Tag: Srishti Behl Arya

  • Srishti Behl Arya to quit Netflix India

    Srishti Behl Arya to quit Netflix India

    KOLKATA: After a three years’ stint, Netflix India original films director Srishti Behl Arya has decided to move on. The veteran content creator joined the streaming service in May 2018 just when it began to expand its Indian content team. 21 May will be her last day at the company.

    Behl Arya has played a pivotal role in building Netflix India’s original film slate as starting from Hindi and then moving to regional markets as the competition around streaming intensified. In the last couple of years, the streaming giant has aggressively built its local library, enhanced its content investment in India. It began the year by unveiling a library with more than 40 originals consisting of as many as 13 movies.

    “Srishti has played a foundational role in building our original film slate in India, launching 35 titles over three years with critical acclaim and fandom including Guilty, AK vs AK, Bulbbul and Serious Men, and our first Tamil and Telugu films, with Paava Kadhaigal and Pitta Kathalu. We wish her every success and know she will bring her passion for storytelling to her future endeavours,” Netflix India VP content Monika Shergill said.

    Leading the Netflix originals film team in India over the last three years has been the adventure of a lifetime, Behl Arya stated. “I am incredibly grateful for this opportunity and have learned so much along the way. I couldn’t be more proud of the stories we’ve told, from first time directors, female filmmakers, established voices and so many fresh faces. I wish this wonderful team all the very best and can’t wait to see what’s ahead,” she added further.

    However, film remains a focus and priority investment for the streamer in the country. India is a key focus area for Netflix. It has not only commissioned local language content but has moderated subscription packs for mobile centric viewers, and launched its Hindi user interface.

  • Netflix India in step with global trend of nearly 50% female representation: Srishti Behl Arya

    Netflix India in step with global trend of nearly 50% female representation: Srishti Behl Arya

    KOLKATA: Netflix added inclusion as its cultural value in 2017. Recently, the streaming giant released its first ‘inclusion report’, which revealed that women comprised 47.1 per cent of its workforce. The company, a vocal proponent of gender equality, has featured women in the lead role in many of its original shows and films as well. The balance between an inclusive internal community and female representation on screen is being followed in India as well, Netflix India international original film director Srishti Behl Arya said.

    Since joining Netflix in 2018, Behl Arya has been front and centre in building the streamer’s local content library. She has seen the industry grow and evolve – from the time when there were only a handful of women on film sets, before streaming platforms had entered the scene. She used to be the only woman on set as an assistant director; things have come a long way since then, but there is still a lot to be done. For starters, said she, we need to reach a point when we stop referring to “women director” as something extraordinary.

    “As far as Netflix is concerned, we have even put out an inclusion report globally, we are showing that almost 50 per cent of our workforce is women and that’s the same thing we are seeing in India as well. Not just in the workforce but also in leadership positions,” Behl Arya shared during a virtual interaction. In 2021, the company will be working with 18 women directors and it is already collaborating with over 1,000 women creators in various roles.

    She further added that last year, 50 per cent of Netflix’s film titles had a woman producer or a woman director. Nearly half of its entire content had women playing central roles. Moreover, the company is giving equal opportunity to newer people as well, rather than riding on established names alone.

    “As you see all the members, you see all our subscribers are divided between male and female. When the population of the world is divided in such a way, it’s not right to not represent half the population of the world. That’s a very logical next step for us. And I think what has happened is more and more female members are also finding their voice now. That itself is giving rise to more and more stories about women and more stories, very importantly, from women’s point of view,” she noted.

    Behl Arya reemphasised how Netflix is committed to diversity of all types. According to her, it will come by including more and more voices and stories, as more people want to see themselves reflected on screen.

    The Netflix executive also said the change is also about giving women access to tools to aid their quest for equality and representation. The streaming giant recently created a $100 million global fund for creative equity aimed at more inclusive pipelines behind the camera. $5 million of that fund will be deployed for women all over the world. As part of the initiative, Netflix will be conducting screenwriting workshops for women over the course of a year. In India, the company had many first time female producers, writers, directors.

    “The idea is to enable women to come forward and provide comfort for them to share their stories and that is something that we are actively working on. In fact, right now, in one of our titles, we have a first-time female cinematographer,” she commented.

    There is a common notion that companies hire women leaders in tried and tested roles. However, the scenario is entirely different for Netflix. “We have great representation in the tech side at our Los Gatos office. We have lots of women working on our film side, all our regions, we have them in our production management, VFX, we have women working in marketing and different aspects of it. India office is also following the global trend of close to 50 per cent representation of females. There is no function we can say that is not touched by women,” she remarked.

    While many OTT platforms boast their ratio of female viewership, Netflix India takes a different approach. Behl Arya clarified that Netflix does not divide viewers on the basis of gender, age. It’s the viewing of the title that matters.

    “We have the same high bar for all the countries we are programming and for all the employees and the same standard, we want to maintain all our subscribers. It helps us think things a little differently from how other traditional players think,” she stated.

    Overall transformation in the industry, including at Netflix, was not easy to come by. Women have increasingly stepped up in uncomfortable circumstances to prove their competence. Along with that, men also frequently supported and enabled them.

    “As we break more and more bastions, we will find more and more opportunities to prove how good we are and we are here to entertain and do it really well and it just makes sense to work with more and more people bringing in the diversity,” Behl Arya shared on a confident note.

    Despite the positive changes, one may observe there are only a few women in the upper echelons, which applies to video streaming services too. However, Behl Arya begged to differ. She cited the example of industry leaders like Ekta Kapoor who runs the OTT platform ALTBalaji; Reliance media segment has Jyoti Deshpande at the top, south-based Annapurna Studios CEO Supriya Yarlagadda, ex-Sony Pictures Networks’ (SPN) film production division head Sneha Rajani. Having said that, she raised an important point.

    “There are women in the position but I think that we are still not used to seeing them so they stand out. That’s exactly my dream is that one day gender will not stand out because it will be so common,” she summed up.

  • Netflix and its India story

    Netflix and its India story

    MUMBAI: Netflix has been making  a good catch wherever it has been spreading its net over the past three years. But viewers in Indian waters do not get snared easily by the bait of snazzy and edgy content like in other parts of the world and that is something the streamer learned the hard way. It made a scratchy debut with just a handful of original shows and a thin catalogue of local content in 2016. Net result: only the top sliver (in the hundred thousand or so) of India’s 1.3 billion populace bit and it was left wondering why the service was not getting traction like it was elsewhere.

    The answer lay in localisation: India’s masses care very little about Stranger Things or Black Mirror – Bandersnatch – two series that fired viewers’ imaginations in several countries. Indians would rather watch a Naagin or a Nazar. And just having a Sacred Games and a couple of local movies and shows were not enough to make Indians flash out their check books or credit cards to pay the stiff Rs 700- plus monthly fee in a market where cable TV offered a smorgasbord of 700 channels at less than half that price. And CEO Reed Hastings' promise to shareholders that India would bring in the next 100 million subs seemed like an empty one.

    Cut to 2020: the SVOD platform seems to be getting its act right and has rolled out a slate of local originals –both films and series – like Yeh Ballet, Sacred Games, Jamtara , Leila, Delhi Crime – and many more are in pre-prod stage or on the shooting floor.

    According to media reports, its financials too are getting better. Netflix’s India business grew more than 700 per cent during financial year 2019 recording revenues of Rs 466.7 crore and a net profit of Rs 5.1 crore. Hastings continues to have lots of faith in India’s entertainment-hungry viewers: he has kept a stash of Rs 3000 crore to invest in original content over the next two years.

    India needs that kind of investment; maybe more. There are more than 150 free-to-air channels offering TV shows (fiction and drama), movies and a lot more. Premium cable and satellite pay TV general entertainment channels at Rs 12 to Rs 19 also don’t cost that much. And they offer entertainment which suits the milieu that they are living in and even meets their aspiration needs. The main Indian broadcasters Zee TV, Sony, Star and Viacom18 have strong streaming services, ZEE5, SonyLIV, Hotstar and VOOT, which not only serve the linear feeds of the GECs but also offer the shows and movies on demand, apart from offering premium digital-only originals. Then there are independent streamers like AltBalaji, MX Player, hoichoi and ShemarooMe, which too have interesting programmes for their viewers.

    What bodes well for Netflix is that it has invested in local hires like Monika Shergill, Srishti Behl Arya, Aashish Singh with lots of experience in the local media and the entertainment industry. Earlier, for the first two years, Netflix executives in Los Angeles had oversight over the India office and the content that was being acquired and churned out. The perks of a team familiar with local content is already reflecting in the recent content slate.

    Since the end of 2018, the dramatic change in the overall approach has become noticeable. The platform has joined hands with big names of B-Town like Karan Johar, Shah Rukh Khan, Anurag Kashyap, Dibakar Banerjee and Vikramaditya Motwane. Kashyap’s Sacred Games was the first Indian original series to give the platform prominence in the cluttered market. While Red Chillies Entertainment’s Bard of Blood was critically acclaimed, Dharmatic Production’s Drive received negative feedback. At Indiantelevision.com’s The Content Hub 2020, Netflix’s Aashish Singh said that a number of people watched the film adding that the service does want to create content for every mood of the member and every segment.

    The diversity of Indian audience may sound a cliched and over-stated fact but no one can deny the truth. Film-buff Indians can now watch erstwhile star Manisha Koirala in its upcoming original film Maska. The platform has also slated a comedy special original Ladies Up. Mighty Little Bheem will also get a new season soon. To battle with the broadcaster-led platforms like Zee5, Hotstar, Voot, which have legacy content and international rival Amazon Prime Video with its shopping benefits, Netflix must reach into the heartland or Bharat as it is called. Especially when it looks to sign on that humongous 100 million subscribers from the country.

    Indians are price-sensitive consumers and it's a well-known fact. As is the fact that India is a mobile-first video consumption market thanks to cheap handsets and almost-free data plans. Last year, Netflix hit both these peculiarities by launching a mobile-only pack for Rs 199 per month as against the Rs 799 for the premium large screen experience. In its latest investor conference call, Netflix chief product officer Greg Peters said that thanks to this, they have been able to add incremental subscribers along with an increase in retention.

    The platform is also coming up with more innovative marketing strategies. Over the last year, Netflix India’s social media presence has also started gaining more word of mouth in the vast e-universe of the country. It is also recently testing a Rs 5 plan for the intial month which has again created good chatter. Moreover, it recently added a feature which allows users to make their watchlist decision easier. On the back of the new top 10 feature, Netflix members will notice a newly designed row that will show them what's popular in India.  

    One of the major challenges for Netflix is increasing its awareness to beyond tier-I and tier-II cities. More vernacular, localised content may give the platform a fillip in India’s interiors where smart phones work, even if TVs don’t because of frequent power outages. Although competition is bound to rise for the streaming service in India with the entry of Disney+, there’s optimism abounding about Netflix’s Indian journey in the days, months and years ahead. It looks like its story will have a happy ending.

  • Top Netflix executive dismisses reports on meetings with RSS

    Top Netflix executive dismisses reports on meetings with RSS

    MUMBAI: Top Netflix executive has denied the rumoured meeting of the streaming service and representatives of the Rashtriya Swayamsevak Sangh (RSS). Netflix India International Original film director Srishti Behl Arya termed the reports as “fake news”.

    A few days ago, media reports floated on the meetings of RSS representatives with officials of online streaming platforms such as Netflix and Amazon to restrict ‘antinational’ and ‘anti-Hindu’ content on shows and urge them to show content that “represents real Indian culture and ethos.”

    “It’s not a true story. There was no meeting at all. It’s a fake news,” Behl Arya said at a panel titled “Artistic Freedom: Mapping Out The Entertainment Story” at the ongoing Jio MAMI 21st Mumbai Film Festival Dismissing the report as “completely false,” PTI reported.

    Amazon Prime India Originals head Aparna Purohit said, "We will continue to comply with the law of the land." 

    "The law is the law. It's not like, 'I don't like you, so I'm going to stab you.' Whatever is permitted by the law, we would go into those spaces and the rest is all about the stories that creators want to tell," Behl Arya elaborated.

    Recently Reuters also reported quoting a government official that the government might impose censorship on streaming platforms which may cause censorship threats  for services like Netflix, Amazon Prime Video, Hotstar. 

  • Netflix announces ‘Drive’, first original film with Dharma Productions

    Netflix announces ‘Drive’, first original film with Dharma Productions

    MUMBAI: Netflix announced that Dharma Productions’ Drive will premiere as a Netflix Film exclusively on the service around the world. Directed by Tarun Mansukhani, the action-thriller heist film is Netflix’s first original film with Dharma Productions.

    The fast-paced film, high on action, stars Jacqueline Fernandes, Sushant Singh Rajput, Boman Irani, Pankaj Tripathi, Vibha Chhibber, Sapna Pabbi and Vikramjeet Virk. The film’s edgy car chases, interspersed with high octane music, make Drive a thorough entertainer.

    "At Netflix, we want to be a home for films across genres that delight our viewers in India and around the world. As we rapidly build our diverse film catalogue, we are excited to work on our first-ever film with Dharma Productions and bring Drive to Netflix. It is a complete entertainer led by a brilliantly talented cast and crew and is filled with foot tapping music and pulse-pounding action and drama. We can't wait for our members globally to enjoy it," Netflix India international original film director Srishti Behl Arya said.

    “Our vision for Drive was to make a film that elevates the genre of action-heist films. With nail-biting chases and action sequences, fronted by a spectacular cast, Drive combines the best of Bollywood storytelling with international production quality. I’m thrilled to partner Netflix once again in bringing this incredibly fun film to millions of fans of the action genre around the world,” Dharma Productions’ Karan Johar said.

  • Netflix hires Shrishti Behl to build original Indian slate

    Netflix hires Shrishti Behl to build original Indian slate

    MUMBAI: For some time now, Netflix has, slowly and steadily, been building its India team. Now the latest to be roped in is veteran content creator Shrishti Behl in the critical position of director for international originals. Both Behl and Netflix were not available for a response but her hiring was confirmed by a source close to the development to Indiantelevision.com. 

    Behl’s joining date has not been announced but she has been charged with helping creating global quality original content out of India, working closely with Indian producers. It is expected to invest close to $100 million  in originals from India to start with over the next couple of years.

    She was to the film industry born. Daughter of producer Ramesh Behl and sister of filmmaker Goldie Behl who is married to Bollywood actress Sonali Bendre. Behl has been an independent go-getter since her teenage days when she jumped into the marketing world at the tender age of 15. It was the sudden demise of her father that compelled the young Behl and her brother Goldie Behl to shoulder the responsibility of their production house Rose Movies.

    The spunky lady has made a name for herself on the small screen when she floated Rose Audiovisuals in partnership with Goldie. With thousands of hours of programming delivered across all channels namely Star Plus, Life OK (Star One), Sony, SAB TV, Colors, ZeeTV, Zoom, Star Gold, Channel V and EPIC. Behl was the brain behind Star Plus’s mega mythological show, Aarambh.