Tag: Star India

  • Atrangii hires veteran producer to spearhead content blitz

    Atrangii hires veteran producer to spearhead content blitz

    MUMBAI: Atrangii and Hari Om OTT have recruited  Vidyuth Bhandary as executive vice-president for content and studios, as the streaming platforms gear up for an aggressive expansion push.

    The appointment brings nearly three decades of media muscle to the homegrown platforms. Bhandary previously ran studios at Dice Media, where he masterminded OTT content development and production. His cv spans heavyweight roles at Times Internet/MX Media, FremantleMedia, Star India and Big FM, with credits including top-rated international format shows and blockbuster Indian streaming content.

    In his new perch, Bhandary will commandeer content teams across both platforms whilst heading up their newly-minted studio division. His brief includes turbo-charging Atrangii’s fiction and non-fiction pipeline and crafting devotional stories for Hari Om. The studio arm will churn out original intellectual property for third-party OTT services, television and films.

    “We’re in a phase of aggressive growth, expanding our footprint and cementing our leadership,” said Vibhu Agarwal, founder of both platforms. “Vidyuth’s appointment is a key step—his experience will help strengthen our in-house content engine and accelerate our plans to build a world-class studio ecosystem.”
    The hire signals Atrangii’s intent to muscle in on India’s crowded streaming battleground. Bhandary pledged to forge fresh content partnerships whilst building “a multi-year roadmap” for both domestic and international markets.

    “My goal is to help build a strong in-house content slate, while also developing a full-fledged studio setup,” he said. “I look forward to expanding into new markets, genres and achieving the vision set by the management.”
    The move underscores how Indian streaming services are doubling down on original content to differentiate themselves in an increasingly saturated market.

  • Reshmy Warrier returns to WPP Media to lead Unilever business planning

    Reshmy Warrier returns to WPP Media to lead Unilever business planning

    MUMBAI: Reshmy Warrier has rejoined WPP Media as head of business planning and operations for Mindshare’s Unilever account, marking a homecoming after more than 14 years shaping content strategy at Star and Zee5.

    Warrier will steer advanced planning, strategic insights, product development and automation for WPP’s Team Unilever, bringing a mix of media savvy and data-driven flair to one of the world’s most powerful brand portfolios.

    She spent nearly six years at Zee5 as senior vice-president of global content strategy and platform operations, driving a 30 per cent surge in SVOD conversions and an 8 per cent rise in viewership. Earlier, at Star, she led strategy and programming for the English entertainment business, keeping shows like MasterChef Australia and Koffee with Karan at the top of the ratings.

    This is Warrier’s third stint at WPP Media and her second at Mindshare Fulcrum, where she once handled Unilever’s beauty and haircare brands, managing a Rs 200-crore media budget and executing high-profile campaigns such as Dove’s “Hair Damage Meter” and India’s first logo-based augmented reality ad.

    Her career began in outdoor advertising with Cactus Imaging and Kinetic Worldwide before moving into client leadership at Mindshare. Warrier described the move as “a new chapter powered by AI, tech and data to deliver impact-driven solutions for Unilever.”

  • Ad volumes tune up as TV, radio and print steal the show in H1 2025

    Ad volumes tune up as TV, radio and print steal the show in H1 2025

    MUMBAI: Lights, camera, action, India’s advertising pie in 2025 is anything but half-baked. The first half of the year has seen TV, radio, and print rise with renewed swagger, even as digital took a cautious breather, according to a trends report by Excellent Publicity in partnership with TAM Adex and RCS India.

    Television strutted confidently, clocking a 27 per cent surge in ad volumes and a 64 per cent jump in spends over 2023. Unsurprisingly, Star India ruled the charts, while Jio Hotstar topped brand visibility. Together, Sports and GECs claimed 84 per cent of ad time, proving that prime time still makes advertisers shine. Entertainment, e-commerce, and social media alone accounted for 25.6 per cent of volumes.

    Radio kept its local beat alive, growing 10 per cent in revenues over 2023. Real estate and cars dominated the airwaves, with Maruti Suzuki India the top advertiser and Jeena Sikho the loudest brand. The real showstopper? Commercial vehicles, which roared with a 24x spike in ad spends, underscoring radio’s rural and tier-2 pull.

    Print, once counted out, flipped back into relevance with 26 per cent growth YoY. Cars led the page with 8.9 per cent of spends, while Retail Departmental Stores made a debut in the top 10. Allen Career Institute continued to hold the spotlight, and two-wheelers raced ahead with a 31 per cent surge in spends, showing print’s enduring power in suburban and semi-urban India.

    Digital, meanwhile, had a paradoxical season. Though overall spends dipped 8 per cent YoY, the platform saw its highest number of advertisers in three years. Online shopping led the charge with 11.2 per cent of total spends, Amazon India as the top advertiser and Amazon the most visible brand. Quirky shifts included washing powders and liquids exploding by 21x and perfumes/deodorants by 6x, while programmatic accounted for 88.3 per cent of spends, cementing automation’s dominance.

    As Excellent Publicity co-founder Vaishal Dalal put it: “TV still captures attention, radio keeps it local, print earns back trust, and digital is sharper than ever. The winners are those who embrace each medium’s strengths while staying innovative.”

    India’s ad world, it seems, is learning to juggle tradition with tech – and in 2025, every medium is fighting for its close-up.

  • RedFM names Sushant Singh Rathure deputy general manager–sales

    RedFM names Sushant Singh Rathure deputy general manager–sales

    MUMBAI: RedFM has appointed Sushant Singh Rathure as deputy general manager–sales. Based in Delhi, he will lead special projects in the north, oversee government and PSU accounts, and head the UP cluster.

    Rathure, a business growth specialist with nearly two decades in advertising sales and brand partnerships, moves from Music Broadcast Ltd, where he was associate vice-president, running RC Digital Labs and Radicity. He previously held senior roles at Bharat Media Group, Sony Pictures Networks India, Star India, and The Times of India, with a track record in driving revenues, scaling media businesses and launching new formats.

    This is Rathure’s second stint at RedFM, where he earlier led sales for the Mumbai station between 2019 and 2022. He credited RedFM’s chief operating officer, Nisha Narayanan, for the opportunity, saying her “faith and leadership” would inspire him to deliver “with greater dedication and passion.”

    A seasoned strategist with regional and national exposure, Rathure is known for building alliances, managing P&Ls, and blending creative solutions with sharp media planning. At RedFM, he returns to familiar turf, this time with a wider remit and higher stakes.

  • William V takes charge as CFO of Jio Blast Esports

    William V takes charge as CFO of Jio Blast Esports

    MUMBAI: William V has been appointed chief financial officer of Jio Blast Esports, the joint venture between Reliance’s Jio Platforms and Denmark’s Blast ApS. He will oversee financial strategy, governance and operational efficiency as the company pushes into India’s fast-growing esports sector.

    A chartered accountant by training, William has more than two decades in senior finance roles. He currently also serves as CFO at JioAds. Before joining Reliance, he spent seven years at Dentsu Aegis Network as director of finance and group treasury, following a decade at Star India where he handled US GAAP reporting, Sox compliance and project evaluation. Earlier stints included Darashaw and L&T Finance.

    At Jio Blast Esports, William is tasked with driving financial planning, compliance and automation while supporting long-term value creation in an industry that sits at the crossroads of gaming, sports and entertainment.

  • Indian film producer loses copyright battle over Lootere title

    Indian film producer loses copyright battle over Lootere title

    MUMBAI: A Hindi film producer who made a 1993 film starring Sunny Deol has lost his bid to stop Disney+ Hotstar from streaming a digital series with the same title, after a Bombay high court judge ruled that film titles cannot be copyrighted.

    Sunil Darshan Saberwal, who produced the Hindi feature film Lootere three decades ago, sued Star India (now JioStar India) and others in March 2024, seeking to prevent them from using what he claimed was his registered title for their piracy-themed web series.

    But justice Sandeep Marne dismissed Saberwal’s application for a temporary injunction on 18 August, delivering a comprehensive rejection of his copyright claims and dealing a significant blow to long-standing industry practices around title registration.

    The judge ruled that “there cannot be a copyright in mere title of a film”, citing Supreme Court precedent that titles are “incomplete in themselves” and do not qualify as literary works under India’s Copyright Act of 1957. The ruling follows the apex court’s 2016 decision in Krishika Lulla v Shyam Vithalrao Devkatta, which established that commonplace words like Desi Boys lack the originality required for copyright protection.

    Saberwal’s 1993 romantic drama bears no resemblance to Star India’s eight-episode series about Somalian pirates hijacking an Indian vessel. The court noted that “except similarity in the title, plaintiff’s cinematograph film Lootere admittedly does not have any similarity in terms of story with the series.”

    The producer had registered the title Lootere with film industry associations including the Western India Film Producers Association, arguing this gave him exclusive rights. But the court dismissed such registrations as “purely private arrangements having no sanctity in law,” enforceable only between association members through contract.

    “The associations formed by film producers and registrations granted by such associations are nothing but an internal contractual arrangement between the members,” justice Marne stated. Since Star India was not a member of the relevant association, it could not be bound by Saberwal’s registration.

    The judgment highlighted how Bollywood routinely produces multiple films with identical titles—citing examples including Hera Pheri, Aankhen and Dilwale —without legal challenge, provided the underlying stories differ.

    The court also criticised Saberwal’s lengthy delay in pursuing legal action. Though he first noticed the series trailer in September 2022, he waited until March 2024 to file suit—by which time the series had already been streaming on Disney+ Hotstar for months.

    “Plaintiff has whiled away substantial time of about two years despite acquiring knowledge of plans,” the judge observed, noting this delay was “fatal” to claims for emergency relief.

    The decision undermines the film industry’s practice of treating title registrations as conferring legal rights, potentially opening the door to more disputes over popular names. Industry associations have historically operated these registration systems to prevent conflicts between producers, but the ruling clarifies they carry no statutory weight against non-members.

    Saberwal’s legal team had argued that Star India’s own attempts to secure clearance for the title from producer Boney Kapoor proved the industry recognises such rights. But the court found this irrelevant since it was undertaken by a production services company, not Star India itself.

    The series Lootere continues streaming on Disney+ Hotstar, having premiered in March 2024. Saberwal retains the option to pursue damages rather than injunctive relief, though his suit contains no such claim.

    The ruling reinforces that while films and their underlying literary works enjoy copyright protection, titles remain in the public domain unless they achieve trademark status or generate sufficient goodwill for passing-off claims—a much higher bar than simple registration with industry bodies.

  • Nishant Tannwarr steps up as general manager at TV Today

    Nishant Tannwarr steps up as general manager at TV Today

    NEW DELHI: Nishant Tannwarr has been appointed general manager at TV Today, home to leading news brands like Aaj Tak and India Today. A media industry stalwart with over two decades of experience, Tannwarr brings deep expertise across regional revenue, key account management, and broadcast sales.

    Tannwarr has been with TV Today since 2022, previously serving as north head of Aaj Tak HD, where he spearheaded monetisation efforts across the premium Hindi news offering. His elevation signals the group’s intent to double down on integrated sales strategies and agency partnerships.

    Prior to joining TV Today, Tannwarr held senior sales and leadership roles at Sony Pictures Networks, where he served as region head for SAB TV, and earlier as vice president handling national revenue mandates. His media career includes stints at Star India, Zee Telefilms, Eenadu TV and Daewoo Motors—cutting his teeth across both regional and national markets.

    Known for building scalable revenue engines and high-performing sales teams, Tannwarr is expected to steer TV Today’s commercial agenda in a volatile media landscape increasingly shaped by digital shifts and advertiser fragmentation.

  • Zee posts Rs 1,115 crore profit as legal heat with Star rises

    Zee posts Rs 1,115 crore profit as legal heat with Star rises

    MUMBAI: Just when you thought the drama was reserved for primetime, Zee Entertainment’s first quarter of FY26 delivered its own plot twist, a cocktail of climbing profits, flat revenues, and a billion-dollar legal cliffhanger.

    For the quarter ended 30 June 2025, Zee posted a standalone profit of Rs 1,115 million, up from Rs 469 million in Q4 FY25. Revenue from operations stood at Rs 16,839 million, a steep drop from Rs 20,042 million in the previous quarter and Rs 20,007 million a year ago. Yet, the bottom line perked up thanks to lower operational costs (Rs 9,574 million), subdued ad spends (Rs 2,531 million), and a positive fair value gain of Rs 185 million.

    Consolidated numbers tell a slightly flashier story: Zee clocked Rs 18,498 million in revenue and a net profit of Rs 1,437 million from continuing operations, despite a decline from Rs 22,203 million in the previous quarter. No surprises ad revenue dipped to Rs 7,585 million from Rs 8,375 million, while subscription revenue held steady at Rs 9,817 million.

    Zee managed to tame the finance cost dragon just Rs 77 million this quarter and depreciation remained under Rs 600 million. Tax outgo was Rs 535 million on a consolidated basis, including Rs 473 million current tax.

    What’s missing from this quarter? Exceptional items. After a Rs 2,024 million pre-tax profit in Q4, Zee reported no one-offs this time, a marked shift from the Rs 361 million in restructuring costs and write-offs reported in the same quarter last year.

    Still, the real cliffhanger lies in the 1,003 million dollars legal dispute with Star India. Star claims the termination of their Alliance Agreement was valid and now wants damages that have ballooned from 940 million dollars to over a billion dollars as of April 2025. Zee’s defence? A robust counterclaim and demand to recover 8 million dollars plus interest with arbitration hearings slated for November.

    Meanwhile, Zee has been busy spinning off new stories. It incorporated two new entities lbullet Enterprise Limited and Advance Media Distribution Limited in June 2025 to bolster distribution and vertical synergies.

    And for those keeping score on compliance subplots: the Securities Appellate Tribunal (SAT) overturned SEBI’s order against one of Zee’s KMPs last October, although investigations continue. For now, it’s one less legal plotline to follow.

    With the company’s consolidated EPS at Rs 1.50 and a market bracing for the November arbitration climax, Zee seems to be scripting a cautious yet intriguing comeback.

    Zee may be facing more than just viewer fatigue but for now, it’s dodged the ratings dip where it matters most: the bottom line.
     

  • NDTV gets alive and kicking with new events vertical

    NDTV gets alive and kicking with new events vertical

    MUMBAI: In a bold foray into the live entertainment business, New Delhi Television Ltd (NDTV) on Tuesday said its board has approved the launch of a new vertical titled NDTV Alive, aimed at capitalising on India’s booming events market. From ticketed spectacles to high-octane public experiences, the Adani-owned broadcaster is stepping beyond the newsroom and into the arena. The company announced this through a regulatory filing with the Bombay stock exchange earlier today. 

    To steer this fresh initiative, NDTV has brought in media veteran Rahul Kumar Shaw as chief experience officer. Shaw, who has clocked over three decades across heavyweights such as Star India, Zee Entertainment, SET India, and TV Today Network, joins with immediate effect and will also serve as senior management personnel.
    NDTV Alive will focus on experiential formats, a strategic move the company claims will “diversify revenue” and solidify its entertainment footprint. Investments will vary depending on artist fees, production costs, marketing, ticketing, and insurance – but the ambition is unmistakable.

    Shaw previously headed Stage AajTak, the experiential arm of TV Today, and is known for orchestrating immersive formats across TV, radio, and sport. A commerce graduate from Calcutta University, he is expected to bring his flair for content-meets-commerce to the new vertical.

    While NDTV has not disclosed a fixed capital infusion, insiders say the venture signals a wider push under the Adani umbrella to reimagine legacy media assets for a more interactive age.

  • Zee steals the show at Goafest as creativity gets its day in the sun

    Zee steals the show at Goafest as creativity gets its day in the sun

    MUMBAI: The glittering second day of Goafest 2025 turned into a proper awards ceremony slugfest  as Zee Entertainment Enterprises Ltd strutted away with the coveted ‘broadcaster of the year’ crown, leaving its competitors nursing wounded egos and consolation prizes.

    With the swagger of a seasoned prize-fighter, Zee knocked out the competition with a knockout punch of 28 points, courtesy of two golds, one silver, one bronze and a merit. Not bad for a day’s work, really.

    Star India Pvt Ltd  put up a respectable fight, clinching second place with 18 points after bagging one gold, one silver and two merits. Meanwhile, Viacom18 Media Private Litd  had to settle for bronze medal position with 16 points, managing two silvers and one bronze—a performance that suggests they’re more silver screen than silver medal material.

    The others weren’t entirely left empty-handed. Cheil India and Culver Max Entertainment each snagged a gold apiece, earning themselves eight points and a modicum of bragging rights at the office water cooler.

    The Abby Creative Awards 2025, powered by The One Show, didn’t stop at the broadcaster shakedown. Day two saw the advertising industry’s finest duke it out across specialist categories including public relations, digital specialist, design specialist, mobile specialist, technology specialist, and direct specialist. Because apparently, everyone’s a specialist these days.

    The awards, which have become something of a premier benchmark for excellence in Indian advertising and media, continue to prove that creativity isn’t dead—it’s just very competitive and occasionally ruthless.