Tag: Star Plus

  • Zee Anmol retains leadership in GEC (U+R) in week 20

    Zee Anmol retains leadership in GEC (U+R) in week 20

    MUMBAI: Star Plus and Star Utsav swapped their sixth and seventh positions in Broadcast Audience Research Council (BARC) data of week 20 of 2018 in the Hindi GEC (U+R) market, whereas in rural markets no changes were observed as compared to the previous week. Sony Sab and Star Bharat exchanged their fourth and fifth positions in GEC urban market this week. 

    Hindi GEC (U+R)

    Zee Anmol, Rishtey, Sony Pal, Star Bharat and Zee TV retained their first, second, third, fourth and fifth positions respectively with 912883 impressions (000s), 679799 impressions (000s), 571922 impressions (000s), 554893 impressions (000s) and 515794 impressions (000s).

    Star Plus and Star Utsav swapped their sixth and seventh positions with 432679 impressions (000s) and 432391 impressions (000s) respectively.

    Colors, Sony Sab and Sony Entertainment Television retained their eighth, ninth and tenth positions with 398342 impressions (000s), 371668 impressions (000s) and 327285 impressions respectively.

    Hindi Rural GEC

    Zee Anmol, Rishtey, Sony Pal, Star Utsav and Star Bharat retained their first, second, third, fourth and fifth positions with 706441 impressions (000s), 496544 impressions (000s), 390330 impressions (000s), 303090 impressions (000s) and 286803 impressions (000s) respectively.

    Zee TV, Big Magic, Dangal TV, Star Plus and Colors also retained their sixth, seventh, eighth, ninth and tenth positions with 199154 impressions (000s), 195541 impressions (000s), 191617 impressions (000s), 129006 impressions (000s) and116609 impressions (000s) respectively.

    Hindi Urban GEC

    In urban GEC, Zee TV, Star Plus and Colors retained their first, second and third positions with 316640 impressions (000s), 303672 impressions (000s) and 281733 impressions (000s) respectively.

    Sony Sab and Star Bharat exchanged their fourth and fifth positions with 277227 impressions (000s) and 268089 impressions (000s) respectively.  

    Sony Entertainment Television, Zee Anmol, Rishtey, Sony Pal, and Star Utsav stood at sixth, seventh, eighth, ninth and tenth positions with 251169 impressions (000s), 206441 impressions (000s), 183254 impressions (000s), 181592 impressions (000s) and 129301 impressions (000s) respectively.

    Also Read:

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    Owning IP not priority for Big Synergy

  • Star to telecast IPL finale on 17 channels, adds Marathi Malayalam feeds

    Star to telecast IPL finale on 17 channels, adds Marathi Malayalam feeds

    MUMBAI: On the evening of 27 May, Star India wants to ensure you see nothing but IPL on your TV screens, no matter where you are or what language you speak. It has roped in Star Pravah and Asianet movies to add two new language feeds for better reach of the IPL 2018 in Marathi and Malayalam respectively.

    Star Pravah will carry the first ever Marathi language broadcast of the IPL with Madhuri Dixit-Nene and Swwapnil Joshi joining the celebrations on the channel while the Malayalam language feed will be broadcast on Asianet Movies. Star Gold will also join in with the Hindi broadcast.

    The showdown will be telecast on 17 different feeds across the Star network – Star Sports 1 English, Star Sports 1 HD English, Star Sports 1 Hindi, Star Sports 1 HD Hindi, Star Sports 1 Tamil, Star Sports 1 Select SD English, Star Sports 1 Select HD English, Star Plus SD, Star Plus HD, Star Pravah SD, Star Pravah HD, Star Gold SD, Star Gold HD, Star Suvarna Plus, Star Maa Movies, Star Jalsha Movies and Asianet Movies.

    Star Plus will telecast a two-hour prelude Cricket Finals…Party to Banti hai hosted by Ranbir Kapoor. Other celebrities joining the party include Salman Khan, Jacqueline Fernandes, Kareena Kapoor and Sonam Kapoor. 

    The Dugout on Star Sports Select will continue to cater to core cricket fans who want to stay ahead of the game. The ball-by-ball coverage of the playoffs will entail predictive and prescriptive analysis – covering deep insights, rich data and video analytics and demonstrations by Dean Jones, Scott Styris, Anil Kumble, Kumar Sangakkara, Darren Sammy, Brett Lee, Mike Hesson etc.   

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  • Zee TV leads GEC urban in week 19

    Zee TV leads GEC urban in week 19

    MUMBAI: Sony Pal and Star Bharat swapped their third and fourth position in Broadcast Audience Research Council (BARC) data of week 19 of 2018 in the Hindi GEC (U+R) market, whereas in rural markets Zee Anmol retained its leadership. Zee TV retained its leadership GEC urban market this week. 

    Hindi GEC (U+R)

    Zee Anmol and Rishtey retained their first and second positions respectively with 857264 impressions (000s) and 658382 impressions (000s). Sony Pal and Star Bharat swapped their third and fourth positions respectively with 654053 impressions (000s) and 577588 impressions (000s).

    Zee TV, Star Utsav, Star Plus, Colors, Sony Sab and Sony Entertainment Television retained their fifth, sixth, seventh, eighth, ninth and tenth positions with 519606 impressions (000s), 473228 impressions (000s), 429027 impressions (000s), 421333 impressions (000s), 376296 impressions (000s) and 344876 impressions (000s) respectively.

    Hindi Rural GEC

    Zee Anmol, Rishtey, Sony Pal, Star Utsav and Star Bharat retained their first, second, third, fourth and fifth positions with 664876 impressions (000s), 478831 impressions (000s), 451893 impressions (000s), 332139 impressions (000s) and 289332 impressions (000s) respectively.

    Zee TV and Big Magic exchanged their sixth and seventh positions with 205196 impressions (000s) and 204957 impressions (000s). Dangal TV, Star Plus and Colors also retained their eighth, ninth and tenth positions with 185245 impressions (000s), 120998 impressions (000s) and 117336 impressions (000s) respectively.

    Hindi Urban GEC

    In urban GEC, Zee TV and Star Plus retained their first and second positions with 314648 impressions (000s) and 308029 impressions (000s) respectively.

    Colors, Star Bharat, Sony Sab, Sony Entertainment Television, Sony Pal, Zee Anmol, Rishtey and Star Utsav stood at third, fourth, fifth, sixth, seventh, eighth, ninth and tenth positions with 303997 impressions (000s), 288255 impressions (000s), 279628 impressions (000s), 263894 impressions (000s), 202159 impressions (000s), 192387 impressions (000s),179551 impressions (000s) and 141088 impressions (000s) respectively.

    Also Read:

    No reason for GECs to panic as IPL grabs eyeballs

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  • Zee TV leads GEC urban by dethroning Colors in week 18

    Zee TV leads GEC urban by dethroning Colors in week 18

    MUMBAI: No changes were observed this week in the Hindi GEC (U+R) and rural markets region according to Broadcast Audience Research Council (BARC) all India data for week 18 of 2018. Zee TV retained its leadership GEC urban market this week. 

    Hindi GEC (U+R)

    Zee Anmol, Rishtey, Star Bharat, Sony Pal and Zee TV retained their first, second, third, fourth and fifth positions respectively with 769222 impressions (000s), 642114 impressions (000s), 603720 impressions (000s), 594997impressions (000s) and 548150 impressions (000s)

    Star Utsav, Star Plus, Colors, Sony Sab and Sony Entertainment Television also retained their sixth, seventh, eighth, ninth and tenth positions with 460921 impressions (000s), 422988 impressions (000s), 395016 impressions (000s), 356192impressions (000s) and 330934 impressions (000s) respectively.   

    Hindi Rural GEC

    Zee Anmol, Rishtey, Sony Pal, Star Utsav, Star Bharat and Zee TV retained their first, second, third, fourth, fifth and sixth positions with 593662 impressions (000s), 458940 impressions (000s), 401210 impressions (000s), 323195 impressions (000s), 304376 impressions (000s) and 223931 impressions (000s) respectively.

    Big Magic, Dangal TV, Star Plus and Colors also retained their seventh, eighth, ninth and tenth positions with 211493 impressions (000s), 175654 impressions (000s), 121077 impressions (000s) and 120327 impressions (000s) respectively.

    Hindi Urban GEC

    In urban GEC, Zee TV retained its first position with 324219 impressions (000s). Star Plus and Star Bharat stood at second and third positions respectively with 301911 impressions (000s) and 299344 impressions (000s).

    Colors, Sony Sab, Sony Entertainment Television,Sony Pal, Rishtey, Zee Anmol and Star Utsav retained their fourth, fifth, sixth, seventh, eighth, ninth and tenth positions with 274688 impressions (000s), 255501 impressions (000s), 246399 impressions (000s), 193786 impressions (000s), 183174 impressions (000s), 175559 impressions (000s) and 137726 impressions (000s).

    Also Read:

    No reason for GECs to panic as IPL grabs eyeballs

    The era of dance reality shows

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  • Lacklustre viewership may force SET to pull off ‘Prithvi Vallabh’: Anirudh Pathak

    Lacklustre viewership may force SET to pull off ‘Prithvi Vallabh’: Anirudh Pathak

    MUMBAI: Sony Entertainment Television’s (SET) bet on magnum opus Prithvi Vallabh didn’t go as planned for the channel. The show, according to its producer Anirudh Pathak, is likely to go off air from 1 July after completing its 45th episode.

    Since its launch in January, Prithvi Vallabh has been getting mixed reviews. The channel had earlier planned to divide the show into two seasons of 40 episodes each but the failure to garner the desired viewership has compelled SET to rethink this strategy.

    Speaking to Indiantelevision.com, Pathak said that there is a need to better think about characters while picking historical plots. “I thought Prithvi would do well as the story of an untold tale from the soils of Indian dynasty. But it’s unfortunate that it didn’t. It’s a learning for me. Now, I know that if one is producing a historical show, they should make sure that the audience knows about the character. For historical shows, only a well-known character can garner good ratings. I personally feel that shows with a classic storyline should not be run on the weekends. Had it been a daily soap, the show could have garnered better ratings,” he said.

    Prithvi Vallabh was the first show to come out of SET’s new sub brand SET Originals. Based on the book by well-known Gujarati writer Kanaiyalal Maneklal Munshi, it depicts the history, mystery, vengeance and a love story between two arch-rival warriors Prithvi and Mrinal living in a kingdom far away.

    Pathak is no stranger to the genre having produced titles such as Devon Ke Dev..Mahadev, Siya Ke Ram and Mahakumbh, which have done fabulously well. Prithvi Vallabh was also the first show under his own banner launched in 2015.

    A student of Sanskrit, Pathak has been keen on working on mythological and historical shows. His interest began in the early TV years when saas-bahu sagas were dominant and the mythological and historical genres were not even considered to be capable of engaging viewers. “When I was doing saas-bahu shows, nobody, at that time, wanted to invest their money on big-budget serials. But now, they do. And since I always had an inclination towards myths and history, I decided to work on these genres. After Devon Ke Dev..Mahadev became a hit I was pretty much convinced that the Indian audience has the appetite to consume such content,” he added.

    The storytelling format has also changed since families that once used to get together and watch TV are now watching independently on their phones. So much so that people even in remote areas are consuming and comparing content such as Breaking Bad and Game of Thrones with Indian shows.

    Pathak feels that channels will now focus on finite content and gradually long-running shows will cease to exist.

    Pathak started his career as a writer with a crime show entitled Mujrim Kaun that aired on Sahara channel. After that, he worked with Balaji Telefilms as a writer for renowned shows like Kyunki Saas Bhi Kabhi Bahu Thi, Kavyanjali, KumKum and Karam Apna Apna. During his tenure with Life OK, he also helmed other acclaimed shows such as The Adventures of Hatim. Post Life OK, he was the name behind Siya Ke Ram, a show which depicted Ramayana from Sita’s point of view.

    Pathak has created Chandrashekhar for Star Bharat, a show honouring one of the greatest freedom fighters of India, Chandrashekhar Azad. The show captures the entire life of Azad and what made him one of the undisputed fearless freedom fighters of all times. He is also making another historical show named Shankaracharya- based on the life of Adi Guru Shankaracharya, an Indian philosopher.

    In the near future, he is in talks with Colors for his upcoming historical show, which is a recreation of magnum opus Mughal-E-Azam. He is also planning to crack a deal with Eros Now on the mytho-historical genre for his upcoming digital series.

    Also Read :

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  • Zee TV leads GEC urban in BARC week 17

    Zee TV leads GEC urban in BARC week 17

     

    MUMBAI: Zee Anmol emerged as the leader whereas Rishtey and Star Bharat swapped their second and third positions in the Hindi GEC (U+R) region according to Broadcast Audience Research Council (BARC) all India data for week 17 of 2018.

    Zee TV emerged as the leader dethroning Colors to fourth position in GEC urban market this week. Moreover, Zee Anmol also retained its top position in GEC rural markets.

    Hindi GEC (U+R)

    Zee Anmol retained its top slot this week with 771888 impressions (000s). Rishtey stood at second position dethroning Star Bharat which came to the third position this week with 672774 impressions (000s) and 638431 impressions (000s) respectively.

    Sony Pal, Zee TV and Star Utsav stood at fourth, fifth and sixth positions respectively with 605469 impressions (000s),579082 impressions (000s) and 513800 impressions (000s).

    Star Plus, Colors, Sony Sab and Sony Entertainment Television stood at seventh, eighth, ninth and tenth positions with 456054 impressions (000s), 430238 impressions (000s), 348831 impressions (000s) and 340856 impressions (000s) respectively. 

    Hindi Rural GEC

    Zee Anmol, Rishtey, Sony Pal, Star Utsav, Star Bharat and Zee TV retained their first, second, third, fourth, fifth and sixth positions with 598026 impressions (000s), 487676 impressions (000s), 406644 impressions (000s), 361995 impressions (000s), 325054 impressions (000s) and 222838 impressions (000s) respectively.

    Big Magic, Dangal TV, Star Plus and Colors stood at seventh, eighth, ninth and tenth positions with 222838 impressions (000s), 194528 impressions (000s), 193226 impressions (000s), 133164 impressions (000s) and 124609 impressions (000s) respectively.

    Hindi Urban GEC

    In urban GEC, Zee TV emerged as the leader dethroning Colors with 356243 impressions (000s). Star Plus and Star Bharat retained their second and third positions with 322890 impressions (000s) and 313377 impressions (000s) respectively.

    Colors jumped to fourth position from first position as compared to the previous week with 305628 impressions (000s). Sab, Sony Entertainment Television and Sony Pal stood at fifth, sixth and seventh positions respectively with 269382 impressions (000s), 253465 impressions (000s) and 198824 impressions (000s).

    Rishtey, Zee Anmol and Star Utsav retained their eighth, ninth and tenth positions with 185097 impressions (000s),173862 impressions (000s) and 151805 impressions (000s) respectively.

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  • The era of dance reality shows

    The era of dance reality shows

    MUMBAI: Broadcasters today know how to sway their audiences and they’ve realised that nothing works better than dance reality shows on television. Every general entertainment channel (GEC) has at least one such affiliation either with an international format or a local production. A show ends on one channel and a new one begins on another.

    The format of dance reality shows plays a vital role in keeping audiences engaged. Adding the clippings of the auditions process, rehearsal scenes and fun behind the cameras are strategies to attract viewers. Other elements, such as the voting system, involving commoners in the show and an anchor who banters, makes the show worthwhile.

    A media professional said that dance reality shows are just the phase and they won’t stay. “The numbers might change in terms of ratings as its universe is growing. As the ratings universe is growing, the percentage in terms of viewers is also sizeable. You’ll have a certain number of audiences for these shows, because there are sponsors who may want to get that much and it makes sense to stay around.”

    He also stated that over time there could be different genres that come up as popular ones for a period of time.

    An African proverb says, ‘When the music changes, so does the dance.’ Though the proverb hints at how it is important to adapt to change in life, the proverb aptly suits the evolution of dance shows in recent times.

    It was Sony Entertainment Television that showed Indians how to Boogie Woogie in 1996. The show tuned out within a year and took five years to resurface. After seven more seasons, the show synonymous with the face of comedian Javed Jaffrey, it was last seen in 2014. In the earlier seasons, the judges assigned various themes to episodes, including Bollywood, horror, and friendship among others. These different themes helped the show to retain their audiences and garner great traction.

    Though a show like Big Boss is a rage with the people, broadcasters keep coming back to dance shows. The participants for even the least-popular dance show are never ending. People await that one lucky break wherever they can find it.

    Nach Baliye was another show launched by Star One in 2006 as an original format which shifted to Star Plus after the second season. 2017 was its eighth season. It was a couple dance reality television show. Contestants danced to a different tune, theme and style every week and scores were given by the judges. Each week one couple was eliminated based on public voting and their scores.

    Couch potatoes may want reality shows to last throughout the day. While some may watch and get inspired from the commoners showing off their moves, others tend to watch because of their favourite celebrity dancing or to gather some gossip from the show about the couples dating in the dance reality show.

    Dance India Dance (DID) was another dance show in the Zee cluster that had six seasons. It also had spinoffs like DID Li’l Masters, DID Doubles and DID Supermoms. The show had a variety of Indian cultural and international contemporary dance like Bollywood, hip-hop, jazz, Kalaripayattu, salsa, samba and musical theatre styles to win the prize worth Rs 50 lakh.

    According to the professional, these dance shows only work because of the existing audience that they have. Earlier the shows were just restricted to the older dancing formats, but now these shows have also added the flavour of hip-hop, electronic dance styles among others. The variety is what keeps audience engaged and gets advertising traction.

    Colors introduced the Indian version of two BBC shows Strictly Come Dancing and Dancing with the Stars Jhalak Dikhhla Jaa – and it has seen nine seasons. In this show, celebrities perform various dances together with professional dance partners.

    Reality shows are a high-cost proposition for GECs and few of them make money, if at all. As per reports, non-celebrity shows like DID cost around Rs 40 lakh per episode.

    Another show was Sony’s Super Dancer, where 12 dancers are selected to be competing for the title of ‘dance ka kal’ (future of dance). They are each paired with one choreographer (super guru) who has a unique style similar to theirs. These gurus train them, choreograph acts for them and also perform with them. The performances are voted by the audience every week on the website or the SonyLiv app. On the basis of the number of votes, one kid is eliminated every week.

    Zara Nachke Dikha, Just Dance and Dance Champions on Star Plus, Dancing Queens on Colors have made a mark in the Indian industry. New show formats are being launched every year. Colors intends to launch another show named Dance Deewane.  

    Commenting on dance shows becoming trends now-a-days, another media expert said, “Dance shows have been trending for a very long. The first dance show was launched some 13-14 years ago. I think dance shows had a really very good run. I don’t think they will ever go out of fashion but they definitely need to keep reinventing themselves.”

    Due to their short nature and thrill, reality shows grab more eyeballs than the saas bahu sagas. At first, shows were just about showing off your dancing skills but over time they have evolved into concepts, moulding yourself into different forms and even with various types of partners. The creativity level has skyrocketed but the best is yet to come.

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  • Zee Anmol leads GEC (U+R) in BARC week 16

    Zee Anmol leads GEC (U+R) in BARC week 16

    MUMBAI: Zee Anmol emerged as the leader and Star Plus had a fall right from third to eighth position in the Hindi GEC (U+R) region according to Broadcast Audience Research Council (BARC) all India data for week 16 of 2018.

    Colors retained its leadership position in the GEC urban market this week. Moreover, Zee Anmol also retained its top position in GEC rural markets.

    Hindi GEC (U+R)

    Zee Anmol retained its top slot this week with 714895 impressions (000s). Star Bharat stood at second position with 629922 impressions (000s). Rishtey came to the third position with 626201 impressions (000s). Sony Pal, Star Utsav and Zee TV retained their fourth, fifth and sixth positions respectively with 600021 impressions (000s), 523373 impressions (000s) and 506179 impressions (000s).

    Colors jumped to the seventh position with 494038 impressions (000s). Star Plus had a fall to eighth position from third position as compared to the previous week with 457220 impressions (000s).

    Sony Entertainment Television and Sony Sab retained their ninth and tenth positions with 354487 impressions (000s) and 344705 impressions (000s) respectively.

    Hindi Rural GEC

    Zee Anmol retained its first position with 546647 impressions (000s). Rishtey stood at second position with 432512 impressions (000s).

    Sony Pal, Star Utsav and Star Bharat retained their third, fourth and fifth positions with 400012 impressions (000s), 362626 impressions (000s) and 313716 impressions (000s) respectively.

    Zee TV, Dangal TV, Big Magic, Colors and Star Plus stood at sixth, seventh, eighth, ninth and tenth positions with 191659 impressions (000s), 181551 impressions (000s), 181306 impressions (000s), 138919 impressions (000s) and 133736 impressions (000s) respectively.

    Hindi Urban GEC

    In urban GEC, Colors emerged as the leader with 355118 impressions (000s). Star Plus and Star Bharat retained their second and third positions with 323484 impressions (000s) and 316206 impressions (000s).

    Zee TV, Sony Sab, Sony Entertainment Television and Sony Pal retained their fourth, fifth, sixth and seventh positions respectively with 314519 impressions (000s), 272393 impressions (000s), 259743 impressions (000s) and 200008 impressions (000s).

    Rishtey, Zee Anmol and Star Utsav stood at eighth, ninth and tenth positions with 193689 impressions (000s), 168248 impressions (000s) and 160747 impressions (000s) respectively.

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  • Zee Anmol leads Hindi GEC (U+R) in BARC week 15

    Zee Anmol leads Hindi GEC (U+R) in BARC week 15

    MUMBAI: Zee Anmol emerged as the leader, dethroning Star Bharat in the Hindi GEC (U+R) region according to Broadcast Audience Research Council (BARC) all India data for week 15 of 2018.

    Star Plus and Colors swapped their second and third positions this week as compared to the previous week in the GEC urban market. Moreover, Zee TV and Big Magic exchanged their positions as compared to the previous week in GEC rural market.

    Hindi GEC (U+R)

    Zee Anmol garnered the top slot this week with 676300 impressions (000s), dethroning Star Bharat to second position with 669207 impressions (000s). Sony Pal, Star Utsav, Zee TV, Star Plus and Rishtey retained their third and fourth, fifth, sixth and seventh positions respectively with 649574 impressions (000s), 568047 impressions (000s), 516099 impressions (000s), 465655 impressions (000s) and 461718 impressions (000s) respectively.

    Colors, Sony Entertainment Television and Sony Sab stood at eighth, ninth and tenth positions with 451207 impressions (000s), 341584 impressions (000s) and 341285 impressions (000s) respectively.

    Hindi Rural GEC

    Zee Anmol, Sony Pal, Star Utsav, Star Bharat, Rishtey and Dangal TV retained their first, second, third, fourth, fifth and sixth positions with 513256 impressions (000s), 425192 impressions (000s), 394805 impressions (000s), 334485 impressions (000s), 315776 impressions (000s) and 205508 impressions (000s) respectively.

    Zee TV, Big Magic, Star Plus and Colors stood at seventh, eighth, ninth and tenth positions respectively with 200400 impressions (000s), 185872 impressions (000s), 136828 impressions (000s) and 125565 impressions (000s).

    Hindi Urban GEC

    In urban GEC, Star Bharat retained its leadership with 334721 impressions (000s).

    Star Plus and Colors swapped their second and third positions this week as compared to the previous week with 328826 impressions (000s) and 325641 impressions (000s) respectively.

    Zee TV, Sony Sab, Sony Entertainment Television, Sony Pal, Star Utsav and Zee Anmol retained their fourth, fifth, sixth, seventh, eighth and ninth positions with 315698 impressions (000s), 259337 impressions (000s),251483 impressions (000s), 224381 impressions (000s), 173241 impressions (000s) and 163044 impressions (000s) respectively.

    Rishtey emerged as the new entrant in the tenth slot, dethroning &TV with 145941 impressions (000s).

  • Star Plus, Sujoy Ghosh join hands for mini series

    Star Plus, Sujoy Ghosh join hands for mini series

    MUMBAI: Star India’s Hindi GEC Star Plus has collaborated with filmmaker Sujoy Ghosh for Teen Paheliyan, a mini series. The channel will air three short features-GoodluckMirchi Malini and Copy-that will be aired on 22 April from 1 pm onwards.

    While Goodluck is helmed by Ghosh, Mirchi Malini is directed by Pratim D Gupta and Copy by Arindam Sil.

    Said Ghosh, “As a filmmaker, it was very exciting for me to explore new story ideas that would cater to our new age audience. It was an experience to mould my thoughts and present them in the short feature format on television. I have always sought to introduce newer and bolder concepts into my work and change the viewers’ perception. Through Teen Paheliyan, I hope that people are engaged with the content this partnership offers.”

    Teen Paheliyan aims to provide a thrilling ride giving its viewers a heightened feeling of suspense, anticipation and anxiety.

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