Tag: Spotify

  • Stand out and be heard this festive season, with Spotify

    Stand out and be heard this festive season, with Spotify

    The upcoming festive season is one of the busiest times for any marketer and planner in India. It will be a festive season that will be drastically different from previous years and any marketing campaign will have to stand out to work. This will be even more difficult for marketers who want to specifically reach out to Gen Zs and millennials and engage with them. And here is where Spotify can make all the difference. 

    Here’s a quick overview of why marketers should consider talking to their audience on Spotify, especially now. All these details and possibilities are also just an email away at spotify-advertising-india@spotify.com. 

    Spotify: The ‘new normal in media

    On average, an Indian listener spends 2.5 hours per day on audio and 80 per cent of this time, they can’t be reached through visual media1. eMarketer reports that streaming music was the #1 activity that people adopted during the pandemic. And with the increasing adoption of connected devices, the portability of audio (car, watch, Smart TV, game console, home speakers) means that marketers have ways to reach their audience in key screenless moments when they otherwise could not.

    As the world’s largest streaming service, Spotify sits at the centre of culture thanks to its ever-growing music catalogue, and a slate of owned and exclusive podcast content. The more our listeners stream, the more insights we derive from their listening behaviour – and this powers what we call our “Streaming Intelligence”. Streaming intelligence helps brands make their communication more relevant, engaging, and meaningful. For instance, 75 percent of Spotify listeners say they tend to remember those ads more which recognise their moment or setting2. Furthermore, this sensory combination extends your creative options, giving you the best of both worlds. 

    Spotify data shows that running both video and audio increases ad recall by 90 per cent and results in a 2.2x increase in brand awareness3. This means that a plan which includes only display or video advertising is missing out on valuable time and engagement with its intended audience. Spotify fans are creating and curating playlists for every mood and soundtracking every moment of their lives. 

    Spotify can help brands reach consumers when they are unavailable for other forms of advertising. 

    Now, that’s music to every marketer’s ears.

    Comfort in the time of uncertainty 

    One reason this year’s festive season will be unlike any other is the fact that listeners are looking to reset their lives. Sample this: After delaying purchases in 2020, one in three Spotify users are looking at large, big-ticket purchases in a clear case of revenge shopping4. And this is a user base that is likely to spend 15 per cent more on what they want than any other cohort4.

    With music emerging as the warm blanket of comfort in these unsettling and uncertain times, it is no surprise that users are turning to Spotify for festive content. Daily festive streams saw an increase of 63 per cent, and occasion and activity-based streams grew 155 per cent5. It’s going to be the same this year, perhaps even more so. With music being an integral part of the celebrations, and bringing friends and family together on Spotify, it’s one platform that marketers need to plug into ASAP.

    Turn on, tune in

    Spotify lets brands engage with their audience in moments that truly matter. This festive season, the key moments will be shopping, nostalgia, party, and cooking/dining with family. As friends and families start to come together after more than a year of physical distancing, familiar festive customs and traditions will return but in a way that’s unique. Listeners are in the mood for memories as much as living in the moment with activities such as festive cooking. A massive 441 per cent increase in user-generated cooking/dinner playlists bears this out while a growth of 290 per cent for nostalgia streams and 590 per cent for home (and homesick) playlists shows that listeners are turning to music to connect with memories of good times6. 

    It is in the moments like this – when people are inaccessible by other forms of media – that brands can truly reach out to their consumers and engage with them in ways that are only possible through Spotify.

    A never-ending stream of ideas for brands

    Spotify offers limitless possibilities for brands when it comes to connecting with their audiences. Want to sponsor the most-streamed festive playlists? Sure. 

    Want to deliver real-time audio ads while your targeted audience is listening to specific moods? You got it. 

    Want to turn your brand profile into a cookbook with every special recipe having its own unique playlist? 

    Want to create a special campaign with a unique digital experience that will truly drive your brand’s message home? Done! 

    Co-branded digital experiences around festive or shopping wishlists, multiple branded playlists crafted keeping into consideration the specific consumer personas and/or festive moods, creative audio to complement a brand’s in-store experience – the list of possibilities goes on and on. 

    So if you’re looking to add a sparkle to your media plan this festive season, choose Spotify. Write into spotify-advertising-india@spotify.com and let the festivities begin.

    Click here to download Diwali ad solutions packages from Spotify Advertising.

    SOURCES:

    1 – Spotify First Party Data, global, based on daily content hours / daily active users, free users multiplatform, May 2019
    2 – Key Moments Survey, Spotify Users A15-40, US, UK, DE, IT, SP, MX, BR, AU, October 2019
    3 – Nielsen Brand Effect on Spotify, March 2020
    4 – GWI, IN, Wave 5 – Outbreak Report 2021
    5 – Spotify Internal Data, India, Diwali Q4. Sept Vs Oct vs Nov-Dec 2020
    6 – Source: Spotify Internal Analytics, 1st October – 28th February 2021

    (This is an Advertorial, published in association with Spotify)

  • Mirchi launches new show ‘Sunday Suspense Hindi’

    Mirchi launches new show ‘Sunday Suspense Hindi’

    Mumbai: Music and entertainment company Mirchi has launched its new show “Mirchi Sunday Suspense Hindi.” The radio show presents dramatic readings from Indian literature across suspense, crime, horror genres and it airs every Sunday between 3 p.m and 4 p.m on Radio Mirchi.

    The forty-minute-long show will be aired in Maharashtra, Madhya Pradesh, Chhattisgarh, Gujarat, Uttar Pradesh, Rajasthan, Delhi, North Bengaluru, and Mangalore, as well as in international markets including UAE and the USA. It will also be available to stream on Spotify, along with two other Mirchi IPs – “Sunday Suspense Bangla” and “Calling Karan: Season 1 and 2,” said the company in a statement.

    The show features famous stories by celebrated authors namely, Satyajit Ray, Conan Doyle, and Sharadindu Bandyopadhyay, bringing to life their works through a play of sounds, music, and background scores, it added.

    “The launch of Sunday Suspense is an effort in this direction whereby we are not only launching fresh formats on the radio but also providing some nail-biting, dramatised renditions of horror and crime stories from Indian literature,” said Entertainment Network India Ltd executive president Nandan Srinath. “The popularity of Sunday Suspense Bangla strengthens our confidence in this new show and we are looking forward to our listeners’ response to it. We are also happy to have partnered with Spotify as this will enable our discerning consumers to access our content 24*7.”

    Listeners can catch repeats of “Mirchi Sunday Suspense Hindi” every following Wednesday post-midnight or Saturday at 11 a.m.

  • Spotify offers a new talent platform for women podcast creators

    Mumbai: With a goal to spotlight and nurture India’s growing audio community, Spotify has launched ‘Sound Up’, a global program created to identify underrepresented communities. It enables participants to hone their podcast skills through training, mentoring, workshops, and full-program support provided by the audio streaming platform. In India, Spotify will focus on women as an underrepresented community, with the hope to bring more female talent into India’s thriving audio ecosystem.

    The facilitators for this free program include renowned radio presenter, journalist, podcast producer, and audio content & production consultant – Mae Mariyam Thomas and an eminent writer, producer, and original content creator – Riya Mukherjee. Ten finalists will be chosen to attend the program later this year.

    Spotify global lead-Sound Up, Natalie Tulloch said, “Since its launch in 2018, Sound Up has successfully supported the voices of underrepresented communities with an aim to tackle inequity. The program seeks to identify opportunities for new talent, and we are eager to find and represent unique female storytellers from India. Ultimately, we want to create a cascading effect where, as we support more women, they in turn act as role models and empower other women in their network to dial up the female voice in the audio industry.”

    “And to ensure everyone has equal access to resources and technology, Spotify will provide computers, internet access, and podcast recording equipment to the Sound Up participants,” she added.

    Earlier this year, Spotify launched AmplifiHer in India, a sustained initiative that includes women across music and podcasts, inspiring upcoming talent through their own career paths and stories of success and failure, and EQUAL, which caters to female artists and podcasters, by featuring them prominently on the platform.

    In the past, Sound Up has been offered to women and non-binary people of color in the US, UK, Ireland, and Sweden; young people of colour from the Periferias in Brazil; and members of the LGBTIQA+ community in Germany.

    Interested candidates above the age of 18 can now apply online until 26 July, with more details available at soundupindia2021.splashthat.com/.

  • Spotify names Taj Alavi as global head of marketing

    New Delhi: Spotify on Friday appointed Taj Alavi as the global head of marketing.

    Alavi was previously associated with Uber as senior director global marketing from March 2019 to August 2020 and Intuit as head of brand marketing. She has also worked with financial technology company, Chime as vice president, marketing and communications. According to her linkedin profile, Alavi started her career as an account executive with Edelman in 1998 and then went on to work with companies like Revlon and Johnson & Johnson.

    At Intuit, Alavi was the primary manager of creative, media and brand agency of record relationships and drove brand infrastructure, including but not limited to nomenclature, governance process and visual identity.

  • Now you can listen to Spotify music, podcasts in Facebook app

    Now you can listen to Spotify music, podcasts in Facebook app

    NEW DELHI: Audio streaming service Spotify has teamed up with Facebook to make users listen to music and podcasts directly on the social networking app. The new feature will be available on both the iOS and Android apps of Facebook. 

    Under this upgrade, paid subscribers of Spotify can access full playback of music and podcasts without advertisements without leaving the Facebook app.

    Facebook called the move a ”natural step” in its relationship with Spotify. In 2019, these companies had inked a deal that allowed short video clips from Spotify to be posted on Facebook stories. 

    Last week, Facebook had revealed that the company is planning to launch several audio products, including Clubhouse-style live audio rooms and a new offering to play podcasts.

    Spotify, in a recent statement, announced that the new feature will be rolled out in 27 markets including the United States, Australia, and Canada. However, the feature to play podcasts on the Facebook app will not be available for users in India. 

    The Swedish audio streaming company assured that this feature will be rolled out in more markets in the coming months. 

  • Spotify acquires Betty Labs to step up live audio foray

    Spotify acquires Betty Labs to step up live audio foray

    NEW DELHI: In an attempt to make its presence felt in the non-musical audio market, Swedish audio streamer Spotify has acquired Betty Labs, the company behind sports-focused social audio app Locker Room. With this acquisition, Spotify aims to pose competition in the live audio sector, which has been heating up since the arrival of Clubhouse. 

    The popularity of live audio has gained steam during the pandemic months, with Clubhouse – which offers broadcasts, talks, and conversations between internet users – being the clear market leader. Betty Labs also specialises in this niche, and in 2018, it launched Locker Room, which hosts live audio exchanges about sports and watch parties. One of Betty Labs' investors was GV, the private equity arm of Google parent company Alphabet. 

    In a recent statement, Spotify revealed that it is planning to develop Locker Room into a platform that will be open to a wider range of creators and fans. 

    It was in February that Spotify initially expressed its ambitions to expand its market to the non-musical audio business. According to reports, the company has already poured hundreds of millions of dollars to build an integrated podcast that could offer an advertising platform and exclusive content. 

    Meanwhile, social media giant Facebook is developing a platform very similar to Clubhouse, while Twitter is testing a live audio app Spaces, set to publicly launch by April. LinkedIn is also gearing up with the beta testing of the new audio chat feature soon.

    "We're doing some early tests to create a unique audio experience connected to your professional identity. We're looking at how we can bring audio to other parts of LinkedIn such as events and groups, to give our members even more ways to connect to their community," the professional networking app said in a statement issued on Tuesday.

    Clubhouse is currently available on Apple App Store and has been downloaded more than eight million times. The company is currently working to create an Android version of the app. 

  • Httpool APAC names Aatsi Desai Jasani as creative agency partner for Facebook

    Httpool APAC names Aatsi Desai Jasani as creative agency partner for Facebook

    NEW DELHI: Httpool, the largest international partner of major media platforms representing Facebook, Twitter, Spotify, LinkedIn, Snapchat, and others, has announced the appointment of Aatsi Desai Jasani as Httpool APAC creative agency partner for Facebook. She will report to Httpool APAC co-founder and regional managing director Sunny Nagpal.

    Httpool is Facebook's authorised sales partner in eleven selected markets across Asia and Europe committed to providing a first-rate service to Facebook's existing and new clients in these markets.

    "As Facebook authorized sales partner in 11 European and Asia markets, we are committed to providing extensive cross-functional support to all agencies and their brands, as well as the SMB clients. With a proven track record of driving creative solutions for brands across the APAC region, Aatsi is perfectly suited to deliver growth locally and regionally for those clients navigating the new opportunities with Facebook. Aatsi's expertise within the creative advertising space will help us provide that additional brand marketing service and leverage Facebook in a much extensive way" commented Sunny Nagpal.

    On the appointment, Desai said, "Creative is one of the key drivers for good performance of Facebook campaigns, especially with larger audiences consuming content on mobile devices. At a time when content is growing and people’s attention span shortens, the right creatives for the right target audience can be a decisive factor in the success of a campaign. I am excited to be a part of this amazing and highly energized team at Httpool, and I am looking forward to doing some amazing work for the Facebook family of apps across the APAC region."

    Desai has more than 15 years of experience in branding, advertising, and digital marketing. Before joining Httpool, she headed the Brand Solutions team at Affle – India, MENA & APAC region, leading their creative and technology business.

  • Spotify registers 320 million monthly active users in Q3

    Spotify registers 320 million monthly active users in Q3

    NEW DELHI: Audio streaming service Spotify has reached 320 million monthly active users in the third quarter with a 29 per cent year-on-year growth. Successful marketing campaigns in India, as well as the July launch in Russia, have driven the growth.

    “From a content consumption standpoint, global consumption hours surpassed pre-COVID levels during the quarter, and all regions have fully recovered. Consumption trends by the platform have returned to normal usage, including in-car listening hours which is now above the pre-COVID peak. Usage on connected devices inside the home, which saw a spike during the lockdown, also remains above pre-COVID levels.,” the company stated.

    Its premium subscribers base grew by 27 per cent year-over-year to 144 million in the quarter. The platform saw strong subscriber growth across all regions, with added benefit from new market launches in Russia and surrounding territories. Russia has been the most successful new market launch to date and represented the largest portion of subscriber outperformance for the quarter.

    Total revenue of $1,975 million grew 14 per cent year-over-year in Q3; premium revenue grew 15 per cent to $1,790 million while ad-supported revenue rebounded nicely, growing 9 per cent. Within premium, average revenue per user (“ARPU”) of $4.19 in Q3 was down 10 per cent year-on-year.

  • Netflix, Jio lead in customer experience: Kantar report

    Netflix, Jio lead in customer experience: Kantar report

    NEW DELHI: Jio and Airtel have emerged as the top telecom operators in terms of customer experience, according to a report by consulting firm Kantar. Among streaming platforms, Netflix delivered the most consumer satisfaction, followed by Amazon.

    Music streaming services like Amazon Music, Spotify and Apple Music also made the list as "special mentions" for providing great customer experience.

    The new CX+ TMT report released by Kantar evaluates companies in the telecom, media and technology sectors based on a unique combination of their experience scores, and on dimensions that are critical to the customer's journey.

    The study analysed responses from over 6,000 customers across 13 cities in the country in early 2020 to find out key brands in the TMT sector that consumers are most satisfied with.

    In the mobile device segment, Apple topped the list, displacing Xiaomi as the technology brand that provides the best customer experience. OnePlus and Samsung tied for third place. As per the report, Apple has 1.8x higher engagement levels than those at the lower end of the index.

    Tata Sky retained the top spot in the satellite service provider category.

    The landscape across the TMT sectors has changed drastically over the last one year, said Sushmita Balasubramaniam, domain lead for CX and Commerce – South Asia, insights division, Kantar. "Consumers' adoption of and dependence on digital, whether for basic everyday living, working, studying or entertainment has presented enormous challenges to companies in these sectors. And, the changes in usage of products and services will also mean that customer priorities on the kind of experience they are seeking will be different from the pre-COVID era."

    Soumya Mohanty, chief client officer, South Asia, insights division, Kantar explained that there will be vigorous competition in the TMT sector owing to tech convergence and emerging global media giants.

    “Be it network services providers, handheld device brands or streaming media providers, all will leverage customer data to build personalised journeys, CX and owning the relationship with the end user will become increasingly important,” added Mohanty.

  • Saregama IP boosts profits despite revenue fall in first quarter

    Saregama IP boosts profits despite revenue fall in first quarter

    BENGALURU: India music label and movie studio Saregama India Ltd (Saregama) reported 100 times growth in consolidated profit after tax (PAT) at Rs 22.01 crore for the quarter ended 30 June 2020 (Q1 2021, quarter or period under review) as compared to the Rs 0.22 crore for the corresponding year ago quarter Q1 2020. The company’s consolidated operating revenue declined 39.2 percent y-o-y in Q1 2021 to Rs 76.49 crore from Rs 125.90 crore in Q1 2020.

    Saregama says in a media release for the quarter that the primary profit driver was the increased consumption of Saregama IP: Music, Films, TV Serials on digital media by people staying at home. “There is more content getting consumed by more number of people in the post-Covid2019 era than the pre-Covid2019 one. These results have come despite Caravan sales slowing down in light of retail network being shut and no new shoots of our TV serials during this quarter.”

    Saregama has mentioned the following highlights in its earnings release: (1) New Licensing deals with Facebook and Spotify (2) Two Yoodlee films released on Netflix: Chaman Bahaar and Axone. Both trended on Netflix Top 10 list says Saregama (3) License (remake, dubbing) deals for 2 Tamil TV serials in Telugu language (4) Carvaan sale re-started around mid-June and 15,000 units were sold during the quarter. There was a steep increase in the consumption of podcasts on Carvaan 2.0 during this period.

    Saregama consolidated operating EBITDA for the period under review increased 122.6 percent (more than doubled) y-o-y to Rs 42.79 crore (55.9 percent of operating revenue) as compared to Rs 19.22 crore (15.3 percent of operating revenue).

    Segment numbers for Q1 2021

    Saregama has three segments in Music; Films and Television Serials; and Publication.

    The company reported operating revenue of Rs 69.64 crore for Q1 2021 which was 36.8 percent lower y-o-y than the Rs 110.17 crore in Q1 2020. Operating result for the segment however almost tripled (increased by 198.8 percent) to Rs 38.5 crore in Q1 2021 from Rs 13 crore in Q1 2020.

    Films and Television Serials segment reported 58.9 percent decline in operating revenue in Q1 2021 to Rs 5.87 crore from Rs 14.29 crore in Q1 2020. The segment’s operating loss increased in Q1 2021 to Rs 3.61 crore from an operating loss of Rs 1.17 crore in Q1 2020.

    Publication segment operating revenue declined 93.2 percent to Rs 0.98 crore in Q1 2021 from Rs 14.4 crore in Q1 2020. Operating results for Q1 2021 was a higher operating loss of 3.13 crore as compared to an operating loss of Rs 3.05 crore in the corresponding year ago quarter.

    Let us look at the other numbers reported by Saregama for Q1 2021

    Consolidated total income (operating revenue plus other income) for Q1 2021 declined 36.1 percent y-o-y to Rs 81.86 crore from Rs 128.08 crore. Consolidated total expenses in Q1 2021 declined 53.2 percent y-o-y to Rs 59.85 crore from Rs 127.86 crore in Q1 2020.

    Consolidated cost of materials consumed/Contract manufacturing charges for the quarter under review declined to by 98.8 percent to Rs 0.33 crore from Rs 26.95 crore in Q1 2020. Consolidated cost of production of Films and TV serials in Q1 2021 declined 86.7 percent y-o-y to Rs 1.79 crore from Rs 14.40 crore in Q1 2020. Consolidated employee benefits expense in Q1 2021 increased 13 percent y-o-y to Rs 17.44 crore from Rs 15.44 crore in Q1 2020.

    Consolidated finance costs in Q1 2021 declined 50 percent to Rs 0.95 crore from Rs 1.90 crore. Consolidated advertisement and sales promotion costs in Q1 2021 declined 80.3 percent to Rs 6.07 crore from Rs 30.76 crore in Q1 2020. Consolidated royalty expenses in Q1 2021 fell 6.6 percent y-o-y to Rs 13.29 crore from Rs 14.23 crore in Q1 2020. Consolidated other expenses during the period under review fell 42.9 percent y-o-y to Rs 10.94 crore from Rs 19.16 crore in the corresponding year ago quarter.