharashtra, West Bengal, Punjab and Kerala had DD-1 garnering highest viewership among adults, the Andhra Pradesh market had gone in favour of ETV.

    But as we reach 2006, DD-1‘s dominance has reduced to three regional markets: Maharashtra, West Bengal and Punjab. DD-1 has gone down in rankings in markets like Kerala, Andhra Pradesh and Karnataka. The market where DD-1 has really taken a beating is Tamil Nadu, where it has been relegated to the ninth position.

    “That explains the kind of C&S penetration South India underwent in the last few years. Especially in Tamil Nadu, the C&S penetration has been tremendous. The non-South markets, especially West Bengal, the penetration has been low,” says Sudarshan.

    Speaking about the performance by DD‘s regional channels in 2006, the best show has come from West Bengal. Both DD-1 (1st rank) and DD Bangla (5) have sustained their positions, when compared to their 2000 rankings.

    In Andhra Pradesh and Maharashtra also, DD‘s regional channels have been doing decently well. However, there is bad news from Karnataka, Kerala and Punjab markets. In Karnataka, DD Kannada has dipped from the third position to the 10th. In Kerala and Punjab, the respective DD channels have vanished from the respective 6th and 2nd spots.

  • Hindi GECs in summer overdrive

    We will have to speak to our competitors and see how they are placed before scheduling our press conference,” says a PR executive who works for one of the leading Hindi general entertainment channels.The interesting comment came when we told her about the big day ‘24 April‘ that would witness the launch of about five programmes across the channels.

    Yes, this summer is about to witness a programming bonanza in the general entertainment channel (GEC) space, with not less than eight prime time shows being lined up for launch during this April-May phase. Both the weekday and weekend prime time bands will witness a flurry of activity and the shows gearing up for launch include some big budget projects as well. Star Plus, Sony, Zee, Sahara One and Sab, all will be launching an array of soaps during this time.

    Star Plus will replace its daily soap Milee with the much-awaited Ravi Chopra production Viraasat. The show will run Monday to Thursday in the 9 pm slot, starting 24 April. The channel has also lined up two shows — Prithviraj Chauhan, Dharti Ka Ek Veer Yodha and Ek Chaabi Pados Mein — for launch in May.

    According to Star India senior creative director Shailja Kejriwal, Prithviraj Chauhan will run Friday to Sunday, while Ek Chaabi Pados Mein is yet to be scheduled. “Prithviraj Chauhan will run Friday through Sunday. Internal discussions are going on to decide the time slot for this show, as well as the exact schedule for Ek Chaabi Pados Mein,” says Kejriwal.

    The channel has been working on these three projects since a long time as it required strong properties to fill the void left by its weekend driver show KBC 2. With the launch of these three big projects — two in the weekend band and one in the weekday band — Star Plus‘ attempt will be to bring in some significant improvement as well as consistency to its performance in the prime time band across the week.

    Sony, on the other hand, is now eyeing weekdays and is introducing two new shows on 24 April, after strengthening its Friday band with its Shukra Hai Shukravaar Hai package. Aisa Des Hai Mera will be aired at 9 pm and Thodi Khushi Thode Gham at 9.30 pm from 24 April. The shows will run from Monday to Thursday.

    On Monday and Tuesday, these two new shows will replace the second season of Indian Idol, which is coming to its end. Whereas, on Wednesday and Thursday, the two shows will substitute Deal Ya No Deal, which is now being made into a weekly and will air only on Friday at 8 pm.

    The channel is unveiling its programming strategy gradually. While the first one was to strengthen the Friday line up, the second is to ramp up the 9 to10 pm band on weekdays.

    In the next couple of months, Sony will also be revamping the 10 to 11 pm band as well as the afternoon band, where the latter at present comprises re-runs of old shows and repeats of prime time shows. Also, Jassi Jaisi Koi Nahi, which airs from Monday to Thursday at 10 pm will end its run in May and new shows are likely to be introduced then.

    Says Sony Entertainment Television (SET) India chief operating officer NP Singh, “We will be rolling out our new programming strategy step by step in the coming months. The beginning was made with the Friday lineup. By July, the programming schedule of Sony will be completely transformed.”

    Sony‘s move to strengthen its weekday programming with fiction will also see the channel taking a deliberate retreat from the reality terrain. Once Indian Idol 2 bids adieu, the channel will have its reality dose further scaled down with only Fear Factor there to represent the genre.

    Sab TV will be also be launching a new show – Twinkle Beauty Parlour in May in the 9 pm slot. However Sab business head Vikas Bhal declined to comment whether it would be a weekday or weekend show.

    While Sony is making some calculated moves to regain lost glory in prime time, the Zee camp is not sitting on its laurels but banking on some big launches. After launching its biggest project of the year Business Baazigar on 31 March, Zee TV will flag off another key property on 24 April. The soap Jab Love Hua will replace Rubba Ishq Na Hove and Sarrkkar in the 8:30 pm slot to run Monday through Friday. Then viewers can also expect some fireworks from the latest Sa Re Ga Ma Pa version Ek Mein Aur Ek Tu. It is learnt that the channel has ensured a high doze of reality-oriented excitement in the forthcoming episodes of the talent hunt show.

    Ek Mein Aur Ek Tu along with Zee TV‘s soap brigade have their task cut out: block any resurgence by Sony and make the viewers thank Zee TV as well – be it a Monday or a Friday.

    On Monday, 10 April, Sahara One will be launching a new fiction show – Suno… Harr Dill Kuchh Kehtaa Hai in the 10 pm slot. This show will run from Monday to Friday and will replace the re-runs of Virasaat on the channel. Once Buniyaad gets over in May, Sahara One will be launching another show – Sati to replace it.

    Reshuffle in Prime time rankings; Sony & Star One push Zee to fourth spot

    Interestingly, since the re-launch of Shukra Hai Shukravaar Hai on 10 March, Sony‘s prime time performance has seen a radical jump. Last month, the channel strengthened its Friday lineup, which included Deal Ya No Deal (8 pm), Fear Factor (9 pm), CID (10 pm) and Kandy Floss (11 pm). While Fear Factor has been the top rated show on Sony for three consecutive weeks; the new format CID has also been rating well consistently for the channel.

    In the week beginning 26 February, Sony‘s prime time (8 pm to 11 pm) channel share was 12.9 per cent in the C&S 4+ Hindi speaking market according to Tam. Whereas, in the week beginning 5 March (when the new Friday lineup was introduced), the channel‘s prime time share jumped to 20.3 per cent. In the corresponding week (12 March), the share further increased to 22.1 per cent. However, in the week beginning 19 March, the prime time channel share fell to 17.2 per cent.

    The latest prime time picture is as follows:

    Star Plus‘ share in the prime time fell from 56.9 per cent in the week beginning 26 February to 46.8 per cent in the week beginning 5 March and further to 43.4 per cent in the week beginning 12 March, according to Tam. In the week beginning 19 March, Star Plus‘ prime time channel share rose to 49.1 per cent.

    Star One meanwhile has overtaken Zee TV in prime time to claim the third position with 14.8 per cent channel share as opposed to Zee‘s 11.6 per cent in the week beginning 19 March. The shows which have triggered the good performance for Star One include Saarabhai Vs Saarabhai, Remix, The Great Indian Laughter Challenge 2, Kya Hoga Nimmo Ka and Mano Ya Na Mano.

    On the other hand, Sahara One, which has claimed to be the number three channel in the week ending 25 March, is still way behind Sony as far as prime time channel share is concerned. Sahara One‘s prime time channel share in the week beginning 19 March was 5.3 per cent. Star One has overtaken Zee TV in prime time to claim the third position with 14.8 per cent channel share as opposed to Zee‘s was 11.6 per cent in the week beginning 19 March.

    As the prime time action heats up across the networks, expect to see an ongoing jostling for leadership positions over the next two months. Behind Star Plus of course.

     

  • Cartoon Network, Pogo, Star Plus are kids’ favourite channels: New Generations 2005

    Cartoon Network, Pogo, Star Plus are kids’ favourite channels: New Generations 2005

    MUMBAI: Mobile phones with cameras, computers, Shahrukh Khan, Cartoon Network, Pogo, Star Plus, Rani Mukerji, Sachin Tendulkar, online games, pocket money and Sania Mirza.

    The common factor among these is that they are Indian kids’ favourites according to the findings of Cartoon Network’s sixth edition of its patented kids’ lifestyle study – New Generations 2005.

    This year, the scope of the research has been expanded to include 15-19 year old teens, 4-6 year old kids, socio-economic class SEC C, as well as a number of new categories such as Health and Diet, Gadgets and Technology brands and Shopping and Kids’ perspectives.

    Conducted in association with Synovate India, New Generations 2005 is the largest and most in-depth research on Indian kids and seeks to gain insights on various aspects of their lives such as, pocket money, media habits, values and attitudes, product consumption habits etc.

    This year a couple of new elements have been added to the study, which are:

    The respondents category has been expanded to include younger kids (mothers of 4-6 year olds), older teens (15-19 year olds) and SEC C across age groups.

    New information areas like kids and their parents’ views on the child’s health and diet, TV viewing and regulation, sports and fitness, activity-mapping of a typical school-day and holiday, the brands that kids think are cool and the gadgets that kids desire has been included.

    The survey revealed that almost 40 per cent of kids aged 7-14 across cities and SEC strata are computer users and have used a computer in the past month. While 54 per cent of SEC A kids use computers, 37 per cent of SEC B and 34 per cent of SEC C are computer users.

    On the other hand, there is only a slight difference between boys (40 per cent) and girls (38 per cent). One in six computer users also surf the internet with more boys (20 per cent) than girls (15 per cent) surfing cyber space. Internet surfing increases with age with 20 per cent of 10-14s accessing the Internet, compared to 11 per cent of 7-9s. Also, 58 per cent of Internet users “usually access” the Internet at school, 26 per cent at cyber cafés and 17 per cent from home.

    Mobile phones with cameras rank the highest in the list of gadgets of desire for kids 7-14 with 74 per cent of the children, who have heard of one, saying they would like to own one. This is followed by the X-Box at 45 per cent, Apple iPod at 43 per cent and Sony Playstation at 33 per cent, of the kids who have heard of these gadgets.

    Nokia turned out to be the coolest brand among this age group with 72 per cent agreeing that Nokia was “very cool” followed by Sony (71 per cent), LG (60 per cent), Reliance (56 per cent), Wipro (35 per cent), Microsoft (39 per cent), Google (31 per cent), HCL (32 per cent), Infosys (30 per cent), amongst others, of the kids who have heard of these companies.

    The study also highlights that 87 per cent of kids aged 7-14 feel that too much of their time is spent studying. The feeling is the highest amongst kids from Madurai (98 per cent), followed by Kolkata and Cochin at 95 per cent. It is 90 per cent+ in Mumbai, Chennai and Jaipur. However, for 80 per cent of kids across India, achieving the top rank is important even if it means having less free time.

    Interestingly, Kolkata also scores high here (97 per cent), followed by Nasik (95 per cent), then Cochin (93 per cent). Delhi is the lowest of the 14 cities at 67 per cent. And 95 per cent of kids aged 7-14 in Kolkata believe that it is difficult to score good marks without tuitions/extra classes compared to the national average of 57 per cent and Mumbai (60 per cent), Delhi (38 per cent) and Bangalore (65 per cent).

    Cartoon Network (47 per cent), Pogo (14 per cent) and Star Plus (9 per cent) emerge as top three channels amongst kids across India. On the other hand, TV viewing has emerged as universal among kids across the week, with over 9 in 10 parents watching with their kids.

    Questioned about their top three favourite television genres, 79 per cent kids voted for cartoons, 34 per cent for sports and 31 per cent for movies. The genres remained the same when split among boys and girls with boys (45 per cent versus 22 per cent) opting for sports and girls (29 per cent versus 17 per cent) preferring dance/music shows.

    Another interesting trend that was revealed in New Generations 2005 was the frequency of giving out pocket money to kids. Of kids who receive pocket money (39 per cent), 54 per cent receive pocket money on a daily basis, this is up from 33 per cent in 2004 and 24 per cent in 2003. Another fact is that 60 per cent kids get gift money, which is Rs 306 per year on an average. By adding the monies that kids receive each year (based on those receiving either gift or pocket money, only in the 14 markets), it comes to Rs 3.64 billion! And with a spending rate of 80 per cent, kids spend Rs 2.91 billion in a year!

    Referring to health and diet, 83 per cent parents believe that their children eat plenty of fruits and vegetables (Mumbai at 95 per cent and Delhi at 65 per cent), 78 per cent of kids across India echo a similar sentiment, ranging from 94 per cent in Madurai to 57 per cent in Delhi agreeing that they eat plenty of fruits and vegetables. Also, 88 per cent parents across India (7-14) and their children agree they lead an active and healthy lifestyle with an impressive 99 per cent kids and 96 per cent parents in Madurai claiming so. However, 83 per cent parents would like their children to play more sports and 73 per cent kids would prefer to do so.

    Coming to shopping now… 84 per cent of the parents have taken their children with them for shopping, with 63 per cent of them shopping with their kids at least once a month. One in four kids ask for something (every time) while they are out shopping with their parents and most of them get what they want as well. A child’s opinion and choice is taken into consideration while deciding to purchase even high value items. Also, 71 per cent of parents agreed that their child influences which brand is chosen while buying television sets, 70 per cent for computers, 67 per cent while buying mobile phones and 66 per cent on the purchase of a car!

    Shahrukh Khan rules the roost as the favourite actor with 20 per cent of the total kids (7-14) voting for him, while Rani Mukerji emerged the favourite actress among all respondents with 16 per cent voting in her favour. The ranking is almost the same among boys (Shahrukh Khan -18 per cent and Rani Mukerji -14 per cent) and girls (Shah Rukh Khan – 22 per cent and Rani Mukerji – 17 per cent).

    Sachin Tendulkar continues to be Indian children’s favourite amongst sportspersons with 41 per cent of kids aged 7-14 voting for him followed by Rahul Dravid at 13 per cent, Sourav Ganguly and Sania Mirza at 6 per cent each.

    While 74 per cent of kids have heard of Sania Mirza and among these, nine out of 10 correctly identified the sport she plays, only 22 per cent have heard of Narain Karthikeyan and only six out of 10 of these could correctly identify his sport.

    Turner International Asia Pacific Ltd vice president research and market development Duncan Morris said, “Being the trailblazers in the kids’ entertainment category, Cartoon Network also pioneered the use of large-scale research surveys focused on kids. With subsequent editions of New Generations, Cartoon Network seeks to trace and update the trends related to various aspects of Indian kids’ lives and make this valuable survey information available to all those who are concerned with Indian children. With extended scope and a number of new research categories, New Generations 2005 once again provides the latest and most comprehensive guide to kids in India.”

    Turner International India Pvt. LTD senior manager research Krishna Desai said, “New Generations 2005 from Cartoon Network continues to build on its wealth of information about Indian kids and once again promises to be full of attention grabbing insights into Indian kids’ lifestyles, habits, preferences etc. Like its predecessors, New Generations 2005 is sure to be of great benefit and a reference guide to organisations and individuals with a focus on Indian kids, and aims to help further develop their expertise in this area.”

    The field work for New Generations 2005 was undertaken during November – December 2005 covering 14 cities and 8,927 respondents comprising 4,043 children between 7-19 years and their parents plus 841 mothers of 4-6 year olds. The sample was evenly split by gender, SEC A, B and C and age ranges 4-6, 7-9, 10-14 and 15-19.

  • Indya.com launches webisode for Star Plus soap ‘Pyaar Ke Do Naam…Ek Raadha, Ek Shyaam’

    Indya.com launches webisode for Star Plus soap ‘Pyaar Ke Do Naam…Ek Raadha, Ek Shyaam’

    MUMBAI: Indya.com has announced the launch of the webisodes of its upcoming serial Pyaar Ke Do Naam…Ek Raadha, Ek Shyaam. This webisode offers consumers a sneak preview of the show on the website.

    Commenting on this, Ajay Vidyasagar, executive vice president, Marketing and Communications, Star India says, “Star is proud to be at the forefront of adapting to new technologies and pioneering the effective use of new digital media. We see a perceptible increase in acceptance of content on new platforms like Internet. This pioneering effort by launching a webisode on the Internet even before it premieres on television, will help drive lots of viral & word of mouth publicity for the show”.

    With its move to allow the viewers to download and watch free of cost, the first episode of the soap, even before it hits on air, Indya.com has set a historical record in the television viewing space and from its day of launch on 10 March, it has already registered over 150,000 video downloads, claims an official release.

  • Oz-SA batting blitz ODI gets ESPN high eyeballs

    Oz-SA batting blitz ODI gets ESPN high eyeballs

    NEW DELHI: The epic one day international between South Africa and Australia, which saw eight records tumble during the record run chase by the Proteas, registered a very impressive TVR of 3.1 in India on 12 March, 2006.

    Sports broadcaster ESPN garnered highest channel share of 16.5 pr cent during South Africa’s historic run chase against the world Champion. ESPN Star Sports is broadcasting Australia’s tour of South Africa covering the five one day internationals and three test series between the two cricketing giants.

    ESPN’s share was almost thrice than the next competing channel Star Plus during the time 1743 -2203 hrs on 12 March. Star Plus garnered 6.1 pr cent, Zee Cinema 4.9 per cent, Sony 3.2 per cent and DD National 2.7 per cent during the time period, an official statement from ESS said today, basing it on TAM figures (Males, 15+, SEC ABC all-India).
    The simulcast of India-England Test match on the same day garnered a rating of 3.1 (DD1) and 1.8 (Sahara One).

    And it’s not just once-in-a-lifetime matches like the one witnessed in Johanesburg that are getting in the viewer numbers, according to ESPN. Non-India cricket ratings have been on a rise, the channel claims. ESPN’s channel share surged ahead of all satellite channels during the victorious run chase of Bangladesh against Australia on 18 June, 2005, the statement avers.

    ESPN registered a channel share of 8.1 which was way ahead of other channels including Star Plus (6.9), Sony (5.7) and Zee TV (4.6).

  • India, Pak cable ops form SAARC Electronic Media Association

    India, Pak cable ops form SAARC Electronic Media Association

    NEW DELHI: At a time when relationship between India and Pakistan are thawing a bit for the better, Indian and Pakistani cable operators have joined hands to push for a regional body that would take up industry issues in the SAARC (South Asian Association for Regional Cooperation) region.

    The campaign for such a body has been jointly launched by India’s Aavishkar Dish Antenna Sangh and Pakistan Electronics Media Association (PEMA).

    According to Aavishkar Dish Antenna Sangh founder-president AK Rastogi, “The time has come when an organisation is launched that will work for the interest of cable operators and the cable and broadcast industry in the SAARC region, including interfacing with various governments.”

    SAARC region includes countries like India, Pakistan, Bangladesh, Sri Lanka, Nepal and Bhutan. “A meeting of the new organisation, attended by Pakistani and Indian representatives, has been held. Consent from those in other countries had been taken earlier,” Rastogi added.

    Such a body, according to Rastogi, would go a long way in creating awareness about the industry and its intricacies amongst the general populace of various South Asian countries.
    Concurring with Rastogi, PEMA’s founder chairperson Muhammad Ibrahim Rana told Indiantelevision.com on the sidelines of the ongoing 14th Convergence India 2006, that even the Pakistani government has realised the futility of banning Indian TV channels.

    “There is a growing feeling in Pakistan that Indian TV channels like Zee TV, Star Plus, NGC and Sony can be given landing rights with certain riders like inclusion of a certain percentage of Pakistani content on the channels’ Pakistan feed,” Rana said.

    However, these content-related riders are worrying some Indian and foreign broadcasters who have sought permission from the Pakistani authorities to beam there.

    For example, a senior executive of Zee Telefilms, India’s largest vertically integrated media company, said, “These conditions being flaunted by Pakistani authorities for giving a green signal to us will only increase cost and red tapism. Does the Indian government put such conditions on Pakistani channels, including PTV?”

    Pakistan may not see eye to eye with India over various issues, but when it comes to watching Indian cable television, most Pakistanis will tune in faster to Indian general entertainment channels than a runaway rickshaw.

    It is this factor, according to some critics, that has stopped the Pakistani cable industry and subscriber homes from growing as fast as their Indian counterparts.

    While India boasts of over 61 million C&S households, PEMA’s Rana said that the total number of cable TV homes in Pakistan would be approximately 2 million. Though Dubai-based ARY Digital has obtained a DTH licence, it is yet to start the service.

    “But if Indian TV channels agree to about 20 per cent of Pakistani programming on their Pakistan feeds, we don’t see any reason why the likes of Zee and Star cannot be seen in our country,” Rana said, admitting that before a ban was put in place Zee News, notably, had seized a fair market share.

    The SAARC Electronic Media Association can work towards removal of such governmental, political and social barriers, Rana asserted.

  • Will the new scripted dramas make an impact?

    Will the new scripted dramas make an impact?

    After two years, finally, some light ahead on the narrative television sightscreen? Hindi entertainment certainly needs it. 24 April will witness the launch of five new scripted dramas across the GEC channels, with three other prime time shows subsequently lining up for launch during this April-May phase.

     

    The K-shows continue to have a clamp on share of audience, but on share of mind, it has been the reality and gameshow genres that have held sway since 2004
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    One would really hope that some of these offerings hit bulls eye since it’s been a while since scripted drama got front row mindspace on Hindi entertainment television. It was way back then, in September 2003 to be precise, that narrative entertainment made headlines and IMPACT when Star Plus’ Kahiin To Hoga and Sony Entertainment’s Jassi Jaissi Koi Nahin debuted almost simultaneously on the small screen.

     

    What of Balaji’s K-serials, one might ask? True, the K-shows (let’s not forget Kahiin To Hoga is one as well but it is different) continue to have a clamp on share of audience, but if one were to look at a share of mind + audience combo, it has been the reality and gameshow genres that have held sway since 2004.

     

    If end-2004 and beginning 2005 belonged to SET’s Indian Idol, the second half of 2005 belonged to Star Plus’ KBC2 and Star One’s Nache Baliye and The Great Indian Laughter Challenge (TGILC), with Zee TV’s Sa Re Ga Ma Pa Challenge also making a year-end splash.

     

    Barely have the viewers gathered their collective breaths on these shows, we’re already into Star One’s TGILC 2, Sony’s Fear Factor India and Zee’s Sa Re Ga Ma Pa Ek Main Aur Ek Tu.

     

    It is pertinent to note that even Star, which has had by far the most success on its narrative offerings, would have reported a rather flat year had it not been for the success that KBC2, TGILC and Nache Baliye provided.

     

    Now coming back to the narrative tale, it has happened abroad, with scripted drama making a grand comeback thanks in particular to extremely strong and successful worldwide successes such as Desperate Housewives, Grey’s Anatomy and Lost.

     

    Star, which has had by far the most success on its narrative offerings, would have reported a rather flat year had it not been for the success that ‘KBC2’, ‘TGILC’ and ‘Nache Baliye’ provided
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    In India meanwhile, it is refreshing therefore, to know that in the middle of all this format overdose, Zee TV has been able to build a scripted success in Saath Phere – Saloni ka Safar (not your regular saas-bahu weepy) that rode beyond the spike provided by Sa Re Ga Ma Pa Challenge. That is critical if such efforts are to get acceptance. Because while mind share is fine, the brutal truth is that the moolah is in audience share.

     

    To quote Star Entertainment India CEO Sameer Nair: “Going by the theory, ‘People watch programmes and not channels,’ you require really strong magnetic programming to be successful. TV programmes and channels are going to further focus on the differentiation.”

     

    More power to the drama is what we say. And since so much of television in India gets its cues from cinema, here’s hoping that the box office success of offerings as different and diverse as Rang De Basanti, Malaamal Weekly and Being Cyrus is reflected on the small screen as well with the new shows that are set to debut. And those which follow.