Tag: Star India

  • Star India in deal for Olympic Games coverage

    Star India in deal for Olympic Games coverage

    MUMBAI: Star India has scored the rights to carry the upcoming 2014 Winter Olympics from Sochi and the 2016 Summer Olympics from Rio across seven South Asian countries.

     

    The deal with the International Olympic Committee (IOC) also covers the Summer Youth Olympic Games, taking place next year in Nanjing, China. Star India has the free to air, pay TV, Internet and mobile rights for Bangladesh, Bhutan, India, the Maldives, Nepal, Pakistan and Sri Lanka. In 2012, the Olympics were broadcast in India on state broadcaster Doordarshan.

     

    “We welcome the opportunity to work with Star India for the upcoming editions of the Olympic Games and Youth Olympic Games,” said IOC president Jacques Rogge. “We are confident they will do a great job providing the best possible broadcast coverage of the Games, on a variety of platforms, to the largest possible audience in the seven different countries.”

     

    IOC chairman finance commission Richard Carrión, said, “The Star India deal marked a shift in the organisation’s handling of broadcast rights in Asia. Traditionally the IOC has negotiated broadcast rights on a pan-Asian basis; however, the media landscape is changing and we have adapted our approach recently by negotiating directly in certain markets. We are very pleased to have reached this agreement directly with Star India.”

     

    For the 2012 games, the IOC had a pan-Asian free-TV deal with the Asia-Pacific Broadcasting Union and a pay-TV deal with the now defunct ESPN Star Sports.

     

    Star India head of sport business Nitin Kukreja added, “The Olympic Games remain the pinnacle of sporting achievement where the world’s best in various disciplines face off for the title of Olympic champion. Indian athletes have also performed admirably over the last few editions, which is evident in the medal-winning performances that we have come to admire. We value our partnership with the IOC and feel that this spectacular extravaganza can be taken to even greater heights in India on both television as well as on digital platforms.”??

     

    Elsewhere in the region, deals for the 2014 and 2016 games were previously concluded with CCTV in China, SBS in Korea and a consortium of broadcasters in Japan.

  • Cookie communication causes commotion

    Cookie communication causes commotion

    MUMBAI: & coming soon… A box containing a cookie with these words imprinted on it has been making its way to the offices of trade and print publications, creating a buzz amongst journos. Speculation has been running rife about what this unexpected teaser gift means. Is it from the Star network which is acquiring an expensive cricket property or movie catalogue? Or is it the Zee Network which is launching a new channel? Or is it from Colors which is coming up with a new weekend event or show? Or is it from Sony which has launched another movie in partnership with another Indian studios? The bets are out and nobody knows, but it sure has got scribes’ attention who now have their ears pricked up for even a sliver of information relating to the gift. Hundreds of calls have been made to one of the GECs, but no information has been forthcoming.

     

    Welcome to marketing to trade lesson 1.01. Of course channels and brands have been doing it for years. The Essel group, for instance, in the early nineties had sent out toothpaste tubes to newspaper and magazine offices to impress upon journalists/advertisers/media planners what a lamitube looks like.

     

    Former Star India communications head Yash Khanna points out such “activities” do lead to a lot of excitement. “Gone are the days when one or two channels ruled. If a corporation does this they not only create excitement but they also remind the various members of the ecosystem that hey we are connecting with you and we care enough to share with you something meaningful.”

     

    He states the example of Star Gold and Star Movies. “Before Star Movies was launched, we had sent out a Director’s chair to most advertisers and bean bags before the launch of Star Gold. Such initiatives keep the channel in the recipient’s mind.”

     

    Shola Rajachandran an independent PR consultant who has worked with Star, Zee and Sony in the past goes on to say that today creating buzz before a launch has become a said thing. “Today, before any product is launched, a certain amount is kept aside to create buzz through different initiatives and activations. Earlier, people used to call for press conferences and give out merchandise which is not the case today. The competition has increased tremendously and hence, everyone is trying to outdo each other by coming up with out of the box innovations.”

     

    A communication consultant who has spent over 40 years in the industry, Amitabh Khona, goes on to call them collectors’ items. “I have got watches, wine bottles, cricket balls, trophies etc. Once I got a pillow from CNBC shaped in their logo. It would be wrong to label it as a gimmick because a lot of thought goes into coming up with such innovative ideas that too keeping in mind the whole fraternity.”

     

    “Clearly, the marketing teams have to dig deep into their creative wells,” said a media observer. “And come up with new gimmicks to create the buzz. Which they have done in this cookie’s case. By the way has anyone identified who it is,” he asked us.

     

    We, at indiantelevision.com have kind of guessed, but we have chosen to keep our lips sealed and open them only to munch away at the cookie and wait until the mysterious sender declares what and who is it for.

  • “ABP News has become even stronger after Star” :MCCS CEO ASHOK VENKATRAMANI

    “ABP News has become even stronger after Star” :MCCS CEO ASHOK VENKATRAMANI

    For long Indian media was agog with the news that the Rupert Murdoch-owned Star India was going to part ways with its long time Star News joint venture partner the Anandabazar Patrika (ABP) group. And when it finally did happen the split made headlines. Several questions popped up in the minds of media observers: Would losing the Star brand tag lead to an erosion of audiences? Would the little known Kolkata-based ABP group be able to sustain a national TV broadcast news operations on its own? The ABP group, led by the Sarkar brothers – Arup and Aveek babu (as they are known) – did not let the naysayers get to them. They dug their heels in and mandated CEO Ashok Venkatramani to do whatsoever was needed to keep the news channel operations going.

    Venkatramani – a former Lever India maanger – chose to maintain the status quo, keeping the branding and packaging the same; only changing the channel’s sobriquet from Star News to ABP News. In hindsight, that decision seemed to be a wise one as ABP News has retained its prime place amongst Hindi news channels even a year after the name change, and it is seen to be as strong a player as it was perceived to be under the avatar of Star News.

    Venkatramani spoke to indiantelevision.com’s Vishaka Chakrapani, recalling the challenges he and his team faced while doing the makeover and how they overcame them to create a new name that smoothly replaced the old one. Not just physically, but also in the minds of its TV viewers.

    Excerpts:

    What was the biggest challenge you faced when you became aware that the Star association was going away and you would have to go it alone as ABP News?

    The biggest challenge for us was that for a news channel everything is deposited in the channel’s credibility encapsulated in the brand name. So the brand name of our erstwhile brand was Star so the word Star was very actively there in our brand name and it carried all that it stood for. With Star going away, our biggest challenge was: how do we make sure our entire equity and credibility is transferred from the old brand name to new brand name. Along with the fact that the name will go, there was the risk of losing not just the credibility, but also the business, because everything was linked to our brand name.

    Who all would you credit the handling of the whole rebranding of Star to ABP process to?

    I think credit goes to the entire team in the company. It also goes to our partners who helped us in this, namely, Lowe Lintas that worked on the creative, Mindshare, that worked on media plan, and all our vendors, customers, partners, consumers. They helped us manage this transition by supporting us through this tough phase. So we got unequivocal support from all.

    What do you say ABP has achieved that Star could not manage to get?

    These are very big brands and we can’t compare ‘A’ brand with ‘B’ brand because by definition each stands for something unique. Each has been loved by consumers and viewers for something special. Just like Star, ABP is also loved. However, I think what has happened is that if you see the last year we’ve become stronger than before and a lot of it goes to the effort people have put to make ABP stand alone as an independent news brand. What has differentiated ABP is not the brand but the effort behind the brand.

    Why the decision to do only a name and identity change?

    The decision to change only the name and keep everything constant was deliberate because we were facing a tough challenge migrating the equity and we didn’t want to complicate the task with a relaunch because any relaunch shows shift in brand promise. As the communicating story was that ‘the brand is the same, only the name is changed’ we didn’t want to complicate it by adding a relaunch or anything new.

    The whole parting was amicable and even now Star continues to distribute our channels abroad as we both found it convenient. These are business decisions and they have already explained why they wanted to part ways. Their point of view was respected

    Tell us about codename ‘anamika’.

    It was an internal project because we were losing our name and we did not know what our name was going to be so that’s how the word anamika came – something that does not have a name. It was our way of identifying all the work associated with this project. It was more an internal nomenclature. The fact that our name was changing was not in the public domain, it was not known to all the employees. Only a few people knew so it was an identification codename.

    Would you say that things had already soured between the two company months before the split?

    Actually nothing had soured. Relations have always been cordial. The whole parting was amicable and even now Star continues to distribute our channels abroad as we both found it convenient. These are business decisions and they have already explained why they wanted to part ways. Their point of view was respected.

    Why did you stick to an existing idea of giving a three letter name?

    Given the time and risk we had, if this process had gone terribly wrong we would have had to wind up. Our revenues would have been badly hit; our ratings would have been hit and rebranding takes a lot of money. ABP is a household name amongst advertisers, buyers, newsmakers and the entire eastern part knows the name so the task becomes familiar if there is familiarity with brand and also we own the brand, most importantly.

    What was the effect of the rebranding of Star to ABP on the employees of the company?

    The employees rose to the occasion magnificently. Everyone understood the threat and they put in their best. Our attrition rates this previous year have gone down compared to industry rates as well as our previous rates. The fact that everyone contributed to its resurrection and success proved the point that employees helped the company. We continue to attract good talent. Wherever we had vacancy and wanted people, we didn’t have any difficulty. People who left us have also come back. We had realistic expectations. We did not have the ambition or desire to be the hottest company.

    Could you tell us the process that was undertaken to retain the look and feel of the channel?

    We went through all our key programs and weekly shows. We made sure that the look and feel in terms of music, graphics does not change for a while. Anchors were the same. Even the tone, tenor and language of our news remained same. We didn’t want people to miss out on anything due to logo change. Maintaining status quo was imperative and we did that.

    What about the similarity of the logo to the old one?

    Attachment to ABP does not happen because of the logo but of the overall colour, look, feel, sound, editorial twist, shows and so on. Our logo is very different. It may seem like it is similar in terms of colour and all but that was deliberate.

    How did you market the new name?

    We had a proper media plan. Every conceivable media platform was used to communicate change. It was a multi channel media plan – TV, print, outdoor, radio, internet and social media. We advertised this change like any major brand would do. Our aim was to reach 90 per cent of our news viewing audience in the shortest possible time. Consumers interact with news everywhere and we communicated everywhere that our channel was going. We were distributed across 22 countries in the world.

    Now, after a year what are the changes that you have seen after the rebranding and marketing that you did?

    There’s no big change. Life is continuing. The channel has become better and stronger. All three channels have done better than prior according to ratings. Absolute viewership as well as viewership numbers have gone up.

    Until last year ABP was known only in Bengal and Star was known countrywide. How did you plan and implement your strategy to make ABP as a national name?

    The fact that we were known as a news channel across the country and even outside of it meant that all we had to do was a seamless migration while holding on to our consumer base. That’s just what we did.

    We were clear that we will not lower our rates even if business does not come. The advertisers were extremely supportive. They understood our communication. If we are able to maintain the same reach in terms of reach, audience and news quality then there is not reason why anybody should pay us less

    What were the difficulties or hurdles that came in the process?

    I think the difficulties were many. First was that we did not have much time to do research and so a lot of the decision making was based on our own knowledge. Second was that we had to make the logo change in a way that we had to not lose some of the values which our channel had prior and carry forward those values. Thirdly we had to make sure the brand promise had to be delivered so everyone in the company had to be doing the same kind of work as before. Fourth was the physical challenge that in a very short window of time we had to change the name everywhere it appears – print, videos, historical archives, mic ids. Then next hurdle was communicating to our shareholders, media planners and buyers, newspaper vendors and consumers. We wrote to them and explained why we were opting for this change. This was a mammoth task that was to be completed in a short amount of time. We made sure the look and feel of the channel does not change.

    What are your future plans for marketing/promoting ABP?

    The plan is to build a brand. We started a new campaign a month back to strengthen the brand, its core credentials in the news domain. .

    Star has a different culture compared to ABP, would you agree? Has the organisation too evolved in its culture with the evolution into ABP News?

    Our company had a culture unique to both our parents. Just as a child is not necessarily a replica of mother or father. It has a unique personality. Our company was born out of an association of two parents and our culture is unique.

    Your background as one of the finest consumer organisations in India must be helping you a great deal? What insights do you bring to ABP News even today with your Lever experience?

    Experience does help. What I bring to ABP is not just marketing insights but the whole gamut of business, administration, finance and people management.

    What was the effect of the rebranding on the advertisers? Did you have to change ad rates or have issues with anyone with regard to the change?

    We were clear that we will not lower our rates even if business does not come. The advertisers were extremely supportive. They understood our communication. If we are able to maintain the same reach in terms of reach, audience and news quality then there is not reason why anybody should pay us less.

    Do you think you have been successful? What indicators tell you that you have?

    The whole name change exercise has become a part of history and is also a case study now in IIM Ahmedabad. The fact that we are now consistently delivering, better market share, confidence of advertisers, buyers, trade partners and newsmakers show we have been successful.

    What are other initiatives we can expect from ABP going forward? New channels? What kind?

    We are looking at growth and expansion. Now that we are on a firm footing it allows us to launch newer and better initiatives.

  • Star India, Hindi film industry join hands in efforts to help flood-ravaged Uttarakhand

    Star India, Hindi film industry join hands in efforts to help flood-ravaged Uttarakhand

    MUMBAI: Star India, one of the leading media and entertainment conglomerate, will strengthen the on-going efforts at rehabilitation in flood-ravaged Uttarakhand by raising funds to help bring comfort to victims of the tragedy.

    Leading actors from Bollywood will join Star’s fund-raiser – a seven-hour marathon event on the occasion of Independence Day – the company claims in that this is a first such effort by the entertainment industry to ease the sufferings of people impacted by the floods.

    Star India CEO Uday Shankar

    The entire advertising revenue generated through the event will be channelled to not-for-profit organisations that are working diligently to restore normalcy in Uttarakhand.

    “The tragedy in Uttarakhand is a solemn opportunity for every Indian to lend a helping hand,” Star India CEO Uday Shankar said. “This occasion demands that people join forces to support those in need. It’s heartening that people are coming together and our role is only that of a catalyst.”

    Early confirmation of stars supporting the initiative include Indian cinema’s icons Amitabh Bachchan, Lata Mangeshkar, Ajay Devgn, Kajol, Anil Kapoor, AR Rahman, Boman Irani, Shankar-Ehsaan-Loy, Pritam, Prasoon Joshi, Mukesh Bhatt, Ayushmann Khurana and celebrities from top television shows of the Star network such as ‘Diya Aur Baati Hum’, ‘Pyaar Ka Dard Hai Meetha Meetha Pyaara Pyaara’, ‘Saraswatichandra’, ‘Savdhaan India’, ‘Devon Ke Dev Mahadev’ and ‘India’s Dancing Superstars’ among others.

    Ogilvy & Mather has partnered Star India as the creative agency for the on-ground event that’ll be managed by Wizcraft.

    Film Producers Guild, Federation of Western India Cine Employees (FWICE), TV Artists Forum, Corporate Charity Trusts and several independent industrialists and donors will partner Star India’s Independence Day marathon fund-raiser that will be attended by senior leaders from the state and central governments.

    “I am delighted that the Indian film industry has embraced our outreach plan and is partnering with us in this initiative to spread hope,” Shankar added.

    “Both television and the Hindi film industry consider it as their primary responsibility to do their bit for the very same people who have showered us with unconditional love and affection. We hope that our efforts will sensitise millions of viewers and inspire them to contribute whole heartedly towards the daunting task of rebuilding the state,” president of the Film & Television Producers Guild Mukesh Bhatt said.

    The gala event will be telecast live on key channels of the Star India network including flagship Star Plus, Life OK, Star Jalsha, Star Pravah, Star Utsav and Channel V.

    Viewers would also be encouraged to aid the mammoth task of rebuilding the hill-state.

    FWICE president Dharmesh Tiwari and general secretary Dinesh Chaturvedi said that they are happy to partner Star India in this joint initiative to raise awareness and funds.

    “We are delighted to express our support and join hands with Star India and the film industry to celebrate the Independence Day, dedicated to the people of Uttarakhand”, said Wizcraft International Entertainment director Wiz Sabbas Joseph.

    Star India had, earlier this month, started focused campaigns featuring renowned artistes from the network’s popular shows, urging its viewers to support Uttarakhand’s cause by making generous donations. The network had partnered renowned NGO Goonj for this initiative.

    In addition, the employees of Star India also pitched in to the relief efforts and made generous donations. Star will match the contribution made by its employees and will closely monitor the proper utilisation of these funds.

  • Star India urges employees to contribute to Uttarakhand relief

    Star India urges employees to contribute to Uttarakhand relief

    MUMBAI: After shooting exclusive promos with lead actors of its shows to promote the cause of providing relief to those affected by disaster in Uttarakhand and asking viewers to send in their donations, Star India has gone further and urged its employees to get philanthropic.

    Star India CEO Uday Shankar requests its employees to contribute a day’s salary for Uttarakhand relief fund

    According to sources, Star India CEO Uday Shankar sent an email (a copy of which is with indiantelevision.com) to Star India employees requesting them to contribute at least a day’s salary or more to the relief fund for the victims. In the email Shankar says that the company will match the contribution made by the employees and the sum collected will be used towards relief operations.

    “As responsible citizens and more importantly as employees of a company that has a deep connect with millions of Indians, Star extends the support in whatever way they can,” the Star India CEO says in the email. “Towards this, Star India is launching an effort to provide some solace to the thousands who have been affected by this disaster.”

    Will Star India employees open their wallets and purses? Watch this space!

  • Stars light up Star Parivaar Awards 2013

    Stars light up Star Parivaar Awards 2013

    Star India’s much-appreciated Star Parivaar Awards is getting glitzier and glamorous. As the actors walked the red carpet, dressed in their best attires, unlimited fun and entertainment was guaranteed. Yash Raj Studio became a witness again to a bigger and better Star Parivaar Awards 2013, which was held on 15 June. The channel has roped in Oral-B as the main sponsor and Amway as the associate sponsor for the grand event.

    The initiative marks the success and recognition of TV characters on Star Plus by the audiences who monitor them closely and daily on their favourite soaps. The function was a limitless package of path-breaking performances, glamour, humour and not to forget the gorgeous television stars.

    Sooraj (Anas Rashid)-Sandhya (Deepika Singh ) from Diya aur Baati Hum, Aaditya (Nakuul Mehta)-Pankhuri (Disha Parmar) from Pyaar Ka Dard Hain, Gopi (Giaa Manek) – Ahem (Mohammad Nazim) and Rashi (Rucha Hasabnis)-Jigar (Vishal Singh) fromSaath Nibhana Saathiya, Aakash (Rahul Sharma)- Poonam (Ishita Dutta) from Ek Ghar Banauga,Nach Baliye-5 winners Jay and Mahi, Ranvijay (Bhavesh Balchandani) -Veera (Harshita Ojha) with Ratan (Sneha Wagh) from Veera were some of the popular Parivaar faces who walked the red carpet.

    Masterchef Fame Sanjeev Kapoor, Vikas Khanna and Kunal Kapur also did the honours along with Masterchef India season 3winner Ripu Daman Handa.

    The evening could not have ended without the doffing of the collective cap to the power of Bollywood. Celebrities like Shilpa Shetty Kundra, Riteish Deshmukh, Sonakshi Sinha and Imraan Khan added some spice to the event.

    Star Parivaar Awards’ unique theme ‘Yeh Prem Kahaani Hai…Parivaar Ki’, brought out the best from the members of the family, who enthused the audience with their breathtaking acts. Be it young or old, all the popular Star Plus actors burned the dance floor with some mesmerising performances.

    With Parivaar Awards roping in Shiamak Davar to choreograph the entire show, the musical theme adopted for this year, was an add-on to entertainment. As the biggest Parivaar of the country came together to celebrate love and togetherness, the evening had its moments of pathos, joy and tongue-in-cheek humour. Present at the occasion also were quite a few TV producers who have contributed to Star Plus success: Rajan Shahi, SLB’s Arvind Babbal , Tony and Deeya Singh, Shashi and Sumeet Mittal, Rakesh Paswan, Yash and Mamta Patanaik, Kavita Barjatyya, and Rashmi Sharma. Star India’s CEO Uday Shankar, COO Sanjay Gupta, content engine head Gaurav Banerjee, Star Plus business head Nachiket Pantvaidya, non-fiction head Ashish Golwalakr were all there to cheer their actors on.

    Also on hand were Star Parivaar Awards jury members Indiantelevision.com and The Indian Telly Awards CEO Anil Wanvari, producer J.D. Majethia, and veteran journalist and writer Bhawana Somaiyya.

    This apart, the 3D mapping projection and three-sided Varsha Desai-designed stage at YRF were a revelation. While SOL Productions was responsible for the creative and the TV production of the event, Frames handled production on the red carpet and the curtain raiser.

    The highlight of the show was the group performance by Shagufta Ali (Moti Chaiji from Veera), Hina Khan (Akshara from Yeh Rishta Kya Kehlata Hai), Disha Sharma (Pankhudi from Pyaar ka Dard) and Neelu Vaghela (Bhabho from Diya aur Baati Hum) who made the audiences go ga-ga with their mind-blowing moves and grooves.

    While most of the stars burned the dance floor with their high on energy performances, the rest of the members were seen humming the new STAR Parivaar song 2013 – ‘Tum Jo Milgaye ho’ sung by Sunidhi Chauhan and Ankit Tiwari.

    Well onto the show, the event started with an electrifying prayer dance by the team of Shiamak Davar along with Bhabho, Naitik, and other popular faces of Star welcoming guests to a memorable evening. This was followed by a comic act put together by the cast of Diya aur Baati Hum and other famous actors from the show Yeh Rishta and Veera and Rahul Mahajan.

    The very dashing television chocolate boy Karan Wahi and Ek Hazaaron me Meri Behna hai fame Jeevika left the viewers in splits with their quick drollness and rocking stage presence as they co-hosted the evening for the first category of awards. Helping them with the awards segments were the lively co-hosts Jay Bhanushali, Karan Mehra, Neelu Vaghela and Ashok Lokhande.

    Star India CEO Uday Shankar gave away the ‘Har Ghar ka Pasand Sadasya’ Award.

    While on the one hand, the gorgeous Monica Bedi, who shook the audience with her exotic performance on the popular number Lat Lag gayee from Race 2, provided an oomph factor, Akshara, Sandhya and Pankhudi made the audiences go ga-ga with their thumkas and latkas.

    All through the fun and entertainment, the Star Parivaar Awards did not forget to highlight the plight of women and the injustice faced by them. The spectacular performance by Ratan from Veera and Pankhudi from surely was a highlight of the star-studded evening.

    The rope walking act with no support by Anas Rashid (Diya aur Baati hum fame Sooraj) surely made everyone skip a heartbeat.

    All in all, Star Parivaar Awards was a magnificent evening to remember with fabulous performances, surprising acts and the shinning television industry at its glamorous and entertaining best.

    Click here for photos of the Star Parivaar Awards Red Carpet

  • TAM-Broadcaster face-off: Media agencies give their perspective

    TAM-Broadcaster face-off: Media agencies give their perspective

    MUMBAI: The mighty fallout between broadcasters and TAM Media which has left the entire television and media fraternity in a tizzy, will take some time to be mended. While leading broadcasters including MSM, Star India, Viacom18, Zee TV and Network18 obviously think it is okay to unsubscribe from TAM‘s TV ratings service, some media agencies believe that such a sudden halt is not ideal, or rather unfair.

    As ZenithOptimedia managing partner Navin Khemka puts it: “There needs to be an industry metric, a consensus has to be reached. However, just stopping something, which has been in the industry for the past 14 years, is very abrupt and I don‘t agree with it. It could take four to five months to resolve all the issues and there can be a blackout until then. But at the end of everything, an amicable solution has to be reached.”

    A media planner on condition of anonymity said that not subscribing to TAM will not solve any problem. “I expect clients to continue using TAM data. The system is not perfect but there is no alternative. You need some measurement in place. Media buying cannot be done only on the basis of perception.”

    On the contrary, Big CBS business head Anand Chakravarthy says that the company has not yet taken a decision on whether or not to continue with TAM. “We have had issues with data. We have noticed vagaries and we raised it with TAM in the past.”

    He further adds: The issues with data are obvious. A change is needed. It is good that the large broadcasters have noticed it as well. If action can result in a positive change in the ratings system then it is good. A measurement system has to serve a purpose which is helping channels understand what viewers are watching so that they can plan their content better and also help companies plan their ad and marketing campaigns better. If the measurement system is flawed then it does not help either party. You cannot have a measurement system for the sake of it.”

    Khemka throws some light on the contributing factors of this sudden decision taken by the broadcasters: “I think there are a lot of environmental factors responsible for this fallout by the broadcasters- DAS, LC1 and many other factors are at play because of which gauging the viewership has become an issue.”

    Following the fiasco, TAM Media CEO LV Krishnan proposed this morning that he was open to doing away with LC1 markets and deploying people meters elsewhere where they are needed. Asked if removing LC1 cities is a wise solution, most agencies replied in the negative.

    “If you ask me, I think that there should be national representation. Doing away with LC1 is not right and probably not the best solution,” says Khemka.

    Another media planner tells us: “The representation according to me is the issue. The sample size needs to be larger. One thing that the broadcaster‘s decision will do though is wake TAM up and make them do something. If the industry had concerns then TAM should have addressed them.”

    He also thinks that there will be conflict in the future if advertisers rely on TAM but the channels do not. “Things will become clearer in the coming days. But in doing deals if one party (channels) is not using TAM data and the other party (advertisers, agencies) is using TAM data then arguments will happen.”

    Commenting on Broadcast Audience Research Council (BARC), the alternative suggested by the Indian Broadcasting Foundation (IBF), Vivaki exchange CEO Mona Jain says: “I am fine with any organisation until they provide me an authentic viewership data. The idea for BARC has been only conceptualised. So, I won‘t be able to comment anything on this.”

    She also added that “Removing TAM in LC1 markets is not going to help anyone or the data,”

    Either way, probability hints at no ratings in the coming months. In that case, on what basis will advertisers make an informed decision? Khemka tells us the way forward: “For now, we haven‘t received an official statement about the ratings but yes, if all major broadcasters pull out, it will be very difficult for TAM to sustain itself. In the absence of ratings, we would decide on the basis of historical benchmarks and trends. Past records will be our guide.”

  • Movies OK says it did not go off air

    Movies OK says it did not go off air

    NEW DELHI: As the Delhi high court ordered a stay on the order of the inter-ministerial committee relating to suspending telecast for 24 hours from midnight of 2 May, Movies OK has clarified that the channel was never taken off the air as reported earlier by indiantelevision.com (based on the ministry of information and broadcasting’s website).

     

    The ministry had directed the punitive action on the channel for allegedly showing a film ‘Dil Jale’ on 18 June last year with an ‘Adult’ certificate at 6.12 pm, refusing to accept the argument that the certificate was shown by human error as the version shown had been issued a U/V certificate.

     

    However, the channel got the order stayed on the ground that it was issued the ministry directive only at 5.30 pm on 1 May. The court also heard counsel for the government had listed the case for further hearing on 26 July. Justice Rajiv Shakhder said “I am of the view that since enough time was not available to the petitioner to collect the relevant material in order to challenge the findings to which I have made a reference to above, I am inclined to stay the impinged order till the next date of hearing. It is ordered accordingly.”
    In a statement following a story by this website, the channel said: “Star India would like to clarify that it is factually incorrect to state that the channel faced closure for 24-hours as no such action was taken. Contrary to what the article suggests, the channel wasn’t taken off air at all.”

  • Prime Focus Tech pockets cloud computing orders from broadcasters & studios

    Prime Focus Tech pockets cloud computing orders from broadcasters & studios

    MUMBAI: Media and entertainment companies have been sailing on the cloud of cloud computing. And one of the companies that is bearing the fruits of this is Prime Focus Technologies (PFT), the technology arm of media and entertainment services leader Prime Focus.

    PFT today announced that it has secured orders worth Rs 2 billion in the previous quarter from existing and new clients in India, and the US which are to be executed over the next three to five years.

    The company was unwilling to name the clients on account of NDAs with them. All it said was that the new clients include the world‘s largest news aggregator, a prominent Indian studio and a new Indian television channel, each of which have signed multi-year deals for PFT‘s Hybrid Cloud Technology – Clear, a cloud-based Media ERP and technology infrastructure platform that helps manage the business processes of M&E companies.

    PFT works with major content owners like Star India, Eros International, Sony Music, Viacom 18, Multiscreen Media BCCI (Board of Control for Cricket in India), the IPL (Indian Premiere League), Hindustan Unilever, The Associated Press, A & E TV Network, Netflix, Schawk! and WPP.

    Says PFT founder, president & CEO Ramki Sankaranarayanan: “Increasingly M&E companies are adopting cloud technologies across the enterprise content operations. They are not only migrating to digital file-based workflows but starting to adopt a Media ERP solution to manage the business processes around content. Clear‘s proven credential of managing over 300,000 hours of content is helping the growth of our order book.”

    Meanwhile, parent company Prime Focus today announced that it has entered into an initial non-binding memorandum of understanding with US-based Medient Studios. Under this, Prime Focus and Medient shall execute a definitive agreement within 90 days for the provision of production and post-production equipment, work flow technology and skill transfer by the former for the latter‘s megastudio project.

    Medient chairman & CEO Manu Kumaran has ambitious plans to develop a 1500 acre site in Effingham, Georgia, in the US which will house movie studios, entertainment facilities and a campus at an initial investment of $90 million. He estimates that the Prime Focus contribution is worth in excess of $40 million.

  • IBF-AAAI resolve net billing issue

    IBF-AAAI resolve net billing issue

    MUMBAI: The stalemate between the Indian Broadcasting Foundation (IBF) and the Advertising Agencies Association of India (AAAI) on the net billing issue has been resolved and the blackout by the former on accepting TV ads has been lifted.

    According to IBF board member and Star India CEO Uday Shankar: “We have an agreement to do net billing. But we have also created a mechanism in the invoice and contract to enable agencies to charge the fees separately from advertisers effective 1 May.”

    An IBF board meeting is scheduled for later today, revealed Shankar, in order to communicate to broadcasters to resume ads.

    As per the solution hammered out by the two: the invoices that broadcasters raise to agencies will have a rider below which states that the advertiser and agency are free to have a compensation relationship which is as per accepted industry practice. The agencies will then charge clients their commissions on top of that in the bills they present to them.

    “Basically, what this means is that the broadcaster can bill the agency Rs 85 for a Rs 100 value TV spot,” says an industry veteran. “The agency can then bill the client for an amount not exceeding 1.1765 of the net value of the bill.”

    TV commercials are expected to begin airing on channels from today.