Tag: Star Plus

  • Zee claims second spot pushing Colors behind

    Zee claims second spot pushing Colors behind

    MUMBAI: In week two of TAM TV ratings, Zee TV dislodged Colors from the second position, pushing it to the third. It seems post Bigg Boss, the general entertainment channel that was at the second position almost throughout the year in 2013, hasn’t been able to make a mark with its newly launched shows.

     

    While Zee TV garnered 488,194 GVTs (449,211), Colors dipped and scored 456,890 GVTs (522,158). Star Plus continued to be on the number one spot with 629,447 GVTs (647,066).

     

    Sab and Life OK witnessed good increase of numbers and stood at fourth and fifth position with 338,233 GVTs (360,843) and 337,771 GVTs (323,456) respectively. Sony continued to be at the sixth position as it noted 263,081 GVTs (266,161).

     

    Coming back to the chart topper Star Plus, its dance reality show Nach Baliye 6 saw a huge jump and recorded at 5,350 TVTs (3,523). The epic series Mahabharat also saw a rise in its viewership garnered 7,794 TVTs (6,811).

     

    Second placed, Zee TV’s properties saw a rise in its viewership. While Aur Pyar Ho Haya scored 4,044 TVTs (3,101), the sitcom Bh Se Bhade scored 2,160 TVTs (1,534). Its dance reality series Dance India Dance 4 scored 4,618 TVTs (4,410) on Saturday and 4,249 TVTs (3,687) on Sunday. On 11 January, Saturday, the channel aired the Hindi feature film Ramaiya Vastavaiya that grabbed good eyeballs and garnered 5,926 TVTs.

     

    While Colors that lost its second position, witnessed a good response for the fifth edition of the talent reality show – India’s Got Talent and garnered 9,380 TVTs on Saturday, the other two fictional shows that replaced Bigg Boss witnessed a drop in its ratings. Beintehaa reported 2,633 TVTs (2,964) and Rangrasiya saw 2,564 TVTs (3,199). However, comedy seems to be working well for the channel as its show Comedy Nights With Kapil that had seen a drop last week is back with a bang and has garnered 10,420 TVTs (8,973).

     

    Surprisingly, Sony, which occupies the sixth position, has seen a rise in all its properties. However, the position of the channel remains the same. The recently started fiction series – Main Na Bhoolungi and Ekk Nayi Pehchaan scored 1,054 TVTs (884) and 2,087 TVTs (1,965) respectively. The dance reality show Boogie Woogie Kids Championship too saw a rise in its fifth week and garnered 2,733 TVTs (2,488).

     

    Sahara One remains at the bottom of the chart marking no major difference and earned 37,863 GVTs (36,162).

     

    In the movie channel genre, Zee Cinema reported 196,560 GVTs (200,662); Star Gold registered 182,903 GVTs (195,587) and Movies OK scored 137,410 GVTs (143,920). While &pictures scored 84,280 GVTs (91,406), Zee Anmol notched up and marked 86,317 GVTs (71,855) and Max scored 202,083 GVTs (221,690).

  • ‘Satyamev Jayate 2’ to kick start soon

    ‘Satyamev Jayate 2’ to kick start soon

    MUMBAI: He isn’t the Mr Strategist and Perfectionist of Bollywood for no reason. This time around actor Aamir Khan has made sure that the second season of his TV show – Satyamev Jayate, the shooting of which began recently, remains in the news throughout the year.

     

    The season one of the show highlighted the social evils and also brought to the light the sufferings that people at large go through because of those. While the second edition is again set to bring forth the evils of the Indian society that’s becoming a hindrance in the country’s growth, the actor has devised a plan to give the audience enough time to execute the ideas promoted through the show in reality. The 12-episode show, this time, would be presented in installments – four episodes at the beginning of the year, four mid-year and the last four at the year end.

     

    While the other details are still being worked upon, what has come out is that the season is set to kick start soon with an episode focusing on the plight of rape victims. The episode has already been shot at the Yash Raj Studios and the actor has requested the audience present at the shoot to keep the details to themselves.

     

    The TV audience are set to witness some life-changing incidents, it seems.

  • Hindi GECs: A battle for eyeballs

    Hindi GECs: A battle for eyeballs

    With the ongoing season of reality shows ending and viewers’ choice highly unpredictable, the past couple of months have seen Hindi General Entertainment Channels (GECs) and production houses scrambling to introduce newer, more creative fiction shows with never-seen-before content.

    Indeed, the tearing hurry to replace empty slots and shows with poor TRPs has seen broadcasters deploy a fair bit of research and experimentation to serve up even more interesting fare to their audiences. So much so, it may well be a battle for eyeballs between these newly-launched serials in the coming months; at least till the new season of reality shows kicks in.

    Indiantelevision.com did a round-up of the contenders, trying to understand the thought process behind them.

    To begin with: Ye Hai Mohabbatein, Star Plus’ drama series based on Manju Kapur’s novel, Custody. The Balaji Telefilms show premiered on 3 December and airs five days a week, occupying the 11pm slot. It stars popular TV actors Divyanka Tripathi and Karan Patel as Ishita and Raman, who are connected by their love for Raman’s daughter Ruhi. With themes like divorce, infertility, remarriage and societal issues, the show deals with the bigger question of what makes a woman a mother.

    Says Star Plus general manager Gaurav Banerjee: “The story is urban and contemporary. This love story begins after a marriage gets over. It explores the theme of a second chance in love. With well-etched characters and a strong urban narrative, the show deals with day-to-day issues faced by modern couples. We are positive that our metro audiences will see a connect with Ishita and Raman, and follow their story.”

    Balaji and Star Plus believe viewers have accepted Ishita and Raman into their families, much like the iconic characters the team has created in the past. Indeed, the show garnered 3,291 TVTs in week 52 of TAM TV ratings. India Gate Basmati Rice is its title sponsor.

    Doli Armaanon Ki and Aur Pyaar Ho Gaya: Zee TV’s two new shows that premiered on 2 December, 2013 and 6 January, 2014, respectively. Both the shows air five days a week and occupy the 10pm and 10.30pm slot, respectively.

    The channel has roped in Sofy Side Walls as its title sponsor for Doli Armaanon Ki. Set in Jhansi, Doli Armaanon Ki is the story of Urmi and Samrat, played by Neha Marda and Mohit Malik, respectively. Urmi walks into a marriage with Samrat, all eager and wide-eyed, only to realise that married life isn’t always what one dreamed about.

    Asked how the show is different, Spellbound Productions producer Pearl Grey replies: “It is just about conviction. I feel you can stand out from the rest if the concept is different. I feel we are saying something which no one has said earlier. Like how we did for Mann Kee Awaaz Pratigya, we spoke about issues which were not spoken on television earlier. The other thing about standing apart is getting in a character which is different. In my show, the USP is Samrat’s character. The relationship we are showing is very different. We are highlighting the nuisances.”

    For Grey, having a 10.30pm slot is an advantage as there is liberty of saying and doing things that cannot be shown at early prime time. Even Zeel content head Ajay Bhalwankar is confident that the new series will crack slot leaders very soon. “The battle is not tough. The slot is very warm. And with our strong storyline and concept, this show can reach one crore plus viewership. Plus, our TG is the whole family. At the end of the day, if men don’t see, they won’t understand the cause through our concept,” he says.

    Zee TV pulled out all stops in promoting the new show. Promos were played on the network’s news, kids’ and movie channels as well as on Zee Cinema and Zee Marathi. For DTH audiences in particular, live streaming and default landing channel were taken, promo roadblock on primetime and special behind the scenes content was created to promote the show. #doli was created on Twitter, which trended all India for more than 8 hours on the day of the launch. Zee even asked viewers to send them region-wise shaadi rituals under this hash tag.

    The other Zee newbie, Aur Pyaar Hogaya, is the love story of Avni, a young spirited girl from a traditional family in Jaipur, played by Kaanchi Singh and a simple boy Raj, with a diametrically opposite personality and family background, reprised by Mishkat Varma. No sponsor has been roped in yet for the series.

    About the 10pm slot, Director’s Kut Production’s Rajan Shahi answers: “I have never asked channels for particular slots. For me, it’s my work, whether you put me in the 2 pm or 6 pm slot, I have to work. Over the years, I am not so blinded by it, but TVTs do play an important role. I know that we are judged by TVTs, but I don’t let this affect my day-to-day life.” Like Doli Armaanon Ki, Aur Pyaar Hogaya too was heavily promoted on social media by creating individual official pages.

    Next up, Tumhari Paakhi, Life OK’s new show produced by Shashi-Sumeet Mittal Productions, premiered on 11 November, and airs five days a week, occupying the 9.30 slot. Tagged a differentiated love story, it is based on legendary Bengali author Sarat Chandra Chattopadhyay’s novel Navvidhan.

    As to the criteria for choosing a particular slot, Life OK general manager Ajit Thakur says: “On the slot, there are a number of criteria like firstly, the viewership. Obviously, early prime-time, the viewership is more from small markets and late prime-time it is from larger markets and metros. The other thing is who are the people viewing it. As we go to later prime-time, families and more men come to it. Earlier prime-time, there are more kids. Thirdly, for the channel itself, which is the slot they want to replace. Some slots are doing well and some slots are not doing that well.”

    Thakur goes on to explain that the earlier show Junoon wasn’t doing too well, which is why they were on the lookout for another show and eventually, Tumhari Paakhi, a mature love story, turned out to be the perfect replacement for late prime-time. He dismisses it being a risk choice saying: “That does not matter beyond a point. We are already at number four and getting close to the top three. For us, every slot we have to compete. It does not matter to us anymore. There are leaders as such and now we are competing in all slots. We decide basis our priority now.”

    To market the new show, Life OK ran promos on all its network channels and put up umpteen hoardings across cities. On the day of the launch, print ads were released and railway announcements too were made. Besides, on Twitter, the channel constantly keeps updating #TumhariPaakhi hashtag with news, polls and promo links.

    Beintehaa and Rangrasiya: Colors’ two new shows premiered on 30 December last year and will continue to air Monday to Friday at 9pm and 9.30pm, respectively.

    While Beintehaa is a show with a pan-Muslim milieu which revolves round two very similar, headstrong individuals, Aaliya and Zain, who are in a volatile relationship; Rangrasiya is an edgy, explosive tale of Paro and Rudra, two individuals who start off by hating each other intensely.

    Both the shows were promoted extensively across mediums, including in-theatre integrations during Dhoom 3 in HSMs, OOH in 60 cities and towns, and a media mix with over 40 channels plus radio stations covering more than 40 cities.

    With the launch leading into the new year, special calendars were brought out with select publications to enable audiences bring the characters home. An all-round social media strategy was developed to ensure the duo continue to be the topic of dinner table conversations across homes.

    Asked whether it didn’t bother them that rival channels have some of their most popular shows at 9 and 9.30pm, Colors’ programming head Prashant Bhatt says that planning for the 9 pm slot begins much before the channel’s biggest reality show, Bigg Boss, kicks off. “We know that as soon as the show ends, we have to come up with news shows with strong content and we work on it accordingly. This time too, when we heard the stories of the two shows – Rangrasiya and Beintehaa – we knew that we have to take them to the prime time slot because of the newness,” he says.

    Says Saurabh Tewari, MD of Nautanki Films which has produced Rangrasiya: “We were happy to have got the prime time slot for our show. We are aware of the competition that exists in the slot and even otherwise, but there’s always space for something new.” Tewari believes the presentation and the manner of storytelling, not to mention the extensive shooting in Rajasthan will work in the channel’s favour.

    Coming to Beintehaa, Farhan Sallaruddin of Fortune Productions, producer of the show, says the story’s concept is its USP. “The Muslim community hasn’t been explored much and in this show, we have anyway brought the love story of two very strong characters. It will be loved by youngsters and older people alike,” he says.

    Last but not the least, Main Na Bhoolungi and Ekk Nayi Pehchaan, Sony Entertainment Television’s newest additions to its kitty, more so in a bid to get viewers to tune in to its soaps instead of the crime shows and thrillers it has become synonymous with. Both the shows premiered on 23 December last year at 8.00pm and 8.30pm, respectively.

    Main Na Bhoolungi traces the life of Shikha, a well educated and confident girl, played by Aishwarya Sakhuja, who has an arranged marriage with the seemingly perfect Sameer, played by Vikas Manaktala. However, Shikha falls off from a cliff, cutting short the happy alliance. Is it the end of the fairytale or just a bad dream? The story is based on a 1996 Gujarati play Sharda, penned by Varsha Adalja, which elaborates on the concept of ‘women in their 40s’.

    “The focus is not on the rest. The focus is on yourself. That is the only way you can stand out. There is only one way to success, not necessarily that assures success, but do your best,” says producer Yash Patnaik. ”We as producers, as makers, go to the channel with the concept. Then it is up to the channel which slot to air. They decide what will work there, what kind of target audience, the strengths they have. As makers in television, we purely go by their conviction and strategy.”

    About Ekk Nayi Pehchaan, Jay Mehta Productions producer Kinnari Mehta feels content is the king that will get viewers to watch a particular show. “We haven’t seen a show till now wherein they have shown a positive bond between mother in law and daughter in law. We are trying to come out from that mould where saas and bahus just fight. And we have a beautiful cast, both of them are such faces that will stand out across all the GECs and the concept. Since our show deals with adult literacy, a lot of women want to educate themselves,” she elaborates.

    Sony is confident the two new shows will be a big turnaround for them. Says Sony senior VP, head marketing Gaurav Seth: “The two new shows are a big turnaround for the channel. The 7 – 11pm slot is where there will be competition in any channel, but good content always stands out. We have got good numbers for both the shows.”

    While viewers are going to be spoilt for choice with the sheer number of new shows across the Hindi GECs, only time will tell who will emerge the winners in this race…

  • Star Plus, Sab begin 2014 on a good note

    Star Plus, Sab begin 2014 on a good note

    MUMBAI: The new year, it seems, has been really good for the general entertainment channels (GECs), especially Star Plus and Sab, which have hit the highest ratings ever in the week 01 of TAM TV ratings. 

     

    Star Plus leads the flock with 647,066 GVTs (605514 TVTS). Thanks to the Big Star Entertainment Award that aired on the New Year’s eve and became the highest rated award show in the history of Hindi GECs. It garnered 12,369 TVTs. However, its celebrity dance reality show Nach Baliye 6 saw a slight drop with 3,523 TVTs (3,653). The epic series Mahabharat saw a fall in its viewership and stood at 6,811 TVTs (7,026 TVTs).

     

    Colors strongly stood at number two garnering 522,158 GVTs (527,226 GVTs). Its two new fiction series worked wonders for the channel. While Beintehaa reported 2,964 TVTs and Rangrasiya saw a good start as well with 3,199 TVTs. Its comedy show – Comedy Nights with Kapil that continues to make people laugh, garnered 8,973 TVTs (8,772 TVTs).

     

    Third placed, Zee TV notched up and took its tally to 449,211 GVTs (430,836 GVTs). The channel’s sitcom Bh se Bhade registered a decline in its viewership and marked 1,534 TVTs (1,793 TVTs). Its fiction property, Doli Armaanon Ki ‘Shaadi’ special event scored 2,753 TVTs. The dance reality show Dance India Dance 4 kept its glued to the tube with its innovative dance styles and moves and scored 4,410 TVTs (4,309 TVTs) on Saturday and 3,687 TVTs (4,844 TVTs) on Sunday.

     

    Sab touched its highest ratings ever as it reported 360,848 GVTs (330,358 GVTs).  Life OK held to its fifth position as it scored 323,456 GVTs (323,589 GVTs).

     

    Sony continues to occupy the number six spot with 266,161 GVTs (271,852 GVTs). Its two new offerings – Main Na Bhoolungi and Ekk Nayi Pehchaan also couldn’t do much as they scored 884 TVTs (1,144 TVTs) and 1,965 TVTs (1,900 TVTs) respectively. Its non-fiction property, Boogie Woogie Kids Championship too saw a drop in its fourth week and garnered only 2,488 TVTs (2,957 TVTs).

     

    Sahara One remains at the bottom of the chart marking no major difference and earned 36,162 GVTs (34,888 GVTs).

     

    In the movie channel genre, Zee Cinema reported 200,662 GVTs (211,750 GVTs); Star Gold registered 195,587 GVTs (191,863 GVTs) and Movies OK scored 143,920 GVTs (123,375 GVTs). While &pictures notched up and scored 91,406 GVTs (76,440 GVTs), Zee Anmol marked 71,855 GVTs (62,566 GVTs) and Max scored 221,690 GVTs (212,954 GVTs).

  • FoodFood serves two new shows to tingle your taste buds

    FoodFood serves two new shows to tingle your taste buds

    MUMBAI: There is good news for foodies; FoodFood is all set to bring exquisite cuisines to your platter. The lifestyle channel is all set to add new flavours with two new specialties.

    Get ready to see Chef Sanjeev Kapoor travel around the globe exploring different cuisines and eating habits of the locals. The Out of the World Series…Africa, which will shoot across 105 countries, starts its journey from East Africa. In the first season, which begins from today, the chef along with his six member crew travels to Tanzania, Kenya and Uganda. “The show is a marriage of food and travel,” says producer Runjiv Kapur.

    In the show Sanjeev will recount his tale of scary encounters, unusual spices and rendezvous with tribal chieftain and much more! “When we started shooting for the show, nothing was planned. We shot for 15 days for 12-13 hours a day. And shooting at every stop,” he adds.

    So why start with East Africa? Answers Sanjeev, “Two reasons: One, because it is a creator of mankind and two because the producer is based in Tanzania.” The host of the series also believes that it is a concept which is different and would be a trend setter for channels.

    Talking about how the concept came about, producer Kapur who is writing a series of books onGreat Bazaars of the World says, “When I met Sanjeev a few years back I pitched the idea of going to the bazaars of the world and shooting not in the kitchen but on location. We did shoot a pilot for the same then but could not take it ahead because Sanjeev had to devote 15 days for the shoot, which did not work out.” It was last year that the duo got together again and took it forward by starting the shoot in East Africa.

    The unique thing about the programme is that it has been shot in natural habitats which will see even animals roaming around freely. “We are cooking the local cuisines with local chefs. So Sanjeev is watching the chef create the dish and he then explains it to the audience,” informs Kapur.

    According to the two, the show is not scripted. “Because it is not scripted, we shot hours of footage for a 22 minute episode. We were literally shooting on the fly. And when you do that, the show takes shape on the editing table. Though there was a structure initially, it later became more spontaneous,” adds Kapur.

    Not confirming the next destination, Kapur says that they are looking at places which are unexplored. “It is no mall shopping show. We are looking at places with rich culture, history and not much explored. We are here on a discovery.” The duo has already started working on the next season and believes that the feedback they get from the first season will add value to the next.

    So, does shooting a show of this magnitude require big budget? “For channel like us, we learn to do things in an efficient way. Even for world class quality you may not need to spend too much, yes you have to put more efforts, like we shot gorilla style, but at the end we have come out with a great product,” informs Sanjeev.

    Another show which went on air on 13 August hopes to connect with the audience by bringing out the essence of tea time. The focus of the show Hi Tea, hosted by Chef Ajay Chopra, is on the Indian family for whom tea time gives another reason to get together. “The idea is to promote the concept of Chal Chai Peete Hai,” says Chopra who was earlier seen in the first season of MasterChef India on Star Plus.

    The show will concentrate on the tea drinking habits of people around the globe. “Tea has become a reason for people to meet. Also what makes it special is the snacks along with the Tea. And through this show, I am telling people not only of different ways of drinking tea, but the add on snacks along with their special tea,” adds Chopra.So how did it all start? Chopra (smiles) and says, “I met Sanjeev Kapoor during MasterChef. It was then that we started thinking of doing something in FoodFood. Though nothing materialised then, it was four months back that we again started talking about the show.” Ask how it is different from the rest of the shows, he informs, “See there are two ways to connect to people: Either reach out to them through their favourite cuisine or through presenting new cuisines. In this show we are reaching their heart with new cuisines. Through this show, we want to make teatime, the best experience of the day.”

    While Hi Tea occupies the 4 pm slot, Out of the World Series…Africa will be on at 9 pm. Explaining the time slot, Sanjeev says, “Well, the show in the 4 pm slot is for pure learning. In this slot we are targeting people who want to learn and replicate the dish. So the core audience for Hi Tea is someone who wants to learn to cook while the secondary audience is the family. For, Out of the World Series…Africa, our core TG is the family which comes together to watch a series like this.”

    Both the shows have completed the shoot for the first season. The first season of Hi Tea will have 26 episodes and is looking at a larger chunk of 100 episodes. While Out of the World Series…Africa has shot 15 episodes for its first season. Chopra for the first season has set up his kitchen in Filmistan located in Goregaon in Mumbai. “Well, we have started with shooting in my kitchen, which has been especially created for this show, but I am also looking at shooting in hotels first in India and then abroad,” informs Chopra.

    The channel is using all mediums: television, print, outdoor to market the two shows. “We do spend on marketing, but we do smart spending,” comments Sanjeev. The channel is only buying the hoardings in Delhi, Mumbai, Ahmedabad, Bengaluru and couple of sites in Pune for promotions. They have also shot around 10 promos for Out of the World Series…Africa for television promotions and a one-minute long promo for Hi Tea, which will now be broken to various versions.

    Ask the planners and they say that though this is not a unique concept as in the past various other chefs have tried their hands on travel and food genre. “What we have to see is how well it is accepted by the Indian pallet,” says a Delhi based media planner.

    Is the channel trying an Anthony Bourdain and Bobby Chinn twist with the addition of these two shows? It is up to the food and travel lovers to give their verdict, which we will surely keep a track of once the television ratings are declared!

  • Salman Khan to host Star Guild awards

    Salman Khan to host Star Guild awards

    MUMBAI: The award season is upon us, and the Film and Television Producers Guild of India has announced that the ninth edition of the Renault Star Guild Awards will take place on 16 January.

    The award show will be aired on Star Plus and will be hosted by Salman Khan.

    Star Plus general manager Gaurav Banerjee said, “We are pleased to host the prestigious Star Guild Awards, one of the most reputed and official awards of the Film & Television industry. The award winners are selected by the industry Guild – making it truly democratic, credible and honoring achievers across categories within the fraternity. With Salman Khan returning as the host yet again, we promise to make Star Guild Awards a power packed blockbuster night of celebration.”

    Instituted to commemorate extraordinary achievements in Cinema and Television, Film & Television Producers Guild of India president Mukesh Bhatt said during the inaugural announcement, “The Film and Television Industry has witnessed an incredible year in 2013 with regards to the quality of content produced. We are very excited and look forward to the ceremony that will celebrate the incredible performances and have a great time this year as well.”

    Renault India executive director Sumit Sawhney said “Renault India is happy to work together with the Guild in its second year to highlight achievements of distinct personalities driven by a commitment towards passion and excellence. Renault, the most awarded automaker in recent times, understands what it takes to win the hearts of people and also win accolades from a proficient jury. As we have always believed, both the Guild and Renault lay special emphasis on Driving the Change and are therefore a perfect fit with each other”

    The show is conceptualised, produced, marketed and promoted by Wizcraft International Entertainment. The company’s director Sabbas Joseph said, “Wizcraft has partnered with the Guild for the past 8 years and we are very proud of the success of the event. We are certain that the 9th edition of this prestigious awards ceremony will be a huge success and honor some of the finest talent in the industry today.”

    The award show will be held at the NSCI stadium in Mumbai.

  • ‘Hatim’ to return on Life OK

    ‘Hatim’ to return on Life OK

    MUMBAI: Stories of good overpowering evil have fascinated mankind down the ages. One such is the legend of Hatim aka Hatim Tai, the Arab prince famed for his strength and generosity who lived during the Middle Ages and whose heroic pursuits find mention even in the Arabian Nights.

    Hatim, who first appeared on television in 2003 in a one-hour series by the same name on Star Plus, is now all set for a comeback which promises to take viewers into the realm of the extraordinary.

    The show is a never seen before gripping tale of courage and adventure, says Ajit Thakur

    Starting 28 December, ‘The Adventures of Hatim’ will air every weekend at 8:00 pm on Star Plus’ sister channel Life OK.

    The magnum opus, produced by Nikhil Sinha’s Triangle Film Company, hopes to transport the audience into the surreal world of Hatim, bringing them as close as possible to fantasy.

    Asked whether Hatim’s second outing on TV would be any different from the first that ran for a year (2003-04) on Star Plus, Sinha says: “While fantasy is an accepted genre, the kind of fantasy we’ve seen in other narrated shows is very typical and simple. ‘The Adventures of Hatim’ is on the lines of western fantasy which has become very character-oriented, very human.”

    “The storyline will be different in order to bring alive the fantasy genre. People will watch it for the story, the human equations in it. I believe if you have the right story in this genre, people will surely like it.”

    Sinha informs that the series presents a larger-than-life overview of Hatim’s adventures; using high-end computer graphics, well-researched costumes, and the services of special fight masters flown in from Thailand among others.

    More than 16 to 18 hours of time have gone into pre and post-production and the promos too boast some fantastic graphics. Activities such as forming story lines and creating the extensive sets started nearly six months ago.

    Shooting started mid-September and nearly 10 episodes have already been canned using sets at Ramdev Film City, Naigaon.

    While Rahil Azam played Hatim in Star Plus’ series, Life OK’s ‘The Adventures of Hatim’ has debutant Rajbir Singh essaying the protagonist with popular TV actors Nausheen Ali Sardar, Dolly Sohi, Khalid Siddiqui and Pracheen Chauhan forming the rest of the cast.

    With a mythological like Mahadev leading viewership on Life OK, will viewers accept this kind of fantasy? Sinha reasons: “In terms of story, mythology was a little difficult. Getting mythology accepted was very difficult because it was always treated as the subject of elder people – for the oldies. So to get the younger generation, kids and different age groups to watch mythology was much difficult. But in this, our concept is as strong and I am sure people in the age group 5-50 years are going to love it.”

    Life OK general manager Ajit Thakur goes a step further to say: “When we launched Mahadev two years back, we knew we had a winner. With Mahadev, we gave the nation a hero, an icon they worshipped, loved and admired on weekdays at 8:00 pm. And now with our latest launch, we will take this legacy one step ahead and give our viewers their weekend at 8:00 pm hero.”

    The storyline will be different in order to bring alive the fantasy genre, says Nikhil Sinha

    Talking about the sponsors, right now none of the sponsors are on-board. Reasons Thakur: “In the first month, we don’t get a sponsor on-board. We always wait for the show to go on-air and after that we decide on the sponsors, but our ad inventory for Hatim has been sold out.”

    On the marketing front, on the day of launch, the channel plans to do a ‘page takeover’ on all the leading websites like Yahoo, MSN and many more. To top it all, a 60-sec theatrical thriller will be running in all the theatres during Dhoom 3 release.

    More on the digital front, the series is promoted through Life OK’s official page only. Plus, a lot of outdoor activities like, larger than life cut-outs of Hatim will be done in 30 towns.

    With ‘The Adventures of Hatim’ facing some serious competition from Bh Se Bhade on Zee TV, Arjun on Star Plus, Sab Khelo Sab Jeeto on Sab and Adaalat on Sony, it remains to be seen if Hatim will conquer the TV ratings as well…

  • “We will use the Indian jersey to promote all our brands” : STAR INDIA COO SANJAY GUPTA

    “We will use the Indian jersey to promote all our brands” : STAR INDIA COO SANJAY GUPTA

    Cricket – a game played on the greens with men in various colours battling it out with a bat and a cherry. And watched by billions of viewers worldwide. And the Rupert Murdoch-owned 21st Century Fox’s Indian arm Star India once again reaffirmed how much it is committed to  the game when the Board for Control of Cricket in India (BCCI) announced that it had agreed to become the title sponsor of the men in blue for the next four years.

    It already has the television, internet and mobile broadcasting rights to domestic cricket, it made a lucrative offer to become an associate sponsor of the IPL, and is investing in different language streams of commentary and channels for the game, and what have you. Clearly, apart from entertainment, sport is coursing through the management’s veins in India.

    Indiantelevision.com’s Seema Singh spoke to Star India COO Sanjay Gupta on the reasons behind the sports drive, the title sponsorship of team India, the challenges that lie ahead in monetising all its investments.

    Excerpts: 

    What was the need to take the title sponsorship of the Indian cricket team? How many days of cricket will be played from 2014 to 2017?

    It is a very important sponsorship for us. Cricket helps build awareness of brands and associations and we are seeking value coming from both. It is a serious value that we see as a business and hence this sponsorship.  Broadcast right gives us the opportunity to put TV ads on air. What the Title Sponsorship gives us is the name on the jersey, which is a very different asset. So now we can put an ad and also logo on the jersey. So in my mind, the way we are using it is that the jersey will be used to make the Star brand more salient in our viewer’s minds. Approximately 100 or more matches will be played in this period.

    Are you planning on any innovation as compared to Sahara, the previous title sponsor?

    We believe that sport is an asset that can be used for building and marketing brands in a very effective way. This hasn’t been exploited so far in India, as compared to sports globally.

    Our aim is to reinvent sports and we spoke about this when we said ‘refresh sports.’ We thought of adding non-live content and we wanted to do it in Hindi.

    We would be using Star brands, and it could be Star Sports, Star Plus or Life OK, which could find its presence on the Indian jersey once our sponsorship commences. We would like to build our brand in a very effective way using this association.

    When Sahara sponsored the Indian team, it never put any money on television. But, we believe that the combination of putting money on television and sponsoring the jersey could be a great innovation to build stronger brands. We will get a multiplier with television.

    When the jersey has a Star Plus logo, viewers will also be informed about Star Plus shows and what the channel stands for.

    Are you allowed to change the cricketing gear as part of the title sponsorship deal?  If yes, are you looking at changing the look of the jersey?

    The jersey’s look is the call of BCCI.  Since we are the title sponsor, the jersey will now have our brand name. We are looking at using multiple brands on the jersey depending on the need. So we could start with Star Plus, and after a year think of putting Life OK’s logo on the jersey.

    With Star India banking getting its hands so deeply embedded in cricketing, there is a perception of a monopolistic setup coming into the picture?  Your take on that.

    In my mind, if I look at cricket content, it is very equitably distributed amongst all the three sports channels. So, while we have the BCCI content, Sony runs the IPL, which is the biggest cricket tournament. Besides this, Ten Sports has the rights to South Africa, West Indies and the Sri Lanka series.

    All the three brands have strong cricket content. This makes it interesting, since having cricket on all platforms makes it reach larger audience base and in turn builds sports in the country.

    Many feel that cricket is overvalued, then why is Star investing so much on the sports?

    In my mind, cricket is undervalued. If you see all pieces of content: drama, sports, news, Bollywood, the content which has the biggest affinity and reaches the largest audience is cricket. 64 crore people watched the sport last year, which is higher than any piece of content and this cuts across all regions and languages. So cricket according to me is not at all overvalued.

    Sports help build brands, not locally, but nationally. And most people who today look at building brands are looking nationally and not only in select states. Anybody who feels that cricket is overvalued and doesn’t have power, needs to see its power through its reach and the impact it has on consumers.


    I personally feel that the sports content has been limited to English language and a few people. So taking sports deeper into regional market is essential and this hasn’t been done so far.

    The biggest heroes are the cricketers of the country. They are young talented people, performing well. Investment in sports and cricket is justified.

    You can never get enough of good quality sports and content; viewers  will always want more.

    Will you be backing other sports and diversifying your sports portfolio?

    Yes! We want to. We think cricket is the main stake, but we are not a single sports nation. There is a large followership of football. We are investing in football and hockey in a big way. We are going ahead and investing in Hockey India League. We have already shown our intent in badminton, by sponsoring the Indian Badminton League. We will invest money in all sports.

    Cricket was the one sport where we were not the partners. Now we have invested in that as well.

    With India losing on foreign grounds, do you see that as a problem for your investment and viewership?

    No, I don’t. I have high level of confidence that both sport in general and cricket in particular, will have its following and deeper engagement. We have opportunity to perform better even outside and it is not that we haven’t performed. In England we did well. We performed well across best teams and across best seaming pitches. It is a phase in any team.  But fundamentally, I feel that Indian team is performing dramatically. The game of cricket has got deeper in this country. All these new cricketers are from smaller towns. Even younger generation now feels they can be a part of team. The coming in of IPL has just deepened that desire of becoming a part of the team.

    What is needed to monetise your investments in sports? Do you think digitisation will help? Even if it is not proceeding as smoothly as you expect? 

    I personally feel that the sports content has been limited to English language and a few people. So taking sports deeper into regional market is essential and this hasn’t been done so far. So to fortify sports we want to reach out to different regions and into other sports, beyond cricket. We want to make sports big for every member of the family.

    Monetisation of sports is a challenge, given there is very limited transparency in terms of numbers given by analogue distribution system. I think, with digitisation we are seeing that changing over the next few years.

    Yes, there is a challenge with the MSO vs LCO tussle. But, I am an optimist and I feel there will be a better tomorrow than what is today. Also I think the overall content and media market is growing so much that every stakeholder has a potential to earn and earn reasonably and in a fair way.

    So, I see a very fair distribution of income and every stakeholder: MSO, LCO, Broadcaster will earn a fair amount.  The reality is that of the 140 million cable TV homes, already 70 million are digital between DTH and cable, which is a big leap in two years time. This market is large and is growing fast. Though there are hiccups, I am confident that things will be better.

    Digitisation will ensure that every household is well connected with a transparent set top box, a measurement system which is more transparent and fair money will exchange hands. I don’t know if it will happen in couple of months, but I am sure that in the next three to five years, life will be dramatically different.

    But the time is limited between the sponsorship, the broadcast rights and digitisation. What if there is a mismatch? How will you recover investments?

    Our sponsorship is a way to build our brand.  We have an opportunity to make our brands bigger.  As far as the broadcast rights are concerned, we will work towards resolving issues on the ground and related to monetisation as we move forward. Yes, I agree there is a risk, but we believe there is a reasonable risk and hence the investment. 

    Is your associate sponsorship continuing for the IPL?  Also would you take the broadcast rights once the rights for Sony expires in 2017?

    We had taken the rights for three years. So it will continue for two more years.
    As for the broadcast rights, there is nothing definite right now. We have invested a lot of money in sports already and we would like to see some returns first, before we make up our mind if we want to invest more. The big question for us today is how to ensure that the big investments we have made start reaping results.
    Our commitment made in rights is close to Rs 20,000 crore. It is a huge bet. We need to now unlock value and how do we take content deeper and also invest in more sports.

    Are you seeing an uptick in Star India’s ad revenues?

    Overall the mood in the economy is not very buoyant and I think everybody this year has been very careful on where they are investing. However, as we move forward, people will look at building their brands, so they will spend on advertising as it helps build strong brands. We will have bilateral discussions with brands. We are excited about the future.

    Growth rate in this country will not be less than 4.5 to 5 per cent in the next few quarters. And it may get better depending on the policies, with the party coming to power.

    Star India is seeing a very healthy growth rate, much ahead of what the market is seeing. I think the market will in the next seven to nine months grow at 10-12 per cent and we are significantly ahead of that in terms of numbers.

    Is there scope for sports viewership to grow in India and what is the advertising revenue earned through this reach?

    The sports channel viewership is approximately 4 per cent in India, while that globally is 15 per cent. We think there is a scope for growth and Hindi and other regional language commentary will help achieve that growth in reach.  Of the total advertising revenue, sports amounts to 10 per cent revenue share. 

  • Star TV UK debuts on Sky’s on demand service

    Star TV UK debuts on Sky’s on demand service

    MUMBAI: The News Corp owned Star TV UK has got all its channels onto Sky Digital’s on demand service and has become the first Asian broadcaster to do so. With this, Star’s programmes will be available ‘on demand’ to Sky customers at no additional cost.

    More than 3.4 million homes have their set top boxes connected to the broadband to enjoy this catch up service.

     

    Four channels are available in the Star TV pack- Star Plus, Star Gold, Life Ok and Star Jalsha.

  • Zee TV is the only gainer in Week 48

    Zee TV is the only gainer in Week 48

    MUMBAI: As the alleged rape case involving Tehelka founder Tarun Tejpal and a female journalist working with the magazine unfolded last week, the focus of Indian television viewers seem to have shifted from the general entertainment channels to the news channels.

    Otherwise there’s no reason for almost all the general entertainment channels (GECs) to witness a drop in its ratings in the week 48 of TAM TV ratings. It was just Zee TV that has gained with 448,553 GVTs (433,447), though it maintains its third position in the chart. Star Plus continues to lead with 548,331 GVTs (560,497) followed by Colors that has registered 478,534 GVTs (513,415).

    Life OK continues to be at number four with 334,327 GVTs (335,013), Sab TV with 269,269 GVTs (308,133) is at number five. Sony continues to be at number six with 238,987 GVTs (269,332). Sahara One is still lagging behind and is at the bottom of the ratings list with 33,691 GVTs (30,429).

    Coming back to the chart topper, Star Plus, its most popular and loved show in the prime-time slot seems to be losing out on viewers. This time Diya Aur Baati Hum has registered only 11,449 TVTs (12,298). Yeh Rishta Kya Kehlata Hai, another popular offering from the channel too registered 7,329 TVTs (7,863). Even the viewership of Pyar Ka Dard Hai went down as it scored 6,661 TVTs (7,351). However, Sath Nibhana Saathiya managed enough to balance it out. The show registered 8,683 TVTs (8,290). The epic series Mahabharat too notched up and scored 7,170 TVTs (6,835). And surprisingly, the ratings of Saraswati Chandra too went up. It registered 5,367 TVTs (5,071). The ratings of popular celebrity dance reality show, Nach Baliye, however didn’t witness much change and registered 4,267 TVTs (4,736).

    Colors longest running and the most popular fiction series, Balika Vadhu generated 6,513 TVTs (6,684), while Madhubala – Ek Ishq Ek Junoon scored 4,329 TVTs (4,749). Uttaran that has been on-air on the channel since quite some time now also witnessed a significant rise and rated 4,031 TVTs (3,645). However, Comedy Nights with Kapil that has been tickling the funny bones of the audience and has been really popular seems to have lost its charm this week and has witnessed a drop with 7,851 TVTs (8,464). The international series 24 starring Anil Kapoor has also failed to click with the audience and has registered 2,797 TVTs (3,058 TVTs). The unfolding romance and drama in the celebrity-reality show Bigg Boss too hasn’t worked too well for the channel as even that has lost out on viewers. Bigg Boss registered 5,102 TVTs (5,491).

    For Zee TV, its period drama Jodha Akbar seems to have worked well. The ratings of the show notched up taking its tally to 10,182 TVTs (9,801). Its sitcom Bh se Bhade too managed enough viewers and scored 2,079 TVTs (1,650). Even the ratings of Qubool Hai registered 5,862 TVTs (5,830). The ratings of Pavitra Rishta and Do Dil Bandhe Ek Dori Se escalated as well with 5,468 TVTs (5,043) and 5,369 TVTs (5,019) respectively. Its popular dance reality show, Dance India Dance 4, however witnessed a drop and scored 4,323 TVTs (4,666) during the weekend.

    Fourth placed, Life OK witnessed a slight rise in its popular mythological series Mahadev and managed 3,312 TVTs (3,212). Even its new horror series Khauff Begins fared well in the first week with 2,539 TVTs. The ratings of Ek Boond Ishq and Do Dil Ek Jaan remained stable with 2,833 TVTs (2,834) and 1,491 TVTs (1,494) respectively. Crime-based show Shapath witnessed a huge drop and generated 3,055 TVTs (4,057). Crime-based show Savdhaan India scored 3,024 TVTs (3,035). Tumhari Paakhi managed to grab enough eye balls to take its TVT to 2,183 TVTs (1,877).

    Sab’s fiction show, Taarak Mehta Ka Ooltah Chashmah that has been keeping viewers in splits since last few years, has lost viewership it seems as it registered just 7,647 TVTs (8,856). Even Chidiya Ghar saw a significant drop and generated 2,935 TVTs (3,479). Lapataganj saw a slight dip as well and generated 1,769 TVTs (1,921). Baalveer registered 2,643 TVTs (3,293).

    Almost all the shows on Sony witnessed a drop in its ratings. Even its longest running crime series CID that has been really popular with the viewers witnessed a drop with 4,600 TVTs (5,254). Even Crime Patrol managed just 2,964 TVTs (3,255). The channel’s historical show Maharana Pratap recorded 2,733 TVTs (3,054), while quiz show KBC witnessed a drop and registered 3,248 TVTs (3,738). Other fiction shows either maintained a stable position or dipped marginally during the week. Its horror flick, Bhoot Aaya doesn’t seem to entice viewers as it registered only 1,423 TVTs (1,662).

    In the movie channel genre, Zee Cinema reported 253,575 GVTs (197,512); Star Gold registered 181,167 GVTs (178,122) and Movies OK scored 133,805 GVTs (127,470). On the other hand, &pictures witnessed a huge drop and scored 81,291 GVTs (112,609), Zee Anmol registered 55,524 GVTs (46,088) and Max scored 129,948 GVTs (200,508).

    While all the GECs have maintained a stable position this week with only Zee TV gaining few extra points, let’s see what’s in store for the channels in the coming weeks.