Tag: Star India

  • Show DAS licence, sign interconnect deal to get Star India signal: TDSAT tells Gurgaon MSO

    Show DAS licence, sign interconnect deal to get Star India signal: TDSAT tells Gurgaon MSO

    NEW DELHI: The Telecom Disputes Settlement and Arbitration Tribunal (TDSAT) has asked Star India to consider giving digital signals to the Gurgaon based multi system operator (MSO) Technobile Systems Network Pvt Ltd provided the latter produces its digital addressable system (DAS) licence and enters into an interconnect agreement.

     

    Passing this directive on a petition by Technobile, TDSAT chairman Justice Aftab Alam said, “It is hoped and expected that in terms of this order the parties shall execute the interconnect agreement and Technobile shall start receiving the Star signals not later than a week from today (15 July).”
     

    Technobile is already receiving Star signals in analogue mode in the municipal areas of Sultanpur, Faizabad, Unnao and Khalilabad. 

     

    The MSO now wants Star’s signals in digital mode in 17 areas (including the above mentioned four areas). 

     

    Star told the Tribunal that it was willing to give its signals to the petitioner in digital mode provided the petitioner produces its DAS licence and enters into interconnect agreement with Star to take its signals at RIO rates and terms.

     

    On execution of the interconnect agreement, Technobile will cease to get signals from Star in analogue mode in the four areas as indicated in the order of the Tribunal of 29 May this year, and consequently shall not be liable to make any payment for analogue signals.

     

    In case Technobile wants Star’s signals in addition to the areas as enumerated in its petition, Star will consider its request in accordance with law and in terms as recorded in this.

  • TDSAT gives Star India option to stop signals to Skynet Digital Services

    TDSAT gives Star India option to stop signals to Skynet Digital Services

    NEW DELHI: The Telecom Disputes Settlement and Arbitration Tribunal (TDSAT) has given Star India the option to stop its signals to multi-system operator (MSO) Skynet Digital Services, noting that it “cannot shut its eyes and let the MSO further indulge in illegal activities.”

     

    TDSAT chairman Aftab Alam and members Kuldip Singh and B B Srivastava based their order on an audit report by the Broadcast Engineering Consultants (India) Ltd, which had said the MSO was indulging in illegal activities. 

     

    The Tribunal said it could not shut its eyes on this aspect when the report had come from an “impeccable” source like BECIL, when Skynet counsel offered to rectify the situation and get a fresh audit done.

     

    However, it gave time to Skynet to file its reply to the report within four weeks and set the case for hearing on 5 August.

     

    BECIL in its report had said Skynet was “re-transmitting TV channels in un-encrypted mode and un-authorisedly supplying its signals to another entity M/s Silverline Entertainment after the supply of signals to it has been stopped by Star.”

     

    Earlier, Skynet had challenged the disconnection notice issued by Star under clause 6.1 of the Digital Addressable System (DAS) regulations. TDSAT had disposed the case on 23 April this year stating that the two sides should execute the agreement for the period 1 April, 2014 to 31 October, 2014 at the rate of Rs 40 per CPS. Star may conduct a technical audit of the petitioner’s system and raise its invoices for the aforesaid period at the indicated rate.

     

    However, Star later filed an application making serious allegations against Skynet, after which the Tribunal on 25 May directed a technical audit by BECIL. 

     

    BECIL has said Skynet’s system is not compliant with the statutory regulations. Moreover, the report endorses the allegations made by Star and records highly damaging findings against the petitioner. 

     

    The Tribunal noted that in light of these findings by BECIL, Skynet had made itself liable not only to pay damages to Star but also to face criminal proceedings.

  • TDSAT directs Star India not to disconnect signals to NSTPL

    TDSAT directs Star India not to disconnect signals to NSTPL

    NEW DELHI: Star India has been directed by the Telecom Disputes Settlement and Arbitration Tribunal (TDSAT) not to disconnect signals to Noida Software Technology Park Ltd (NSTPL) provided the latter makes an on-account payment of Rs 1 crore within one month.

     

    TDSAT chairman Justice Aftab Alam, and members Kuldip Singh and B B Srivastava while admitting the petition by NSTPL made it clear “that this payment is without prejudice to the rights and contentions of the parties.”

     

    Star India was directed to file reply within two weeks. Additionally, a rejoinder, if any, may be filed within one week from the date of receipt of a copy of the reply.

     

    The matter was directed to be heard along with a similar petition which is directed to be listed on 7 August.

  • ISL Auction: Ranbir Kapoor’s Mumbai City FC snaps up Sunil Chhetri for Rs 1.2 crore

    ISL Auction: Ranbir Kapoor’s Mumbai City FC snaps up Sunil Chhetri for Rs 1.2 crore

    MUMBAI: The first auction of Indian footballers’ new dream tournament IMG-Reliance and Star India funded Indian Super league (ISL) kickstarted in Mumbai with national football sensation Sunil Chhetri going under the hammer for a whopping Rs 1.20 crore. Having a base price of Rs 80 lakh, Chhetri was picked up by Ranbir Kapoor’s Mumbai City FC. 

     

    Kapoor said, “I am excited to have Sunil in our team and we are looking forward to the next season with him in the team. Sunil and Anelka up in front will certainly be a worthy experience.”

     

    Veteran football commentator John Dykes started the auction proceedings along with auction specialist Charlie Ross.

     

    The first player to go down the hammer was the winner of the I-League Player of the Season Jackichand Singh. His base price was Rs 20 lakh and after much tussling and strategising, Pune FC grabbed his services for Rs 45 lakh. Hrithik Roshan sported a big smile after securing Singh’s services. Mumbai co-owner Kapoor and North East United co-owner John Abraham were also aggressively bidding for Singh.

     

    With a base price of Rs 39 lakh, Thoi Singh managed to raise many eyebrows when Chennai FC clinched him for Rs 86 lakh.

     

    Alongside Chhetri who breached the Rs 1 crore mark, Eugeneson Lyngdoh became the first player in the auction to touch the coveted price point. After several rounds of aggressive bidding, which started from the base price of Rs 27.5 lakh, Roshan had the last laugh as Pune City FC secured the midfielder’s services by investing a sum of Rs 1.05 crore. As many as five clubs were vying for Lyngdoh.

     

    On the other hand, Rino Anto was the show stopper of Pool B of the ISL auction. The one-of-a-kind Indian national Left Back went under the hammer with a base price of Rs 17.5 lakh. However this amount was too little when compared to his class and franchise owners recognised it early on. Defending champions Athletico de Kolkata bagged his services after several rounds of counter bidding against various franchises. Anto’s selling price went up to Rs 90 lakh, which was way over his base price. 

     

    Pool B also had nation number 9 Robin Singh. The goal scorer was expected to grab the attention of many a teams but it turned out to be a very cold bidding while he was under the hammer. Delhi Dynamos secured his service paying Rs 51 lakh, a tad higher than his base price of Rs 40 lakh.

     

    A total of Rs 7.22 crore was spent in the first edition of the ISL player auction for garnering the services of top 10 Indian players.  

     

    The auction began with an encouraging speech from ISL founder and chairperson Nita Ambani. 

     

    Ambani said, “Half a million young minds participated in the Reliance Foundation young minds grassroots program out of which the best 23 were selected and now they are privileged with top class facilities in Mumbai, getting top class coaching from top football coaches. We are committed to make the second season bigger and better. We will try our level best to make India a truly footballing nation. Come on India, let’s football.”

  • Star India launches Star Movies Select HD; to have 30 premieres in a year

    Star India launches Star Movies Select HD; to have 30 premieres in a year

    MUMBAI: Come 9 July, 2015 and Star India will unveil its new offering, this time in the English movie channel space. Christened Star Movies Select HD, the channel will be in addition to the network’s existing two English movie channels: Star Movies, Star Movies Action.

     

    Positioned as ‘Star Movies Select – 365 days 365 stories,’ the channel is based on the insight that the audience today seeks new and enhanced experience in life.

     

    Findings

     

    For a premium HD channel like Star Movies Select HD, the network undertook an extensive research amongst consumers and absorbed the feedback to ensure better connectivity.

     

    According to Star India business head – English cluster Kevin Vaz, the findings indicated that consumers were facing two problems: One, all movie channels were playing same movies with several repeats; secondly, most of the channels were airing only action movies.

     

    “Through our in-depth research, we understood that people wanted variety as well as movies from across genres,” informs Vaz. “Not more than 10-15 per cent of the movies being aired on the new channel will be from the action genre,” he adds. 

     

    The findings further revealed that consumers want to see drama, comedy, animation and thrillers amongst others. “Keeping all this in mind, we thought of coming up with a product that could address all these cravings of a consumer,” asserts Vaz.

     

    Catering to consumers’ demand for variety, the channel has come up with a unique proposition of telling consumers a fresh story everyday at 9 pm. Moreover, a chunk of international movies which do not release in India, due to lack of screen space, will also be shown on Star Movies Select HD every month. “They might be $100 million movies, but do not see a India release. We will give those to the consumers through our new offering. If you look at the ratings, 6+ and 7+ movies are considered to be the best rated movies. Everything on this channel will be a 6+ rating movie,” reveals Vaz.

     

    The network has tied up with three of the biggest Hollywood studios, viz 21st Century Fox, NBC Universal and Disney.  “With all these studios, we have the first output deal. Under the agreement, any movie released by the three studios will get aired on Star India’s English movie channels,” he says informing that close to 60 per cent of the movies made are from the banner of these three studios.

     

    Star Movies Select HD will see world television premieres of movies like Gone Girl, Fault in our Stars, The Grand Budapest Hotel, Boyhood, Theory of Everything and Birdman to name a few. The newbie claims to have over 30 premieres in the year, seven out of 10 Oscar winning premieres, movies that stood out at the Golden Globes and more.

     

     “Normally people feel that any new channel is a replica of the existing channel from the network, sharing the same library. But, we will ensure that 90 per cent of the movies being telecast are exclusive to Star Movies Select HD. For the 10 per cent, which may overlap, we will not air movies like X-Men or The Wolverine but a movie like Life of Pie which is a story and visual based movie,” opines Vaz.

     

    The channel plans to showcase 12-13 movies each day with weekends being a destination for special premieres and under released movies. It will celebrate the finest stories by creating festivals based on strong consumer insights – movies based on true stories, book adaptations, iconic movies, biopics and many more.

     

    Marketing it in a premium way

     

    The channel which goes live on 9 July is currently focusing on only direct to home (DTH) platforms. It will launch first on Tata Sky, Videocon d2h and Dish TV followed by Airtel Digital TV in the next couple of days.  

     

    Being a premium channel, it doesn’t plan to have a SD feed. “Being only on the HD feed will help in HD subscriptions and grow the HD base. If you see today all the HD channels are replica of SD channels, so it is only a clarity which is a plus point,” adds Vaz.

     

    The channel has seen a positive response from the advertisers. It has roped in Pernod Ricard as the channel partner. Other advertisers include, BMW, Yamaha, Flipkart, Bluestone, Hindware, Jockey etc.

     

    On the day of the launch, buzz will be created across Star Network’s SD and HD channels including other networks too. Radio and digital will also be used in a big way to promote the development.

     

    A media expert believes that there is no channel in the market who will give so many premieres. “Take the example of MN+, it’s been on for six months, but have consumers even talked about it? It’s been playing the same library that Romedy Now had. There is no differentiation. Star Movies Select HD looks a classy channel to me,” says the expert.

  • Monica Tata quits HBO India

    Monica Tata quits HBO India

    MUMBAI: HBO India managing director Monica Tata has decided to move on after a two year stint with the network. Confirming the development first to indiantelevision.com, Tata said that she will be with HBO till the end of this week.

     

    She informed, “Yes, I have put down my papers and it’s my last week at HBO.”

     

    About her next move, she said, “While I have not yet decided my next movement, there is no timeline. I am ready for the next challenge.”

     

    At HBO India, she was responsible for introducing and developing various initiatives to enhance the company’s offerings in India and its subcontinent including providing strategic direction and managing partner relationships.

     

    Tata has over 23 years of media experience and before joining HBO, she was with Turner International India as general manager, entertainment networks, South Asia where she was responsible for steering and overseeing all network initiatives across Turner’s entertainment brand portfolio in South Asia.

     

    Prior to joining Turner she was the senior vice president -advertising sales, Star India, where she was responsible for advertising revenue on Star Movies, Star World, Channel [V], National Geographic Channel and History Channel.

  • Star India to broadcast Pro Kabaddi League in 5 languages across 8 channels

    Star India to broadcast Pro Kabaddi League in 5 languages across 8 channels

    MUMBAI:  Pro Kabaddi League season 2 has just got bigger. Star India, the official broadcaster of the league will telecast the sport in five languages across eight channels. With this, Star India aims to take the traditional Indian sport closer to fans across the country. The language feed is in sync with Star’s effort to nurture and grow the sport, which witnessed spectacular success in its inaugural season.

     

    The second season of Star Sports Pro Kabaddi League, which kicks off on 18 July 2015, will be telecast in English, Hindi, Telugu, Kannada and Marathi across the Star network. The English feed will be carried by Star Sports 2 and Star Sports HD2, the Hindi feed by Star Sports 3, Star Sports HD3 and Star Gold. Recently acquired Maa Movies will broadcast the Telugu-language feed while one can enjoy Kabaddi in Kannada on Suvarna Plus. Star Pravah will broadcast Star Sports Pro Kabaddi League matches in Marathi on Sundays only.

     

    Star India spokesperson said, “Season one of the Star Sports PKL saw us successfully establish Kabaddi in the mainstream, breaking it out of its hinterland niche and transforming it into a sport enjoyed just as much by an urban audience. We want to build on this success in the second season and broaden Kabaddi’s appeal even further by taking it closer to fans in different parts of the country. This move is further sign of our commitment to the growth of Kabaddi and our broader goal of fostering a multi-sport culture in India.”

     

    Built along the lines of a franchise model featuring eight teams from all corners of the country, Pro Kabaddi League enjoyed a phenomenally successful inaugural season last year. The League, which repackaged Kabaddi into a modern sport, produced modern heroes, created new team affiliations and was watched by over 435 million viewers nationwide. That made it the second most watched sport in the country, with the season-finale alone recording a reach of 86.4 million. It witnessed meteoric rise across social media, recording a whopping 2.3 billion plus impressions. 

  • MSM to acquire telecast rights of Italian Serie A?

    MSM to acquire telecast rights of Italian Serie A?

    MUMBAI: Italy’s premier football championship Serie A, which was jointly aired by Star India’s Star Sports and Zee Entertainment Enterprises’ Ten Sports so far, is all set to change airwaves in India.

     

    Sources close to the development tell Indiantelevision.com that the asset is no longer associated with Star Sports and Ten Sports and will most definitely be on another network. Pertinent to note here is that while Star acquired the broadcasting rights of German Bundesliga earlier this year, it also has the English Premier League, Football Association Cup and La Liga (Spain) in its plump kitty. Besides the international assets, Star also owns the broadcasting rights of the burgeoning home-made Indian Super League (ISL).

     

    On the other hand, Ten Sports has the rights to UEFA Champions League and UEFA Europa League, which are both continental based football championship featuring top ranked teams of leagues across Europe.

     

    It may be recalled that Multi Screen Media (MSM) recently launched Sony Kix – a paid sports channel and has been looking to acquire quality content. While the company has the broadcasting rights of the FIFA World Cup and Euro Qualifiers, it is currently relaying Copa America. Moreover, in the recent past, the broadcaster also aired the Africa Cup of Nations. The missing feather in MSM’s kitty is quality club football.

     

    During a recent interaction with this website, MSM CEO NP Singh had said, “Football is garnering huge viewership in India. Whenever and wherever there are opportunities to acquire any other football properties, we will aggressively go for it. We are working to settle a deal, which we will be able to announce in a couple of months.”

     

    Given the scenario, it is most likely that Serie A will soon be reaching viewers through MSM’s sports channels. However, when contacted to confirm the news, MSM officials refrained from giving a statement.

     

    Sony Six registered high viewership last year courtesy to FIFA World Cup, India’s tour of New Zealand. What’s more, 2015 has also been action packed so far. Serie A has many renowned players and league champion Juventus made substantial mark in European Level too as they played the final in Berlin against Spanish La Liga champion Barcelona. The league did not manage to garner high viewership in the past, since no serious coverage was done and it was often suppressed by other leagues. However, if the league is telecast by Sony Six and Kix, it will get special treatment as the tourney will be the only club league is MSM’s kitty.

     

    Football in India is opening avenues for advertisers and there are huge revenue generating possibilities that the sport offers broadcasters. A senior sports media planner opines, “We have seen pop-up banners in the bottom of the screen during EPL matches, so this can be one mode of advertising for broadcasters to look out for. Italian SerieA won’t be as popular as EPL but a Milan Derby or a match involving Juventus is certain to get eyeballs. Viewership also depends on the treatment given by broadcaster. If planned properly, it can be beneficial for the broadcaster that pockets the rights.”

     

    It now remains to be seen if indeed MSM seals the deal and whether Sony Six and Kix become the new screens for Serie A lovers in India.

  • What’s in store for the Indian broadcast industry?

    What’s in store for the Indian broadcast industry?

    MUMBAI: The Indian media and entertainment industry is on the cusp of growth with phase-III and IV digitisation underway. However, even as the government is optimistic about meeting digitisation deadlines, multiple stakeholders are of the opinion that to meet the 2016 yearend deadline is unrealistic and far-fetched to say the least.

    Reiterating the sentiment is a research report by Bank of America-Merrill Lynch, which says that digitisation will be a slow process and will be complete only by FY2020-21. 

    The Bank of America-Merrill Lynch lists out four things that the Indian media industry should watch out for. They are as follows:  

    1) Digitisation: A Slow Process

    Even though the government has mandated full digitisation by December 2016, the research says that digitisation will be a slow process as on-ground checks show that it is nearly impossible for stakeholders to stick to the deadline. Bank of America-Merrill Lynch expects the entire roll out to be complete only by FY2010-21, with bulk of the benefits flowing in FY’18-19.

    Larger MSOs don’t have a local presence: In phase-I and II DAS-mandated areas, the large MSOs already had their infrastructure laid out and had knowhow of the local conditions. However, phase-III and IV are more remote areas where the MSOs do not have an established network, and hence will take time to rollout their network. These areas have been dominated by the local/ smaller MSOs, who may not have the wherewithal to invest capex and fund set-top-boxes (STB) for consumers. The report says that if digitisation happens slowly, the local MSOs will be able to capture this market (wherever analog cable is present), thus limiting the land grab of DTH operators.

    Government has reasons to be ambivalent on digitisation: The government benefits from digitisation in way of increased tax collections. At the same time, it will be vary of making voters pay a higher tariff for Pay TV bills. The ARPUs for phase-III and IV areas are lower; and a move to digital TV will entail a significant rise in their pay TV bills. Considering that TV is the main source of entertainment for Indians, the government may look to ease the digitisation roll-out slowly, rather than sticking to tight deadlines.

    ARPUs are lower: The phase-III and IV DAS-mandated areas have a lower ARPUs compared to phase-I and II geographies, which would make it difficult for MSOs and DTH companies to push through a premium ARPU product. As per the research, more innovations like Dish’s low-ARPU Zing proposition (focusing on low-cost local content), lower price points and differential geographical pricing to drive adoption are likely to be seen.

    2) Ad revenue growth to be strong in FY2016

    Advertisement revenues strong: Ad revenue growth is expected to be strong in FY16, on back of: 1) A pick up in economy and the resultant rise in ad spends; 2) Increased ad spending by e-commerce companies; and 3) Television maintaining its share of the advertisement pie. Ad spends have a strong correlation with nominal GDP. Considering that the economy is expected to pick up going forward, the Bank of America-Merrill Lynch report forecasts 13 per cent ad revenues growth for the industry, which is in line with industry estimates. (Source: KPMG-FICCI Annual report 2015).

    Implementation of BARC: The prevalent industry TV rating data (TAM) has often been cited for inconsistencies by broadcasters and advertisers. Hence, the industry bodies representing the three key stakeholders – broadcasters, advertisers, and advertising and media agencies – launched a new rating system – BARC India. Since it has the support of the industry, the report suggests that it will eventually replace TAM as the industry standard for determining TV ratings. Given that the new rating uses different methodology and sample set, the status quo TV ratings is at a risk of being upset. Though Zee has managed to hold on to third spot among Hindi GECs in the recently released data, as BARC moves towards a countrywide coverage, volatility in future ratings will remain a concern.

    Smart devices will lead to increasing viewership and ad revenues: With increasing penetration of smart devices, overall video consumption will increase. Since Indians are quite willing to watch ad-supported free content, the ad revenues will increase with the rise in online viewership.

    3) DTH: Factoring ARPU hike for 2-3 years

    Impending move to RIO to increase ARPUs: Star India has made the first move by completely moving its channel bouquets to RIO pricing, without materially impacting its viewership. Even as other broadcasters are still debating on whether to move to RIO, according to the Bank of America-Merrill Lynch report, Star’s successful move makes it only a matter of time before other broadcasters move to RIO pricing as well. Moving to RIO will increase the content cost for MSOs, necessitating an increase in tariffs to protect profitability. This does not factor in the RIO sing-ups in the base case. As per the report, an upside to subscription revenue estimates will be seen for both broadcasters and DTH operators in case market moves to RIO pricing.

    Subscribers in low-ARPU areas may opt for ala carte subscription: Unlike in the West, regulation in India mandates broadcasters to make available their channels on a piece meal basis. Since the average Indian watched just 17 channels, there is a risk of consumers in the low ARPU phase-III and IV DAS- mandated areas shifting to subscribe on a per-channel basis to reduce their monthly bills.

    Reduction in carriage and placement fees: Digitisation of Pay TV will reduce the carriage and placement fees (C&P fees) that are paid to MSOs for beaming their content. Digitisation mandates complete removal of the placement fees. Additionally, digitisation of the channel signals has resulted in a 3-4x decrease in the bandwidth needed to broadcast individual channels, allowing MSOs to beam as many as 2,000 channels within the allotted bandwidth, and thus weakening the case for MSOs to charge for a non-existent constraint. While the broadcasters are still paying carriage charges, the charges on a per-channel basis have been reducing. According to the report, this trend is expected to continue in the future.

    HD channels to increase ARPUs: Subscription to HD channels have increased in recent months, due to: 1) HD content being made available; 2) Costs of HD STBs have fallen and the non HD boxes point that distributors have stopped procuring non-HD boxes; and 3) Penetration of HD-enabled television sets have increased. As per the estimates by Bank of America-Merrill Lynch, HD subscribers on an average have ARPUs higher by about Rs 100. And with the HD take-up increasing up to 22 per cent for the DTH operators, HD is expected to positively drive up ARPUs.

    4) Fragmentation of channels & content costs

    Ad cap and the fragmentation of channels: The government has recently implemented the 12-minute ad cap (per hour). As a result, the sector has seen a slew of new channel launches and increase in ad rates to offset the impact. The report expects that investment in new channel launches will continue in the near term.

    Content to become increasingly more important: In a digitised world, quality content is going to be increasingly more important. With the likely kicking in of RIO pricing, and possible move to ala carte packages, broadcasters will need the content “hook” to lure the subscriber to pay a higher price for the same content.

    Content costs to rise: As more channels compete for the revenue pie, and channels move to RIO pricing, broadcasters are likely to increase their investments to produce quality content. In this context, the larger broadcasters will be in a better place to cope with the change with them having deeper pockets to invest in new content.