Tag: Star India

  • Why last mile monopoly is a roadblock in broadband growth

    Why last mile monopoly is a roadblock in broadband growth

    KOLKATA: Demand for broadband connectivity has existed in India for a while, but recently, calls for better quality of service are growing increasingly strident. While the existing cable TV infrastructure could play a potential role in delivering broadband, last mile monopoly is one of the major factors that prevent the growth of the sector through infrastructure sharing.

    In response to the Telecom Regulatory Authority of India’s consultation paper, one of the largest broadcasters – Star India stated that there is still a problem of last mile monopoly in the cable TV industry arising from exclusive deals between cable TV operators and Resident Welfare Associations (RWA).

    “Following TRAI recommendation on ‘In-Building Access by Telecom Service Providers’ in January, the DoT in November 2019 issued an advisory to all telecom service licensees to share in-building infrastructure to share infrastructure in airports, railway stations, bus terminals, metro lines and hospitals etc. The MIB, as the licensor of all MSOs, must issue a similar advisory for sharing of cable TV operators’ in-building infrastructure and infrastructures within a particular RWA,” Star India said.

    The broadcaster mentioned that 1,600 MSOs and 60,000 LCOs have laid a vast network of copper coaxial and fibre network connecting 8.3 crore households. It suggested that since these are private networks and do not utilise scarce spectrum, the government should exempt cable operators with Internet Service Provider (ISP) license from paying AGR for a minimum period of five years, provided that they operationalise them within six months of obtaining ISP license. According to the broadcaster, this will incentivise cable TV operators to provide broadband services and instantaneously increase wired broadband connectivity from 1.9 crores to around 10 crores.

    Leading ISP Atria Convergence Technologies Ltd also pointed out that there is a huge monopoly in providing cable TV services as the dominant LCO takes over a particular area by tying up with a single MSO and completely stifles the competition by preventing entry of other LCOs and MSOs in the given area.

    “Wired ISPs are seen as a threat by the LCOs and the same usually results in sabotage of network assets of the wired ISPs. If wired ISPs need to actively collaborate with LCOs, then these prevalent practices in cable TV industry should be curtailed and arrangements between ISPs and LCO should be left to market forces,” it added.

  • IPL season 13 clocks 400 billion minutes of consumption

    IPL season 13 clocks 400 billion minutes of consumption

    Mumbai: Star India delivers the biggest IPL ever in the history of the tournament. From swashbuckling young talent, exciting clashes, to nail-biting double super overs in a single day, season-13 was nothing short of electrifying. With fans enjoying matches from the comfort of their homes, Dream11 IPL 2020 has set a viewership record with an overall consumption increase of 23 per cent *versus 2019. Television viewership reached an outstanding 31.57mn average impressions.

    Capitalizing on the regional appeal, five independent language channel offerings – Hindi, Tamil, Telugu, Bangla, and Kannada, contributed immensely to the increased viewership growth of Dream11 IPL 2020. The regional offering across languages has been received well by viewers and has increased the viewership by 28 per cent over last year.

    “It’s the biggest IPL the nation has seen and the response from fans and advertisers has been stupendous. The record-breaking opening week gave us the ideal start and laid the foundation for a record breaking season. We are extremely delighted that this season has been the biggestever in terms of viewership, engagement and ad sales. Enhanced story-telling, localisation, contextually relevant marketing and technology innovations formed the pillars of our offering. We are encouraged by the growth we have seen in southern markets driven by our regional feeds and higher consumption across demographics especially in rural markets and amongst kids,” Star India head – sports Sanjog Gupta said. “Season 13 witnessed some explosive matches which were aptly supplemented by innovative programming, world-class production – both remote and on-ground. This wouldn’t have been possible without the fantastic work done by the team at BCCI in staging the tournament under extenuating circumstances and seamless functioning from our teams inside the bio-secure bubbles in India and UAE,”he added.

    The record-breaking start to the Dream11 IPL 2020 started with the campaign ‘EkSaathWaaliBaat’. The campaign aimed to uplift the mood of the nation by bringing people together for the biggest cricketing tournament of the year. Star Sports, India’s leading sports broadcaster – pulled out all stops to ensure viewers and fans are offered an unparalleled experience of the Dream11 IPL 2020 from the comfort of their homes.

    The season began with sold-out inventory, with 18 sponsors and 114 advertisers onboard, setting an optimistic tone to a massively successful season ahead. Star Sports pulled off the telecast of one of the biggest sporting spectacles in 2020 in just six weeks during an ongoing pandemic and a lot of uncertainties.

    With fans enjoying the matches from the comfort of their homes, Star took it upon them to make sure fans of all ages and demographics were hooked to the 2020 edition. This resulted in women and kids registering impressive viewership growth of24 per cent and 20 per cent respectively. Star India’s effort to offer unmatched engagement for its viewers with state-of-the-art product innovations such as surround-in-stadia fan cheer, specialized broadcast feeds, and fan walls have received a great response and got fans closer to the game than ever before. Chapterisation of the tournament via themes such as Fan Week and Rivalry Week, along with a slate of programming including franchise shows continued to draw IPL aficionados throughout the tournament. The revamped Select Dugout this year continued to target core cricket viewers and also registered significant growth in consumption.

  • Star India celebrates World Television Day

    Star India celebrates World Television Day

    MUMBAI: For those of a certain generation, the television has always been there in the corner of the front room, entertaining us, educating us, shaping our mindset and attitude. Believed to have been invented by an assortment of individuals in the late nineteenth and early twentieth century, the credit for the TV unit is generally given to John Locke Baird. Just like the internet this side of the millennium, the television, in its age, revolutionised the world. The first World Television Forum was staged by the United Nations in the mid ’90s, and that is when the humble TV set was honoured with a day of its own. Ever since, 21 November is celebrated as World Television Day.

    TV has proved to be an indispensable medium that has played a crucial role over the past decades, as well as during this prolonged pandemic. It provided a crutch to the Indian psyche and kept more than a billion people united, engrossed, and informed with content across genres in multiple languages.

    To celebrate this medium, Star India Network has come up with a campaign to commemorate World Television Day and to convey heartfelt gratitude to its distribution associates for their relentless efforts.

    The network has conceptualised in-house campaign that brings together some of the most loved characters from the Star India Network for the occasion. Star & Disney India TV distribution, India and international president Gurjeev Singh Kapoor said,  "Our Cable & DTH affiliates form the backbone of the television viewing value chain and through this initiative, we are expressing our gratitude towards the continuous support they have extended to the Star India network over the years."

    Kapoor highlighted that the campaign will be aired across Star network – GEC, movies, sports, and regional channels. It will be broadcast in multiple languages – Hindi, Tamil, Telugu, Kannada, Malayalam, Bengali, and Marathi. Further, it will also be amplified digitally through social media.

    The campaign will air across the network starting 20 November from 9 pm, till 21 November, in Hindi + six regional languages leveraging Star India Network’s talent. These include Neil Bhatt from Gum Hai Kisi Ke Pyaar Mein, Suhasini from Devatha, Harshad Atkari & Samriddhi Kelkar from Phulala Sugandh Maaticha, Sonamoni Saha from Mohor, Naleef Gea from Mounaragam, Chitra from Pandian Stores, and Dharma from Inthi Nimma Asha.

  • How Star Pravah has emerged as the leader among Marathi GECs

    How Star Pravah has emerged as the leader among Marathi GECs

    MUMBAI: Marathi general entertainment channel Star Pravah has been on a hot streak lately. The channel, which was launched in 2008 by Star Entertainment Media, has been leading the pack for the past six weeks as per BARC India ratings and has now raced past rivals, including Zee Marathi, to clinch the title of most viewed Marathi GEC, that too by a yawning gap.

    While regional GECs have witnessed a sharp rise in viewership amid the Covid2019 pandemic, Star Pravah has managed to consistently engage more Maharashtrian viewers than its competitors over the last six weeks. According to BARC, the channel has registered 354112 impressions in million, a notch higher when compared to other Marathi GEC channels. In week 43, the channel clocked 10, 6 watch times in a billion minutes. What is the winning formula behind the channel’s recent string of successes, we wondered.

    Star Pravah credits its line-up of popular shows like Aai Kuthe Kay Karte, Rang Maza Vegla, Phulala Sugandha Maticha, and Sukh Mhanje Nakki Kay Asta. Four of its serials have featured in the top five in the last five weeks. In the non-fiction genre, Me Honar Superstar has consistently bagged the honour of best singing reality show in Marathi GEC for the last two years. 

     

     

    Source : BARC, Mah/Goa U+R, All NCCS 2+, (All Days | 24 hrs)

    Source: BARC, Mah/Goa U+R, All NCCS 2+, 24 hrs

    Be it a story centered around relatable people or a hard-hitting narrative on breaking social stigmas, the channel ensures it has something that caters to everyone’s tastes, said Star India regional entertainment CEO Kevin Vaz. “Star Pravah has always strived to provide an eclectic mix of entertaining content to Marathi-speaking viewers. Every show we have launched in the past year is based on deep-rooted consumer insights.”

    Recently, the channel has introduced programs which offer entertainment cutting across genres to viewers. These includes Comedy Bimedy, a laugh riot for the family, Jai Deva Shree Ganesha, an 11-part mythological show based on Lord Ganesha’s most popular stories, and Jyotiba, a mythological show revolving around one of the most revered gods in the regions of Kolhapur, Sangli, and Satara in Maharashtra.

    Vaz further highlighted that a year back (Week 39-42’19) Star Pravah had 16 hours of original programming per week. With the determination to provide more original content, the channel has upped it to 26 hours per week. Extensive programming line-up has also helped Star Pravah to retain the top spot.

    Star Pravah has partnered with leading production houses for different shows. Rajan Shahi’s Director Cut is producing Aai Kuthe Kay Karte. The story revolves around Arundhati, a caregiver for her family, whose kids start taking her for granted  as they grow older and independent. The show deeply resonates with homemakers who face a similar attitude within their own household.

    Rang Majha Vegala produced by Right Click Media Solutions is about breaking the colour bias, inspired by a social experiment which revealed that during matchmaking, 50 per cent of the time girls are rejected on the basis of their skin colour. The show’s plot focuses on a dark-skinned girl finding her true love.

     Phulala Sugandh Maticha created by Shashi Sumeet Productions is the story of Kirti, who with the help of her husband aspires to build a career for herself post marriage.

    Panorama Entertainment’s Mulgi Zali Ho deals with the social evil of female foeticide. Maharashtra is in the top three states with the lowest female sex ratio when it comes to the second child. Mulgi Zali Ho is about one such unwanted daughter and her journey to gain acceptance from her father.

    In terms of advertising, Star Pravah has a healthy mix of both national and regional advertisers. Vaz concluded, “In fact, with the recent increase in the ratings, we are seeing an upsurge in demand for the channel not only from existing brands but also from new brands who had not advertised with us before, both at a national and regional level.”

  • IPL 13 scores better than IPL 12

    IPL 13 scores better than IPL 12

    NEW DELHI: IPL 13 was the most awaited live property of the year, especially after Covid2019 turned us all into house-bound hermits. It provided people with a much needed break from the pandemic-induced stress and negativity. Starting from day one, audiences have been glued to their screens (TV & mobile) to watch their favourite team progressing up the IPL scoreboard. It was widely reported that the opening match of IPL scored over 269 million views, making it one of the biggest opening day numbers for any live event in history. In the most recent update, BARC India has shared that IPL 13 has clocked over 108 million cumulative reach which is 11 per cent higher than IPL 12, which clocked 98 million cumulative reach.

    On the other hand, the tournament has already clocked 7 billion viewing minutes while the previous instalment clocked just 5.5 billion minutes. For IPL 12, the data analysed includes Week 13, 14, 15, 16 and 17, which covers 44 matches aired across 24 channels. For IPL 13, the data analysed includes week 38, 39, 40, 41, 42, which covers 41 matches aired across 21 channels. This season of IPL began on 19 September and will culminate on 10 November. The matches are aired on Star Sports and streamed on Disney+ Hotstar.

  • Star Sports CEO Gautam Thakar steps down

    Star Sports CEO Gautam Thakar steps down

    KOLKATA: Within a few days of Uday Shankar stepping down, another top-rung professional has called it quits at Walt Disney owned Star India. According to sources, Gautam Thakar has stepped down as Star Sports CEO to start his own venture.

    Those close to the development say that Thakar’s departure was not a question of if, but when. However, his last date at India’s largest sports broadcaster has not been decided yet. In the interim, Star TV Network executive vice president Sanjog Gupta has stepped in to handle the sports division.

    Thakar was appointed Star Sports CEO back in 2018. During his career, which spans over two decades, he has worked with renowned brands like LivingSocial, eBay, P&G. He has an MBA from IIM Lucknow and a Bachelor’s in commerce from Sydenham College, Mumbai.

  • On Uday Shankar’s exit from Disney+Star, a retrospective on his rise

    On Uday Shankar’s exit from Disney+Star, a retrospective on his rise

    MUMBAI: Back in 2007, when Uday Shankar was picked out of nowhere to lead Star India, the organisation was a minnow. It had been a leader in the Hindi GEC space through its channel Star Plus, but it slipped from that pedestal following aggressive moves by competitors like Zee TV, and Sony. It had a small presence in regional languages; its channel portfolio was limited. Long-running teams and senior managers had left the network, for whatever reasons.

    Most professionals asked: “Who Uday?” with the emphasis on the fact that they did not consider him much of an entity when one asked them about his appointment.

    When he leaves the organization on 31 December, he will be leaving behind a massive beast present in almost every Indian language, which is a front runner in general entertainment, drives the sports and sports broadcasting agenda in India, is a pay TV powerhouse, has a globally recognised OTT streaming service Hotstar, that is the envy of gold standard streamer Netflix.

    To add to that the Star India network also has brilliant pedigree attached to its brand – the name Disney, which is the world’s biggest media firm.

    And industry is still asking: “Who? Uday?”

    This time, the emphasis is on the shock that they feel about his decision to leave Disney Star India, having made his mark as a media and entertainment industry leader.

    Read more news on Uday Shankar

    Many expected him to leave on the back of the merger announcement a year and a half ago. Of course, the expectation was that there would be a clash between the rigorous process and the system driven approach that Disney is known for and the entrepreneurial, back-of-the envelope, seat-of-the pants culture that the Murdochs encouraged in Star India and which Uday had gotten used to. But because he stayed put – even as his deputy Sanjay Gupta, digital head Ajit Mohan, strategy and marketing head Gayatri Yadav left – one thought he had managed to meld into the new culture; that he would stay.

    Uday filled the executive gaps quickly by bringing in K Madhavan to look after the TV business, a new Hotstar boss in Sunil Rayan, and everyone thought he was padding up to take Disney Star India into its next innings.

    His announcement comes at a time when the IPL is having its best year yet with higher viewership than ever before; that too in times of dire stress thanks to Covid2019. The IPL is something which has been very close to his heart; hence he bid the seemingly ridiculously high amount he did when he acquired its rights. Yes, revenues may be a little stifled this year thanks to the clampdown on spends by advertisers. But by any yardstick, Uday and his team have done a fairly good job in bringing in the financial numbers they have.

    The channels he runs are in fine fettle – being top of the rung in almost every genre. Yes, there are rumblings that the broadcast sector is a legacy business; digital is going to make it look antiquated. Yes, Covid2019 and subsequent lockdowns have totally upended business and revenue generation plans and accelerated digital adoption.

    Read more news on Disney & Star India

    The wrongly held perception is that we are counting down to traditional television’s inevitable demise. Which is where many are wrong-stepping themselves, at least in the Indian scenario. If one were to look at the demographics of India, television still has a lot many homes to penetrate. Will these homes leapfrog to broadband and streaming TV? Unlikely. Most experts have said no. VoD is here to stay, but the lean-back comfort that TV provides cannot be wished away.

    Uday showed he has the appetite and the aptitude to think big, to think scale.He built a team from ground up. The team listened to him, opposed him, and together they charted the growth of Star. He managed to convince the Murdochs to consolidate management of Star’s India operations into India from Hong Kong, saving them hundreds of millions of dollars in the process. He also convinced them to grant him the independence of Star Sports’ future in India by buying out ESPN’s interest in ESPN-Star, the 50:50 joint venture between the two. He then went about on his sports pursuits, acquiring cricket rights across BCCI, ICC and that of almost every sport and setting up local leagues for football, kabaddi, tennis, badminton and what have you.

    He gave the programming vertical the respect it deserves by labelling it as content; he allowed the setting up of a writer’s room in Star, he encouraged the concept of a show runner, something the broadcast sector was loathe to define. He was willing to take risks on content, on branding the network. His channel campaigns were like the broad brush of a painter who knows his craft, and they hit a chord with all of us. At one time he coalesced the messaging around Star India with the messaging of a new India with the tag line Nai Soch (new thinking).

    He chiseled the Star network into one which is deeply connected to the Indian ethos with stories and shows that talked about uplifting the Indian woman. He brought in a new narrative and seriousness through series such as Satyamev Jayate, TedX talks. Yes, they possibly did not help lift Star’s TRPs but they showed that it cared, and cares. He made many friend in high places, even with rivals. Zee TV’s Punit Goenka and he were opponents in business, but they often exchanged notes as though they were friends.

    Amongst Uday’s biggest initiatives was to give shape to Star India’s digital initiatives after failing on different versions online. With the right teams, technology and investment, he nurtured and grew the streamer, Hotstar,  into one which is driving the local streaming  agenda in India today.

    Uday raged against excessive regulation in the broadcast sector, when all his earlier efforts at diplomacy failed with the industry watchdog Telecom Regulatory Authority of India.

    What does Uday’s departure signal? Nothing much. Except that he is itching to do something different. Like he has been vaunt to do throughout his career – giving up a cushy print media job to do TV, saying ta-ta to news TV to do general entertainment television and running a network. Now giving up a prime executive position to turn entrepreneur.

    Most of the executives who left Disney Star India have left to join either digital or investment oriented ventures. It was not as if they were unhappy with what they had going at Star India. They left for better opportunities – Sanjay as Google India MD, Ajit as Facebook India boss and Gayatri as chief marketing officer at Sequoia Capital. As is Uday himself.

    Uday, in the press statement issued on his departure announcement said that he is going to partner with a bunch of global investors and pioneers to mentor startups and entrepreneurs “as they set out to create transformational solutions that will have a positive impact on countless lives.”

    Rajesh Kamat – the former CEO of Viacom18 – had in the past taken a similar tack, by partnering with Paul Aiello to run media investment funds. But they were focused on media. Going by Uday’s statement, his remit will be wider.

    The release also announced that Uday will work closely with Disney direct to consumer & international segment chairman Rebecca Campbell to find his successor. He has three months to do that. Going by the legacy he is leaving behind, finding someone who can match his energy and chutzpah might be a tall order.

  • Uday Shankar steps down from Disney Star India

    Uday Shankar steps down from Disney Star India

    MUMBAI: This is big in the world of media and entertainment. The professional who helmed Star India for the past 11 years and saw it through with its merger with Disney – Uday Shankar- has decided to step down.

    The  president, The Walt Disney Company APAC and chairman, Star & Disney India, will be leaving effective  31 December 2020, it was announced today by Rebecca Campbell, chairman of Disney’s direct-to-consumer & international segment.

    Over the next three months, Shankar will work closely with Campbell to identify his successor to ensure a smooth transition.

    “I want to thank Uday for his leadership and dedication to our APAC business. With the successful launch of Disney+ throughout the region, he has helped put The Walt Disney Company in a commanding position in this dynamic and incredibly strategic part of the world. His vast experience and expertise have been invaluable in bringing together a strong, cohesive APAC leadership team to chart a path forward for our streaming businesses in the region and beyond,” said Ms. Campbell. “Uday has been a great friend, colleague and valued counselor to me personally, and I know I speak for all of DTCI when I say he will be greatly missed. At the same time, I understand and respect his desire to make this change. I am extremely grateful that he has agreed to stay on to help ensure a seamless transition.”

    Shankar said:  “I have always believed in the power of creativity and cutting-edge technology to create a better world and consider myself incredibly fortunate to have had the opportunity to do so at Star, 21CF and now at The Walt Disney Company. As I look back on this journey, I take pride in having set ambitious goals in my professional career, and achieving all that we set out to do. For some time now, I have been contemplating the question of how I give back to the country, community and the industry that have given me so much. I think the best way to express my gratitude to all of them will be to support and mentor a new generation of entrepreneurs as they set out to create transformational solutions that will have a positive impact on countless lives.I intend to partner with global investors and pioneers to achieve this.”

    Since February 2019, Shankar has served as president, The Walt Disney Company APAC and chairman, Star & Disney India. Previously, he was president of 21st Century Fox for Asia and the chairman & CEO of Star India. He took over the leadership of Star India in 2007 and transformed not only the Star business into one of the largest and most successful media companies in Asia but has also played a significant role in revolutionizing the media landscape of the region with a great team, audacious strategy and meticulous execution. A believer in the power of local execution, Shankar led Star’s aggressive foray into regional and local language programming, transforming Star into a content powerhouse which now broadcasts more than 30,000 hours of content every year. He also consolidated Star’s sports broadcasting operations through 21st Century Fox’s acquisition of its joint venture with ESPN. Today, Star Sports is India’s largest sports broadcaster and is fundamentally redefining India’s sports ecosystem. In a notoriously single sport country, Star has launched multiple domestic sports leagues like those in Kabaddi and Football and has pioneered the agenda of creating a thriving multi-sports culture.Under Shankar’s leadership, Star has also made strides in disrupting the country’s digital landscape with the launch of Hotstar, which is now India’s largest over-the-top (OTT) platform for professionally produced content and has gone global in its footprint with offerings in the US, Canada and the UK.

    He previously served as CEO and editor of Star News, which was the first 24-hour news channel in India. He was also the editor and news director at TV Today Group, where he spearheaded the launch of Aaj Tak, a leading Hindi news channel, in 2000 and Headlines Today, a leading English news channel, in 2003. Over the past decade, Shankar has played a key role in shaping the media and entertainment sector in India, bringing reforms for the industry and its consumers. A former president of Indian Broadcasting Federation (IBF), he is currently senior vice president of FICCI (Federation of Indian Chambers of Commerce and Industry) and in line to take over as its next president.

  • IBF appointes Star & Disney India’s K. Madhavan as president

    IBF appointes Star & Disney India’s K. Madhavan as president

    Mumbai: At the twenty-first annual general meeting (AGM) of the Indian Broadcasting Foundation (IBF), held on 25 September 2020, the Board has elected Star & Disney India’s MD K. Madhavan as the foundation’s new president.

    Madhavan will succeed NP Singh, India MD &   CEO, Sony Pictures Networks, who held the position for two years.

    The IBF Board has also elected the following office bearers of IBF:-

    Vice President-IBF

    ·         India TV chairman Rajat Sharma

    ·         Turner International MD (south Asia) Siddharth Jain

    ·         Viacom18 MD Rahul Joshi

    Treasurer-IBF

    ·         Prasar Bharti CEO Shashi S Vempati 

    K. Madhavan said, “It is my honor to lead IBF at a time when the Indian broadcasting sector is going through a tumultuous time, battling the pandemic and instability in the regulatory space. IBF has played an instrumental role in advocating the interests of the sector, and my predecessors have contributed immensely in evolving the foundation’s stature and purpose. I take on this role with a great sense of responsibility and commitment to champion the cause of the broadcasting sector.”

    N.P Singh said, “I am pleased that someone of the caliber of K. Madhavan is taking over the reins and will lead the foundation. I welcome his selection wholeheartedly. His in-depth knowledge and insights into the sector will help guide the foundation members through these challenging times. I wish him the best in this new endeavor.”

    K. Madhavan has been an active member of IBF since 2012 and is also the chair of CII’s national committee on media and entertainment for the ongoing year. He started his journey with Star in 2009 and took over as the managing director of the network in January 2020.

    The other Directors on the IBF Board are as under:

    ·         TV Today chairman Aroon Purie

    ·         Sony Pictures Networks MD & CEO & director Bangla EnEntertainment N P Singh

    ·         Eenadu TV director I Venkat

    ·         Zee Media Corp MD & CEO Punit Goenka

    ·         Zee Entertainment CEO-domestic broadcast business – Punit Misra

    ·         Sony Pictures Networks president (network sales & international business) Rohit Gupta

    ·         The Walt Disney Company Asia Pacific  president &  chairman, Star and Disney India Uday Shankar

    ·         Discovery Communications India managing director (south Asia) Megha Tata  (co-opted director)

    ·        Malayalam Communications Ltd  managing director & chief editor John Brittas (co-opted director)

  • Producers Guild ropes in Nitin Tej Ahuja as CEO

    Producers Guild ropes in Nitin Tej Ahuja as CEO

    MUMBAI: It was during the pandemic that the Producers Guild of India lost its affable and hard-working CEO Kulmeet Makkar who passed away following a heart attack. Now the board of the Guild has found his replacement: Nitin Tej Ahuja. Nitin has had a pretty well-rounded career trajectory and he describes himself as a professional with experience as a film producer/publisher/screenwriter/journalist/music IPR on his LinkedIn profile.

    He started his career at Star India as a publicity executive in January 1996, moved on to writing for TV for a few years, hopped on to royalty organisation PPL as the head of mobile and broadcasting, worked with World Space Radio as general manager –music and artiste relations, became publisher of Box Office India, and then finally turning producer with Moving Pictures bringing out movies such as Saheb Biwi Gangster Returns, Bullet Raja, Revolver Rani, Anaamika (Telugu), Zhapatlela, Sata Lota (Marathi).

    Guild members revealed that the announcement was made this morning to them and they  have welcomed his appointment as the association’s CEO.

    Ahuja confirmed this to indiantelevision.com adding that he is happy about getting on to the guild. “As a long-time observer and admirer of the Guild’s wide-ranging and pathbreaking initiatives in championing the interests of content producers, I am honoured to serve in the continuation of the Guild’s untiring efforts. I look forward to working closely with the PGI President and members as we navigate the challenges brought about by the global pandemic and the vastly different landscape that awaits us in the post-Covid2019 world," he said.

    Producers Guild of India president Siddharth Roy Kapur said, “I have known Nitin for many years as someone with an expansive and in-depth understanding of the media and entertainment industry. He is uniquely equipped with the knowledge, experience and ability to take on the challenges and to build on the opportunities that will be presented by the unprecedented times ahead of us. I am confident that in this role, Nitin will be a huge asset to the PGI and to the industry as we move forward.”

     Siddharth further added, “I also want to take this opportunity to recognize the immense contribution of the late Kulmeet Makkar, in his role as CEO of the Guild for the past decade. His sudden demise left us all in grief, and created a huge void at the PGI. Kulmeet worked long and hard with passion and perseverance to bring the Guild to its present stature, and I have no doubt that Nitin will go on to ably build on this wonderful legacy.