Tag: Star India

  • Star English has much to cheer at Golden Globes

    Star English has much to cheer at Golden Globes

    MUMBAI: Star India’s English entertainment bouquet, consisting of Star World, Star World Premiere HD and FX, is known for showcasing the best and latest in English entertainment from across the world. Star India remains the first choice for premium urban audiences seeking quality English entertainment. Cast from some of its leading and critically acclaimed shows like Taraji P Henson (Empire), Jon Hamm (Mad Men), Maura Tierney (The Affair), Lady Gaga (American Horror Story – Hotel) and Rachel Bloom (Crazy Ex-Girlfriend) have struck gold at the 2016 Golden Globe awards this year.

     

     The leading lady from Empire, Taraji P Henson, won her first Golden Globe for best actress in a television series drama for her groundbreaking role as Cookie.  Taraji’s character is the heart of the series and provides unforgettable catchphrases, heartbreaking line readings, and natural comedy in a tour de force performance that makes you miss her every second she’s not on screen. Empire Season 2 is currently airing on FX and FX HD every Sunday at 10 pm.

     

    The Mad Men superstar Jon Hamm won the Golden Globe for best performance by an actor in a television series drama. Jon Hamm popularized the character of Don Draper in the series which captures the world of advertising in the 1960s like never before. Despite his outward disenchantment and egotism, the character of Don Draper demonstrates a strict code of personal ethics, insisting on honesty and chivalry in his subordinates, but not always in himself. Mad Men returns to television with FX and FX HD from 29 January 2016 and will continue to air from Monday to Friday at 11 pm.

     

     Maura Tierney from The Affair won the award for best performance by an actress in a supporting role in a series, limited series or motion picture made for television. As a jilted wife slowly coming to terms with a life she never had planned for herself, Maura Tierney found a perfect balance of comedy and tragedy in her character Helen’s situation The Affair Season 2 is coming soon on FX and FX HD as part of special programming for Valentine’s Day on 14th Feb

     

    The singer-actress Lady Gaga won Best Actress in a miniseries or motion picture for television for her role in American Horror Story: Hotel. Gaga plays Countess Elizabeth who is the owner of Hotel Cortez, a ritzy hotel set in modern day Los Angeles, California. Elizabeth is an uber glamorous socialite who secretly maintains her stunningly fierce good looks by using her special clawed gloves to murder people and drink their blood. American Horror Story – Hotel airs on FX and FC HD on every Saturday at 11 pm.

     

    The Crazy-ex girlfriend star Rachel Bloom grabbed the Golden Globe for best performance by an actress in a television series—musical or comedy. Bloom plays a successful Manhattan lawyer Rebecca Bunch who follows her high-school ex, Josh Chan, to the humdrum suburbs of California. The occasional musical numbers in the series act as comedic interjections, but they also telegraph the show’s darker themes, reminding us that our protagonist is slowly unravelling. Crazy ex-girlfriend airs on Star World Premiere HD every Thursday at 10 pm.

     

    Star India has a successful track record in bringing the best of international television, a stellar cast and outstanding performances. The network is home to the shows that have helped these stars acquire world acclaim.

  • Sony ESPN & Sony ESPN HD to launch on 17 Jan; two more channels in the pipeline

    Sony ESPN & Sony ESPN HD to launch on 17 Jan; two more channels in the pipeline

    MUMBAI: Sony Pictures Networks India (SPN) is all set to launch its two sports channels namely Sony ESPN and Sony ESPN HD in collaboration with ESPN on 17 January. The Sony ESPN channel will replace Sony Kix and hence will be available on all the platforms that the latter was. Sony ESPN HD will launch by marking its presence on all direct to home (DTH) platforms and gradually will roll out on cable TV too.

     

    With this, SPN has extended its sports cluster to four channels namely Sony ESPN, Sony ESPN HD, Sony Six and Sony Six HD.

     

    What’s more, Sony and ESPN will also launch more co-branded channels in the near future. “At least two more channels are there in the pipeline and if the content demands more, we might launch more. But at this stage, we have two channels launching on 17 January and two more in the near future,” reveals ESPN India and South Asia vice president and head Ramesh Kumar.

     

    The Nature of the Association

     

    ESPN had a long time association with one of Sony’s rival broadcaster Star India and the duo operated in the Indian subcontinent till they separated in 2012. The three-years non-compete ended in 2015 and ESPN’s began discussion of a second innings in India. ESPN was clear with its strategy that it wants a long term association with an existing sportscaster and that’s where Sony came in the picture. 

     

    Both Sony and ESPN refused to divulge the commercials or the nature of association between them. Speaking to Indiantelevision.com, ESPN Asia Pacific vice president Michael T Morrison said, “We wanted to have a partner in India and Sony turned out to be the best for us and hence we associated with them. We were evaluating various possibilities since the last one and half years and are very happy to be with Sony.”

     

    Reiterating Morrison’s point of view, SPN India CEO NP Singh adds, “ESPN is the leader when it comes to sports broadcasting globally. They have their expertise, which will use to add value to our existing content. We would like to keep the commercials confidential, but yes what we both were looking for, was in alignment and hence we decided to get together. It took close to six months to close the deal.”

     

    Singh further asserts, “As a part of the deal, we will have 1000 hours of original content from ESPN.”

     

    While ESPN did not have an India presence on television, it continued the operation of ESPNCricinfo, which has grown by leaps and bounds in last three years. The portal has an internal team, which creates original content. However, ESPNCricinfo is not a part of the collaboration between the two entities. “The ESPNCricinfo expertise can be used if needed but it will not be a part of the collaboration. There are matrices, which we are working on and we will see how the three can complement each other,” informs Kumar.

     

    Why the Association

     

    “India is too big a sports market to not have a presence. Moreover, our motto is ‘To Serve Sports Fans Anytime Anywhere.’ We have never left India. For us, we were always there and now we feel we need to have a bigger presence and that’s why the association,” says Morrison. Recalling the sportscaster’s association with Star India, Morrison adds, “We had a wonderful time with Star where we worked together not only in India but also in the subcontinent, but now we feel we will have a better time ahead with Sony.”

     

    Sony, in the recent past has made a few big non-cricket acquisitions, but is yet to unfold special pre or post original programming. The feed of a SerieA or an El-Classico match begins with the whistle as there is no studio content available with them. “Now with ESPN coming in, we will have access to their studio shows and we will use the shows, which complement our existing portfolio. Using their expertise we will create new programming too. This Australian Open we will have access to their global studio feed, and hence analysis and opinions will be there for fans. With this association, we will be enhancing the experience,” adds SPN sports cluster EVP and business head Prasana Krishnan. 

     

    Many said that once the Indian Premier League (IPL) goes under the hammer for telecast rights renewal, the price is going to at least double to that of the previous deal. Rumours were rife that Sony and ESPN came together to jointly bid for the renewal and strengthen their possibility. Thwarting any such rumours as well as refraining to give them any credibility, Singh says, “Our association with ESPN is not to have an upper-hand in the renewal bidding procedure.” 

     

    What’s next

     

    In next few months, Sony ESPN will launch a new multi-sport mobile app. “The revenue model of the app is yet to be decided, but whatever we do, we believe in monetising it to the maximum. We will evaluate together the best possible way forward and come to a consensus on revenue model,” says Morrison.

     

    SPN already has a digital presence in Sony Liv, which live streams the network’s existing sports portfolio. So what happens to Liv when the co-branded app launches? “The content of that platform will be available in Sony Liv too. We have done well with Love Bytes and will continue our digital innovations,” informs Singh.

     

    Apart from the two additional channels in the pipeline, which will be launched in the near future, there could be many leagues coming in too. “Pro Wrestling League was an experiment that we did and now I am in a position to say that we are glad that we did it. The numbers in the Hindi Speaking Market were great and I see it growing further with time. So we are exploring and if we see an opportunity we will aggressively forge ahead with more leagues,” says Krishnan.

     

    Marketing Plan and Channel Positioning 

     

    The 360 degree launch campaign will be clubbed with the campaign of the Australian Open, which will make its debut on the new channel. “We have 17 channels of our own through which we will promote and announce the launch of the two co-branded channels. Also we will have our digital and print promotional activities. We are starting with the Australian Open and then we will then go to Euro 2016 and run campaigns around the sport,” informs Krishnan.

     

    Sony ESPN will have a global sports portfolio with football, rugby, basketball, tennis, whereas Sony Six will have the fight sports and other sports that Kix used to telecast. “We will continue to evaluate various permutations and combinations as we go forward and enhance our sports portfolio,” concludes Krishnan.

  • Curtains down on Amitabh Bachchan’s ‘Aaj Ki Raat Hai Zindagi’ on 10 January

    Curtains down on Amitabh Bachchan’s ‘Aaj Ki Raat Hai Zindagi’ on 10 January

    MUMBAI: Amitabh Bachchan completes yet another inning on television as his non-fiction show on Star Plus – Aaj Ki Raat Hai Zindagi comes to an end.

    Being a finite series, the show had a life of 13 episodes and will air its last episode on 10 January.

    A source close to the development informs Indiantelevision.com that Big B signed a Rs 1.5 crore deal with Star for hosting the show. What’s more, the ad rates for the show’s 10 second slot was Rs 2 lakh.

    Additionally, the channel had roped in Maruti Suzuki as the presenting sponsor and Cadburys Dairy Milk as the powered by sponsor for the show. 

    However, despite have oodles of celebrity quotient on the show as well as having a unique feel-good factor, the show failed to generate good ratings for the channel. 

    “It didn’t do well in the terms of ratings. Despite bringing in so many celebrities on the show, it didn’t prove a profitable proposition for the channel,” said a senior media planner, on condition of anonymity.

    Dentsu Aegis Network South Asia chairman & CEO South Ashish Bhasin opined, “It’s true that having a celebrity onboard a show does give it an edge. Therefore it is helpful in the initial few days to set up its fan base and audience. But in the long run that won’t sustain a show. Ultimately it’s the content of the show that will retain eyeballs. Advertisers understand this as well. They might want to take advantage of the initial popularity of the show for a celeb, but for continuous investment they will go for a show that is doing well long term.”

    Star India COO Sanjay Gupta said, “Star India has always endeavoured to explore new and disruptive content – one that can fuel a billion imaginations. Aaj Ki Raat Hai Zindagi is one such show that, at its heart, captured the ethos of Star. Through this 13-episode finite series, our vision was to celebrate the extraordinary deeds done by ordinary people thereby inspiring people to believe that they too can make a difference and positivity can triumph. By celebrating the inherent goodness in people, we believe that people will be inspired by the feel-good and do-good spirit of the show long after the series reaches its culmination.”

    On 10 January at 8 pm, the show’s finale will see the legendary Jai-Veeru moment from Sholay being recreated on the stage of Aaj Ki Raat Hai Zindagi along with a surprise performance by Farhan Akhtar for Bachchan. 

    Whether the channel brings back the show for a second season, remains to be seen.

  • Sun TV stays undisputed; Hindi GECs fare poorly across genres: BARC week 51

    Sun TV stays undisputed; Hindi GECs fare poorly across genres: BARC week 51

    MUMBAI: With a rise in ratings, Sun TV continues to lead across genres and becomes the highest gainer in the list while all Hindi general entertainment channel (GECs) including Colors, Star Plus, Zee TV and Life OK witnessed a fall in ratings in week 51 of Broadcast Audience Research Council (BARC) India ratings.

    Sun TV garnered the first spot with 1089988 (000Sums) followed by Colors, which saw a drop in ratings but secured the second position with 766353 (000Sums) as against 768239 (000Sums) in week 50.

    Star Plus in the third place also witnessed a drop and received 732209 (000Sums) against 759484 (000Sums) in the previous week.

    Though Zee TV saw a decline in ratings, it managed to grab the fourth place with 720437 (000Sums) as against 733866 (000Sums) followed by Zee Network’s FTA channel Zee Anmol, which slipped down at number five with 713998 (000Sums).  

    Star India’s FTA channel Star Ustav stood at number six with 516870 (000Sums) followed by Life OK in the seventh spot with 450765 (000Sums) against 509538 (000Sums) in week 50.

    From the tenth spot, Maa TV managed to climb up at number eight with 409981 (000Sums) followed by Sony Max in the ninth berth with 409006 (000Sums) and ETV Telugu fell down to the tenth slot from the eighth position with 406176 (000Sums).

  • Sun TV back in top slot across genres; Colors at No. 2

    Sun TV back in top slot across genres; Colors at No. 2

    MUMBAI: Sun TV made a comeback after two weeks and secured the leadership position across genres in week 50 of Broadcast Audience Research Council (BARC) India. Colors replaced the Hindi GEC leader Star Plus in the second slot, pushing the latter in the third position.

    Sony Entertainment Television exited the top 10 list in week 50.

    Sun TV garnered the first spot with 997647 (000Sums) followed by Colors in the second slot with 768239 (000Sums) and Star Plus in the third place with 759484 (000Sums).

    Zee Anmol witnessed a drop in ratings but stood at number four with 754273 (000Sums) as against 780847 (000Sums) in the previous week.

    Zee TV too witnessed a downfall and grabbed the fifth spot with 733866 (000Sums) as against 781916 (000Sums) in week 49.  

    Star India’s FTA channel Star Ustav also saw a fall in ratings and stood at number six with 509538 (000Sums) as against 571080 (000Sums) in the previous week.

    Life OK grabbed the seventh position with 453849 (000Sums) followed by ETV Telugu with 448546 (000Sums) in the eight slot. Zee Cinema with 423529 (000Sums) was in the ninth position followed by Maa TV in the tenth position with 401343 (000Sums).

  • Star India acquires Asia Cup global media rights till 2023

    Star India acquires Asia Cup global media rights till 2023

    MUMBAI: Strengthening its cricket portfolio, Star India has acquired the global media rights of Asia Cup for a period of eight years, running from 2016 to 2023.

     

    The events, which are included under this agreement are as follows: Asia Cup, Women’s Asia Cup, Emerging Asia Cup and U19 Asia Cup to be held from 2016 – 2023.

     

    The Asian Cricket Council (ACC) took the decision to award the rights to Star India at its meeting held on 20 December, 2015 in Singapore.

     

    ACC president Sidath Weetimuny said that the value offered by Star India for the eight year rights was significantly higher than any of ACC’s previous commercial contracts. “It will provide much needed funds for the development of game in Asia,” he said.

     

    “ACC is delighted to have the Star India as media partner to the next cycle of ACC. Star has an undisputed reputation as a sports broadcaster and will guarantee increased promotion and marketing of the ACC events globally,” he added.

  • TDSAT directs Canara Star to settle disputes with Star India

    TDSAT directs Canara Star to settle disputes with Star India

    NEW DELHI: Bangalore’s Canara Star has been asked by the Telecom Disputes Settlement and Appellate Tribunal (TDSAT) to intimate Star India whether it admits the SMS reports submitted by the broadcaster for the period 2014 to January 2015.

     

    The common order by the Tribunal on three petitions including one by Star India against Canara Star claiming recovery dues of about Rs 3 crore pertaining to the MSO’s operations in Digital Addressable System (DAS) area of Bangalore said this was subject to the two parties failing to arrive at a final settlement.

     

    Listing the matter for 14 January, 2016 the Tribunal also asked Canara to produce its bank statements and materials to show payments made by it towards invoices raised by Star India based on Canara’s SMS reports.

     

    Canara, which has allegedly sold off its business to another MSO called All Digital, will produce its deed of transfer of establishment to All Digital, which was made a party in the petition filed by Star India.

     

    The other two petitions are by Canara Star challenging disconnection notices issues by Star India for analogue areas of Kumta and Bhatkal.

     

    Star India counsels Kunal Tandon and Arjun Natarajan produced the SMS reports on the basis of which it had billed Canara Star.

     

    Star India argued that Canara cannot withhold payments to it for invoices, which were raised by the broadcaster on the basis of Canara Star’s SMS reports.

     

    Canara Star’s counsel Jayant Mehta asked for one final opportunity to settle the disputes.

     

    All the three matters had been before the mediator from early August till mid November but no settlement could be arrived at.

  • TDSAT asks Star India to restore signals to Karnataka LCO subject to part payment

    TDSAT asks Star India to restore signals to Karnataka LCO subject to part payment

    NEW DELHI: Star India has been asked by the Telecom Disputes Settlement and Appellate Tribunal (TDSAT) to restore signals to Karnataka based local cable operator (LCO) V4 Media, provided it pays Rs 12.91 lakh through RTGS as committed by it.

     

    Listing the matter for 21 December, the Tribunal said V4 Media will further make payment of Rs 19.88 lakh by 26 December.

     

    TDSAT chairman Justice Aftab Alam and member B B Srivastava made it clear that “these payments are on account payment and shall be without prejudice to the rights and contentions of the parties.”

     

    Apart from the aforesaid payments, V4 Media will also pay the monthly subscription fee as per the invoice dated 5 November.

  • BARC Week 49: Regional channels’ pecking order

    BARC Week 49: Regional channels’ pecking order

    MUMBAI: Star India’s regional channel Star Jalsha maintained its numero uno position in the Bangla regional genre, whereas amongst Bhojpuri regional channels Bhojpuri Cinema secured the leadership position.

     

    Colors Kannada led the Kannada regional channels genre, while Asianet bagged the first spot in the Malayalam regional channels genre.

     

    On the other hand, Zee Marathi continued to lead the genre, while ETV Telugu and Sarthak TV continued to dominate their respective genres in week 49 of Broadcast Audience Research Council (BARC) India, all India (U + R) data.

     

    Bangla GECs

     

    Star Jalsha continued to lead the genre and secured the first position with 228859 (000Sums) followed by Zee Bangla in the second berth with 162105 (000Sums) and Jalsha Movies on the third spot with 68361 (000 Sums). Colors Bangla with 37549 (000Sums) and Zee Bangla Cinema with 31155 (000Sums) bagged the fourth and fifth places respectively.

     

    Bhojpuri GECs

     

    Bhojpuri Cinema led the Bhojpuri genre with 20488 (000Sums) followed by Big Magic Ganga in the second spot with 17196 (000Sums), whereas Dangal TV was perched on the third spot with 9517 (000Sums). Dabangg with 5728 (000Sums) and ETV Bihar Jharkhand with 3201 (000Sums) were placed at the fourth and fifth spots respectively.

     

    Kannada GECs

     

    Colors Kannada continued to lead the genre and took its place in the first position with 302974 (000Sums) followed by Suvarna in the second spot with 1541271 (000Sums) and Udaya Movies in the third berth with 130501 (000Sums). Zee Kannada grabbed the fourth place with 125042 (000Sums) while Udaya TV bagged the fifth place with 118442 (000Sums).

     

    Marathi GECs

     

    Zee Marathi continued to lead the genre with 145301 (000Sums) followed by Colors Marathi in the second place with 80690 (000Sums) with Zee Talkies placed in the third position with 57811 (000Sums). Star Pravah with 41435 (000Sums) and DD Sahyadri with 19008 (000Sums) grabbed the fourth and fifth slots respectively.

     

    Oriya GECs

     

    Sarthak TV secured the leadership position in the genre with 113465 (000Sums) followed by Tarang TV in the second spot with 58075 (000Sums) and Colors Oriya in the third place with 20289 (000Sums). Odisha TV with 15850(000Sums) and Prarthana with 12351 (000Sums) grabbed the fourth and fifth berths respectively.

     

    Telugu GECs

     

    ETV Telugu secured the leadership position with 420239 (000Sums) followed by Zee Telugu in the second spot with 340131 (000Sums), while Maa TV was on the third spot with 339978 (000Sums). On the other hand, Gemini TV with 255875 (000Sums) and Gemini Movies with 180736 (000Sums) grabbed the fourth and fifth berths respectively.

     

    Malayalam GECs

     

    In week 49, Asianet continued to lead the genre with 376542 (000Sums) followed by Mazhavil Manorama in the second place with 99395 (000Sums) and Surya TV was placed third with 80013 (000Sums). Flowers TV with 68404 (000Sums) and Asianet Movies with 53985 (000Sums) grabbed the fourth and fifth slots respectively.

  • HITS to be treated at par with pan-India MSOs; TDSAT advises TRAI to frame consolidated Broadcasting Code

    HITS to be treated at par with pan-India MSOs; TDSAT advises TRAI to frame consolidated Broadcasting Code

    NEW DELHI: In a judgment expected to have far reaching consequences on the Indian broadcasting industry, the Telecom Disputes Settlement and Appellate Tribunal (TDSAT) today said that headend-in-the-sky (HITS) players should be treated on the same level as pan-India multi-system operators (MSOs) for commercial purposes.
     

    In a judgment on a petition filed by the Noida Software Technology Park Ltd (NSTPL) against Media Pro and others, the Tribunal said its judgment would come into effect from 31 March, 2016 by which time the relevant reference interconnect offers will be revised wherever necessary.

    The Tribunal said, “It is difficult to see a HITS operator as different from a pan-India MSO and in our considered view a HITS operator, in regard to the commercial terms for an interconnect arrangement has to be taken at par with a pan-India MSO and must, therefore, receive the same treatment.”

    Expectedly, the judgment will also help Hinduja Group’s HITS platform NXT Digital, which entered into the fray earlier this year.

    TDSAT chairman Justice Aftab Alam and members Kuldip Singh and B B Srivastava said both Star and Taj, as well as the other broadcasters who have joined the proceedings as intervenors are directed to issue fresh RIOs in compliance with the Interconnect Regulations, as explained in the judgment within one month from the date this order becomes operational and effective. It will be then open to NSTPL to execute fresh interconnect agreements with Star and Taj, and with any other broadcasters on the basis of their respective RIOs or on negotiated terms within the limits.

     
    Star and Taj will have to execute fresh interconnect agreements with the petitioner within two weeks from the date of issuance of their fresh RIOs. The agreement with Star would relate back to 30 October, 2015 and with Taj to 30 June, 2015. The issuance of the fresh RIOs by the broadcasters will also give right to other distributors of channels with whom the broadcasters may be in interconnect agreement to have their agreements modified in terms of clause 13.2A.7.
     

    NSTPL had executed an RIO based agreement with Media Pro. At that time, it did not complain before the Tribunal that it was being forced into the RIO based agreement even though it had ample opportunity to do so as the Media Pro application was pending before the Tribunal. Later on, after Media Pro ceased to be an agent of the broadcasters, NSTPL, even after filing the present petition, signed RIO based agreements both with Star and Taj. The agreement with Star was for the period upto 30 July, 2015 and the two agreements with Taj were upto 31 March, 2015.
     

    NSTPL must, therefore, be held bound by those agreements till the periods of those agreements and further, three months beyond that in terms of clause 8 of the Interconnect agreement. After those dates (29 October in case of Star and 30 June in case of Taj) the arrangement will be governed by the fresh agreements.

    The Tribunal said the non-discrimination obligation, which TRAI acknowledges as the pivot of those regulations, appears inconsistent with a regime where parties are allowed full latitude to mutually negotiate their agreements and also not disclose the commercial terms of the agreement to other market participants.
     

    There is the obligation to frame a meaningful RIO in which all bouquet and a la carte rates are specified, and there is also some room for mutual negotiation (even on rates) within certain specified parameters. This will achieve the objective of introducing a transparent non-discriminatory regime whereby distributors can obtain access to content, while still retaining some latitude to mutually negotiate the terms and conditions of access. It will also make the nexus between a la carte and bouquet rates, which the regulator thought fit to introduce, applicable to all mutually negotiated agreements. Negotiations must be within the parameters to those mandatory.

     
    At the same time, TDSAT said it was conscious that the present judgment may unsettle the way in which various parties in the broadcasting sector have entered into existing agreements. “We are further conscious that while the TRAI has taken a position broadly in line with our conclusions in this case, that has not always been the case. As the Amicus Curiae and the counsel for the Petitioner have pointed out, the positions taken by TRAI in the past have not always been fully consistent. In particular, we note the observation of TRAI in Consultation Paper No.15 / 2008 that in view of the confidentiality restrictions, the automatic implementation of non-discrimination clause in Interconnect Regulation is practically difficult,” it said.
     

    Thus, as far back as 2008, TRAI was aware that the non-discrimination clause – which, in these proceedings, it has sought to place on a very high pedestal – was effectively inoperative. And yet, matters in the broadcasting sector have been allowed to lie where they are by TRAI.
     

    TDSAT said it had on past occasions as well, made similar suggestions with the hope of nudging the Regulator to take proactive steps to reduce the scope of disputes arising out of the Regulations. At the same time, the fact that regulatory intervention may be the ideal way forward cannot and should not be an excuse for this Tribunal to shirk the interpretative issues that have come before us. This is particularly so when there appears to be regulatory inertia.
     

    This was the reason for suspending the operation of this judgment till 31 March, 2016. The judgment shall take effect on 1 April, 2016. “While we are aware that this is not a common procedure, we are of the view that it is appropriate in the peculiar facts and circumstances of this case, since the effect of this judgment may be to unsettle a number of existing agreements and necessitate re-negotiation,” the Tribunal said.
     

    In the meanwhile it will be open to TRAI to undertake a comprehensive restructuring of the Regulations, which would hopefully clarify many of the issues that arise in these proceedings. “We make it clear that this Tribunal is issuing no such direction to TRAI. The delayed operation of the judgment is only to afford an opportunity to TRAI to consider the matter and act in the intervening period, if appropriate,” it further added.
     

    As a greater part of the country would come under the DAS regime with effect from 1 January, 2016 the Tribunal said it would be advisable that TRAI should try to frame a consolidated Broadcasting Code instead of the large number of Regulations dealing with different aspects of the service and each having undergone numerous amendments. In order to make a serious effort in that direction, TRAI would be required to get hold of all the negotiated interconnect agreements between the broadcasters and the distributors of channels, which the broadcasters are in any event obliged to submit to TRAI. The Regulator may even feel the need to take a re-look at the tariff orders framed by it.

     
    Needless to add that in case TRAI issues any fresh Regulations before 1 April, 2016, the petitioner and the broadcasters would be obliged to execute agreements on that basis. In case, however, no fresh Regulations are issued by TRAI, this judgment and order will come into effect from the aforesaid date and the parties would be obliged to follow the directions give above.

    Suspension of this judgment is in the larger interest of the broadcasting sector. But this leaves open the question of the petitioner’s liability to pay licence fees to the broadcasters Star and Taj for their signals received by it during the pendency of the petitions before the Tribunal and further until execution of fresh agreements in terms of this judgment or in terms of fresh Regulations, if any, framed by TRAI. And since it will not be fair that the broadcasters should continue to supply signals to the petitioner without any payment for the next several months, some interim arrangement under which the petitioner should make payment of licence fees to the two broadcasters until after execution of fresh agreements accounts are finally reconciled. For this purpose, the petition against the broadcasters was de-tagged from this judgment and kept pending.
     

    Star has already filed an application in Petition No. 314 (C) of 2015 claiming the dues of licence fees from the petitioner. Petition No. 526 (C) of 2015 is directed to be tagged with Petition No. 314 (C) of 2015. In these two petitions, the Tribunal proposes to determine the Petitioner’s liability to pay the license fees to Star and Taj on an ad hoc basis and as an interim measure until the execution of the agreements with the two broadcasters, and when the accounts of the two sides may be reconciled to determine any final liability of the Petitioner or Respondents to make any further payments.
     

    It also made clear that all future deals between broadcasters and MSO/HITS players will be bound by the RIO agreements.

     
    While the case was initially filed against Media Pro in mid-2014, NSTPL had subsequently in December last year filed another petition against Star India and Taj TV.
     

    Since the issues in both petitions were similar and any judgment would affect the broadcasting sector as a whole, TDSAT had on 30 July this year issued a public notice asking all stakeholders to present their case on the issues involved.
     

    In an earlier case in 2013 between NSTPL and Media Pro Enterprise India Pvt. Ltd. TDSAT had on 12 September, 2013 directed Media Pro to provide signals of its TV channels to NSTPL.
     

    Later, NSTPL moved the Tribunal against Media Pro in which Taj Television Ltd and Star India Private Limited were brought in. Telecom Regulatory Authority of India (TRAI) was also a party in the two petitions of 2014.

     
    The first petition 10 July, 2014, NSTPL raised some questions regarding RIO and wanted the Tribunal to declare Clause 3.2 of The Telecommunication (Broadcasting and Cable Services) Interconnection Regulation 2004, as amended from time to time should mandate that all distributors be offered the same rate per subscriber per month which is the rate specified in the broadcaster’s RIO, unless the conditions of Clause 3.6 of Interconnection Regulation are fulfilled.

     
    It also wanted declaration in terms of Clause 3.6 of Interconnect Regulation to the effect that any discounted volume related scheme must be disclosed in a transparent manner, so as to enable the similarly placed distributors to avail of the same.
     

    It demanded that Media Pro be directed to disclose the volume related schemes at which it offers TV channel signals to distributors that are similarly placed with NSTPL and permit NSTPL to avail of such schemes.
     

    The second petition on 12 December, 2014 was against Taj and TRAI, which impugned the disconnection measures that had been initiated by Taj against NSTPL on account of alleged defaults like non-payment of certain amounts of subscription fees.