Tag: Star India

  • Star India to launch new movie channel ‘Star Gold 2’ on 01 Feb

    Star India to launch new movie channel ‘Star Gold 2’ on 01 Feb

    MUMBAI: Star India has announced the launch of Star Gold 2, its latest offering in the Hindi movie channel category. In an industry-first move, the network is introducing movie theatre’s “multiplex strategy” to the small screen, enabling it to showcase the myriad premieres of the newly acquired Bollywood movies on both Star Gold and Star Gold 2.

    Star Gold has acquired 25 recently released blockbusters and upcoming Bollywood movies of 2020, further strengthening its library of over 1500 titles including Tanhaji: The Unsung Warrior, Baaghi 3, ’83, Angrezi Medium, Panga, War, Chhapaak, Bala, Housefull 4, Mardaani 2, among others. Starting 1 February , viewers will be able to enjoy hits starring leading Bollywood talent – Ranveer Singh, Deepika Padukone, Akshay Kumar, Alia Bhatt, Hrithik Roshan, Sara Ali Khan, Kartik Aaryan and more on both channels.

    “Consumers are at the front and center of everything we do. Having acquired the latest top quality Bollywood content of 2020, it made perfect business sense to launch a second screen to be able to showcase the best of Hindi cinema to our viewers,” said Star India Hindi Movies Business executive vice president and GM  Hemal Jhaveri.

    Over the years, Star Gold has been amongst the leading destinations for the latest Bollywood Blockbusters, consistently delivering the biggest movie line-up on Indian television. With the launch of the new channel, the brand will continue to showcase the latest hits now across two screens — Star Gold and Star Gold 2.

    Star Gold 2 will be available for viewers from 1 February, 2020, across leading DTH and cable platforms. A multi-touchpoint marketing campaign will go live to support the launch of the channel.

  • First ten episodes of ‘Super V’ grab 150 mn viewership

    First ten episodes of ‘Super V’ grab 150 mn viewership

    MUMBAI: Super V has consistently featured in the top ten shows in the kids’ category – age group 2 to 14 years. Season one of Super V has amassed a whopping 150 million viewers for the first 10 episodes prior to the season finale. After 11 fun-filled episodes, season 1 of ‘Super V’ is primed for a thrilling finale. The teenage superhero prepares for a final face-off with the supervillain Naavar while also keeping India’s hopes of winning the junior World Cup alive. Can Super V save the day one last time?

    'Super V' is an animated series about a 15-year old aspiring cricketer inspired by Indian captain Virat Kohli's teenage years. A 15-year old Virat discovers he has superpowers and assumes the responsibility of fighting the looming threat of the supervillain Naavar, who wants to destroy the world. While overpowering villains, Virat must also deal with issues that an ordinary teenager faces.

    The 12-part series premiered on Virat Kohli's birthday and was broadcast in 70+ countries across 5 continents via the Star network and Hotstar.

    Virat's journey in Super V is inspired by real-life incidents from the cricketer's life. Virat Kohli himself makes an appearance in every episode to underline what he thinks the life-lesson in that episode is. His appearance as a 'sutradhaar' in Super V is aimed at connecting Virat with young viewers across the country and guiding them in their own personal journeys.

    Commissioned in 2017, Super V has been produced as a collaboration between Star India, Cornerstone Animation and Baweja Movies. The series finale will be aired on 26th January 2020, Republic Day at 9 am on Star Plus, Star Sports, Marvel HQ and the Disney Channel as well as being streamed on Hotstar.

  • Star India jointly wins client of the year Effie with Hindustan Unilever

    Star India jointly wins client of the year Effie with Hindustan Unilever

    MUMBAI:  It's added another feather to its cap. And not very surprisingly it's for brand and media effectiveness. Star India has trumped the Advertising Club Mumbai's coveted Effie  client of the year Award for 2020. It bagged this honour jointly with the marketing behemoth Hindustan Unilever Ltd (HUL).

    The Advertising Club's EFFIE Awards for 2020 were hosted at Mumbai's Taj Lands Hotel last evening and were presented by Colors. The awards, which have become a benchmark of effectiveness and breakthrough brand and media strategies, also saw both McCann Worldgroup India and Ogilvy Group being annointed jointly with the agency of the year title. The Grand EFFIE was sweetly pocketed by EightyTwo Point Five Communications  for  its Bisleri Packaged Drinking Water – “Samajhdar Jante hai" campaign.

    Said the Advertising Club president Partho Dasgupta : “I would first like to congratulate all the winners of the awards. Winning an EFFIE has always been a matter of great pride for every marketer and each of the winners are truly deserving of this recognition. EFFIE India Awards 2020 continues to be the highest honor in innovation and effectiveness and with this award we continue to be committed towards recognizing and rewarding thought leadership showcased by brands and advertisers.”

    Added EFFIEs chairperson Mitrajit Bhattacharya:  “Like every year, this year to we saw some of the best and game changing work being entered for the awards.  The superior quality of work has led to the marquee award categories like client of the year and the agency of the year for the first time in the history of the EFFIE’s being won by not one by two winners each. We are sure that the continuous evolution of the awards to reflect the changing media landscape by adding new and relevant categories will ensure that the awards continue to stay relevant and highly coveted.”

  • Uday Shankar takes charge as senior vice-president of FICCI

    Uday Shankar takes charge as senior vice-president of FICCI

    MUMBAI: Federation of Indian Chambers of Commerce & Industry (FICCI) has elevated Uday Shankar as senior vice president of the apex industry body in the country.

    Shankar had been holding vice-president role at FICCI since 2018 and this is for the first time that Indian media executive would assume the second in command leadership charge of the chamber.

    Shankar is currently chairman and chief executive officer of Star India and president of 21st Century Fox (Asia); he has been given additional charge as chairman of Star and Disney India and president of Walt Disney (Asia), which he will assume charge of new role post takeover of 21st CF by Disney.

    Shankar began his career as a political journalist with The Times of India, and eventually rose to Editor and CEO position at Star News, the first 24-hour news channel in India. He played a prominent role in making Star India one of the largest media & entertainment companies in India.

    He spearheaded the launch of Aaj Tak (2000) and Headlines Today (2003) as Hindi and English news channel respectively while being at the helm of Editor, News Director’s position at TV Today Group.

    Being the chairman of FICCI Media & Entertainment Committee, Shankar has been at the forefront of landmark changes in self-regulation and pushing access for consumers to digitized distribution.

    Shankar holds an M Phil in Economic History from the Jawaharlal Nehru University, Delhi. He is an avid reader and his knowledge domain transcends from literature to politics, economics, and sports.

    Along with Shankar’s elevation, the chamber has also appointed Apollo Hospitals Group managing director Sangita Reddy as president, Hindustan Unilever’s chairman and managing director Sanjiv Mehta as vice president.

  • India Today Group Digital is the No. 1 Destination for General News Consumption

    India Today Group Digital is the No. 1 Destination for General News Consumption

    New Delhi: India Today Group Digital has established its dominance in the news genre across all digital platforms (Desktop, mWeb, App). The latest Comscore September 2019 insights titled ‘Trends in Online News Consumption’ highlight India’s love for online news and, that Indians consume news content more than entertainment. With 138 million monthly unique visitors, India Today Group beats all Indian entertainment brands like MX Player (95 Mn Unique Visitors), Star India (87 Mn), Jio TV (60 Mn) & Saavn Group (51 Mn). Source :Comscore, Mobile Metrix, Custom List of Entertainment entities, Unique Visitors, September 2019.

    The report also finds that vernacular language news content is consumed most and Hindi is the preferred language, leading with 66% reach, 6 times higher than any other vernacular language in India. Aaj Tak tops Hindi news consumption and is the No.1 news brand across digital & social platforms such as Desktop, mWeb, App, YouTube, Facebook, Twitter & Instagram.

    The Comscore September 2019 insights also show that mobile web has maximum unique visitors but mobile apps lead with highest engagement due to more time spent. The India Today Group Digital Apps topped the charts with 926 million total minutes spent, highest among all original news content creators in India.

    Comscore insights also reveal that General News is the most consumed news category in India. India Today Group Digital retained its leadership in the General News category and is now No.1 for the last 10 consecutive months.

    The Comscore report states that overall news consumption in video format is also increasing. India Today Group Digital with a robust growth of 39% in the last one year is India’s No. 1 General News Video publisher too. 

  • VBS 2019: Broadcast industry dwells on TRAI consultation paper, NTO impact and way forward

    VBS 2019: Broadcast industry dwells on TRAI consultation paper, NTO impact and way forward

    MUMBAI: The new consultation paper on broadcast tariffs is only seeking to address some infirmities in the earlier New Tariff Order (NTO) and will not bring any fundamental changes to the regulatory framework, said TRAI advisor Arvind Kumar at VBS 2019. His comment hinted that there might be some changes in the regulatory framework, which will bring NTO 2.0.

    The first panel discussion at VBS 2019 organised by Indiantelevision.com and its production division ITV2.0 focused on ‘NTO-The future roadmap.’

    The panel was moderated by Elara Capital VP- research analyst (media) Karan Taurani among the panelists IndiaCast Media Distribution president Amit Arora, Star India Distribution and international business president and head Gurjeev Singh Kapoor, Metro Cast Network India promoter Nagesh Narayandas Chhabria, The Remediation Company founder & partner Shyamala Venkatachalam, IndusInd Media & Communications chief executive officer Vynsley Fernandes and GTPL Hathway vice-president Yatin Gupta.

    The objective of the NTO was to bring transparency, freedom of choice, level playing field in the industry and rationalising the consumers’ cost. The panelists agreed that the dust of the new tariff order has settled down but the NTO 2.0 period might impact pricing again. With the new consultation paper Gupta expected that there would be price capping on bouquets and a la carte.

    Said Kapoor: “Very fairly the NTO has allowed consumers to exercise the power of choice. For DPOs the level playing field has come out very clearly. For the first time broadcasters were allowed to go with their understanding on pricing and packaging. We collaborated with all the stakeholders and ensured that smooth transition of the NTO happens. It wouldn't have been possible without the entire ecosystem coming together. I appreciate that MSOs and LCOs came together and were able to manage this really well. Post NTO has been good learning and deep understanding from Star’s perspective.

    Whereas Arora said, “NTO has brought us closures as partners. There have been cases where platforms had designed packages and shown them to us for feedback. We don’t have the expertise of forming packages but we understand consumers as well as the retail price, which is feasible for my market. I don't understand the concept that the consumer has to pay less. I believe the consumers pay for value and content. As we move forward the challenge is going to be how do we make consumers pay more revenue for the content he/she watches. It’s between me and the platform to work together on how do we get him to buy."

    National MSO GTPL Hathway’s Gupta said, “Any industry is always resistant to changes especially if it's technology based. One important thing is how do regulators ensure that it benefits the consumers but not at the cost of industry. There has been a lot of effort that went into building the new regulatory framework. As we see in the past few months, industry has begun to settle down and it's about to grow again. Looking at the tectonic shift, the cable industry is not just here to stay but to grow.”

    “Most of the LCOs have settled down and they have adopted the new structure. They have been able to maintain and grow their business. Over the period of time various MSOs and various platforms have taken different views,” said Fernandes.

    Taurani opined that 60 to 70 per cent of subscribers who cut the cord on cable TV have moved to DTH. It was an important change that has been observed. This was due to various reasons: MSOs not being able to implement the NTO in effective ways, delays on the MSOs’ front in coordination, etc.

    On the same Venkatachalam commented, “On the DTH side, they already had established backend systems, the NTO just gave them a jump to make the transition process even easier. For the MSOs, it took them some time to put all the things in place.”

    The panelists also shared their perspective on norms of 15 per cent capping on bouquet and FTA channels moving behind a pay wall and their expectations from the consultation paper released by TRAI to review NTO.

    Gupta said, “With NTO 2.0 we are expecting the price capping of a la carte. The discounts being offered today range from 10 per cent to 70 per cent, so there should be some capping on that which can help consumers to make intelligent choices."

    Agreeing with Gupta’s comment, Venkatachalam said that NTO 2.0 will impact the pricing.

  • Star India’s FY19 losses widen due to IPL

    Star India’s FY19 losses widen due to IPL

    MUMBAI: Star India’s bet with the Indian Premier League (IPL) seems to have made a dent in its pocket for the financial year ending March 2019. The company reported a loss of Rs 1216.13 crore as against a profit of Rs 287.69 crore a year ago, according to a report by Economic Times.

    Star India booked IPL expenses of Rs 4000 crore. Even though the company’s revenue increased by 35 per cent, it was hit by the IPL expenses.

    Economic Times also quoted a Tofler report which indicated that Star India’s total revenue from operations was Rs 12,314 crore in FY19 which was Rs 9149 crore a year ago. Ad revenue was up by 49 per cent while distribution revenue saw a hike of 9 per cent.

    The total expenditure was up by 58 per cent, mainly due to a 66 per cent increase in programming and operating cost, 34 per cent higher employee cost and 57 per cent hike in marketing cost.  While the company has high hopes from the future of Hotstar, currently it also contributed to the losses. IT reported a net loss of Rs 558.38 crore showing revenue of Rs 1112.74 crore.

    FY2019 was also the first year when Star India had both TV and digital rights to the IPL.

    As if this wasn’t enough, Star India also took a hit in its regional business. It saw a 9 per cent drop in net profit from Rs 298.22 crore to Rs 271.85 crore. The regional business revenue was up by 11 per cent touching Rs 1445.10 crore.

    The company recently saw the exit of managing editor Sanjay Gupta, who has moved on to Google India.

  • Dish TV pays Star India 2nd instalment towards outstanding arrears

    Dish TV pays Star India 2nd instalment towards outstanding arrears

    MUMBAI: Dish TV has paid the invoice for the month of September to Star India amid the ongoing payment dispute between the leading direct-to-home (DTH) operator and the broadcaster. Along with the current invoice, the second instalment towards the outstanding arrears has been paid as stated in a daily order of the Telecom Disputes Settlements and Appellate Tribunal (TDSAT) dated 21 November.

    Earlier, TDSAT ruled that Dish TV should pay the admitted dues to Star India by the end of November 2019 in three equal instalments by the end of September, October and November 2019.

    The latest order says that senior counsel for the DTH platform hinted that the petitioner is entitled to certain incentives in terms of the agreement enunciated and the circular of the respondent dated 27 September.  He also submitted that the invoices for the incentives have already been raised and submitted.  According to him, an early resolution of the demand for incentive would ease the burden upon them in making further payments.

    At the same time, the counsel for Star India submitted that these invoices have been raised simultaneously for several months and, therefore, verification is taking some time.  However, he assured that the task shall be completed and a suitable reply will be given to the petitioner informing whatever is found admissible by way of incentives. 

    Dish TV filed a petition in TDSAT against a disconnection notice issued by star India in July. Star India supplied a chart supplied to the TDSAT explaining Dish TV’s liabilities which mentioned a balance outstanding of Rs 83,70,895 on 22 July in respect of billing till January 2019. The tribunal noted that for the month of February to May 2019, the DTH operator has been billed for a further amount of Rs 284 crore including the earlier outstanding balance. Star India also mentioned that it has not included the interest component.

    “Having considered the earlier order and the stand of the parties, we are of the view that in addition to the liability to clear the current invoice as indicated above, the petitioner should liquidate the entire arrears to the extent admitted and already noted by end of November 2019 and for this petitioner shall pay the remaining outstanding dues towards the arrears in three equal instalments by end of September, October and November 2019,” TDSAT had said in its order.

    The matter has been posted under the same head to 11 December. 

  • Star India’s Gaurav Banerjee on Hotstar’s content diversity, SVOD uptake & nurturing talent

    Star India’s Gaurav Banerjee on Hotstar’s content diversity, SVOD uptake & nurturing talent

    Hotstar has consistently outperformed some of the global over the top (OTT) platforms in India with the help of a mix of TV show content, sports and the recently-added originals. After Criminal Justice, the next original to launch under the Hotstar umbrella will be Out of Love. Launching 22 November, the series is based on BBC’s award-winning series Doctor Foster.

    Star India Hindi entertainment president and head Gaurav Banerjee attributes the platform’s success to its content mix. Compared to traditional TV, the digital space provides flexibility to creators to play with content narratives, style and direction.

    On the sidelines of the Out of Love launch, Banerjee spoke about Hotstar’s upcoming content strategy, feedback to Hotstar Specials, viewership ratio, online content regulation along with other topics in a freewheeling chat with Indiantelevision.com.Edited excerpts:

    Hotstar Specials entered the market at the beginning of this year when one of the main goals was to turn AVOD consumers into SVOD base. How has been the initial response? How has it helped to increase the SVOD base till now?

    It has been an incredibly good journey. We are very excited about the response we got. People have liked the shows. Our attempt at creating different types of content has been noticed. Sports documentary, a big edgy legal kind of drama, thriller, comedy and now a female-centered drama – we have it all. We have been overwhelmed by some of the responses we got from viewers and critics for shows like Criminal Justice. Obviously, we are doing this to power up Hotstar VIP and that strategy is playing out well.

    This is just a start. Everything takes time, consistency, effort and a series of quality content. For all digital content in our country, this is day zero. We have a lot to learn.

    What does your inside data say about viewership demography?

    Hotstar as a platform skews twoard the younger Indians. We have a great opportunity with all these types of content which are edgier and varied. The second opportunity from the creative point of view is very interesting; we can play with season length and episode length. In television, over a period of time, the format gets settled. Whereas here it can be led by the kind of stories we have such as the right point to finish a particular episode. This allows for a lot of flexibility for creative people.

    You have worked with renowned production houses or studios for Hotstar Specials. Are you considering giving a chance to young producers like you did for television business? 

    Yes we do and thank you for noticing that about Star India and that's something we are deeply proud of that we are that platform where new voices can come in and tell big stories. But we are just starting out. This is like a startup and there is a lot of content with new filmmaking, stories and talent. Hopefully, there will be a lot to talk about in the coming weeks and months.

    Now many of the platforms are launching a number of originals to build a loyal subscriber base. When do you see SVOD monetisation actually turning easier?

    Brands, including Hotstar VIP, are already attempting this. This will happen as the per capita and GDP grows and people will want to be discerning about the choices they want to make. They would want to watch higher quality and they will be willing to pay for it.

    Cinema prices have gone up but viewers are willing to pay. As a content creator platform, we have to create the experience that people really like, whether it is the technology experience, marketing, talent or stories. All of that has to combine to create something which you say that you like and makes you agree to pay more for it.

    Do you see a model emerging in the future where viewers can go for a bundled model in OTT like cable TV?

    It’s hard to tell. But I think that having an incredible content asset should be any company’s priority. Even with so many OTT platforms, viewers have a lot more choices today. So, people can decide where they want to spend. Essentially everyone is competing for time.

    What is your content strategy for 2020?

    Our first goal is variety. We want different stories and keep expanding them. This year we did a sports documentary, thriller and a social drama. A lot of OTT drama has been male-oriented. Out of Love is breaking that. It’s female-centric, emotional and about marriage. We want to keep experimenting and attract the best talent in the country. We want to work with the best actors, directors, showrunners all the time and we will do everything we can to create the right culture and figure the right scale of ambition so that Hotstar will be their target destination to work.

    Lately, online content regulation has been the talk of the town. What is your take on this?

    My team and I, across TV and digital, believe that we don’t want to do anything irresponsible. We won’t do edgy content just for the sake for it. That’s an ethical choice we all need to make. We need to figure out a method so that people don’t think of this as a chaotic classroom where there are just unruly kids and they need a class monitor or a strict supervisor. That’s the maturity needed from the creative community, platforms and the entire ecosystem and I feel if we do that we are all going to be fine.

  • The journey of Star India’s Uday Shankar through his eyes

    The journey of Star India’s Uday Shankar through his eyes

    MUMBAI: He came. He spoke. They listened. He conquered.  That, in summation, defines how the Walt Disney Company Asia Pacific president, and Star & Disney India chairman Uday Shankar’s tryst with members and invitees of the Advertising Agencies Association of India’s Subhas Ghosal Memorial lecture “Why I have been in Media for 30 years” on 11 October 2019 went. The audience – consisting of a slew of senior advertising and marketing professionals – listened in awe, smiled, laughed throughout the Shankarspeak, which commenced around 9:30 pm in the Four Seasons Hotel in Worli, Mumbai. He spoke extempore, no teleprompters in sight, and his speech was fluency at its best, delivered with the confidence of a professional who knows what he has achieved and what he is setting out to achieve.

    Throughout his 34-minute speech, Uday constantly referred to the risks he has taken during his entire career. Like the time when he was grappling with being called upon by the Murdochs to head Star India as CEO and he asked his family whether he was taking a chance as he had had no exposure to entertainment or business having been a news man all of his life. To which his daughter quipped: “What risk? If anything, weren’t the Murdochs the ones who were taking the risk?”

    He went on to join the organisation, and the rest, of course, is history. Uday spoke about the time when – on being urged by his wife – he chucked his secure job at the publication Down to Earth and relied on his wife’s income for six months before securing a lower paying position at Zee TV. “I took a 50 per cent pay cut,” he revealed. “But I so wanted to do news television that I was willing to go that distance.”

    Uday then revealed how he switched to the Star Network when he was called upon by the Murdochs to clean up the mess that was Star News from his comfortable position at Aroon Purie’s Aaj Tak.

    “On the face of it, it was a bad career move,” he revealed. “Star News was as messed as it could ever be. All the success and equity I had created for myself at Aaj Tak and before was at risk. The sensible course was to run for my life. But instead I dived headlong into it and doubled down. Within a month I was both editor and CEO. Everyone thought I was going to break all records of disastrous stints as a media CEO. I knew nothing about running a business. But as a journalist I had learned one thing: when you do not know something, you go to people who understand it better than you. That’s what I did. I focused on bringing in good talent and content. And slowly the tide turned. Star News went from bottom to the top of the pile.”

    That’s when the Mudrochs spotted him as a potential leader of Star India. While at Star News he, at least, had command over news content, he did not have any experience of entertainment when he walked into Star India. There was an exodus in the organisation as two top-notch executives had left to launch their own channels, taking experienced professionals with them. He once again relied on his journalistic instinct which told him that a crisis could be tremendous opportunity.

    Once there, he concentrated on playing the long form of the game of cricket – test match vs the IPL, Uday revealed. His first focus was on hiring good talent. Deciding to discount experience, he emphasised on intelligence and youthfulness and irreverance. The leadership under him did not have previous media experience unleashing a really powerful force in the company. Simultaneously, he focused on getting rid of the slacker culture in Star.

    He then went about chipping away at edifices that had made Star Plus a success until then. He dropped all Ekta Kapoor and Balaji shows and dropped the successful Kaun Banega Crorepati and called in new producers to churn out differentiated content like Satyameva Jayate hosted by Aamir Khan to the annoyance of established ones. “Everyone thought we were crazy. Who would put a show like that on entertainment television on Sunday? It was a great decision. It made an impact on society. And it had an even bigger impact on the thinking at Star. Everyone thought that it was going to be my nemesis. But I survived Satyamev Jayate,” he highlighted.

    “We are in the business of content. It may surprise you to know how few companies have content at their core. The biggest contribution I have made at Star is that I have tried to push content closer and closer to the centre of the core so much so that the core of Star today is content,” he further explained.

    “If no one believes that it can be done, we will take a shot at it. This is a culture we have built at Star,” he says.

    The greater risk taken by Uday was the decision to take Star into sports – the graveyard of many media companies. He was not satisfied with the ICC rights, BCCI rights but acquired the IPL rights at aggressive prices as well. “No other media company invested in cricket like Star India did. In contrast to other networks which usually have commentaries in one or two languages, Star expanded it in seven languages which paid off as 86 per cent of their cricket sports viewership come from languages, only 14 per cent comes from English.”

    He spoke about Star’s move towards promoting kabaddi as a sport, wherein everyone thought his goose was cooked. “A friend told me the Murdochs had trusted me too much and that the company had too much money. With the best of intentions, he cautioned that both of these are going to end very badly,” said Uday. “However, we are making some money and I have kept my job. Our sports business is a work in progress as is the sports consciousness in this country. We are slowly building one of the most exciting franchises in the world.”

    Uday then went on the speak about Star’s next  foray with Hotstar wherein he launched the app in a data-dark market where the mobile handset was a device for talking. What gave him the confidence was India’s surprising ability to leapfrog. Once again, he hired the best talent.  He spoke about the risk he took during the Hotstar launch campaign, which ran across the Star network saying “TV is passe. Get over TV. Get Hotstar.”

    He further revealed:  “When we were launching Hotstar, a very senior executive at one of the global tech and video giants warned us that if you try, you will lose a lot of money, effort and time and then you will come begging to us to host your content on our platform. He said that we would still be kind to you. Now, it seems they can’t tire of hiring my talent. Not just one company that is hiring our talent as if it is going out of supply but every media and tech company that’s active in India seems to have one destination to pick up talent  –  Star India. I would make a lot more money if I ran a talent agency. It is annoying but it is also a tribute to our incredibly talented team that’s even more audacious than it is talented. A team that is committed to changing Indian media and content – making a difference to the lives of people. That’s why I am in media for 30 years. And it feels like I am just getting started. Over the years, we have become change agents for India. At Star, we don’t just believe in a better India, we believe in our duty to participate and shape that India. Of course, when a company like Walt Disney values and embraces the businesses we have built, it is extremely gratifying.”