Tag: Star India

  • Star India acquires four films including ‘Rang De..’ from UTV for Rs 160 million

    Star India acquires four films including ‘Rang De..’ from UTV for Rs 160 million

    MUMBAI: Star India has acquired the telecast rights to the Aamir Khan starrer Rang De Basanti from UTV. The block buster film has been bought over along with three other UTV productions as a package for around Rs 160 million, according to market sources.

    The other three movies Star has acquired are Chup Chup Ke, The Blue Umbrella and an un-titled David Dhawan project.

    Confirming the acquisition to indiantelevision.com, Star Entertainment India CEO Sameer Nair said Star channels would premiere Rang De Basanti in the last quarter of the calendar year. “We have acquired four movies, including Rang De Basanti, from UTV through a package deal. We will telecast Rang De Basanti some time around October 2006,” says Nair. However, Nair refused to confirm the acquisition price.

    Rang De Basanti has been the biggest grosser for UTV Motion Pictures this year. The movie, starring the ensemble cast of Aamir Khan, Madhavan, Soha Ali Khan, Kunal Kapoor, Siddharth, Sharman Joshi and Alice Patten, is directed by Rakeysh Omprakash Mehra.

    Scheduled for a 9 June release, Chup Chup Ke will see popular director Priyadarshan delivering yet another South remake. The film is the Hindi version of the Malayalam blockbuster laugh riot Punjabi House. Chup Chup Ke stars Shahid Kapoor, Kareena Kapoor, Neha Dhupia, Paresh Rawal, Rajpal Yadav and Om Puri.

    The Blue Umbrella, directed by Vishal Bharadwaj has Pankaj Kapur donning the title role. Released in December 2005, this low-budget movie had won a lot of critical acclaim. The fourth movie in question is a David Dhawan venture which is about to go on floor.

    The new UTV collection beefs up Star India’s blockbuster bank. The network has already acquired titles such as Krrish, Taxi No.9211 and Bluffmaster. Some of the other movies Star has acquired this year include Apaharan, Ankahee, Shikhar, Family and Aksar.

    While Star India has pocketed a significant number of big movies to telecast this year, competitiors Zee Cinema and Max are gearing up for some tough fight. Zee Cinema has re-branded its driver property Shaniwaar Ki Raat Amitabh Ke Saath and recently telecast the big movie Garam Masala. Other key telecast rights the channel holds include Umrao Jaan, Pyare Mohan and Home Delivery, according to sources.

    On the other hand, Max is banking on some of the 2005 blockbusters such as Salaam Namaste, Kalyug and Zeher. It is expected that Yash Raj Films’ latest release Fanaa and the upcoming biggy Kabhi Alvida Na Kehna will also go to Max.

  • Star India CFO G Subramaniam, AVP Vidyuth Bhandari quit

    Star India CFO G Subramaniam, AVP Vidyuth Bhandari quit

    MUMBAI: After the exit of Puneet Johar as Senior VP, Marketing and Communication last week, Star India has two more key executives leaving the organisation. According to reliable sources in the market, Star India CFO G Subramaniam and AVP Vidyuth Bhandari have quit the organisation.

    Subramaniam, who will be leaving the organisation at the end of June, is set to join a prominent cellular phone company. Bhandari has already joined Adlabs Radio as Interactivity Activation and PR head.

    Subramaniam and Bhandari were not available for comment at the time of filing this report.

    A chartered accountant by qualification, Subramanian joined Star India as Star Digital Platforms Group CFO in 2001. He was elevated to CFO of the network in 2003. Prior to joining Star, he worked with the BPL Innovision business group in their telecom ventures including four years with BPL Mobile, Mumbai as the CFO. The new move sees him returning to the telecom sector.

  • Star kickstarts triple play mission with 7827 expansion

    Star kickstarts triple play mission with 7827 expansion

    MUMBAI: Star India is beefing up its “response mechanism”, 7827 – the short code – to explore the burgeoning mobile entertainment market in the country.

    Starting today, the website www.star7827.com will sport a new look as Star expands the 7827 services from television-focused interactivity to entertainment, specially created and aggregated for the mobile screen.

    In another major foray, Star India will launch a dedicated multi-lingual mobile audio channel, Star Voice in July. The mobile-based interactive voice system will offer consumers entertainment and other personalised updates.

    “We would like to be the first player going at the property,” says Star Entertainment India CEO Sameer Nair indicating the growth plans Star India has conceived to tap the mobile entertainment sector. “Star 7827 will be one of the key focus areas of our business and is expected to contribute significantly to our revenues over the next three to five years. Our proven programming and marketing abilities should ensure that we become one of the key players in this space.”

    “Since the last three years, we had been doing a detailed study on the subject and the expansion of the short code 7827 is one of the results,” says Star senior VP, Interactive Services, Viren Popli.

    As part of the revamping, www.star7827.com has been completely redesigned to reflect the new push in content aggregation. A special section to help visitors learn more about their phones, talk about mobile content and services as exchange views and experiences has also been created. In accordance with the 7827 revamp, a WAP site for mobile internet users has also been created from where visitors will soon be able to access a range of mobile content including videos.

    When queried on Star’s strategies to explore the segment, Nair said it was a learning process which still continue. “We have more questions than answers. These are early days and we are looking at a difficult and different market. We will continue pushing our television content on the mobile platform. We will have variations as it progresses. Once we start producing separate content for the mobile platform, we will definitely switch to a subscription model,” says Nair.

    “As the first step towards creating properties in-house, Star will be unveiling a game on its popular Channel [V] character Chimpu,” adds Popli.

    The revamped 7827 will offer community based content services: personalised products such as ring tones, wallpapers; entertainment products in the range of games, video and audio; information products like news, astrology and jokes. The cost of downloading games from the website will range from Rs 3 to Rs 350, while other services such as ring tones and wallpapers will be available in the range of Rs 3 to Rs 6.

    Speaking on Star’s association with digital content producers and its plans to accomplish self-sufficiency on this front, Nair said the company was looking to associate with as many companies as possible. “We want to do the products of our own. But, even then, we will be keeping these producers in the loop. We want to rope in as many partners as possible. This is a give and take process as we can learn new things out of our associations,” he says.

    Star 7827 in its new avatar will be creating, distributing and marketing content through tie-ups with Indian and International companies. “We will be taking the platform abroad. We are in talks with various international companies for technology and other solutions,” says Popli.

    Star India has also finalised a major publicity overdrive to promote the new initiative. The first set of creatives, promoting 7827 breaks across media platforms today. The company has also entered into a product placement arrangement with cell phone manufacturer Motorola for the promotions. As per the deal, the 7827 promotional creatives will be sporting a Motorola branded cellular phone.

  • Star India buys world satellite rights to three PNC films

    Star India buys world satellite rights to three PNC films

    MUMBAI: Pritish Nandy Communications Ltd has announced that the world satellite rights to its latest productions, Ankahee, Pyar Ke Side Effects and Bow Barracks Forever have been purchased by Star TV Network. The company didn’t divulge the financial details of the deals.

    Ankahee, directed by Vikram Bhatt, stars Aftab Shivdasani, Esha Deol and Ameesha Patel. Pyar Ke Side Effects, a romantic comedy, is directed by Saket Chowdhury. The movie features Mallika Sherawat and Rahul Bose in the title roles. Anjan Datta’s Bow Barracks Forever, which is also scheduled for release this summer stars the likes of Neha and Lilette Dubey, Victor Banerjee and Moon Moon Sen.

    The india distribution rights for Ankahee is shared between Raj Enterprises (Bombay), Sahyog Films (Nizam) and PVR Pictures (Delhi and Punjab). Inox Leisure has acquired four territories, Mysore, Rajasthan, West Bengal and CI. Venus Tapes & Records have acquired the overseas territory. T Series has already released the film’s music.

  • Disney ties up with AirTel for mobisodes

    Disney ties up with AirTel for mobisodes

    MUMBAI: After Star India, it is Walt Disney Television International (India) that is exploring the mobile-enabled episode (mobisode) phenomenon.

    The company has tied up with AirTel to develop mobisodes, games, ringtones, wallpapers and animation in the ‘Disney Mobile Theatre’ featuring popular cartoons. This is the third telecom operator Walt Disney will have tied up with, the other two being in Asia.

    “It is a sunrise segment for Walt Disney. But it is rapidly growing, particularly in the East Asian markets like Japan,” The Walt Disney Company India managing director Rajat Jain said.

    AirTel will, thus, become the first provider of Disney Mobile Theatre in India providing characters like Mickey Mouse, Minnie Mouse, Donald Duck, Goofy and Pluto on the mobile.

    The wallpapers will be priced at Rs 10 per download, whereas the mobisodes, videos, ringtones and Hello Tunes have been priced at Rs 15. A Disney game can be downloaded for a charge of Rs 99. However, company officials were reluctant to divulge the revenue sharing ratio between the two for the same.

    AirTel customers can have access to six Disney animated series in the form of 30 second episodes exclusively made for mobile devices. The content can be downloaded from Airtel’s entertainment portal – Airtel Live! and music and ringtones can also be downloaded from Airtel’s Hello Tunes.

    “With voice pricing coming down, we expect this to be a significant revenue stream for us. Across the globe, telecom operators generate 12-20 per cent revenues from non voice segment,” Bharti Airtel director marketing and communications Hemant Sachdev said.

    “We have always admired the Disney brand for the difference it makes to lives across the globe – bringing millions of people fun, laughter and wholesome entertainment. We are now pleased to partner with Disney to deliver outstanding creative content and entertainment. With Disney Mobile Theatre, Airtel customers can enjoy the Disney experience on the mobile for the first time in India from wherever they are,” he added.

    Walt Disney Internet Group executive vice president and managing director international Mark Handler said, “The launch of Disney branded mobile content on Airtel, including Disney Mobile Theatre and personalisation, content and games, combines Disney’s rich story telling legacy and unparalleled brand equity with Airtel’s leadership in wireless voice and data services to create an engaging and unique mobile experience for customers.”

    Added Jain: “India is a priority for the entire company, and we are delivering on our strength to expand our presence here. We have a huge competitive advantage, thanks to the strength of the Disney brand, which is aspirational. We embrace new technology innovations in developing quality Disney entertainment and as leading content creators are best positioned to capture new ways of delivering it when and where the consumer demands. Using technology to advance our content and its distribution will play a fundamental role in securing our future.”

    The Walt Disney Internet Group has mobile content distribution in 12 other markets in the Asia Pacific region including Hong Kong, Japan, Taiwan, Korea, Singapore, China, Thailand, the Philippines, Australia, New Zealand, Malaysia and Macau. Close to 695 million mobile consumers have access to Disney mobile content in this region.

    Late last year, Star India had tied up with Hutch to create mobisodes of The Great Indian Laughter Challenge (TGILC), which aired on Star One. The price of a one time download of a mobisode of TGILC is Rs 10 per. Additionally, subscribers can also call 7827 (Star India’s short code) to listen to the TGILC jokes for Rs 6.

    Soon after, Zee Telefilms director and business head of Zee TV channel Punit Goenka had told Indiantelevision.com that the company was seriously exploring the phenomenon of mobisodes and were in the process of identifying the properties which were best suited for it.

    Now with Disney also tapping the rapidly growing mobile content and entertainment space, it won’t be long before the others too follow suit.

  • Tata Sky targets 1 July for DTH launch

    Tata Sky targets 1 July for DTH launch

    MUMBAI: Rumours of delays may be rife in the market but Tata Sky – the 80:20 joint venture between the Tata Group and Star India – is targeting a 1 July commercial launch of its direct-to-home (DTH) service, informed industry sources aver.

    Tata Sky CEO Vikram Kaushik, while speaking to Indiantelevision.com, was however quite categorical that any talk of a date of launch was premature at this stage and therefore purely speculative. Kaushik would only confirm that his company was on target for a mid-year launch for its DTH service.

    Tata Sky will begin the “test run” of India’s third DTH service after Zee Group’s DishTV and Prasar Bharati’s DD direct from 15 May, the sources say. It has marked out a 45-day window period till 30 June during which time all technical and channel and programme related issues will have been ironed out.

    According to the sources, the preparatory work for the launch has been ratcheted up several gears in the last three weeks after the company collected from the information and broadcasting ministry the final licence clearing the way for the $500-million DTH service to take off.

    It was in December last that the telecommunication ministry gave its green signal for the vexed matter of setting up an uplinking base in Delhi by Videsh Sanchar Nigam Ltd, an issue that was under government scanner on technical grounds of land use by VSNL of its Chattarpur facility. The telecom ministry nod was seen as crucial for obtaining the final licence from the I&B ministry.

    Tata Sky has three operational centres in the country. Its technical set-up is headquartered in the capital, its complete back-up systems, including call centre operations, is out of Bangalore while its commercial activities are managed from Mumbai.

    One big priority of course is getting all popular channels onto its platform, a matter that rival DishTV has still to resolve with the Star network and the Sony-Discovery One Alliance. Here, like in the case of the Subhash Chandra-promoted DTH service, ESPN Star Sports has already worked out a carriage deal with Tata Sky.

    Queried about this, Kaushik would only say, “We are in ongoing discussions with all major broadcasters. More than this I cannot comment at this stage.”

    Speaking of channels, a key function of all addressable systems is the electronic programme guide (EPG). Tata Sky has exchanged letters with all broadcasters on use of logos and such in regards to how the programming highlights in its EPG will be displayed. The operator has reportedly requested all channels to provide these details ahead of the 15 May week.

    Another aspect that Tata Sky has to confront is of how to get around the last mile roadblock. One strategy that it is going with is to introduce pre-paid cards, which Kaushik believes would make subscription payment easier for the consumer. This differs from the DishTV strategy, which offers new customers its services for Rs 3,990 that includes one year’s subscription. After a year, DishTV subscribers pay a monthly subscription fee.

    Secondly, Tata Sky plans to take the responsibility of directly installing the hardware in every subscriber’s home and servicing it whenever needed. This again differs from DishTV which has a distribution network of about 5,000 dealers / distributors across the country.

    On the hardware side, Tata Sky, like DishTV has done, will be offering its boxes through consumer durable outlets.

    As regards subscriber acquisition, Tata Sky is following a two-pronged strategy of targeting individual consumers as well as institutions, for which there is a separate head of institutional sales.

    Industrial townships, hospitals, hotels, etc. are where the operator is directly negotiating to set up a central dish antenna through which it can connect individual installations.

    Where it has come into direct confrontation with last mile operators has been when it approached housing societies in various cities with the institutional model to offer its services.

    In fact, one of the reasons for a majority of cable networks in Kolkata blacking out the Star group of channels has been this issue. The protest against carriage of the Star channels in Kolkata is being led by the Forum of Cable Operators and Cable Operators Sanjukta, two association bodies of the last mile operators in the city. “Star was asking for a hike, which we couldn’t have passed on to the consumers. Besides, Tata Sky, where Star is a partner, is wanting to grab subscribers by offering housing societies free cabling from a single central antenna,” Cable Operators Sanjukta spokesperson Papi Banerjee told Indiantelevision.com recently.

    Be that as it may, Tata Sky has set itself some ambitious goals. The major one reportedly being to acquire around one million subscriptions by this year.

    Tata Sky CEO Vikram Kaushik, while speaking to Indiantelevision.com, was however quite categorical that any talk of a date of launch was premature at this stage and therefore purely speculative. Kaushik would only confirm that his company was on target for a mid-year launch for its DTH service.

    Tata Sky will begin the “test run” of India’s third DTH service after Zee Group’s DishTV and Prasar Bharati’s DD direct from 15 May, the sources say. It has marked out a 45-day window period till 30 June during which time all technical and channel and programme related issues will have been ironed out.

    According to the sources, the preparatory work for the launch has been ratcheted up several gears in the last three weeks after the company collected from the information and broadcasting ministry the final licence clearing the way for the $500-million DTH service to take off.

    It was in December last that the telecommunication ministry gave its green signal for the vexed matter of setting up an uplinking base in Delhi by Videsh Sanchar Nigam Ltd, an issue that was under government scanner on technical grounds of land use by VSNL of its Chattarpur facility. The telecom ministry nod was seen as crucial for obtaining the final licence from the I&B ministry.

    Tata Sky has three operational centres in the country. Its technical set-up is headquartered in the capital, its complete back-up systems, including call centre operations, is out of Bangalore while its commercial activities are managed from Mumbai.

    One big priority of course is getting all popular channels onto its platform, a matter that rival DishTV has still to resolve with the Star network and the Sony-Discovery One Alliance. Here, like in the case of the Subhash Chandra-promoted DTH service, ESPN Star Sports has already worked out a carriage deal with Tata Sky.

    Queried about this, Kaushik would only say, “We are in ongoing discussions with all major broadcasters. More than this I cannot comment at this stage.”

    Speaking of channels, a key function of all addressable systems is the electronic programme guide (EPG). Tata Sky has exchanged letters with all broadcasters on use of logos and such in regards to how the programming highlights in its EPG will be displayed. The operator has reportedly requested all channels to provide these details ahead of the 15 May week.

    Another aspect that Tata Sky has to confront is of how to get around the last mile roadblock. One strategy that it is going with is to introduce pre-paid cards, which Kaushik believes would make subscription payment easier for the consumer. This differs from the DishTV strategy, which offers new customers its services for Rs 3,990 that includes one year’s subscription. After a year, DishTV subscribers pay a monthly subscription fee.

    Secondly, Tata Sky plans to take the responsibility of directly installing the hardware in every subscriber’s home and servicing it whenever needed. This again differs from DishTV which has a distribution network of about 5,000 dealers / distributors across the country.

    On the hardware side, Tata Sky, like DishTV has done, will be offering its boxes through consumer durable outlets.

    As regards subscriber acquisition, Tata Sky is following a two-pronged strategy of targeting individual consumers as well as institutions, for which there is a separate head of institutional sales.

    Industrial townships, hospitals, hotels, etc. are where the operator is directly negotiating to set up a central dish antenna through which it can connect individual installations.

    Where it has come into direct confrontation with last mile operators has been when it approached housing societies in various cities with the institutional model to offer its services.

    In fact, one of the reasons for a majority of cable networks in Kolkata blacking out the Star group of channels has been this issue. The protest against carriage of the Star channels in Kolkata is being led by the Forum of Cable Operators and Cable Operators Sanjukta, two association bodies of the last mile operators in the city. “Star was asking for a hike, which we couldn’t have passed on to the consumers. Besides, Tata Sky, where Star is a partner, is wanting to grab subscribers by offering housing societies free cabling from a single central antenna,” Cable Operators Sanjukta spokesperson Papi Banerjee told Indiantelevision.com recently.

    Be that as it may, Tata Sky has set itself some ambitious goals. The major one reportedly being to acquire around one million subscriptions by this year.

  • Star India split into two separate units under Nair, Mukerjea

    Star India split into two separate units under Nair, Mukerjea

    MUMBAI / NEW DELHI: In what is a major organisational revamp within Star India, the functions and management of the group have been split between CEO Peter Mukerjea and COO Sameer Nair.

    Nair has been given the role of CEO Star Entertainment India while Mukerjea is now the CEO of Star Group India.
    Essentially, what has happened is that Star India has been split up into an operational entity and a corporate entity.

    Mukerjea will lead Star Group in India as its CEO, responsible for all corporate functions such as legal, finance, government affairs, corporate communications as well as managing Stars investments including Tata Sky, Hathway, Balaji and MCCS.

    He will also spearhead the development of new business opportunities in India. Mukerjea will continue to report to Star Group CEO Michelle Guthrie.

    Star Entertainment India, which is now fully under Nair’s charge, will oversee day-to-day programming, marketing, advertising sales and distribution functions.

    Nair has also been given the remit of expanding Star’s media presence from its existing TV channels Star Plus, Star Movies, Star Gold, Star News, Star One, Channel [V], Star Utsav and Star Vijay, into new media including wireless and broadband internet platforms.

    Nair will be reporting directly to Star Group COO Steve Askew.
    The changes are part of a reorganisation emanating from Star’s headquarters in Hong Kong with Askew being given additional charge as president of Star Entertainment. Askew has been Star COO since December 2003.

    Askews appointment is effective immediately. In his expanded role, he will oversee Stars operating divisions across the region, with his portfolio expanding from Taiwan, Hong Kong, Singapore, Malaysia, Korea, the Philippines, Indonesia, Thailand and the Middle East to India.
    Commenting on the announcement, Guthrie said, The reorganization reflects the scale to which our operations have grown in India. The new structure will enable us to optimize our resources in expanding our leadership position in the television landscape while aggressively creating new opportunities in Indias thriving marketplace.

    According to Guthrie, Sameer was the key driving force to our ratings turnaround in India in 2001. Since then, Sameers intuitive knowledge of television entertainment has helped Star India deliver record results in ratings and revenues.

    “His promotion is a testament to the contribution he has made to build Star into the number one network in India. The new reporting structure aligns our creative forces and operational teams across the region, enabling us to continue developing compelling and successful content across different delivery platforms for years to come.

    Guthrie continued, Peter has done an exceptional job in leading our highly talented local team to grow our businesses exponentially in India. Under the spin-off, we will be able to exert a greater impact on our existing investments in India, particularly with the imminent launch of the Tata Sky DTH service.

    “Peters unique insights, extensive experience and strong business acumen will be invaluable as Star actively pursues new business opportunities to serve consumers throughout India.

    Speaking to Indiantelevision.com late in the evening, Nair expressed happiness at the confidence the top management of Star had shown in him.

    Quizzed on his agenda after the promotion, Nair said, “The basic aim of the company remains unchanged and that is to continue making entertaining content and find ways to monetise them more effectively across all delivery platforms.”

    Though Nair was not forthcoming on the company’s plans relating to Internet and wireless (medium), he did admit that these are two areas that will get some focussed attention.

  • CAS Ruling: MSOs now have the ammo to take on DTH

    CAS Ruling: MSOs now have the ammo to take on DTH

    It was one piece of news that cable TV networks were waiting to hear for long, too long in actual fact!

     

    Buffeted by potential competition from direct-to-home (DTH) operators, the timing of the Delhi High Court ruling that has ordered the government to enforce the rollout of conditional access system (CAS) in India within four weeks couldn’t have been more crucial. Tata Sky is preparing to launch in June and Dish TV, at present the only existing private sector DTH service provider, is expected to sort out programming contracts with Star India and SET Discovery by then.

     

    Cable TV can take DTH head on with its digital service. It has the firepower to do so, having built a rich battery of last mile operators (LMOs) who have serviced consumers over the years.

     

    Firstly, it can cobble together more channels than DTH can offer at the initial stage when the consumer is making the shift from analogue to digital. Already, some MSOs are making available a little under 150 TV channels. DTH operators, on the other hand, are limited by transponder space on satellite and can only ramp up under MPEG-4 compression technology.

     

    Second, cable TV can bundle broadband and, with preparation in future, telephony services.

     

    Third, it can develop interactive features with its fibre network.

     

    Fourth, it has manpower in place which can be quickly energised to push digital set-top boxes (STBs).

     

    Sure, MSOs and independent operators would have preferred the courts to have come up with the same verdict much earlier, after the government withdrew CAS in 2004. That would have given them a first mover advantage with a considerable time lag before DTH could kickstart operations.

     

    But there was one issue which had still to be sorted out for an effective rollout: LMOs felt insecure and did not back the rollout of digital cable. With competition from DTH looming large, they now have the support of their franchisee operators.

     

    But what if the verdict on CAS had come after Tata Sky’s launch and Dish TV’s content contracts had been stitched with Star and Sony? Cable TV operators would have been able to fight against DTH with two weapons in their armoury – analogue cable and voluntary digitalisation. On analogue cable, operators have the flexibility of dropping subscription fees drastically. With a price warrior in place through analogue service, digital cable could offer an alternate choice to consumers to combat DTH head on. On the flip side, the digital service would still remain unaddressable while DTH could provide consumers the choice of selecting channels and packages they want to pay for.

     

    Under CAS, cable operators do not have the flexibility of delivering pay channels on their analogue network. Consumers will have to select between DTH and digital cable for receiving these channels. They will, in other words, have to buy either a DTH or a cable TV set-top box.

     

    But delaying the direct knock-to-knock face-off between cable and DTH operators hardly serves any purpose. The business model for MSOs and independent operators can only get worse if no CAS is in place. Because the way out to stop DTH from invading into cable territory without a properly tiered and price-packaged digital service would have been possible only through rate drops. While LMOs would have been unaffected, the MSOs would have felt the pinch.

     

    Retooling business strategies and organising the sector is in the commercial interest of the cable operators. The hour has come to change the mindset and bring in quality and service-oriented practices. It will be meaningless to wish away competition from DTH and later IPTV providers.

     

    Several networks already have a stockpile of digital STBs. So far, they have been unable to place these boxes in consumer homes. Even Hathway Cable & Datacom, the more aggressive of the digital cable TV players, claims it has managed to distribute just 40,000 boxes. It would do better for operators to take a more positive view: that with CAS, digitalisation, either through cable or DTH or IPTV, would move faster.

     

    After all, the market is too big and diverse for any single player to cover it all.

     

    Ensuring a ramp up in supply of boxes, erecting a solid encryption system, and having a sound billing mechanism should be the focus areas. Also, it is crucial for operators to find more, better and premium content which can lure customers. They will also have to work out rental schemes and low up-front charges to subsidise the boxes in order to stay competitive with DTH.

     

    Another hard lesson to be learnt from this is that investments on old technologies won’t help. For those who have put their money on analogue STBs, the chances of surviving the battle look grim. Yes, there is a market for free-to-air analogue service. But no, not for analogue STBs as that will limit the channel offerings at a time when supply is growing rapidly.

     

    There will be competitive pressure for cable operators to upgrade their networks and services. Territorial monopolies will end and cable operators will also have to fight amongst themselves for retaining or acquiring subscribers.

     

    DTH, of course, retains one advantage. It has a national footprint while CAS is limited to the four metros in the first phase. This will give DTH economies of scale, but then it will still face the big hurdle of drawing in consumers to buy a box in the non-CAS areas.

     

    By bringing in CAS, the MSOs realise the entire business model changes in favour of them. Gaining control over the entire value chain across the network and having an addressable system will pump up valuation of cable companies and draw in global investors.

     

    The green signal on CAS couldn’t have come at a riper time. If there is any year which can drive digitalisation forward, this is it. In June-July, ESPN Star Sports will show live the football World Cup. The other key properties on the roster are ICC cricket Champions Trophy in September and the cricket World Cup early 2007 (both events on Sony).