Tag: Star and Disney India

  • VBS 2022: Over-regulation could impede pay-TV industry’s growth in near-term

    VBS 2022: Over-regulation could impede pay-TV industry’s growth in near-term

    Mumbai: Over-regulation could impede the pay-TV industry’s growth in the near term, especially amid rising competition from the OTT platforms, and DD Free Dish’s expanding territories, highlighted industry stakeholders at the Video and Broadband Summit (VBS) 2022 on Wednesday.

    The day-long virtual event organised by Indiantelevision.com and co-powered by broadpeak concluded its 18th edition. Disney Star came on board as the presenting partner, while NxtDigital was the summit partner.

    The event witnessed an engaging panel discussion among experts from the broadcast and DTH industry as well as other stakeholders as they examined the challenges faced by the pay-TV industry and deliberated on the opportunities that lay ahead. The session was moderated by Indiantelevision.com founder CEO and editor-in-chief Anil Wanvari.

    Overview of pay-TV industry

    TV penetration in India is currently estimated at 60 per cent which means that a third of the households are yet to own a TV set. There are around 210 million TV households, growing at seven per cent year-on-year and adding six-to-seven million new homes. The data also suggests that about 12-14 million TV sets are sold every year.

    While markets like Tamil Nadu and Kerala have a strong TV presence with 98 per cent and 92 per cent penetration, respectively, other markets like Bihar, Jharkhand, Orissa have a huge headroom for growth. In some markets such as Uttar Pradesh, Uttarakhand, Madhya Pradesh, and Chhattisgarh TV penetration is as low as ~40 per cent.

    The Telecom Regulatory Authority of India (Trai) and Federation of Indian Chambers of Commerce and Industry (FICCI) estimated that there are 130 million pay-TV homes in the country. Linear pay-TV business average revenue per user is ~Rs 240 which is less than $3.5.

    “The data shows that there are 300 million homes with 4.5 people on average. While the population may remain the same going forward, the number of households will increase owing to nuclearisation of families,” observed Tata Sky chief financial officer Sambasivan G highlighting the headroom for growth in the coming years. “More households will mean more opportunity for pay-TV to grow.”

    Migration to DD Free Dish

    According to the panellists, free DTH platforms like DD Free Dish are also invading the pay-TV territories and expanding their share. According to the latest data, DD Free Dish run by public broadcaster Prasar Bharati has doubled its base from 20 million to 40 million in the last five years.

    “In the last two years, we have seen the migration to Free Dish gaining momentum,” said Star and Disney India head – distribution and international (India) Gurjeev Singh Kapoor. Drawing attention to the impact of the pandemic, Kapoor said, pay-TV homes had tumbled down by two to three million as consumers moved to free TV because they did not have disposable incomes.

    Ernst and Young media and entertainment advisory services partner Ashish Pherwani noted that the upcoming FICCI report in March will show a further decline of six million households in the pay-TV universe. The report will also indicate a big growth in the number of connected TV (CTV) households. “If you look at pay-TV plus CTV then there’s a growth that will continue in the future,” he said.

    Den Networks CEO SN Sharma maintained that while Free Dish was a noble service that provided entertainment to lakhs of viewers, the challenge emerged when broadcasters charged distributed platform operators (DPOs) money for offering pay channels but gave it free of cost on Free Dish. “There must be a level playing field in terms of regulation,” he said.

    Serving the FTA audience

    Broadcasters and distributors agreed that the TV consumer in India exists on a spectrum where at the top of the pyramid there’s a customer who watches linear TV, broadband video, and OTT whereas at the bottom of the pyramid there’s a customer who prefers to watch only free TV. “For any product and not just TV, you’ll have a market where there will be a free, a pay, and a premium offering,” said Pherwani.  

    “Free TV exists even in mature markets such as the US, Europe, Australia, and the Indian consumer always wants more for less,” commented Indiacast president- affiliate sales- India, South Asia, and APAC Amit Arora. “The bulk of DAS 3 and DAS 4 markets are going to remain connected to the TV, however, growth remains a bigger challenge.”

    According to the panellists, broadcasters have discovered that being available on Free Dish and serving the FTA audience makes more business sense than moving away from the platform. “Somewhere in 2019, when broadcasters went off Free Dish it was estimated to have a base of 30 million. That audience segment remained there,” observed Amit Arora. “We should look at a different solution and attack the market where free TV is present, rather than wishing this problem will go away if we knock off our channels from Free Dish.”

    Star and Disney India’s Gurjeev Singh Kapoor also agreed. “When we vacated that platform (Free Dish) we saw other channels emerging as number one, therefore not being present on Free Dish is not a sensible proposition. You need to have content to entertain people who have less disposable income,” he contended.

    According to Nxtdigital CEO Vynsley Fernandes, free TV audiences can be wooed back to pay-TV by offering them a better product. “A Free Dish customer watches 100 channels for free by paying a one-time nominal fee for the set-top-box (STB),” he said. “We created a lifetime-free product that bundled 300 free channels where the customer had to pay a one-time fee for a digital STB. This allowed them to watch any free channel and upgrade their service to access pay channels if they wanted.”

    He added, “broadcasters and DPOs need to work together to develop products that cater to different socio-economic classes. Today, we’re struggling to figure out what those step-up products can be because you can’t create a thousand different products.”

    NTO 2.0 regulation

    After the first tariff order was implemented in February 2019, it took six months for TV viewership to stabilise and consumers to successfully migrate to the new tariff regime. Pay-TV subscribers declined by 12-15 million according to industry estimates which were compounded by the pandemic which struck in March 2020. Experts on the panel believe that the implementation of the new tariff order (NTO) 2.0 during this period of economic recovery would only disturb the whole ecosystem.

    “This black swan event has changed the consumption patterns on TV, meanwhile, 20-30 million subscribers have dropped from linear TV due to transitioning from one tariff regime to another,” said Amit Arora. “A lot of economies have shown that restrictive policies do not lead to fundamental growth of the sector. What we need right now is a broad paradigm and notover-regulation”

    Highlighting that India has immense competition in the broadcasting sector with 900+ channels and pressure from OTT and Free Dish platforms as well, Gurjeev Singh Kapoor said, in such a market, “the regulator should treat broadcasters with forbearance and let market forces prevail.”

    Adding further, he said, “The average ARPUs for satellite and cable TV and DTH providers is Rs 240. But if you look at what broadcasters walk away with, it is not even one dollar. Is that kind of business model sustainable? We have to look at what the consumer can pay best.”

    Tata Sky chief financial officer Sambasivan G said, said, there was no to flinch from any price increase as a result of NTO 2.0. “We are charging the customer 50 per cent of what we were charging them 20 years ago for double the content. That means the customer is getting four times the value. Even with a price increase we will still be the cheapest pay TV market in the world,” he asserted.

    “The status quo should be maintained for some time,” believed SN Sharma. “Broadcasters have hiked their channel prices by as much as 80 per cent but DPOs are not in a position to handle these kind of price hikes. This kind of disruption will disturb the whole pay TV ecosystem.”

    Parity in regulation of OTT and pay TV platforms

    SN Sharma observed that all major broadcasters are operating their own OTT platforms and offering their pay channels for relatively low cost compared to pay TV. “There must be parity in pricing on cable TV and on OTT,” he stated.

    Commenting on the issue, Gurjeev Singh Kapoor said, “OTT in India is still a second screen phenomenon where a large portion of OTT content is consumed on mobile. It is still not a living room experience. So, I don’t think it is fair to compare linear TV and OTT pricing.”

    He added, “In a market like India with 300 million homes, there are 10 million homes that watch TV content on OTT which is not a big number. So, we’re missing the forest for the trees.”

    “All our linear TV channels are behind the paywall on OTT and not on AVOD. I believe we should be talking about deregulation of linear TV rather than regulating OTT,” remarked Amit Arora.

  • Asianet set to premiere ‘#Home’ on 25 December

    Asianet set to premiere ‘#Home’ on 25 December

    Mumbai: Malayalam general entertainment channel Asianet is set to premiere “#Home” on Christmas Day.

    The channel is gearing up to air the biggest releases in 2022 including “Marakkar- Lion of the Arabian Sea,” “RRR,” “Bro Daddy,” “Aarattu,” “12th Man,” “Kaaval,” “Bhramam,” “Keshu Ee Veedinte Nadhan,” “Kanakam Kaamini Kalaham,” “Kaane Kaane,” “Lalitham Sundaram Minnal Murali,” and “Malayankunju” to name few.

    “Asianet is a household name in Kerala and we remain committed to delivering high-quality entertainment that resonates with the viewers in the market,” said Star and Disney India head – network entertainment channels Kevin Vaz. “Watching movies on television as a family continues to be the norm and there is a high demand for quality movies from Malayalam speaking audiences across demographics. Asianet’s library of contemporary and quality movies makes it a sought-after destination for brands to reach out to their key target segments,” he added.

    Asianet has a library of 1500+ Malayalam films. In the last few years, the channel has significantly ramped up movie acquisitions in line with the constantly evolving tastes of the audience. These include some of the biggest 2021 hits like “Drishyam 2,” “Nayattu,” “Joji,” and “The Great Indian Kitchen,” all of which were well received by audiences outside of Kerala as well. Asianet also has 41 out of the all-time top 50 IMDb-rated films in Malayalam.

  • Star and Disney India postpones new channel launches till further intimation

    Star and Disney India postpones new channel launches till further intimation

    Mumbai: Star and Disney India has deferred the launch of 15 (SD+HD) channels and renaming of one channel until further intimation.

    “This is to inform all distributors of television channels that the launch of following 15 channels and name change of following one channel have been deferred till further intimation by Star,” it said.

    The channel launches that have been held back include Star Gold Romance, Star Gold Thrills, Jalsha Josh, Star Movies Select, Pravah Pictures, Star Kirano, Star Sports 1 Tamil HD, Star Sports 1 Telugu HD, Disney Channel HD, Hungama HD, Star Gold 2 HD, Pravah Pictures HD, Vijay Super HD, Asianet Movies HD and Star Kirano HD. The renaming of Marvel HQ to Super Hungama has also been delayed till further notice.

    The broadcaster had published its new reference interconnection offer (RIO) on 15 October mentioning the new channels and declaring the new channel and bouquet pricing in compliance with the new tariff order (NTO) 2.0. Star planned to launch its new channels between December 2021 and January 2022.  

    The Telecom Regulatory Authority of India (Trai) notified that it has extended the deadline for implementation of NTO 2.0 till 1 April 2022. In the meanwhile, broadcasters must revise their RIOs by 31 December and distribution platform operators must report their distribution retail price of pay channels and bouquets by 31 January 2022.

    The broadcasters’ association Indian Broadcasting and Digital Foundation (IBDF) and Trai have been embroiled in a legal battle on the matter of NTO 2.0 implementation. The final hearing of the Supreme Court on the matter is on 30 November.  

  • Star elevates Krishnan Kutty to EVP and head of Tamil, Malayalam & Marathi biz for TV & OTT

    Star elevates Krishnan Kutty to EVP and head of Tamil, Malayalam & Marathi biz for TV & OTT

    Mumbai: Krishnan Kutty is named as executive vice president and head of Tamil, Malayalam and Marathi (TV and OTT) at Star and Disney India. He was previously the business head for Star Vijay.

    Kutty is an experienced media professional who has been in the industry for 22 years out of which 16 years were spent with Star TV Network. He previously had stints with Mindshare, NDTV and Hutch before joining Star in 2005 as vice president – research and on air. While he was heading Star India’s Tamil language business, he was responsible for growing market share by four times and revenues by three times in four years.  

    He completed his graduation from Narsee Monjee Institute of Management Studies (NMIMS) and his MBA in marketing from Indian School of Business.  

  • Star India bolsters content slate for festive season

    Star India bolsters content slate for festive season

    Mumbai: Star India network is bringing specially curated shows and films across Hindi, English, and regional channels this festive season. The content slate includes new seasons of marquee shows such as “Dance+,” “Bigg Boss” – Telugu and Tamil, “Super Singer,” “Start Music,” and many more.

    “Viewers are at the front and centre of everything we do; as a network, we understand their pulse and are committed to offering content that resonates with the entire family,” said Star and Disney India head – network entertainment channels Kevin Vaz. “We are thrilled to present power-packed shows with the biggest celebrities including Kamal Haasan, Akkineni Nagarjuna, Sonu Nigam, Remo D’Souza to entertain our viewers this festive season. This is a terrific opportunity for advertisers to reach and engage with viewers across demographics and make most of the festive period.”

    The upcoming weeks will bring in a plethora of new shows and films on the network including the comeback of “Dance+” on Star Plus after two years. Season six of the popular show will have Raghav Juyal as the host and the famed choreographer-director Remo D’Souza return as Super Judge along with Shakti Mohan, Punit J Pathak, and Salman Yusuf Khan as the judges, “Haathi Ghoda Paal Ki Jai Kanhaiya Lal Ki,” a mythological drama series on Star Bharat, “It Happens Only In India” on National Geographic, Bollywood blockbuster films such as “The Big Bull,” “Mimi,” “Hungama 2,” and “Bhuj: The Pride of India” on Star Gold and Hollywood super hits “Frozen 2,” “The New Mutants,” “Maleficent: Mistress of Evil,” “The Empty Man,” and “A Welcome Home Christmas” on Star Movies. 

    The network’s regional entertainment offering will include a special talent show “Me Honar Superstar Chote Ustaad” on Star Pravah, “Cook with Comali Season 3” on Star Vijay, “Bigg Boss Diwali Special” on Star Maa, and more. In addition to this, multiple new fiction shows will be launched across the television network.

    Star India network currently has some of its biggest properties running on-air including “Bigg Boss Tamil” and “Start Music” on Star Vijay, “Bigg Boss Telugu” on Star Maa, “Super Singer Season 3” on Star Jalsha, “Me Honar Superstar Jallosh Dancecha” on Star Pravah and “Comedy Stars” on Asianet which continue to entertain viewers season after season and add to the festive cheer, said the broadcast network in a statement.

  • Disney+ Hotstar’s ‘Aarya’ nominated for 2021 Emmy Awards

    Disney+ Hotstar’s ‘Aarya’ nominated for 2021 Emmy Awards

    Mumbai: Streaming service platform Disney+ Hotstar’s web series “Aarya” has been nominated at the 49th International Emmy Awards.

    Directed by Ram Madhvani and starring Sushmita Sen, the show bagged a nomination in the ‘Drama Series’ category, becoming the first show from the OTT platform to be nominated at the Emmys.

    “We are extremely proud and honoured to be nominated at one of the most esteemed global award platforms that recognise creativity, talent and storytelling at its best,” said Star and Disney India president and head of content Gaurav Banerjee. “I congratulate the entire crew of Aarya and our team at Disney+ Hotstar for underlining India’s creative talent to the world.”

    “It is surreal to know that Aarya has been recognised globally amongst the best drama series in the world and to be nominated at a platform as prestigious as the International Emmy Awards is phenomenal,” said actor Sushmita Sen. “I am overwhelmed with the love and faith viewers across the world have put into our labour of love and want to thank each one from the bottom of my heart for the encouragement.”

    The show’s ensemble cast included the actors Namit Das, Sikander Kher, Jayant Kriplani, Sohaila Kapoor, Sugandha Garg, Maya Sareen, Vishwajeet Pradhan, and Manish Chaudhary in pivotal roles.

    “It’s a feeling of pride and humility and true happiness to have been nominated for the International Emmy Awards,” said director Ram Madhvani. “Congratulations to the entire team and cast of Aarya for their immense support, belief, and love. And to the full team at Disney+ Hotstar and Endemol Shine. This nomination truly validates the full team’s hard and dedicated work.”

    Meanwhile, “Aarya” is set to return for a second season on the video-on-demand platform.

  • Star & Disney India expands roles of Kevin Vaz, Gaurav Banerjee

    Star & Disney India expands roles of Kevin Vaz, Gaurav Banerjee

    Mumbai: Star & Disney India has expanded the roles of senior executives Kevin Vaz and Gaurav Banerjee. 

    Previously, head of kids, infotainment and regional entertainment channels, Vaz has been appointed as head of entertainment, a newly created role and will be responsible for the entire entertainment channel business. Banerjee, previously head of English and Hindi entertainment channels, has been appointed as head of content and will spearhead content for HSM entertainment channels and Disney+ Hotstar including regional content on the OTT platform.

    The new roles were announced by The Walt Disney Company India and Star India, country manager, K Madhavan in an internal memo to staff.

    Vaz’s remit will expand to include Star Plus, Star Bharat, Star Utsav, Hindi movies, and English cluster. Star Plus, GM, Sumanta Bose, Star Bharat, GM, Arpit Mankar and Star India, GM – Hindi films, Hemal Jhaveri will report to Vaz. Additionally, Star India’s executive vice president – ad sales, entertainment business, Arghya Chakravarty will have a dotted line reporting to Kevin for HSM ad sales.

    The content heads of all Hindi channels will report to Banerjee. Hemal Jhaveri will also have a dotted line reporting to Banerjee for digital movie rights. Apart from Jhaveri and Dhawal Gusain, all regional channel GMs will also have a dotted line reporting to Banerjee for Disney+ Hotstar content.

  • Marvel’s ‘Shang-Chi’ strikes gold in theatres

    Marvel’s ‘Shang-Chi’ strikes gold in theatres

    Mumbai: The global release of Marvel Studios’ “Shang-Chi and The Legend of The Ten Rings” has grossed $127.6 million over three days. This includes domestic box office earnings of $71.4 million and international earnings of $56.2 million including the countries Brazil, France, Germany, Hong Kong, Italy, Japan, Mexico, Russia/CIS, South Korea, Spain, and the United Kingdom, according to data by Box Office Mojo.

    The film was released exclusively in theatres on 3 September unlike its predecessor “Black Widow”, which had a hybrid release and was available on Disney+ Hotstar. “Shang-Chi” premiered in six languages including English, Hindi, Kannada, Tamil, Malayalam, and Telugu. According to a statement by Star and Disney India, the film “struck gold at the box office in the opening weekend”.

    “The amazing response for Shang-Chi and Legend of the Ten Rings is a testament to the fandom Marvel and its characters enjoy in the country. Shang-Chi is a special film that truly celebrates the uniqueness and ingenuity of Marvel films. We are thrilled with the love the film has received across India,” said Star and Disney India, vice president and head of studios, Bikram Duggal.

    Helmed by Destin Daniel Cretton, “Shang-Chi and The Legend of The Ten Rings” features Simu Liu, Benedict Wong, Toby Leung, Michelle Yeoh, Fala Chen, Florian Munteanu, and Awkwafina in pivotal roles.

    The studio is gearing up for its upcoming releases including “Eternals” which is going to hit theatres during Diwali. The film directed by Academy Award winner Chloé Zhao, stars Angelina Jolie, Richard Madden, Kit Harrington, and Don Lee.

  • Star Sports launches Vivo IPL 2021 resumption campaign

    Star Sports launches Vivo IPL 2021 resumption campaign

    Mumbai: Star Sports has drawn parallels between Vivo Indian Premier League (IPL) 2021 and a blockbuster film in its latest advertising campaign called #AsliPictureAbhiBaakiHai featuring cricketer MS Dhoni in a filmy avatar.

    Conceptualised by the creative team at Star Sports, the ad film tells viewers that the second half of the tournament, airing from 19 September, is unmissable. The remaining 31 matches will be played over 27 days in the United Arab Emirates. 

    “There is a great deal of anticipation for the resumption of VIVO IPL 2021,” said Star and Disney India, head – sports, Sanjog Gupta. “Teams and players typically up the ante on the field, play top cricket and are at their competitive best in the final weeks of VIVO IPL, which means fans can look forward to higher intensity, impossible heroics and nail-biting finishes in the month-long spectacle. And this is the proposition of our campaign – #AsliPictureAbhiBaakiHai. That, like a blockbuster, there are many twists and turns, highs and lows, thrills and spills in store. So, whether you watched the first ‘half’ or not, the second half from September 19 is unmissable. Star and Disney India is also committed to continue delivering the most engaging and immersive broadcast of the tournament across TV and digital platforms. Multiple regional feeds, world class presentation, enhanced viewing experiences and technology innovations will delight millions of viewers.”

    The TVC campaign will be released in multiple languages including Hindi, Tamil, Telugu, Kannada, Bengali, Malayalam and will reach a national audience.

  • Star and Disney India commit to reduce usage of single-use plastics across their offices

    Star and Disney India commit to reduce usage of single-use plastics across their offices

    MUMBAI: Star and Disney India has announced their commitment to cut-down on the use of single-use plastics across their offices. As a part of this decision, the company has introduced alternatives to single-use plastics in their office premises.

    The company has always been extremely conscious of its carbon footprint and the impact it has on the environment. They have already replaced plastic teacups with paper cups, plastic stirrers with wooden stirrers, tea and coffee sachets with paper sachets, and added biodegradable plastic wrappers for umbrellas. Additionally, plastic bottles have been replaced with glass jars with immediate effect.

    “At Star and Disney India, we have always believed in being a responsible corporate citizen and with this small step we want to inspire a more sustainable lifestyle. Today, plastic waste is at epidemic proportions in the world's oceans with over 9 million tons of plastic waste being dumped every year with 40% of this being used only once and disposed,” said The Walt Disney Company APAC President and Star & Disney India Chairman Uday Shankar. “It’s about time for us as corporates to make the change for a better tomorrow,” he added.

    On October 2, 2019, National Geographic channel, part of the Star Network launched the Planet or Plastic? Pledge, an initiative aimed at addressing the pressing problem of single-use plastics by raising awareness and encouraging people around the country to take a pledge.

    The initiative received an overwhelming response with 47,000 tweets and 881 million impressions on social media. The pledges generated a commitment to reduce 25 million items of plastic in the first 24 hours. In 2012, Star pioneered the digital broadcast ecosystem by moving its content from tape to cloud, dramatically reducing its carbon footprint.