MUMBAI: Indra Kumar acted in and made a few Gujarati films in the era of tax exemption and subsidy offered by the Gujarat government to promote Gujarati films. Indra’s forte in those days was to thrive on vulgar gestures and double meaning dialogue. It worked because Gujarati films catered mainly to a certain level of audience. He also came to be called the Dada Kondke (the legendary Marathi filmmaker) of Gujarati films. Indra directed some notable films in Hindi with top stars.
With corporate studios calling shots and stakes gone sky-high, survival for independent filmmakers became impossible. Indra decided to go back to his Kondke style of film making starting with Masti (2004), followed by Grand Masti (2013) to now come up with the third part of his Masti series with Great Grand Masti.
The Great Grand Masti has the same agenda as its earlier versions which is to weave a comedy around vulgarity. The male and female anatomy is the theme around which the makers plan to play. To this end, Indra lets loose his three generally out of work male characters from his earlier films, Riteish Deshmukh, Aftab Shivdasani and Vivek Oberoi. All that these three have in mind is sex 24×7. It oozes from all their actions.
All three are married to very revealing and willing girls but all three girls carry excess baggage which keeps the trio from getting anywhere close to their spouses. Since the lads are desperate for sex and their own women are not available to them, they need to look elsewhere. They decide to embark on a village where Riteish has a palatial property to sell.
The makers think it is time to make this film hattke from the earlier two. So the angle of paranormal is added to consolidate the comedy. This is rare because paranormal on its own has few takers in Hindi films, let alone with a blend of comedy. Last one in memory is late producer-actor Deven Verma’s Bhaago Boot Aaya, inspired from a James Hadley Chase novel, Miss Shumway Waves A Wand. But, to a disastrous results.
In absence of a script or good gags, Indra lets his three non-actors loose on the screen as they start with trying to seduce the sexy maid, Urvashi Rautela, at the palatial house and, later, to save their lives when they realize that the maid is a ghost waiting to be seduced for the last 50 years! The hide n seek between the guys and ghost is meant to be funny but it is not and falls flat. In its 127 minute duration, the only funny scene the film has is of Viagra aftereffect which, again, has been lifted from Mel Brook’s comedy, History Of The World (1981). And, that too has been killed by stretching it too far.
The film is a poor specimen of comedy, entertainment or whatever it may be called. Nothing works here. The performers keep to their reputation and don’t act; over two hours of buffoonery is what they resort to.
The film is poor on all counts and has no hopes at the box office.
Producers: Shobha Kapoor, Ekta Kapoor, Sameer Nair, Aman Gill, Ashok Thakeria, Sri Adhikari Brothers, Anand Pandit.
Director: Indra Kumar.
Cast: Ritesh Deshmukh, Vivek Oberoi, Aftab Shivdasani, Urvashi Rautela, Pooja Bose, Amar Saxena, Sanjay Mishra, Shreyas Talpade.
