Tag: Star India

  • Netflix steps up marketing drive in India, finally

    Netflix steps up marketing drive in India, finally

    MUMBAI:  There are finally some ripples in sight in the otherwise still surface of Netflix’s marketing efforts in India. From carefully curated short videos hashtagged #LifeWithoutNetflix that are doing the rounds on social media, to meme wars with market rival Hotstar on Twitter, we are seeing more of the American over-the-top video giant’s activity recently — a change from its initial presence in the market.

    https://www.facebook.com/NetflixIN/videos/1008915785888828/

    “The #LifeWithoutNetflix social campaign was created primarily to share with our users the things we love about Netflix and the great stories they can find on our service. We want to build communities within the Indian audience to help them discover content they will love, and also to understand what they want in an entertainment experience,” shared a spokesperson from Netflix team based in Singapore.

    On the recent Twitter spat with Hotstar over an internet meme and its omnipresent rivalry with the Star India owned OTT platform Hotstar, Netflix shared, “Because the entertainment market is so broad, there is an opportunity for multiple brands to be successful. Many people will subscribe to several services (including Netflix) since we have different, exclusive content.”

    For more details on this, please read

    Apart from its quick rise to be a market leader in the digital video space, what makes Netflix stand out is its effervescent marketing campaigns.  Believe it or not, its trademark ads are part of the reason it is a brand to be reckoned with, in several mature markets. And there are no rewards for guessing which media it’s best at. Netflix is known to be bullish with its social media campaigns, with each new market it enters. And yet, its touchdown on Indian soil earlier this year was marked with limited fanfare on the company’s part. No gala launch events, no press conferences with big names, no over the top PR drive. It was left to the overzealous media and enthusiastic netizens to spread the word organically.

    Therefore, industry couldn’t help ponder if this was a strategy of some sort, or Netflix simply wasn’t ready enough to take on the Indian market head on. Or maybe it is not on its priority list, given the fact that Indian audience still hasn’t fully accepted the SVOD way.

    Studying the market and spotting the real problems that is native to the audience was part of the reason for keeping a low profile before taking a plunge, a Netflix official pointed out. After all, a campaign gone wrong is probably worse than no campaign at all.

    “It’s early days in India and there’s still much to learn and discover so that we can keep making the Netflix experience better. We are pleased with how consumers in India are discovering Netflix. They like the fact that we are a flat-fee unlimited viewing commercial-free experience, can cancel anytime without commitments. They can watch as much as they want, anytime, anywhere, on nearly any Internet-connected screen,” Netflix shared. Therefore, to start with, building awareness is Netflix India’s primary task when it comes to marketing.

    Netflix has also somewhat caught the nerve of the Indian audience’s watching taste. “For now, we very quickly see that the shows Indians love are very much similar to what we see in other markets and the top ones are Netflix Originals like Master of None, Narcos, Marvel’s Daredevil and Marvel’s Jessica Jones,” the spokesperson pointed out.

    Analysts and brand consultants have time and again cited Netflix’s ads as the perfect blend of problem solving and brilliant storytelling. A good example is when Netflix coined a whole new term – ‘Netflix Cheating’ to address couples who watch shows together.

    Thus, building that niche in every market is an essential part of the brand’s communication strategy. Building a culture around  local content, of course, is the key to that.

    “On the local front, we are pursuing recent Bollywood titles, notable indie films, memorable classic Bollywood titles and the best of regional cinema (Tamil, Gujarati, Punjabi, Marathi). Our goal is to bring Indian cinema to not only all regions of India but to the world so you’ll find Indian film titles in all countries in which Netflix exists, accessible to all our over 81 million members. For example, Brahman Naman, a coming-of-age comedy by celebrated Indian director Q, is now available globally only on Netflix. Coming up, Raman Raghav 2.0 is also among the titles that we picked up at Cannes this year as an exclusive on Netflix. Sacred Games is Netflix first original series from India, which will be produced in partnership with Phantom Films,” the Netflix official added in parting.

    With so much on the way for Netflix audiences in India, one can anticipate the company to maintain a consistence interaction with streamers online through more engaging and snaky videos, and memes. Although the market has yet to see a high decibel campaign from digital media giant.
     

  • BARC week 29: Star Utsav emerges as the no.1 channel in Rural HSM

    BARC week 29: Star Utsav emerges as the no.1 channel in Rural HSM

    MUMBAI: Star Plus continued to lead the Hindi general entertainment channel (GEC) genre in Urban+ Rural Hindi speaking market (HSM)  whereas  Zee TV  maintained its position at second slot as per Broadcast Audience Research Council (BARC) India ratings for week 29. On the other hand Star Utsav  emerged as the number one channel in rural HSM, pushing down Zee Anmol, which had ruled the top spot earlier.

    Urban + Rural HSM

    Even after witnessing a fall in ratings, Star Plus continued to lead the Hindi general entertainment channel genre with 696376 Impressions (000s) against 720065 Impressions (000s) in last week while Zee TV maintained its second position with 636898 Impressions (000s) followed by Colors on third spot with 584678 Impressions (000s).

    Star India’s free to air channel Star Utsav grabbed the fourth position with 450259 Impressions (000s) and Life OK was at the fifth slot with 437569 Impressions (000s).

    Zee Anmol stood at sixth with 433515 Impressions (000s) followed by Sony Pal at number seven with 413606 Impressions (000s) and Sony Entertainment Television at number eighth with 359426 Impressions (000s). Sab TV on number nine with 358682 Impressions (000s) and Rishtey maintained its tenth spot with 289896 Impressions (000s).

    Rural HSM

    In week 29, Star Utsav toppled Zee Anmol and grabbed leadership position with 348824 Impressions (000s) followed by Zee Anmol  at second position with 329641 Impressions (000s) and Sony Pal on third slot with 313911 Impressions (000s). Zee TV maintained its fourth position with 280475 Impressions (000s).

    Star Plus garnered  fifth spot with 218160 Impressions (000s)  while Rishtey grabbed sixth spot with 204803 Impressions (000s) followed by Colors at number seven with 169977 Impressions (000s) and Life Ok which stood at eight with 150327 Impressions (000s).

    Big Magic grabbed ninth spot with 102056 while Sony Entertainment Television stood at tenth 100707 Impressions (000s).

    Urban HSM

    Star Plus garnered first position with 478215Impressions (000s) followed by Colors on second position with 414701 Impressions (000s) and  Zee TV with 356423Impressions (000s) stood at number three.  

    Zee TV bagged third place with 356423 Impressions (000s). Life OK grabbed the fourth spot with 287242 Impressions (000s) followed by Sab TV at fifth with 266242 Impressions (000s) and Sony entertainment television with 258719 Impressions (000s).

    In Urban HSM,  &TV maintained its number seven position with 114297 Impressions (000s) followed by Zee Anmol with 103873 Impressions (000s) on eighth and Star Utsavl bagged ninth spot with 101436 Impressions (000s).  Sony Pal   bagged tenth spot with 99695 Impressions (000s).

  • BARC week 29: Star Utsav emerges as the no.1 channel in Rural HSM

    BARC week 29: Star Utsav emerges as the no.1 channel in Rural HSM

    MUMBAI: Star Plus continued to lead the Hindi general entertainment channel (GEC) genre in Urban+ Rural Hindi speaking market (HSM)  whereas  Zee TV  maintained its position at second slot as per Broadcast Audience Research Council (BARC) India ratings for week 29. On the other hand Star Utsav  emerged as the number one channel in rural HSM, pushing down Zee Anmol, which had ruled the top spot earlier.

    Urban + Rural HSM

    Even after witnessing a fall in ratings, Star Plus continued to lead the Hindi general entertainment channel genre with 696376 Impressions (000s) against 720065 Impressions (000s) in last week while Zee TV maintained its second position with 636898 Impressions (000s) followed by Colors on third spot with 584678 Impressions (000s).

    Star India’s free to air channel Star Utsav grabbed the fourth position with 450259 Impressions (000s) and Life OK was at the fifth slot with 437569 Impressions (000s).

    Zee Anmol stood at sixth with 433515 Impressions (000s) followed by Sony Pal at number seven with 413606 Impressions (000s) and Sony Entertainment Television at number eighth with 359426 Impressions (000s). Sab TV on number nine with 358682 Impressions (000s) and Rishtey maintained its tenth spot with 289896 Impressions (000s).

    Rural HSM

    In week 29, Star Utsav toppled Zee Anmol and grabbed leadership position with 348824 Impressions (000s) followed by Zee Anmol  at second position with 329641 Impressions (000s) and Sony Pal on third slot with 313911 Impressions (000s). Zee TV maintained its fourth position with 280475 Impressions (000s).

    Star Plus garnered  fifth spot with 218160 Impressions (000s)  while Rishtey grabbed sixth spot with 204803 Impressions (000s) followed by Colors at number seven with 169977 Impressions (000s) and Life Ok which stood at eight with 150327 Impressions (000s).

    Big Magic grabbed ninth spot with 102056 while Sony Entertainment Television stood at tenth 100707 Impressions (000s).

    Urban HSM

    Star Plus garnered first position with 478215Impressions (000s) followed by Colors on second position with 414701 Impressions (000s) and  Zee TV with 356423Impressions (000s) stood at number three.  

    Zee TV bagged third place with 356423 Impressions (000s). Life OK grabbed the fourth spot with 287242 Impressions (000s) followed by Sab TV at fifth with 266242 Impressions (000s) and Sony entertainment television with 258719 Impressions (000s).

    In Urban HSM,  &TV maintained its number seven position with 114297 Impressions (000s) followed by Zee Anmol with 103873 Impressions (000s) on eighth and Star Utsavl bagged ninth spot with 101436 Impressions (000s).  Sony Pal   bagged tenth spot with 99695 Impressions (000s).

  • Online pirates beware, Copyright Force on way

    Online pirates beware, Copyright Force on way

    MUMBAI: Red alert for online pirates of TV content and movies. Copyright Force is on its way.

    In a move to fight online piracy, major broadcasters, studios and the recently set-up Telangana  Intellectual Property Crime Unit (TIPCU) are joining hands with Motion Pictures Association of America (MPA)’s Indian chapter for strengthening and effective implementation of regulations.  
    Tentatively named Copyright Force, the industry alliance’s main aim is to set an agenda on Intellectual Property Rights (IPR) policy and engage with the government.

    “When you talk about Digital India, the government will have to put out a strong message on curbing online piracy. There are just not enough teeth in existing laws to tackle online piracy. Hence, the industry is exploring an industry alliance to sensitise the government and judiciary of the issue,” Viacom18 general counsel Sujeet Jain explained to indiantelevision.com.

    Confirming the move Uday Singh, Managing Director-India, MPA, however, clarified the move was a positive one but needed more deliberations.

    The alliance is looking at getting broadcasting companies, studios and other industry organisations like MPA under one roof.

    “There are many organizations with larger objectives. The Copyright Force’s (or its formal version) sole purpose would be to push copyright issues,” Jain added.
    According to industry sources, initial exploratory meetings on the issue were attended by the likes of Viacom18, Star India, Walt Disney, Zee, Turner, Sony Pictures Networks, Sun TV Network, Eros International, Reliance and TIPCU.

    Earlier, speaking on the issue of Digital Content Economy and Robust Enforcement Model at an event organised by FICCI here today, Jain said, “You cannot fight online crime with offline measures. Online enforcement has to happen.”

    According to him, the Copyright Act and IT Act have to be updated so the issue of online piracy is addressed directly and helps the judiciary to properly interpret relevant laws to pass judgements on cases relating to online piracy.

    In recent time, the issue of piracy has gained currency in India with mostly film-makers taking John Doe orders in an effort to safeguard against online leaks of films before formal theatrical releases.

    However, the content industry feels such cases don’t properly address the growing menace of online piracy.

    But taking a leaf out of the UK’s PIPCU (Police Intellectual Property Crime Unit), run by City of London Police, the Telangana government has set up country’s first anti-piracy unit called Telangana Intellectual Property Crime Unit (TIPCU).

    The reason for TIPCU formation was effective lobbying by the Telugu Film Chamber of Commerce with the state government on behalf of the local film industry that is reported to have suffered losses in excess of Rs 361 crore because of online piracy.

    Telugu Film Chamber of Commerce honorary chairman, governing council, anti video piracy cell, Rajkumar Akella said, “As we have been witnessing in recent days, the problem of online piracy is most urgent. The greatest threat now has become the pre-movie release leakages. Without real time interventions from the government and the industry, it will go out of control.”

    According to him, TIPCU, an initiative brought to life by the Telangana government, the Telugu film industry and MPA India, was a very significant step. “The unit will be making optimum use of technology besides policy enforcement and outreach,” Akella added.

    MPA regional director, online content protection, Oliver Walsh said, “The Indian film and TV industry supports 1.8 million jobs which are at risk because of rising online content theft. The future of legitimate content delivery platforms depends on effective enforcement measures supported by Indian State governments.”

    Pointing out that TIPCU was a great example of a dedicated law enforcement unit to tackle organized online film piracy, Walsh said such an approach will go a long way in significantly reducing online infringement of films and television content. 

    Jain also pointed out that there is a need to develop dedicated digital courts in the country where the issue of online piracy is addressed exclusively.

  • Online pirates beware, Copyright Force on way

    Online pirates beware, Copyright Force on way

    MUMBAI: Red alert for online pirates of TV content and movies. Copyright Force is on its way.

    In a move to fight online piracy, major broadcasters, studios and the recently set-up Telangana  Intellectual Property Crime Unit (TIPCU) are joining hands with Motion Pictures Association of America (MPA)’s Indian chapter for strengthening and effective implementation of regulations.  
    Tentatively named Copyright Force, the industry alliance’s main aim is to set an agenda on Intellectual Property Rights (IPR) policy and engage with the government.

    “When you talk about Digital India, the government will have to put out a strong message on curbing online piracy. There are just not enough teeth in existing laws to tackle online piracy. Hence, the industry is exploring an industry alliance to sensitise the government and judiciary of the issue,” Viacom18 general counsel Sujeet Jain explained to indiantelevision.com.

    Confirming the move Uday Singh, Managing Director-India, MPA, however, clarified the move was a positive one but needed more deliberations.

    The alliance is looking at getting broadcasting companies, studios and other industry organisations like MPA under one roof.

    “There are many organizations with larger objectives. The Copyright Force’s (or its formal version) sole purpose would be to push copyright issues,” Jain added.
    According to industry sources, initial exploratory meetings on the issue were attended by the likes of Viacom18, Star India, Walt Disney, Zee, Turner, Sony Pictures Networks, Sun TV Network, Eros International, Reliance and TIPCU.

    Earlier, speaking on the issue of Digital Content Economy and Robust Enforcement Model at an event organised by FICCI here today, Jain said, “You cannot fight online crime with offline measures. Online enforcement has to happen.”

    According to him, the Copyright Act and IT Act have to be updated so the issue of online piracy is addressed directly and helps the judiciary to properly interpret relevant laws to pass judgements on cases relating to online piracy.

    In recent time, the issue of piracy has gained currency in India with mostly film-makers taking John Doe orders in an effort to safeguard against online leaks of films before formal theatrical releases.

    However, the content industry feels such cases don’t properly address the growing menace of online piracy.

    But taking a leaf out of the UK’s PIPCU (Police Intellectual Property Crime Unit), run by City of London Police, the Telangana government has set up country’s first anti-piracy unit called Telangana Intellectual Property Crime Unit (TIPCU).

    The reason for TIPCU formation was effective lobbying by the Telugu Film Chamber of Commerce with the state government on behalf of the local film industry that is reported to have suffered losses in excess of Rs 361 crore because of online piracy.

    Telugu Film Chamber of Commerce honorary chairman, governing council, anti video piracy cell, Rajkumar Akella said, “As we have been witnessing in recent days, the problem of online piracy is most urgent. The greatest threat now has become the pre-movie release leakages. Without real time interventions from the government and the industry, it will go out of control.”

    According to him, TIPCU, an initiative brought to life by the Telangana government, the Telugu film industry and MPA India, was a very significant step. “The unit will be making optimum use of technology besides policy enforcement and outreach,” Akella added.

    MPA regional director, online content protection, Oliver Walsh said, “The Indian film and TV industry supports 1.8 million jobs which are at risk because of rising online content theft. The future of legitimate content delivery platforms depends on effective enforcement measures supported by Indian State governments.”

    Pointing out that TIPCU was a great example of a dedicated law enforcement unit to tackle organized online film piracy, Walsh said such an approach will go a long way in significantly reducing online infringement of films and television content. 

    Jain also pointed out that there is a need to develop dedicated digital courts in the country where the issue of online piracy is addressed exclusively.

  • TDSAT gives final opportunity to MSO to resolve disputes, clear payments to Star, Sun

    TDSAT gives final opportunity to MSO to resolve disputes, clear payments to Star, Sun

    NEW DELHI: City Digital Network has been directed by the Telecom Disputes Settlement and Appellate Tribunal ‘by way of last indulgence’ to pay the second instalment of Rs 2.5 lakh to Star India by 26 July 2016.

    While directing Star India to reconnect the signals to the MSO, member B B Srivastava had on 22 June 2016 directed it to clear payment to Star India in two instalments.

    Listing the matter for 29 August, the Tribunal on 20 July 2016 said the broadcaster would be at liberty to disconnect the signals if the MSO still defaulted.

    The signals to the MSO were to be restored on payment of the first instalment of Rs one lakh by 24 June 2016.

    Star India Counsel Saurabh Srivastava told the Tribunal that the second instalment of Rs 2.5 lakh had not been cleared but the signals were being continued as the Tribunal had not given the liberty to disconnect in the event of non-payment and so the MSO continued to enjoy the signals.

    In the order of 22 June 2016, the Tribunal had also directed the parties to meet at a mutually convenient date to resolve differences and work on a new interconnect agreement.

    Meanwhile in another matter, Sun Distribution Services Pvt Ltd informed the Tribunal that City Digital Network had not cleared fifty per cent of the amount due at the time of disconnection despite the orders of the Tribunal.

    While permitting Sun to file its rejoinder, the Tribunal clarified that this order did not preclude the two sides from coming to the negotiating table.

    The matter was thereafter listed for 19 August 2016.

  • TDSAT gives final opportunity to MSO to resolve disputes, clear payments to Star, Sun

    TDSAT gives final opportunity to MSO to resolve disputes, clear payments to Star, Sun

    NEW DELHI: City Digital Network has been directed by the Telecom Disputes Settlement and Appellate Tribunal ‘by way of last indulgence’ to pay the second instalment of Rs 2.5 lakh to Star India by 26 July 2016.

    While directing Star India to reconnect the signals to the MSO, member B B Srivastava had on 22 June 2016 directed it to clear payment to Star India in two instalments.

    Listing the matter for 29 August, the Tribunal on 20 July 2016 said the broadcaster would be at liberty to disconnect the signals if the MSO still defaulted.

    The signals to the MSO were to be restored on payment of the first instalment of Rs one lakh by 24 June 2016.

    Star India Counsel Saurabh Srivastava told the Tribunal that the second instalment of Rs 2.5 lakh had not been cleared but the signals were being continued as the Tribunal had not given the liberty to disconnect in the event of non-payment and so the MSO continued to enjoy the signals.

    In the order of 22 June 2016, the Tribunal had also directed the parties to meet at a mutually convenient date to resolve differences and work on a new interconnect agreement.

    Meanwhile in another matter, Sun Distribution Services Pvt Ltd informed the Tribunal that City Digital Network had not cleared fifty per cent of the amount due at the time of disconnection despite the orders of the Tribunal.

    While permitting Sun to file its rejoinder, the Tribunal clarified that this order did not preclude the two sides from coming to the negotiating table.

    The matter was thereafter listed for 19 August 2016.

  • Star India rebrands Suvarna channels, revamps programming lineup

    Star India rebrands Suvarna channels, revamps programming lineup

    MUMBAI: After launching the HD feeds of its regional channels, Star India is now bringing its Kannada channels under the Star brand. For starters, its Kannada general entertainment channel Suvarna is to be rechristened as Star Suvarna and its movie channel Suvarna Plus as Star Suvarna Plus.

    The nine-year-old Suvarna will be rebranded from 25 July and a company press release says it will reflect the distinctive culture and traditions of Karnataka through its differentiated content.

    Taking its brand legacy forward with a new brand philosophy – ‘Sambandagal Hosa Spandana’ (the new rhythm of relationships) the channel has decided to coincide the relaunch with the debut of Hindi TV producer Nikhil Sinha’s Hara Hara Mahadeva.

    The show is the story of Lord Shiva and will describe his miracles and has international graphics and production values, which have never been done on regional television. The show airs from 25 July at 7.30 pm from Monday to Friday.

    The content offering will further see a ramp up across genres including fiction and non fiction. The channel plans to launch an array of new programmes which includes two weekend non-fiction shows and a new fiction show which will be unveiled in the next few weeks.

    A new team of experts has been roped in to ensure the production values and making of the shows are of impeccable standards.

    Star Suvarna business head Ashok Namboodiri said: “Suvarna has always offered differentiated and innovative content to the Kannada viewers. With the new brand name and proposition, we plan to significantly scale up our offerings which will be on par with international standards. As we enter this new phase, we will continue to delight our consumers with new stories and new programs that will redefine general entertainment”

    Star Suvarna Plus will be a unique combination of movies and sports. The channel will continue to showcase national level sporting events like Star Sports Pro Kabbadi League in Kannada and offer the best of titles from the Kannada movie industry.

    A 360 degree marketing plan has been rolled out to establish the new brand logo and identity while also building up the launch of Hara Hara Mahadeva. Key mediums of communication are TV, print, radio, outdoor and digital.

  • Star India rebrands Suvarna channels, revamps programming lineup

    Star India rebrands Suvarna channels, revamps programming lineup

    MUMBAI: After launching the HD feeds of its regional channels, Star India is now bringing its Kannada channels under the Star brand. For starters, its Kannada general entertainment channel Suvarna is to be rechristened as Star Suvarna and its movie channel Suvarna Plus as Star Suvarna Plus.

    The nine-year-old Suvarna will be rebranded from 25 July and a company press release says it will reflect the distinctive culture and traditions of Karnataka through its differentiated content.

    Taking its brand legacy forward with a new brand philosophy – ‘Sambandagal Hosa Spandana’ (the new rhythm of relationships) the channel has decided to coincide the relaunch with the debut of Hindi TV producer Nikhil Sinha’s Hara Hara Mahadeva.

    The show is the story of Lord Shiva and will describe his miracles and has international graphics and production values, which have never been done on regional television. The show airs from 25 July at 7.30 pm from Monday to Friday.

    The content offering will further see a ramp up across genres including fiction and non fiction. The channel plans to launch an array of new programmes which includes two weekend non-fiction shows and a new fiction show which will be unveiled in the next few weeks.

    A new team of experts has been roped in to ensure the production values and making of the shows are of impeccable standards.

    Star Suvarna business head Ashok Namboodiri said: “Suvarna has always offered differentiated and innovative content to the Kannada viewers. With the new brand name and proposition, we plan to significantly scale up our offerings which will be on par with international standards. As we enter this new phase, we will continue to delight our consumers with new stories and new programs that will redefine general entertainment”

    Star Suvarna Plus will be a unique combination of movies and sports. The channel will continue to showcase national level sporting events like Star Sports Pro Kabbadi League in Kannada and offer the best of titles from the Kannada movie industry.

    A 360 degree marketing plan has been rolled out to establish the new brand logo and identity while also building up the launch of Hara Hara Mahadeva. Key mediums of communication are TV, print, radio, outdoor and digital.

  • TDSAT directs Star India to reconnect signals to Ortel on receipt of half of due amount

    TDSAT directs Star India to reconnect signals to Ortel on receipt of half of due amount

    NEW DELHI: Star India was directed by the Telecom Disputes Settlement and Appellate Tribunal to reconnect the signals to Ortel Communications within 24 hours as Ortel counsel gave cheques for Rs 3,34,93,967 to Star India counsel Rajsekhar Rao.

    The petition had been filed against disconnection of signals by Star with effect from 2 July 2016 in view of various notices issued under relevant regulations for both DAS and non-DAS areas.

    In his order, member B B Srivastava on 11 July 2016 said Ortel was desirous to have the interconnect agreement renewed but on RIO terms of Star.

    The cheques submitted were for 50% of the outstanding amount till June 2016 (Rs 6,77,71,172). The balance amount of Rs.342,77,205 as well as the installment agreed to be paid by 31 July 2016, will be paid by 25 July 2016 and 31 July 2016 respectively. The petitioner would a lso adhere to the payment schedule as agreed to earlier.

    The petitioner’s desire to have a fresh agreement on RIO basis for DAS areas would be on the basis of RIO and for non-DAS areas, the two sides will negotiate and sign an appropriate interconnect agreement as per TRAI Regulations within two weeks.

    In the meanwhile, the terms and conditions of the old agreement would continue to govern the relationship between the petitioner and the respondent and the petitioner will abide by the payment schedule and other terms of the previous agreement.

    Ortel meanwhile denied any charges of piracy for which FIRs had been lodged.

    Earlier, the petitioner had come before the Tribunal against these notices and when the matter was taken up on 27 May 2016, the petitioner submitted that the parties had arrived at an agreement and therefore, it withdrew the petition.

    The mutual agreement arrived at between the parties had been documented in the form of emails dated 26 May 2016 and a communication to the petitioner on 17 June 2016.

    However, the matter came up again in view of the amount of Rs 6,77,71,172 of which half was paid by chequest which the Bank refused to accept as there was “stop payment” instructions by the petitioner to the bank in view of the disconnection.

    (Updated on 20 July 2016 6:25 pm)