Tag: Star Jalsha

  • B’Desh PIL rejected; Star Plus, Jalsha & Zee Bangla telecast to continue

    B’Desh PIL rejected; Star Plus, Jalsha & Zee Bangla telecast to continue

    MUMBAI: The Bangladesh High Court has paved the way for continuance of running telecast of three Indian channels — Star Plus , Zee Bangla and Star Jalsha in the country. T
    he court rejected a writ petition that sought ban on the broadcast of the three Indian television channels.

    The petitioner’s lawyer then said his client would appeal before the Appellate Division of the Supreme Court against the HC verdict.

    A high court bench comprising Justice JBM Hassan and Justice MMI Chowdhury passed the judgement, deputy attorney general Motahar Hossain Sazu told Bangladeshi media. Sazu said that the court rejected the petition stating that it was not acceptable as the petitioner did not lodge a complaint with the competent authorities against the channels.

    Any person is permitted to lodge a complaint with the Bangladesh Television director-general and the information secretary against any channel under the relevant rules if one is aggrieved,.

    On 7 August, 2014, Syeda Shahin Ara Laily, a Bangladesh Supreme Court lawyer, filed a PIL (public interest litigation) seeking to halt the operation of the channels arguing that they were adversely impacting Bangladesh’s cultural and social life.

    In her writ, the petitioner also observed that the operation of the Indian channels need to be banned as Bangladeshi channels were not permitted in India.

    Also Read:

    Indo-Bangladesh radio channel Akashvani Maitree launched by President Mukherjee

    AIR’s new radio station aimed at Bangladesh with Bangladesh content

  • B’Desh PIL rejected; Star Plus, Jalsha & Zee Bangla telecast to continue

    B’Desh PIL rejected; Star Plus, Jalsha & Zee Bangla telecast to continue

    MUMBAI: The Bangladesh High Court has paved the way for continuance of running telecast of three Indian channels — Star Plus , Zee Bangla and Star Jalsha in the country. T
    he court rejected a writ petition that sought ban on the broadcast of the three Indian television channels.

    The petitioner’s lawyer then said his client would appeal before the Appellate Division of the Supreme Court against the HC verdict.

    A high court bench comprising Justice JBM Hassan and Justice MMI Chowdhury passed the judgement, deputy attorney general Motahar Hossain Sazu told Bangladeshi media. Sazu said that the court rejected the petition stating that it was not acceptable as the petitioner did not lodge a complaint with the competent authorities against the channels.

    Any person is permitted to lodge a complaint with the Bangladesh Television director-general and the information secretary against any channel under the relevant rules if one is aggrieved,.

    On 7 August, 2014, Syeda Shahin Ara Laily, a Bangladesh Supreme Court lawyer, filed a PIL (public interest litigation) seeking to halt the operation of the channels arguing that they were adversely impacting Bangladesh’s cultural and social life.

    In her writ, the petitioner also observed that the operation of the Indian channels need to be banned as Bangladeshi channels were not permitted in India.

    Also Read:

    Indo-Bangladesh radio channel Akashvani Maitree launched by President Mukherjee

    AIR’s new radio station aimed at Bangladesh with Bangladesh content

  • DAS III extension leads to payment tiff; MSO blacks out Star channels in WB

    DAS III extension leads to payment tiff; MSO blacks out Star channels in WB

    MUMBAI: The multi-system operator in West Bengal Manthan continues to black out Star TV channels over a payment dispute since last Friday. Over five and a half lakh reported Manthan subscribers in Kolkata did not have access to over 45 channels such as Star Plus, National Geographic, Star Jalsha, and Star Sports.

    The Phase III extension of cable network, earlier set for completion by 31 December 2015, postponed by 13 months. The current blackout is the fourth one on Manthan since June 2016.

    With a number of interesting sporting events scheduled this week, the deprivation could seriously hit subscribers who felt cheated. On 15 January, Virat Kohli’s team is scheduled to face England in ODI match. Reportedly, neither Manthan nor Star India on Monday took an initiative although talks were due, and subscribers continued to be deprived of the channels for more days.

    Manthan executive Sudip Ghosh told Times that though they would like to have the channels back soon, there were issues between them to be resolved. He said they already paid 13 months’ subscription for Phase III extension of cable network in advance. But, the government deferred the extension till 31January, which meant they paid in excess. If that money was adjusted against their dues, there would be no arrears on their part. Star India however claimed an immediate payment of subscription dues from the MSO.

    Also Read:

    TV industry gives mixed reaction to MIB’s DAS III & IV extension

    DAS 4 deadline extended to 31 Mar

    Extend DAS deadline to Dec ’17 for fiber expansion, Andhra CM writes to MIB

  • DAS III extension leads to payment tiff; MSO blacks out Star channels in WB

    DAS III extension leads to payment tiff; MSO blacks out Star channels in WB

    MUMBAI: The multi-system operator in West Bengal Manthan continues to black out Star TV channels over a payment dispute since last Friday. Over five and a half lakh reported Manthan subscribers in Kolkata did not have access to over 45 channels such as Star Plus, National Geographic, Star Jalsha, and Star Sports.

    The Phase III extension of cable network, earlier set for completion by 31 December 2015, postponed by 13 months. The current blackout is the fourth one on Manthan since June 2016.

    With a number of interesting sporting events scheduled this week, the deprivation could seriously hit subscribers who felt cheated. On 15 January, Virat Kohli’s team is scheduled to face England in ODI match. Reportedly, neither Manthan nor Star India on Monday took an initiative although talks were due, and subscribers continued to be deprived of the channels for more days.

    Manthan executive Sudip Ghosh told Times that though they would like to have the channels back soon, there were issues between them to be resolved. He said they already paid 13 months’ subscription for Phase III extension of cable network in advance. But, the government deferred the extension till 31January, which meant they paid in excess. If that money was adjusted against their dues, there would be no arrears on their part. Star India however claimed an immediate payment of subscription dues from the MSO.

    Also Read:

    TV industry gives mixed reaction to MIB’s DAS III & IV extension

    DAS 4 deadline extended to 31 Mar

    Extend DAS deadline to Dec ’17 for fiber expansion, Andhra CM writes to MIB

  • Savdhaan India launches it’s new season  of Savdhaan India

    Savdhaan India launches it’s new season of Savdhaan India

    MUMBAI: Life OK’s flagship series Savdhaan India has received tremendous love and respect from the viewers in the last 4 years. In this journey, it has not only alerted citizens against crime and but has also given them the strength and motivation to face crime. In addition to showcasing real life incidents, the show has also advanced to acknowledging brave hearts who chose to fight against crime through Samman Awards.

    Savdhaan India is all set to start its new season with a hard-hitting avatar. The new season’s philosophy – ‘darrkarnahi, dattkar’ urges the citizens to break their prevailing attitude of letting things be, of letting the powerful get away with crime, of not speaking up out of fear and face crime head on. As a brand that has always believed in walking the talk, Savdhaan India took the campaign on ground across the country and interacted with the citizens of Delhi, Lucknow and Ahmedabad

    The campaign began at the capital city Delhi where the ‘darrkarnahi, dattkar’ anthem along with the pledge movement was unveiled for the very first time. In the next leg of the campaign, the anchors visited notorious crime locations and interacted with the citizens there. SarkhejGandhinagar Highway in Ahmedabad and PatrakarpuramChauraha in Lucknow were visited as hit and run cases and eve-teasing incidents are very prevalent in these locations respectively.

    Savdhaan India has always acknowledged the youth to be change agents. Hence, following the visit to the crime locations, the team of Savdhaan India visited schools and colleges. The hosts invited the students to become partners in this attitudinal revolution. The students using a palm scanner digitally pledged their support. The hosts discussed youth related issues like eve teasing, ragging, bullying and cybercrime. At HK College in Ahmedabad many students shared harrowing experiences of being bullied and eve-teased and how they fought it. While in CMS, Gomtinagar – the students and the hosts had a very relevant discussion on how to protect oneself on social media.

    A picture lasts forever and with that thought – the team of Savdhaan India created a huge pledge wall in these 3 cities. All those who were a part of this initiative clicked a picture of themselves against the wall to remind themselves of the pledge they took. More than 1000 pictures were collected. Lastly, the hosts felicitated the bravehearts who narrated their own stories of facing crime fearlessly thereby taking the of initiative ‘darrkarnahi, dattkar’ to life.

    Stay Tuned to Savdhaan India to catch some of the most unnerving stories everydayat 10:00 pm only on Life OK

    About STAR India:

    STAR India has defined India’s broadcast media for over two decades and is today one of the country’s leading media and entertainment companies. It broadcasts more than 40 channels in 7 languages, reaching more than 720 million viewers every week across India and 100 countries. The network’s entertainment channel portfolio includes Star Gold, Channel V, Star World, Star Movies, Star Utsav, Life OK, Movies OK and Star Plus, India’s No. 1 General Entertainment Channel. It has a leading presence in regional broadcasting as well, through a bouquet of affiliate channels which includes Star Jalsha, Jalsha Movies, Star Pravah, Asianet, Asianet Plus, Suvarna, Suvarna Plus and Vijay.

    STAR India is making quantum leaps in transforming sports in the country by leveraging the group’s strengths in superior content and audience engagement. STAR’s sports business has grown rapidly to 8 channel properties (STAR Sports 1, 2, 3, 4 and STAR Sports HD1, HD2, HD3 and HD4), making it the leading sports network in the country.

    With our viewers on the move, Star is set to drive the agenda on digital content consumption in the country. starsports.com has redefined the future of sports consumption in India and now hotstar.com brings your favourite TV shows, movies and sports in one destination.

  • Savdhaan India launches it’s new season  of Savdhaan India

    Savdhaan India launches it’s new season of Savdhaan India

    MUMBAI: Life OK’s flagship series Savdhaan India has received tremendous love and respect from the viewers in the last 4 years. In this journey, it has not only alerted citizens against crime and but has also given them the strength and motivation to face crime. In addition to showcasing real life incidents, the show has also advanced to acknowledging brave hearts who chose to fight against crime through Samman Awards.

    Savdhaan India is all set to start its new season with a hard-hitting avatar. The new season’s philosophy – ‘darrkarnahi, dattkar’ urges the citizens to break their prevailing attitude of letting things be, of letting the powerful get away with crime, of not speaking up out of fear and face crime head on. As a brand that has always believed in walking the talk, Savdhaan India took the campaign on ground across the country and interacted with the citizens of Delhi, Lucknow and Ahmedabad

    The campaign began at the capital city Delhi where the ‘darrkarnahi, dattkar’ anthem along with the pledge movement was unveiled for the very first time. In the next leg of the campaign, the anchors visited notorious crime locations and interacted with the citizens there. SarkhejGandhinagar Highway in Ahmedabad and PatrakarpuramChauraha in Lucknow were visited as hit and run cases and eve-teasing incidents are very prevalent in these locations respectively.

    Savdhaan India has always acknowledged the youth to be change agents. Hence, following the visit to the crime locations, the team of Savdhaan India visited schools and colleges. The hosts invited the students to become partners in this attitudinal revolution. The students using a palm scanner digitally pledged their support. The hosts discussed youth related issues like eve teasing, ragging, bullying and cybercrime. At HK College in Ahmedabad many students shared harrowing experiences of being bullied and eve-teased and how they fought it. While in CMS, Gomtinagar – the students and the hosts had a very relevant discussion on how to protect oneself on social media.

    A picture lasts forever and with that thought – the team of Savdhaan India created a huge pledge wall in these 3 cities. All those who were a part of this initiative clicked a picture of themselves against the wall to remind themselves of the pledge they took. More than 1000 pictures were collected. Lastly, the hosts felicitated the bravehearts who narrated their own stories of facing crime fearlessly thereby taking the of initiative ‘darrkarnahi, dattkar’ to life.

    Stay Tuned to Savdhaan India to catch some of the most unnerving stories everydayat 10:00 pm only on Life OK

    About STAR India:

    STAR India has defined India’s broadcast media for over two decades and is today one of the country’s leading media and entertainment companies. It broadcasts more than 40 channels in 7 languages, reaching more than 720 million viewers every week across India and 100 countries. The network’s entertainment channel portfolio includes Star Gold, Channel V, Star World, Star Movies, Star Utsav, Life OK, Movies OK and Star Plus, India’s No. 1 General Entertainment Channel. It has a leading presence in regional broadcasting as well, through a bouquet of affiliate channels which includes Star Jalsha, Jalsha Movies, Star Pravah, Asianet, Asianet Plus, Suvarna, Suvarna Plus and Vijay.

    STAR India is making quantum leaps in transforming sports in the country by leveraging the group’s strengths in superior content and audience engagement. STAR’s sports business has grown rapidly to 8 channel properties (STAR Sports 1, 2, 3, 4 and STAR Sports HD1, HD2, HD3 and HD4), making it the leading sports network in the country.

    With our viewers on the move, Star is set to drive the agenda on digital content consumption in the country. starsports.com has redefined the future of sports consumption in India and now hotstar.com brings your favourite TV shows, movies and sports in one destination.

  • BARC week 20: News Live 24×7 toppled Rang; no major change in the genre  leaders

    BARC week 20: News Live 24×7 toppled Rang; no major change in the genre leaders

    MUMBAI: According to Broadcast Audience Research Council (BARC) India data, week 20 saw News Live 24×7 toppling Rang in the Assamese genre while Star Jalsha, Big Magic Ganga, Colors Kannada, Asianet, Sarthak TV, Zee Marathi, Sun TV, Zee Telugu, Colors Gujarati sustained  dominance in their respective spaces.

    Assamese GECs

    News Live 24×7 took the number one position with 17295 Impressions (‘000s) followed by Rang in the second place with 11557 Impressions (‘000s).  Pratidin Time with 9517 Impressions (‘000s) and DY 365 with 9391 Impressions (‘000s) held the third and fourth places respectively. Prag News was fifth in line with 6912 Impressions (‘000s).

    Bangla GECs

    Star Jalsha stood at the number one position with 183623 Impressions (‘000s) followed by Zee Bangla in the second place with 128836 Impressions (‘000s). Jalsha Movies with 51863 Impressions (‘000s) and ABP Ananda with 50688 Impressions (‘000s) held on to the third and fourth places respectively. Aakaash Aath grabbed the fifth position with 32727 Impressions (‘000s).

    Bhojpuri GECs

    Big Magic Ganga took the first position with 22950 Impressions (‘000s) followed by Bhojpuri Cinema with 9145 Impressions (‘000s) in the second place. Dabangg grabbed the third spot with 6706 Impressions (‘000s) while Dangal TV bagged the fourth place with 4674 Impressions (‘000s). ETV Bihar Jharkhand took the fifth spot with 2051 Impressions (‘000s).

    Kannada GECs

    Colors Kanada took the first spot with 225583 Impressions (‘000s). Zee Kannada was in the second spot with 190600 Impressions (‘000s). Udaya Movies claimed the third spot with 164294 Impressions (‘000s). Suvarna stood at fourth place with 140283 Impressions  (‘000s) while Udaya TV grabbed the  fifth position with 135644 (‘000s).

    Malayalam GECs

    Asianet held the top slot with 253446 Impressions (‘000s) followed by Mazhavil Manorama with 108554 Impressions (‘000s) in the second place. Flowers TV maintained its place at number three with 65847 Impressions (‘000s).  Surya TV with 59524 (‘000s) stood at number four and Asianet News with 56732 (‘000s) was at number five.

    Oriya GECs

    Sarthak TV took the first position with 77249 Impressions (‘000s) followed by Tarang TV with 54446 Impressions(‘000s).  Colors Oriya took the third berth with 14741Impressions (‘000s) whereas Odisha TV grabbed the fourth position with 14233 Impressions (‘000s) followed by Alankar with 8181Impressions (‘000s) in fifth place.

    Marathi GECs

    Zee Marathi maintained its pole position with 128817 Impressions (‘000s) followed by Colors Marathi with 96591 Impressions (‘000s). Zee Talkies bagged the third position with 50639 Impressions (‘000s) followed by Maiboli in the fourth spot with 40849 (000s). 9X Jhakaas stood in the fifth position with 36042 (000s).

    Tamil GECs

    Sun TV remained the undisputed leader in the Tamil space with 888302 Impressions (‘000s). KTV was at number two with 275660 Impressions (‘000s), whereas Star Vijay held the third spot with 167929 Impressions (‘000s). Zee Tamil took the fourth place with 104383 Impressions (‘000s), while Polimer stood at number five with 79393Impressions (‘000s).

    Telugu GECs

    Zee Telugu lead the genre with 418203 Impressions (‘000s) followed by ETV Telugu with 375976 Impressions (‘000s). Maa TV took the  third spot with 368090 Impressions (‘000s), whereas Gemini TV stood at the fourth position with 328225 Impressions (‘000s). Gemini Movies with 172197 Impressions (‘000s) grabbed the fifth position.

    Gujarati GECs

    Colors Gujarati dominated the space with 8283 Impressions (000’s) followed by TV 9 Gujarati with 5992 Impressions (000’s).  ETV News Gujarati grabbed the third spot with 2058 Impressions (000’s). DD Girnar with 1775 Impressions (000’s) and Sandesh News with 1461 Impressions (000’s) bagged the fourth and fifth spot respectively.

  • BARC week 20: News Live 24×7 toppled Rang; no major change in the genre  leaders

    BARC week 20: News Live 24×7 toppled Rang; no major change in the genre leaders

    MUMBAI: According to Broadcast Audience Research Council (BARC) India data, week 20 saw News Live 24×7 toppling Rang in the Assamese genre while Star Jalsha, Big Magic Ganga, Colors Kannada, Asianet, Sarthak TV, Zee Marathi, Sun TV, Zee Telugu, Colors Gujarati sustained  dominance in their respective spaces.

    Assamese GECs

    News Live 24×7 took the number one position with 17295 Impressions (‘000s) followed by Rang in the second place with 11557 Impressions (‘000s).  Pratidin Time with 9517 Impressions (‘000s) and DY 365 with 9391 Impressions (‘000s) held the third and fourth places respectively. Prag News was fifth in line with 6912 Impressions (‘000s).

    Bangla GECs

    Star Jalsha stood at the number one position with 183623 Impressions (‘000s) followed by Zee Bangla in the second place with 128836 Impressions (‘000s). Jalsha Movies with 51863 Impressions (‘000s) and ABP Ananda with 50688 Impressions (‘000s) held on to the third and fourth places respectively. Aakaash Aath grabbed the fifth position with 32727 Impressions (‘000s).

    Bhojpuri GECs

    Big Magic Ganga took the first position with 22950 Impressions (‘000s) followed by Bhojpuri Cinema with 9145 Impressions (‘000s) in the second place. Dabangg grabbed the third spot with 6706 Impressions (‘000s) while Dangal TV bagged the fourth place with 4674 Impressions (‘000s). ETV Bihar Jharkhand took the fifth spot with 2051 Impressions (‘000s).

    Kannada GECs

    Colors Kanada took the first spot with 225583 Impressions (‘000s). Zee Kannada was in the second spot with 190600 Impressions (‘000s). Udaya Movies claimed the third spot with 164294 Impressions (‘000s). Suvarna stood at fourth place with 140283 Impressions  (‘000s) while Udaya TV grabbed the  fifth position with 135644 (‘000s).

    Malayalam GECs

    Asianet held the top slot with 253446 Impressions (‘000s) followed by Mazhavil Manorama with 108554 Impressions (‘000s) in the second place. Flowers TV maintained its place at number three with 65847 Impressions (‘000s).  Surya TV with 59524 (‘000s) stood at number four and Asianet News with 56732 (‘000s) was at number five.

    Oriya GECs

    Sarthak TV took the first position with 77249 Impressions (‘000s) followed by Tarang TV with 54446 Impressions(‘000s).  Colors Oriya took the third berth with 14741Impressions (‘000s) whereas Odisha TV grabbed the fourth position with 14233 Impressions (‘000s) followed by Alankar with 8181Impressions (‘000s) in fifth place.

    Marathi GECs

    Zee Marathi maintained its pole position with 128817 Impressions (‘000s) followed by Colors Marathi with 96591 Impressions (‘000s). Zee Talkies bagged the third position with 50639 Impressions (‘000s) followed by Maiboli in the fourth spot with 40849 (000s). 9X Jhakaas stood in the fifth position with 36042 (000s).

    Tamil GECs

    Sun TV remained the undisputed leader in the Tamil space with 888302 Impressions (‘000s). KTV was at number two with 275660 Impressions (‘000s), whereas Star Vijay held the third spot with 167929 Impressions (‘000s). Zee Tamil took the fourth place with 104383 Impressions (‘000s), while Polimer stood at number five with 79393Impressions (‘000s).

    Telugu GECs

    Zee Telugu lead the genre with 418203 Impressions (‘000s) followed by ETV Telugu with 375976 Impressions (‘000s). Maa TV took the  third spot with 368090 Impressions (‘000s), whereas Gemini TV stood at the fourth position with 328225 Impressions (‘000s). Gemini Movies with 172197 Impressions (‘000s) grabbed the fifth position.

    Gujarati GECs

    Colors Gujarati dominated the space with 8283 Impressions (000’s) followed by TV 9 Gujarati with 5992 Impressions (000’s).  ETV News Gujarati grabbed the third spot with 2058 Impressions (000’s). DD Girnar with 1775 Impressions (000’s) and Sandesh News with 1461 Impressions (000’s) bagged the fourth and fifth spot respectively.

  • HD channel boom imperative despite high television costs: Chrome Data’s Pankaj Krishna

    HD channel boom imperative despite high television costs: Chrome Data’s Pankaj Krishna

    MUMBAI: With digitization, the HD wave is not only hitting the Hindi general entertainment channels, but regional channels as well.  The HD channel boom began in 2015, with several broadcasters launching new HD channels or HD versions of their existing SD channels.

    According to Chrome Data Analytics & Media, with a 6-7 million (60-70 lakh) subscriber base and a 50 per cent year-on-year on growth in market size, the path of high definition may be a step in the right direction for broadcasters.

    Amongst others, even the infamous OTT platform Netflix, offers a package for Rs.650 with HD viewing to cater to high-end consumers, being one of the key reasons that the C&S industry is increasingly using non-linear modes of television.

    The overall landscape of the industry has benefitted with the introduction of HD channels as an increase in HD penetration can be seen as a driver for subscription revenue growth.

    Subscription revenue is expected to grow at a CAGR of 19 per cent to Rs 203 billion  (Rs 20,300 crore) driven by an increase in the declared subscriber base in DAS phase 3 and 4, increasing subscription revenue collected on ground due to channel packages and an increase in HD penetration.

    HD channels were first ad-free and solely dependent on subscription revenue, however, with time these channels have decided to monetise through introducing HD channel feeds separately for advertising revenues.

    Since the beginning of the year, several broadcasters have launched the HD version of their existing channels. After dissolving the 50:50 joint venture with Star India in 2012, Disney sports broadcaster ESPN had joined hands with Multi Screen Media (MSM) to launch two sports channel in India – Sony ESPN and Sony ESPN HD on 17 January.  Just a few days later, Times Network rolled out the HD feed of its English entertainment channel Romedy Now on 15 February.

    Viacom 18 also launched the HD feed of its music channel VH1 on 20 Feb.  In line with broadcasters tapping the high-definition space, Viacom 18 also geared up to launch its existing regional GECs (Colors Marathi, Colors Bangla and Colors Kannada), despite already having 5 HD channels currently on-air.

    Star India has successfully launched the HD feed of three of its regional SD channels, Star Jalsha and Star Jalsha Movies in HD (Bangla) with the Marathi GEC Star Pravah.

    Not only Hindi GECs or regional GECs, but now news channels have got onto to the HD wave.  On 17 April this year, ITV Network launched its English news channel NewsX in HD feed.

    Chrome Data Analytics & Media founder and CEO Pankaj Krishna explained, “The HD channel boom is imperative. The shift from standard to high definition is as organic as going from black and white to colour television. The cost of producing HD content has already been incurred, but the barrier to scale up lies in the hardware – procuring HD televisions is relatively expensive today. However, this is a cost which is already coming down and will further come down exponentially over the years, enabling more and more consumers to gain access to HD channels.”

    This ties in with the fact that rate for such channels is higher, seeing the nature of viewers of HD content. Thus, both subscription and advertising revenue have been impacted positively. While DTH operators are reaping the benefits of revenue growth owing to the ARPU and increased subscriber base with 15 percent of HD subscribers using DTH to view HD content, the only hurdle would be for MSOs to improve their marketing skills and upsell packages that constitute HD channels so that subscribers move to these packs.

    The realm that is high-definition brings along with it several benefits and certain challenges for stakeholders with more networks taking the leap to enter the market, hence changing the face of the quality of television content we watch today. 

     

  • HD channel boom imperative despite high television costs: Chrome Data’s Pankaj Krishna

    HD channel boom imperative despite high television costs: Chrome Data’s Pankaj Krishna

    MUMBAI: With digitization, the HD wave is not only hitting the Hindi general entertainment channels, but regional channels as well.  The HD channel boom began in 2015, with several broadcasters launching new HD channels or HD versions of their existing SD channels.

    According to Chrome Data Analytics & Media, with a 6-7 million (60-70 lakh) subscriber base and a 50 per cent year-on-year on growth in market size, the path of high definition may be a step in the right direction for broadcasters.

    Amongst others, even the infamous OTT platform Netflix, offers a package for Rs.650 with HD viewing to cater to high-end consumers, being one of the key reasons that the C&S industry is increasingly using non-linear modes of television.

    The overall landscape of the industry has benefitted with the introduction of HD channels as an increase in HD penetration can be seen as a driver for subscription revenue growth.

    Subscription revenue is expected to grow at a CAGR of 19 per cent to Rs 203 billion  (Rs 20,300 crore) driven by an increase in the declared subscriber base in DAS phase 3 and 4, increasing subscription revenue collected on ground due to channel packages and an increase in HD penetration.

    HD channels were first ad-free and solely dependent on subscription revenue, however, with time these channels have decided to monetise through introducing HD channel feeds separately for advertising revenues.

    Since the beginning of the year, several broadcasters have launched the HD version of their existing channels. After dissolving the 50:50 joint venture with Star India in 2012, Disney sports broadcaster ESPN had joined hands with Multi Screen Media (MSM) to launch two sports channel in India – Sony ESPN and Sony ESPN HD on 17 January.  Just a few days later, Times Network rolled out the HD feed of its English entertainment channel Romedy Now on 15 February.

    Viacom 18 also launched the HD feed of its music channel VH1 on 20 Feb.  In line with broadcasters tapping the high-definition space, Viacom 18 also geared up to launch its existing regional GECs (Colors Marathi, Colors Bangla and Colors Kannada), despite already having 5 HD channels currently on-air.

    Star India has successfully launched the HD feed of three of its regional SD channels, Star Jalsha and Star Jalsha Movies in HD (Bangla) with the Marathi GEC Star Pravah.

    Not only Hindi GECs or regional GECs, but now news channels have got onto to the HD wave.  On 17 April this year, ITV Network launched its English news channel NewsX in HD feed.

    Chrome Data Analytics & Media founder and CEO Pankaj Krishna explained, “The HD channel boom is imperative. The shift from standard to high definition is as organic as going from black and white to colour television. The cost of producing HD content has already been incurred, but the barrier to scale up lies in the hardware – procuring HD televisions is relatively expensive today. However, this is a cost which is already coming down and will further come down exponentially over the years, enabling more and more consumers to gain access to HD channels.”

    This ties in with the fact that rate for such channels is higher, seeing the nature of viewers of HD content. Thus, both subscription and advertising revenue have been impacted positively. While DTH operators are reaping the benefits of revenue growth owing to the ARPU and increased subscriber base with 15 percent of HD subscribers using DTH to view HD content, the only hurdle would be for MSOs to improve their marketing skills and upsell packages that constitute HD channels so that subscribers move to these packs.

    The realm that is high-definition brings along with it several benefits and certain challenges for stakeholders with more networks taking the leap to enter the market, hence changing the face of the quality of television content we watch today.