Tag: Star India

  • IBF to intervene in TRAI’s SC petition on 15% discount cap

    IBF to intervene in TRAI’s SC petition on 15% discount cap

    MUMBAI: The TRAI tariff order, which remained a topic of intense debate and discussion in 2017 and 2018, is likely to dominate discourse early on in 2019 too, at least from a legal standpoint as the Supreme Court resumes work after the winter vacations.

    A source close to the development has told Indiantelevision.com that the Indian Broadcasting Foundation (IBF) is set to intervene in the matter — a special leave petition (SLP) filed by the regulator seeking clarifications on 15 per cent discount cap — when it gets listed.

    All parties, including Star India, which were part of the Madras High Court proceedings, are involved in TRAI’s petition on the issue of 15 per cent cap on discount on a bouquet price or a la carte price of TV channels to consumers.

    The IBF was not originally a party, but an intervener. Hence it wasn’t incumbent upon the TRAI to make it a party in the fresh SLP. However, the IBF will now implead itself in the petition.

    Currently, the tariff order and regulations are getting implemented without the 15 per cent cap as confusion prevails over its validity, though a section of the industry is of the opinion that the Madras High Court had struck down the discount cap issue. TRAI had not issued any clarification on this while setting a roadmap earlier this year for the new tariff regime’s implementation after the Madras HC order.

    On Monday, Star India’s MD Sanjay Gupta during a media roundtable, responding to a question from Indiantelevision.com on the broadcaster’s position on the 15 per cent discount cap said, “It is up to the court to decide that. Now, as an SLP is in the SC…the courts will decide. I don’t have a view beyond that. In the current ruling, there is no discount cap. It may change going forward depending on the SC ruling.”

    Gupta, however, was confident in adapting to a new pricing structure should the SC uphold the high court’s view on the 15 per cent cap.

    “In case the court has a new ruling that discounts have changed, pricing [too] needs to change, both a-la-carte and bouquet pricing in that case, because the distance between them has to be only 15 per cent. I think we are still awaiting the court’s decision and if we need to adapt to it, then we’ll adapt to it. But there will be a shift again in pricing if that comes through,” he added.

    TRAI’s petition demands that the SC set aside the portion of the high court judgment that frowns on the 15 per cent cap on discounts on bouquet prices of TV channels.   

    The Madras High Court, while upholding most of the TRAI tariff order — issued middle of 2016 and challenged by Star India and Vijay TV later that year on grounds of overstepping of jurisdiction — had struck down as arbitrary almost 18 months later the 15 per cent cap on bouquet prices.

    With the case finally disposed of by the Supreme Court earlier this year, upholding the high court’s views, TRAI had issued a notification stating that India’s broadcast and cable industry stakeholders implement its tariff regime in phases and report on compliance.

  • Sanjay Gupta on executing the new tariff regime, Star India’s strategy and channel pricing

    Sanjay Gupta on executing the new tariff regime, Star India’s strategy and channel pricing

    MUMBAI: Star India MD Sanjay Gupta is a veteran of many high-stake battles. The one he’s currently involved in could be long drawn, unpredictable, unlike anything he’s encountered before and potentially his toughest in a while. However, as India’s broadcast bosses put their heads down to implement TRAI’s new tariff regime, Gupta and Star seem to be first off the blocks. Over the weekend, the network unleashed a nation-wide, multi-media and multi-starrer campaign to educate the consumers across about the radical changes.

    While Star fought the TRAI order tooth and nail in India’s top court, Gupta and team deserve full marks for the sheer scale and speed at which they seem to have got things moving after an unfavourable ruling on 30 October. Gupta says his team at Star is ‘excited’ and sees the new tariff regime as an ‘opportunity’. More power in the hands of the consumer and transparency in the value are the two major highlights as India’s broadcast sector undergoes a facelift, he feels.

    That’s not all. Gupta also articulated his views on Star India’s strategy, channel pricing, disruption in the value chain, the SLP filed by the TRAI in the SC, its implications and more as he fielded wide-ranging questions on a balmy Monday morning on the 37thfloor of Star House.

    On the tariff order’s impact

    The biggest change the tariff order is making is bringing transparency into the whole system of how content gets created to how content gets bought. The biggest change you’re going to see is the transparency, which is existent in almost every industry. It is the biggest shift this industry could have asked for and is great value from a consumer point of view. 

    On preparedness of the system 

    I think people will learn. Over the next two-four weeks, it’ll be an intense learning experience. The good thing in this country is people learn very well quickly. The biggest change in this tariff order is the transparency and power to the consumer.

    On Star India’s strategy

    Our strategy has been in delivering great value to consumers. You know that we invest in making marquee content. Be it our channels in drama, movie, sports, National Geographic or any other content that we deal with. And the question that we ask ourselves is how do we ensure that we provide great value to our consumer through our pricing. We offer content in every geography – be the drama we create with Star Plus and Star Bharat in Hindi, Asianet in Malayalam, Star Vijay in Tamil, we add movies to it in each of the markets, National Geographic – which has some of the best infotainment content to consumers – and on top of it sports. What we are trying to do is make the price affordable to ensure that every consumer has access to this content. Not only do they have power but it is power at a great value from a Star bouquet point of view.

    On channel pricing

    The reason we started the communication early, at Star and IBF, is to let the consumers know that a change is happening. I think it requires a lot of education and communication for people to talk to. To my mind, it’s critical and important. And we wanted to begin early, as early as practically possible. Our price is not led by sports but it is also regionally decided. So, we have a different price in Tamil Nadu as compared to Bengal. Depending on what we think is the strength of our bouquet and the quality of content we are offering. So there is differential pricing like in any business that you decide it regionally and locally. We have a strong channel in Asianet, we have a much weaker channel in Vijay. So we are trying to ensure that consumers get dramatic value in each geography.

    For content with mass requirement, we have tried to make it as cheap as possible within the constraints of the investment we make in each of the businesses.

    On weaker channels

    As I said, the real big change is the power to consumers. They have a choice to decide. Less performing channels cannot come to consumers if they don’t like it. The business will be forced to perform better and better to meet consumer expectations.

    On viewership and ad revenue

    If the channels are powerful and the consumers want you, they will take that option. I think the real question is – Are the channels and content powerful enough? Great content will get viewership. It will force everyone to up their game in terms of the kind of content they offer.

    On TRAI’s SLP in SC

    It is up to the court to decide that. I think now as an SLP is in SC, whenever it gets picked up, the courts will decide. I don’t have a view beyond that. But at this moment, the current ruling is that there is no discount cap. It may change going forward depending on the SC ruling.

    In case the court has a new ruling that discounts have changed, pricing needs to change, both a-la-carte and bouquet pricing in that case, because the distance between them has to be only 15 per cent. I think we are still awaiting the court’s decision and if we need to adapt to it, then we’ll adapt to it. But there will be a shift again in pricing if that comes through.

    On whether distribution chain is ready

    I think we will know closer to time. It is possible that they are all not ready at one time and at that point in time TRAI will have to take a view whether they’ll give more time for people to transit. For now, 29 December is the deadline and we are following the TRAI deadline fully in our intent, in our communication and our effort on ground. In the last few months, we have invested aggressively both in putting together our communication, putting up our pricing on the website, training our teams internally because this is such a massive change. All our internal teams need to get prepared too because this has never been done before. It requires a complete re-understanding within the organisation and briefing our partners.

    On potential change in pricing

    Pricing once defined will remain the same. This is the pricing we have published. People can change their pricing but once consumers pick it up, it applies for the next one year. You can’t change it then. This will also bring about discipline in the industry.

    On the impact on advertisers

    I don’t have a firsthand view on it. But I think this will mean some challenges in implementation. A massive shift of this kind brings out a bit of chaos in the beginning. But I think when I look back – when we went from analogue to digital there were similar concerns, and personally, I carry that worry more than anyone else. But if you look back, it happened more smoothly than what all of us anticipated. Given the enterprise of our partners and consumers, we find solutions to difficult problems quickly. So I think this transition will be a little chaotic but hopefully, it will settle down in a few weeks.

    On disruption in distribution chain

    Consumers are used to buying everything else on MRP and choosing. So, they are used to it across business and categories. It is a big shift for people who deliver content to them, i.e., all of us and distributors – both DTH and cable. I think I personally feel all of them have been working hard over the last few months to prepare.

    On readiness of DPOs

    I think DTH is ready in any case because they do this for a living. DTH covers around 60 million homes. They are fully ready. I think cable is ready from a technology point of view. I think from a people point of view they are getting ready. They have been working hard to get ready. I do hope that given the value this is going to unleash, given the power to consumer this is going to provide, our consumers will really come forward and adopt it and force the transition to happen quickly and smoothly.

    On nature of agreements with DPOs

    Now the nature of agreements is simple – there is no long term agreement. You offer your RIO, which is offered by all content owners on the website. People can download and sign it. Basis the number of consumers that you get every month and the price that you set, you get paid. So it’s a fully transparent way of working for everyone. There is nothing like a long-term agreement anymore.

    On how content will be offered to consumers 

    I think DPOs will decide that. But we are offering to every DPO a-la-carte content and bouquet content both. It’s the same price to DTH and cable. It’s a transparent price to all. They can now choose to make their own bouquets by using a-la-carte channels or they can combine bouquets of different broadcasters. I think that’s the strategy each distributor will define on its own. The interesting thing will be from a consumer point of view, you’ll know everything – what’s the a-la-carte price for a channel, what’s the DPO bouquet and what’s the content bouquet. This kind of transparency has never existed in content business ever before.

    On impact on content offering

    Low performing channels will be under pressure. It will put pressure on content to be better and better. Hence, everybody will have to invest in quality to ensure your channels become better. Content has to work well.

    On consumer awareness

    We have launched a big campaign across eight languages. We are doing a big digital push led by Hotstar and digital assets outside. We are trying to make a very simple communication, at both IBF and Star, to simply explain to consumers what is the change. I’m sure all DPOs and channels are investing equally. The amount of communication consumers will see on this front will be quite significant. So I think communication will be a big draw for both the distribution industry and the content industry in the next few weeks.

    On the relationship between broadcasters and distributors

    One big change that is happening is (and that is the power of the TRAI ruling) that pricing is the same for all distribution partners. There is no difference. It’s equitable and it’s transparent, which means more trust. I think this should help drive a much better and a deeper partnership with the distributors.

    On measuring viewership

    As consumers shift, each of them won’t behave the same way. Each distributor won’t behave the same way. Some of the challenges on measurement would be the sampling, which is an important backbone of any measurement, might go for a toss. Because there are 180 million homes measured through 40 thousand boxes. So if there is chaos in 10 thousand boxes, the ratings may not reflect. Hence the IBF made a request (to not release viewership data for two months) to BARC. Now the BARC board has to decide what the next step should be.

  • Uday Shankar elected FICCI VP for 2018-19

    Uday Shankar elected FICCI VP for 2018-19

    MUMBAI: Adding another feather to his cap, 21st Century Fox Asia president and Star India chairman and CEO Uday Shankar has been elected as the vice president of the Federation of Indian Chambers of Commerce and Industry (FICCI) for 2018-19.

    He has recently been appointed chairman of Star and Disney India and president of the Walt Disney Company, Asia-Pacific, a role that he will take over after the takeover of 21CF by Disney takes place. He is the first ever Indian media and entertainment executive to assume the leadership position in a national industry chamber like FICCI.

    A trend-setter in the media and entertainment industry for over two decades, he played a leadership role in making Star India one of the largest media & entertainment companies in India, reaching over 720 million viewers a month across the country and more than 100 other countries. 

    He has been a leading voice in the Indian media and broadcasting sector, shaping reforms for the industry and its consumers. As chairman of the FICCI Media & Entertainment Committee and former president of the Indian Broadcasting Federation, he has been at the forefront of landmark changes in self-regulation and pushing access for consumers to the digitised distribution.

  • Star India launches its ‘Star Value Pack’ making Sports accessible to every Indian at unbelievable prices!

    Star India launches its ‘Star Value Pack’ making Sports accessible to every Indian at unbelievable prices!

    MUMBAI: In keeping with Star India’s belief that every Indian should have access to high quality sports content including cricket, kabaddi, football along with their favourite dose of entertainment, it has launched the Star Value Pack in 7 languages. Offering unparalleled quality content for everybody in the family, the Star Value Pack has the most compelling channels across Entertainment, Movies, Education and the very best in Sports. Viewers get an incredible line-up of sports properties such as Vivo IPL, ICC Cricket World Cup, BCCI tournaments, Vivo Pro Kabaddi League, Hero Indian Super League and more at unbelievably affordable prices. This initiative is in line with the New Tariff Regime beginning December 29th, 2018 empowering consumers to pay only for what they choose. 

    Says Mr. Sanjay Gupta, Managing Director- Star India said “We believe Entertainment and Sports play a critical role in shaping the nation. By including Sports in the Star Value Pack, we aim to make it accessible to every Indian and thus change the way Sports has been consumed in the country. The Star Value Pack offers viewers the very best from our wide canvas of content across general entertainment, movies, sports and knowledge at unbelievably affordable rates. We have been entertaining, inspiring and serving millions of viewers across India for close to 25 years now, and are delighted to empower the consumer further with even greater choice and value.”

    Star Network’s consumer awareness campaign  

    Star Indiahas unleashed a nation-wide multi-media, multi-starrer campaign to bring the idea of how unbelievably affordable the Star Value Pack offerings is. Mega stars like Aamir Khan,Mohanlal, Kamal Hassan, Nagarjuna, MS Dhoni, Bengali movie star Dev, Kannada film star DarshanThoogudeep, Swapnil Joshiand more are spreading the message to educate the consumers across the nation. They will be joined by prominent Star Network television faces like DivyankaTripathi, Gautam Rode, Sharad Malhotra, Bhumika Gurung, Sushant Singh and more.

    Thinking of ways to offer even greater choice & entertainment for viewer, Star India, in addition to the Star Value Pack,is giving consumers the choice to select the Star Premium Pack that includes the Star Value Pack content as well as the best of international entertainment, movies, lifestyle and marquee sporting events such as Premier League, Grand Slam events and Formula 1. Available in seven languages, the Star Premium Pack caters to the requirements of the discerning viewer.

    With over 60 channels in eight languages across entertainment, movies, sports and knowledgeStar India provides a wholesome offering. Star’s a-la-carte offering allows consumers to subscribe to only what they want to watch. Bouquet offerings are crafted for different language-regional preferences to provide wholesome experience with the best mix of channels. For more information on the Star pack log on to www.startv.com

  • Star India invests into Zapr Media Labs

    Star India invests into Zapr Media Labs

    MUMBAI: According to a report by Brand Equity, media company Star India has made investment of Rs 55 crore in media-tech start-up Zapr Media Labs.

    As per filings with the Registrar of Companies (RoC) which were sourced by a data analytics platform, Paper.vc, the funds have been added by the broadcaster via its holding firm – Star India US Holdings Subsidiary LLC.

    Previously in March 2017, Star India picked up a minority stake in the Bengaluru based media tech start-up Zapr Media Labs. The investment was made for a strategic partnership between Hotstar and Zapr.

    Zapr was founded in February 2012 by IIM Ahmedabad batch mates Deepak Baid, Sandipan Mondal and Sajo Mathews. Zapr provides television viewership, which it analyses with the help of audio recognition tool.

  • IPL auctions set to kick off 2019 cricket bonanza for brands, marketers

    IPL auctions set to kick off 2019 cricket bonanza for brands, marketers

    MUMBAI: Indian fans are in for a rollercoaster ride in 2019 thanks to an action-packed cricket calendar. Virat Kohli’s men have major challenges – tough and exciting in equal measure – lined up right through the year. The Indian side is set to play 12 Tests, 22 ODIs, 17 T20Is and the all-important World Cup in June. That’s in addition to the two-month-long cricket party – the Indian Premier League (IPL).

    The mouth-watering prospect of the star-studded Indian cricket team taking on some of the most formidable cricketing nations offers an exciting proposition for fans, marketers, and brands. From a broadcast perspective, it obviously is a golden opportunity for ensuring maximum viewership and revenue. While Indian broadcasters are now investing in emerging sports along with a growing interest from audiences, nothing captures the hearts and minds of India’s public like a hotly contested cricket match.

    Dentsu Aegis Network South Asia chairman and CEO Ashish Bhasin says cricket always commands premium price purely because of the consistency of viewership that it ensures.

    “I think cricket is always a good opportunity for brands particularly those who want to reach a wide range of audience because it is one of those properties that reaches to each and every corner of the country and has got the universal appeal. If you look at the last few years, cricket hasn’t let any advertisers down because the interest has only gone on increasing. So I do think it’s a good opportunity and every opportunity comes at a price. Advertisers pay for eyeballs and cricket gets you consistent eyeballs. So it will always command a good price,” he feels.

    According to the 2018 KPMG media and entertainment report, television is expected to grow at a CAGR of 12.6 per cent owing to growing TV penetration, strong advertising demand on the back of domestic consumption and major events (two cricket world cups and a general elections on the next five years) supported by better distribution realisations due to operationalisation of TV digitisation.

    Season 11 of the IPL saw a spike of 15 per cent in viewership from 1.2 billion impressions in 2017 to 1.4 billion impressions in 2018. On the other hand, Star India’s OTT platform Hotstar hit a world record for concurrent online viewing with 10.7 million viewers for the final. The 2015 ICC World Cup garnered 635 million viewers till the India versus Australia semi-final. A total of 309 million Indians (TAM Panel CS4+ extrapolated to the universe using a standard conversion factor) tuned in to watch India’s semi-final clash against the Aussies on their television sets.

    Syska Group marketing head Amit Sethiya is looking forward to all the opportunities the upcoming year is likely to throw up to his brand.

    “Definitely there are a lot of opportunities that are going to come because of a whole range of experiences in 2019. But I think the main concern is that advertisers and brands need to check what kind of integration they are going ahead with. Three things that we are fundamentally repeating that it’s Bollywood, politics and cricket and these things still stand true,” he adds.

    Sports advertising expenditure is largely driven by cricket with other sports contributing a minor share. According to India Sports Sponsorship report 2018 by ESP properties and SportzPower, media spending in sports as a whole grew 15.8 per cent from Rs 3511 crore ($ 516 million) to Rs 4065 crore ($ 616 million), driven even more strongly in 2017 by Television On Air, which grew an incredible 42.7 per cent from Rs 2376 crore ($ 348 million) to Rs 3379 crore ($ 512 million). The other reason for sports adex increase is the annual increase in ad rates, especially on IPL.

    Broadcasters have started investing heavily in regional feeds, the likes of which were witnessed in the last IPL season. Star India leveraged 17 of its channels, including Star Plus and Star Gold to make the finals a runaway success. It was aired in eight languages including Hindi, English, Tamil, Telugu, Bengali, Kannada, Marathi and Malayalam.

    At the time, Star India aired all the regional feeds apart from Hindi and Tamil on GEC and movies channels, but in the recent past, it has launched a new channel for Telugu feed called Star Sports 1 Telugu. The network is also ready to launch its fourth regional channel on 30 December for the Kannada audience named Star Sports 1 Kannada.

    Fashion brand fbb’s marketing head Prachi Mohapatra said that cricket now reaches more demographic segments than before and therein lies its true power.

    “Our association with IPL has been positive from a view of fbb’s brand visibility and subsequent in-store traction. We were confident about the partnership and believed in the strength of the association. Cricket stays a superior property and now has a wider consumption that cuts across demographic segments than what it had earlier. Hence, association with the same will remain high on the agenda for many participating brands,” she adds.

    The ad expenditure on IPL increased from Rs 228 crore in 2008 to Rs 1204 crore in 2017. Sports advertising across all media accounted for Rs 4065 crore, 6.6 per cent of the total ad spends in the country. While the bulk of this advertising is on cricket though, other sports like kabaddi, football and badminton are now gaining traction from both the viewers and advertising.

    Eros Digital COO Ali Hussein highlights how his platform’s partnership with Kohli’s IPL franchise helped him drive their subscriber numbers.

    “It has been an interesting collaboration with Royal Challengers Bangalore as it was an industry first. No other OTT player in India has sponsored an IPL team. This association helped us reach a larger audience for Eros Now and we were able to leverage great synergies with content that we created for the platform and value that we were able to drive to our subscribers via match tickets and exclusive merchandise,” he said.

    While cricket has been the country’s most loved sport for a while, the explosion of the IPL has added another dimension to the sport. Apart from helping the Board of Control for Cricket in India (BCCI) to further propagate the game, the cash-rich league has aided brands in unlocking new markets and tapping more consumers.

    “Consumer-focussed brands are always seeking for various mediums & opportunities to reach out to their target audience. Given the kind of viewership these cricketing events enjoy in India, they would always serve as potential platforms for partnerships. Cricket and Bollywood are the two most followed headlines in the country and hence provide for a great association for a brand like Eros Now,” Hussein adds.

    Earlier this in January, IPL teams spent a mind-boggling Rs 431.7 crore in a two-day auction in Bengaluru, with pacer Jaydev Unadkat bagging a Rs 11.5 crore contract to earn the top Indian grosser’s tag.  The salary cap of Rs. 80 crore then was 33 per cent higher than the Rs 60 crore available in the 2014 auctions.

    Franchises have witnessed a windfall due to the renegotiated broadcast rights (won by Star India for Rs 3270 crore per year, four times higher than what Sony Pictures Network India paid per year during from 2008 to 2017) and title sponsorship rights (acquired by Vivo for Rs 440 crore per year).

    Indian cricket has set global benchmarks in the past couple of years, with the IPL rights being awarded for a record Rs 16347 crore to Star India for the period 2018 to 2022 and Oppo snapping up the Indian cricket team’s sponsorship rights for Rs 1079 crore till 2022.

    As the IPL money-spinner returns for its 12th edition, the auction on 18 December is where all the action commences before the players battle it out on the field.

    While 1003 players had initially registered but the final auction list is out with a total pool of 346 cricketers set to undergo the hammer in Jaipur. In a sense, the IPL auction is likely to end 2018 with a big and set the agenda for a thrilling season of cricket in 2019.

  • Star India adopts Hotstar-only model in US, channels to go off cable TV from 5 January

    Star India adopts Hotstar-only model in US, channels to go off cable TV from 5 January

    MUMBAI: There’s a lot happening at Star India at the moment with its integration into the media and entertainment giant Disney underway. A crucial aspect of that arrangement played out on Thursday as president 21st Century Fox, Asia and chairman and CEO of Star India Uday Shankar was named chairman Star and Disney India, and president The Walt Disney Company Asia Pacific as part of an international business unit restructuring.

    Another interesting development that has taken place at Star India is the bet it has taken to adopt a digital-only approach in the key US market.  Starting 5 January, Star India’s TV channels will be streaming only on Hotstar in the US. The entire Star India network, including Star Plus, Star Gold, Star Vijay, Maa, Asianet and Movies OK, will no longer be available on any cable TV provider in the US including Dish TV, Sling TV, Comcast, Verizon.

    While Star is the first major Indian broadcaster to go this route, others will eventually follow suit, an industry expert told Indiantelevision.com on the condition of anonymity, adding that the decision makes 'complete sense' given the current dynamics of the US market.

    The phenomenon of cord-cutting which stemmed from the US accelerated rapidly this year. According to a recent report by S&P Global Market Intelligence, 1.2 million people migrated from traditional cable TV in the 3rd (July-September)quarter, one of the worst quarters in pay-TV history. 

    Star’s decision could deliver a huge boost to its international OTT arm by driving up its subscription numbers.

    “As an innovative and disruptive media company driven by world-class content and technology, Star India is connected with several hundred million viewers all over the world. Every international market is unique, and therefore our business strategy and approach is customised to each region. We strongly feel that in the US, a digital-only approach would best suit the market, and therefore we have decided to make all channels of the Star India Network available exclusively on our digital streaming platform Hotstar, which is the go-to streaming platform for the South Asian diaspora in the US," a Hotstar International spokesperson told Indiantelevision.com.

    Earlier this year, a study predicted that the number of cord-cutters in the US would climb to 33 million adults in 2018.

    "However, while we have gone ahead with a digital-only approach in the US, in other markets, we believe that the powerful combination of linear TV and digital streaming provides a robust entertainment experience to consumers,” the spokesperson added.

    Apart from Star India channels streaming on its OTT platform, properties like the Indian Premier League (IPL) are likely to be available on cable TV through the Fox network, a Star India executive, who did not wish to be named.

    Unlike India, OTT subscriptions are much cheaper in the US when compared with DTH and cable. While most of the OTT apps charge $10-15 per month, traditional cable subscription costs close to $80. Moreover, the use of smart TV is a trend that’s on the rise, facilitating a better streaming experience for consumers.

    Notably, Hotstar extended its premium subscription in the US in 2017. At the moment, Hotstar's monthly pack is priced at $9.99, while annual pack costs $99.99 in the US.

    While Star's super streamer in India is way ahead of its rivals, the move to go digital-only is bound to help it in gaining ground against Netflix and Amazon Prime in the US, in addition to saving the company high maintenance costs of running a television network.

    Be it going all-in on Indian cricket, investing early in digital or taking a position against TRAI's tariff regime, Star India under Uday Shankar has always donned an aggressive and innovative approach. The company's latest play in the US is in line with that very template.

    (With inputs from Gargi Sarkar)

  • Uday Shankar’s meteoric rise from Star India to Disney APAC

    Uday Shankar’s meteoric rise from Star India to Disney APAC

    MUMBAI: The man running India's largest media company – Star India-  has made it to the top in the Asia Pacific region at probably the world’s most admired entertainment company – Disney. Uday Shankar, who once was a reporter with The Times of India, and then went on to successfully lead news channels such as Aaj Tak and Star News, on Thursday added another glorious chapter to his awe-inspiring journey.

    Late in the evening of 13 December came the announcement that Uday – as he is referred to – would be taking over as chairman of Star and Disney India and president of the Walt Disney Company Asia Pacific.

    Ever since the acquisition of Fox was announced by Disney, many expected Uday  – the blue-eyed boy of the Murdoch family – to get the corner office in the new entity. Doubting Thomases wondered whether the Mouse House would allow an entrepreneurial executive to steer its fortunes in Asia, let alone India.

    Uday has, by sheer dint of his risk-taking ability and innate knowledge of how Indian consumers watch television, transformed the Star Network from a struggling channel  (which was under attack from a slew of old and new players) into India’s largest TV network serving viewers entertainment in many languages as well as delivering India’s top passion, cricket, on its sports channels and its OTT service Hotstar.

    As much as Uday believes in a free culture which encourages entrepreneurialism thanks to his previous direct bosses Rupert and James Murdoch, Disney believes in extreme systems and processes which is a positive for most companies but that has not worked as well as far as its India operations are concerned. Star India overpowers Disney India by multiples in revenue terms.

    Under the new structure, the 55-year-old has a phalanx of old-time Disney executives reporting into him. Among these: Greater China, Japan, and Korea executive vice president & managing director Luke Kang;  Australia and New Zealand managing director Kylie Watson-Wheeler,  and  Middle East senior vice president and managing director Chafic Najia.

    That he has chosen Uday over old Disney timers is a clear sign of the confidence that the Disney direct to consumer and international segment’s chairman Kevin Mayer has reposed in him; that he is the man who will do the job and give him a free hand to help shape the Disney-Fox-Star combine into an even bigger money making machine that it can be in the region.

    On Uday’s shoulders rests the responsibility of steering Disney – and Star India – to entertain more than half the world’s population – the middle east, APAC, and China account for about 4 billion people. And an estimated $10 billion-plus in revenues for The Walt Disney Co.

    It probably is the highest an Indian executive has risen in a global entertainment company. He has his challenges ahead: a merger always means some amount of chop and change and he has to manage that first mainly in India because of the business scale differences between Star and Disney in the country.

    But the bigger challenge will be staving off the competition that Disney faces from the rising FAANGs in India, southeast Asia, Australia New Zealand well as from players from China such as Tencent, Youkou, Iqiyi who could very well eat into the huge pie that Disney China has in its studio business there.

    In Uday, Disney has a go-getting decisive no-nonsense APAC lead exec who likes to get things done; no task is impossible. Every problem brings with it opportunity. That attitude should serve him in good stead in the years to come.

  • Disney hoicks Uday Shankar to top job at Fox-Disney combined unit for APAC

    Disney hoicks Uday Shankar to top job at Fox-Disney combined unit for APAC

    MUMBAI – As part of the integration planning for the pending acquisition of Twenty-First Century Fox, Inc. (“21st Century Fox”-NASDAQ: FOXA, FOX), the Direct-to-Consumer & International (DTCI) segment of The Walt Disney Company (NYSE: DIS) today announced plans for the strategic alignment of its consolidated international business units under three key leaders.

    “The planned restructuring of our business units outside of the U.S. will result in a stronger, more agile organization, one that is better able to pivot and capitalize on the many opportunities present in today’s fast-changing and increasingly complex global marketplace,” said Kevin Mayer, Chairman of The Walt Disney Company’s Direct-to-Consumer & International segment. “Once the acquisition is complete, all three regions will be led by exceptional, highly experienced executives who will combine the 'best of the best' talent from both organizations. This new structure and the outstanding leadership team we’ve put in place are clear demonstrations of our strong commitment to integrating operations and thoughtfully executing our strategic priorities around the globe.”

    The structure will allow for more efficient management of the Company’s portfolio of assets and the optimization of resources applied in support of the Company’s strategic priorities.  DTCI’s international operating structure and executive management, effective upon the completion of the acquisition, will include three distinct regions:

    ·  EMEA– Rebecca Campbell, who currently serves as President, The Walt Disney Company EMEA, will maintain oversight of this region and adds oversight of Russia and the Commonwealth of Independent States (CIS)

    ·  Latin America – Diego Lerner, who currently serves as President, The Walt Disney Company Latin America, will maintain oversight of this region

    ·  Asia Pacific – Uday Shankar, who currently serves as President, 21st Century Fox, Asia, and Chairman and CEO of Star India, will become Chairman, Star and Disney India, and President, The Walt Disney Company Asia Pacific

    Additionally, Janice Marinelli will serve as President, Global Content Sales and Distribution.  Responsible for DTCI’s integrated global content sales organization, she will lead and have oversight of the Company’s programming sales efforts for its combined portfolio of content, as well as the distribution of branded direct-to-consumer apps and services to broadcasters, digital services and other third-party distributors around the world.

    Ms. Campbell, Mr. Lerner, Ms. Marinelli and Mr. Shankar will report to Mr. Mayer.

    Joining the EMEA leadership team, reporting to Ms. Campbell, are:

    ·       Jan Koeppen, currently President of Fox Networks Group Europe and Africa, who will serve as President, Television and Direct to Consumer, The Walt Disney Company EMEA

    ·       Marina Jigalova-Ozkan, who will continue in her current role as DTCI’s Managing Director, Russia and CIS for The Walt Disney Company CIS LLC

    Joining the Latin America leadership team, reporting to Mr. Lerner, is:

    ·       Carlos Martinez, President, Fox Networks Group, Latin America, who will serve as Executive Vice President and General Manager, Media Networks, North and Brazil, The Walt Disney Company Latin America

    Reporting to Mr. Shankar as part of the Asia Pacific leadership team will be the following current DTCI executives:

    ·       Luke Kang, Executive Vice President and Managing Director, Greater China, Japan and Korea

    ·       Kylie Watson-Wheeler, Managing Director, Australia and New Zealand

    ·       Chafic Najia, Senior Vice President and Managing Director, Middle East

    In the coming weeks, DTCI plans to announce additional executives joining the three regional leadership teams as well as the global sales organization.

    Additionally, the following DTCI business leaders will all continue in their previously announced roles, reporting to Mr. Mayer:

    ·       Rita Ferro, President, Disney Advertising Sales

    ·       Aaron LaBerge, Chief Technology Officer

    ·       Michael Paull, President, Disney Streaming Services

    ·       Ricky Strauss, President, Content & Marketing, Disney+

    The current leaders of DTCI’s shared services areas, listed below, will continue in their roles:

    ·       Linda Bagley, Deputy General Counsel

    ·       Karen Hobson, Senior Vice President, Communications

    ·       Jim Lygopoulos, Senior Vice President, Human Resources

    ·       Justin Warbrooke, Chief Financial Officer

    Disney’s acquisition of 21st Century Fox has received formal approval from shareholders of both companies, and Disney and 21st Century Fox have entered into a consent decree with the U.S. Department of Justice that allows the acquisition to proceed, while requiring the sale of the Fox Sports Regional Networks. The transaction is subject to various international regulatory clearances, a number of which have been obtained, while others remain pending.

  • Ranjana Mangla joins Star Sports as VP – emerging sports

    Ranjana Mangla joins Star Sports as VP – emerging sports

    MUMBAI: Ranjana Mangla has joined Star Sports as vice president – emerging sports, Indiantelevision.com has learnt. Mangla, who took charge of her new role on Monday, was the national revenue head of India Today TV in her last gig.

    Mangla has previously worked with Discovery Jeet where she served as director – ad sales, India. Other than sales responsibilities, she also managed content partnerships for the entire network. She has also been part of Viacom18 as vice president – sales, spending more than four years with the media and entertainment conglomerate.

    Mangla has over fifteen years of experience in large and medium sales team management, complex commercial deal negotiations with expertise in revenue strategy, large scale product launches and C-level market relations.

    Starting her career as a marketing and PR specialist in Visionaire India, she has also worked with NDTV Lifestyle, NDTV Imagine, Star India, and the Dainik Bhaskar Group of Publications.

    Mangla’s appointment seems to be in line with Star India’s vision of driving growth with sports as a big pillar. Apart from cricket the Star Sports bouquet of channels broadcasts Pro Kabaddi, Indian Super League, I-League, Super Cup, Premier League, Bundesliga, Badminton World Federation events, Premier Badminton League, Ultimate Table Tennis, and other premium sports such as Formula 1, Wimbledon, The French Open and US Open.

    Earlier this week, the Ministry of Youth Affairs and Sports along with Star Sports kick started the countdown to Khelo India Youth Games with an appeal to encourage India to play more- with the evocative ‘#5MinuteAur’ campaign.

    Khelo India Youth Games, which are a part of the Khelo India programme, will be held from 9 to 20 January 2019 in Pune, Maharashtra. The games will be telecast live across Star Sports Network and Hotstar in five languages – English, Hindi, Tamil, Telugu and Kannada.

    Mangla was named national revenue head of India Today TV in July this year.

    India Today Group CEO Vivek Khanna too called it quits last month in a letter dated 30 November 2018. The resignation was informed to the Bombay Stock Exchange on the same date stating that he plans to pursue other professional opportunities by the company.

    Khanna joined India Today Group in November 2017.