Tag: Spotify

  • Spotify leverages Scibids’ AI to boost customer acquisition

    Spotify leverages Scibids’ AI to boost customer acquisition

    Mumbai: Headquartered in Paris, Scibids, which works in the area of artificial intelligence (AI) for digital marketing, recently launched a campaign. This, it said, helped music streaming service Spotify deliver a 30 per cent increase in registrations at a 24 per cent lower cost per registration.

    Spotify leverages programmatic marketing to run customer acquisition campaigns. In order to further turbocharge its marketing ROI, Spotify recently introduced Scibids’ artificial intelligence solutions into its ad tech stack.

    Scibids AI worked with the Google Display and Video 360 team and Spotify’s agency, MatterKind, to create custom algorithms that were specifically engineered to boost Spotify’s customer acquisition. Google’s DSP platform, Display and Video 360, has some of the most advanced tools for advertisers, allowing them to create and push sophisticated algorithms to optimise campaigns. Scibids, as an AI solution customisable to the needs of a brand’s media buying strategies, created algorithms designed specifically to improve Spotify’s cost per registration.

    Scibids managing director- Asia Pacific Rahul Vasudev said, “Scibids is proud to partner with Spotify and MatterKind, who share our vision of smarter optimization enabled by AI. In this case, the challenge on the Google Display & Video 360 platform was to break the glass ceiling of performance and turn exchange-based media buying into a competitive acquisition channel for Spotify. Results like these prove that AI has the ability to dramatically improve marketing ROI by carrying out real-time computations that were previously impossible. The icing on the cake is that the teams can then focus on more value-adding tasks.”

    Spotify head of media, CRM & partnerships Shipra Srivastava said, “We leveraged the power of AI to unlock scale with efficiency by using Scibids AI to add custom insights to Display and Video 360’s bidding mechanism. This proved to be useful in optimising not only the top of the funnel but deeper metrics for us as well.”

    The challenges for digital marketers looking for efficient brand and sales growth have multiplied, and the imminent demise of cookies and other identifiers means that running addressable marketing is actually becoming more difficult. Scibids said that it has built an AI that extracts the most discerning combination of variables for each campaign, enables reach on the open web and creates optimal algorithms to optimise KPIs as DSP campaigns start scaling up.

    Scibids added that it has recently also started operations in India with Samir Karpe as the country manager with teams across Mumbai, Delhi and Bangalore.

  • Spotify partners with Warner Bros and DC to launch new audio series on Batman

    Spotify partners with Warner Bros and DC to launch new audio series on Batman

    Mumbai: Spotify India has announced its new original audio series titled “Batman Ek Chakravyuh” – a Hindi adaptation of the audio streaming platform’s global audio series “Batman Unburied.”

    The audio series premieres globally  on 3 May with nine international adaptations, including the original English-language script for the US, and localised versions developed for India, Brazil, France, Germany, Indonesia, Italy, Japan, and Mexico.

    “Batman Unburied” is the first project to debut as part of Spotify’s global multi-year agreement with Warner Bros and DC. The partnership will leverage DC’s vast library of iconic characters in new Spotify podcasts to unite fans around the world in an unforgettable audio experience.

    “‘Batman Ek Chakravyuh’ takes listeners on a journey where the characters inhabit the mind and linger long after the tale is over,” said the platform in a statement.

    The all-star cast for “Batman Ek Chakravyuh” includes Amit Sadh (as Batman), Sharib Hashmi (as The Riddler), Shweta Tripathi (as Barbara Gordon), Anangsha Biswas, Aseem Hattangady, Ashwin Mushran, Danish Hussain, Pooja Gor, Rajat Kapoor, Sarika and, Vrajesh Hirjee. Bringing David S Goyer’s creation to life in India is Mantra Mugdh, the director of the audio series.  

    While commenting on the announcement, Spotify India head of podcasts Dhruvank Vaidya said, “’Batman Ek Chakravyuh’ has been specially created for our local listeners and establishes new frontiers in audio storytelling for India. It brings an all-time favourite Super Hero to millions of listeners in India. Through our partnership with Warner Bros and DC, we have the unique opportunity to take Batman deeper into the market. Today, 1 out of 4 Spotify users in India listens to podcasts, and we hope that this spine chilling soundscape masterpiece, which tells the transcendent story of the one and only Bruce Wayne, brings his fans to Spotify.”

    “It has been absolutely thrilling to take on the mantle for a superhero such as Batman, that too in audio and with Spotify. You can expect nothing short of an epic, cinematic audio thriller, the likes of which India has never heard before. Voicing Batman was an experience in itself and I am glad we get to show our audience a re-imagined caped crusader,” asserted the actor Amit Sadh.

    “I am a fan of David Goyer’s Batman films and his tight plot brings out the different shades of Batman’s story so well. To have the opportunity to portray Barbara Gordon in the audio series written by him is truly special. Barbara Gordon is such an inspirational firebrand, a go-getter who knows what she wants and will stop at nothing to get that. It has been a fun experience voicing her in Batman Ek Chakravyuh.” said actress Shweta Tripathi Sharma.

    “Batman Ek Chakravyuh” is a psychological thriller that takes listeners on a new journey deep into the mind of Bruce Wayne, introducing a slew of dark twists and turns with a number of classic Batman super-villains. When audiences meet Bruce Wayne he is a forensic pathologist, working in Gotham Hospital and tasked with examining the victims of The Harvester, a gruesome serial killer preying on Gotham City’s citizens. Not only will Wayne be forced to face his own mental demons, but he will also have to overcome them to save the citizens as his alter-ego, Batman.

    Listeners can also stream the English version of the podcast featuring Winston Duke as Bruce Wayne surrounded by an A-list cast that includes Hasan Minhaj, Gina Rodriguez, Jason Isaacs, and Lance Reddick.

  • Turn up the volume! Podcast marketing becomes brands’ new favorite

    Turn up the volume! Podcast marketing becomes brands’ new favorite

    Mumbai: Covid-19 disruptions and months-long lockdowns hampered the marketing industry for the last two years. While some mediums became irrelevant during the pandemic, others witnessed enormous growth. One leading example of the latter is podcast! Experts feel that with the restriction on movement during the pandemic, podcast emerged as a screen-free comfortable medium to deliver content to the listeners and consumers are increasingly inclining toward passive entertainment leading marketers to invest more in audio advertising.

    According to a KPMG study, podcast consumption increased by 29.3 per cent in the first year of the pandemic. A survey by Spotify and YouGov says that as of 2021, 50 percent of Indians prefer listening to at least one episode of a podcast every week. In 2018, PWC estimated that among 500 million internet users in India, only 40 million ever listened to a podcast. But the number changed dramatically during the pandemic as the listener base increased to 57.6 million monthly listeners, revealed another PWC report of 2020. The PWC Global Entertainment & Media Outlook 2020 study also predicted that India’s podcast listening market, the third-largest globally, is expected to reach Rs 17.61 crore by 2023, growing at a CAGR of 34.5 per cent.

    By offering advertising opportunities, the podcast is emerging as an influential platform. The key reason behind brands’ interest and increasing spending on podcast advertising is that it works, and it works more effectively compared to the traditional advertising mediums that have become increasingly less effective. It is a popular medium especially among millennials and gen-Z as the medium lets them learn more about self-love, discover something new, cope with anxiety, or simply entertain themselves.

    Surge in ad sales 

    Spotify, which is believed to be the largest music streaming app in India, recorded a surge in ad sales from a big investment in newer services such as podcasts while recording a 16 per cent increase in paid subscribers in the fourth quarter of last fiscal year. According to reports, Spotify has recorded major growth in the regional market, leading them to launch 30 new podcasts with local creators.

    Local creators tapped into the trend by understanding the need of the time. While the pandemic brought unavoidable challenges to life, podcasts made content consumption easier.

    As digital players are moving back to the traditional way of storytelling, open mics and sharing content through audio, audio platforms expect even bigger growth numbers in the upcoming years. Gaana.com, another leading music streaming app, is also eying to improve its marketing efficiency by 50 per cent by the end of 2022, tells Gaana head of marketing Shashwat Goswami. 

    Goswami says that their efforts are dedicated to diversification and personalisation. Revealing the marketing strategy for the year, he states, “Our major focus is non-music content for the year because the growth trajectory in the future will be led by podcasts.” 

    On being asked why is so hopeful about the growth of podcasts, he explains that podcasts are highly personalised and getting hyper-local. “Podcasts are becoming increasingly popular among local communities, if it goes at the same pace, we can expect growth in tier 2 and 3 cities,” he asserts. 

    Brands are all up to leverage the medium 

    This change in numbers attracted many brands to invest in the medium. If we see the trends, brands like Oppo, Netflix, HDFC Life, Unacademy, Cadbury’s, and many more started investing in the medium a long time ago. 

    The Man Company, an ultimate solution to becoming a gentleman, is soon launching a very exciting show with a significant modern gentleman as the host and an amazing lineup of guests, reveals The Man Company director-brand marketing Rumi Ambastha. 

    Ambastha feels that this becomes a platform that’s worth exploring both from an education and entertainment perspective. 

    QuackQuack founder and CEO Ravi Mittal says, “The usage of podcasts is going up in India. Our observation shows people who were listening to music are now also switching to podcasts for entertainment, knowledge and inspiration. We are finding this concept interesting for marketing our products.” 

    “Podcasts should see continuous growth in India for now as people opt to get more productive with their free time and consume more audio-based content. Audio-based marketing has a tremendous scope from a sponsorship point of view if done in the right manner leading to a win-win for the podcast and the brands,” he adds, while evaluating the future of podcast marketing. 

    The popular dating app Bumble also collaborated with JioSaavn during the pandemic to spread the message of being together among young adults. With a highly-engaged and young user base, JioSaavn was the perfect destination for Bumble to build a community to foster safe, meaningful, and true connections. 

    Dairy Milk Silk also launched a campaign with Spotify to bring lovestruck couples together. The campaign was targeted toward the couples who couldn’t meet during the lockdown. According to Spotify official data, the campaign reached five million+ listeners and eight thousand Spotify users opted to gift a Dairy Milk Silk to their loved ones. 

    Supertails, an online vet consultation platform, also invests in podcast marketing. Supertails co-founder Varun Sadana says, “We definitely see podcasts as an interesting brand building tool and are working in this direction. Our initiatives for the medium are still in the works and we’re excited to see how our community takes it when we launch.”

    Well! Not just the mainstream brands but other industry players are also investing in the medium. Scenic Communication, a leading communication agency, has invested in the medium by collaborating with leading podcasters. 

    Scenic Communication co-founder Anindita Gupta says, “We invest in the medium by collaborating with leading podcasters.” She added, “as a communication agency we are aware of how significant this platform is going to be in the future of brand engagement and we are working towards a strategy to involve most of our clients to create a presence on this platform.” 

    The relevance of podcast: Explained by experts 

    Gupta feels podcast as a medium has rapidly evolved over the last five years, mainly as an alternative to video, as it allows people to reduce screen time, multi-task, and still consume content of their choice. 

    “Over a period of time, podcasts also became a source of knowledge, entertainment and news, helping both podcasters and brands to engage with a fast-evolving audience willing to ‘Listen’ instead of being attached to an ‘immersive viewing’ experience all the time. This is how podcasts started as a marketing medium and are now used as a tool for brands to showcase their products and services,” affirms Gupta. 

    Adding to it, The Man Company’s Ambastha says, “podcast emerged as an interesting respite from all other video streaming platforms. So one can say podcasts literally and figuratively found their space and voice during the pandemic.”

    “Podcast is a welcome change from the erstwhile omnipresent mobile phones. Gives you the liberty to watch and do other household chores or workout all while listening to your favorite personalised podcasts,” she explains.

    Pulp Strategy founder and MD Ambika Sharma shares that podcasts are a great way to reach hyper-targeted audiences. “Podcasts can be information, and engagement on-demand while audiences are on the go, they are easy to tune into and offer the advantage of repetitive engagement if the content is great. It is a very useful medium for new-age brands that are majorly targeted to millennials and gen-Z and if we deep dive into the demographics of the users of audio platforms, we realise that 75 per cent of their consumers are from these age groups. Hence, audio streaming platforms become relevant for dating applications,” she further says. 

    4AM Worldwide chief creative officer Anand Nair thinks that audio-based content has certain transparency and intimacy to it. “The beauty of listening to a well-conducted podcast as it transports the listener to the room where the host and the guest are conversing makes it feel like a personal experience. Whether from entertainment or from a learning perspective, this kind of engagement is remarkable in the times we live in where distractions abound,” asserts Nair. 

    “Podcasts make more sense for a certain type of brand targeting a certain type of audience thanks to the level of intimate and extensive engagement it offers. It makes the speaker appear as an authority thus inducing trust which is the precursor to most purchase decisions,” he further says, adding that, “If used strategically as part of a larger media plan, it can help build recall and become a channel to build more evangelists for the brand since the audience listening are likely to be among the influencers of their social circles.” 

    Moreover, podcasts appeal to the mass audience as it has the added advantage of less attention span which does not require any extra screen time making them an ideal option for consuming productive content even in a busy schedule. 

    Grapes Digital CEO and co-founder Shradha Agarwal thinks that podcasts as a platform show a great affinity for story-telling. Explaining further, she said, “The sector has always shown significant growth, which in the past two years got the desired mileage with the onset of a pandemic that necessitated a reduction in the screen time which worked in favour of podcasts.”

    “However, the listenership for podcasts is growing, but on a small base because in the end, it’s difficult to define how many listeners have actually tuned in for how many minutes but there is an immense scope in the industry to grow.”

    “In recent times, various categories of brands have started advertising audio marketing. The brands usually tap the millennials or people in the age bracket of 20-40 years. With the rising popularity of podcasts and the wide reach it exercises, diverse brands are foraying in this platform where e-commerce, fintech, education, food delivery apps etc are highly active on the platform,” Agarwal attests.

  • IPL 2022: Spotify ups its marketing game with Leo Burnett India

    IPL 2022: Spotify ups its marketing game with Leo Burnett India

    Mumbai: Audio streaming platform Spotify India has rolled out a new multilingual campaign to leverage the ongoing Indian Premier League (IPL) season. The marketing campaign has been conceptualised and created by Leo Burnett India.

    Crafted on the insight that music makes life better, the campaign will include 15 films which will be aired in phases throughout IPL 2022. “IPL is one of the biggest sporting events of the country and is avidly watched across India, and with this campaign, Spotify hopes to strengthen its presence across all markets,” said the statement.

    The Spotify IPL campaign focuses on the power of music to help tide over even the most boring or tough situations one may find themselves in. The 15 film campaign is shot in Hindi for Hindi-speaking markets, in Telugu for Andhra Pradesh/Telangana market, and in Tamil for the Tamil Nadu market.

    “This campaign literally allows us to see situations through the filter of music, making us see humour even in a situation where you are stuck,” said Leo Burnett South Asia CEO and chief creative office Rajdeepak Das. “Keeping the signature Spotify humour intact, we’ve created a language native campaign that will hold appeal across the length and breadth of the nation. No matter what the situation, Spotify has the right music solution. Spotify ‘Sunte Ja’.”

  • JetSynthesys, Warner Music launch podcast for women of South Asian diaspora

    JetSynthesys, Warner Music launch podcast for women of South Asian diaspora

    Mumbai: Digital entertainment and technology company JetSynthesys and Warner Music India have come together to launch “EkWomen,” a podcasting and networking platform for women of the South Asian diaspora. The podcast is available on audio streaming platform – Spotify.

    “EkWomen” is conceived and produced by JetSynthesys’ Medha Jaishankar (BBC World former producer and Reliance Entertainment consultant) and Monika Patel (journalist/host Midday, Uppercrust, and JetSynthesys’ Daily Hinduism video series and Mata Monique podcasts).

    The podcast addresses a lacuna in the podcast world by creating a global sisterhood through uplifting stories of the struggles and successes faced by diaspora women of South Asian heritage. In the next phase, it plans to add community building and on-the-ground networking sessions across several countries including India.

    The interviewees include – “Chopped” show judge and chef Maneet Chauhan; celebrity make-up artist and entrepreneur Shalini Vadhera; ClassPass founder, dancer, and novelist Payal Kadakia; yogini and novelist Ira Trivedi; Teach For India founder Shaheen Mistri; leading UK Muslim female comic Shazia Mirza; Kama Sutra expert, storyteller, and mythologist Seema Anand; philanthropist and humanitarian Meera Gandhi; artist Sujata Bajaj, Pulitzer award-winning journalist and Dean of Berkeley School of Journalism Geeta Anand, and author, activist and academic Chitra Banerjee Divakaruni.

    “At JetSynthesys, we have always aimed at building social communities, not just to bring people together, but to connect thoughts and ideologies. We are extremely delighted to join hands with Warner Music India once again to launch ‘EkWomen,’ providing strength and support to South Asian diasporic women aiming to overcome challenges and achieve their dreams,” says JetSynthesys vice-chairman and MD Rajan Navani.

    “The podcasts on the platform have been thoughtfully curated with stories of victories and struggles. We will soon bolster our other offerings on the platform to build a stronger network and a support system across the world,” he adds.

     “We are delighted to launch ‘EkWomen’ in association with JetSynthesys. The initiative focuses on building an inspiring ecosystem for millions of South Asian women and empowering them with a hope to create their own success stories,” shares Warner Music India MD Jay Mehta.

  • GUEST COLUMN: What’s new in Web 3.0 for content?

    GUEST COLUMN: What’s new in Web 3.0 for content?

    Mumbai: The very genesis of the internet was to be decentralised, and that’s partly true even today. You can send an email from your Gmail to an Outlook address or you can have your own domain and server to send an email to anyone. The ability to host, ring-fence, and interact independently has always existed but along the way, large corporations came in to organise the internet and make it available to people in an easy scalable manner.

    This was the beginning of what we now know as Web 2.0. Users thus explored these spaces and started building communities. Email and social media platforms made it easy to interact with people using a common space. Users can easily jump on to the bandwagon of Facebook, Gmail, Twitter, or Instagram, and more recently to Tik Tok and a plethora of newer short video platforms. And inevitably, people milling around a common space gave way to the proverbial soapboxes that we all love to like, share, comment on and become ardent followers of.

    The Evolution of the Content World

    Meanwhile, in the content world, the internet moved from solely being a marketing tool to being the home of all content consumption. Content creation moved from being the job of actors, studios, production houses, and writers to casual commentators and regular people who explored their creative side. Today, we have platforms like TikTok, Instagram, Spotify, and Youtube that give professionals and amateur creators a path to reach their audiences.

    In 2020 alone, Instagram recorded an estimated two billion users and $24 billion in revenue, while Tik Tok had an estimated one billion users and $1.9bn in revenue. The sheer number of users, signals that the momentum that we have built up around these companies has a life of its own. As things stand, the internet still needs centralised players to allow for discovery. We have spent the last two decades discovering and recognising different platforms to listen to music, watch a video, or share photos. And that is not about to change anytime soon.

    Embracing Web 3.0

    If Web 3.0 is to bring about a wave of change, it is the application of blockchain technology in enabling transactions and in the actual value of the material. This development is especially interesting in the content space. It seems benign from the outside because we are already transacting at a price for content: whether via direct subscriptions or via ad-subsidized models that appear free to users.

    Users and brands, however, pay centralised platforms for the content, not the original producer of the content. This is largely because it is the platforms that take on the trials of hosting, security, and content distribution, all of which are expensive propositions. These platforms do share a part of their earnings from ads and subscriptions with creators, but this share tends to be small and at predetermined prices where creators have little or no say.

    When you look at how the content industry is progressing, we have legitimate jobs like “Instagram Influencers” and “Tik Tokkers” who have an enviable set of audiences that follow the original content they created day on day to entertain, inform and influence purchase.

    Predictably there is a huge spike in “Influencer Management” companies that offer brands access to collaborate with influencers. As per an online report, there were more than 240 Influencer companies that were set up in 2021, and the Influencer Marketing Industry is set to grow to approximately $13.8 billion in 2021, up from 9.7 billion last year.

    The Future of Blockchain Technology

    The growth of influencer marketing will soon make it impossible for even these companies to keep up in basic terms of running a business. Blockchain is a perfect solution to help ensure the right creators are paid and transparent validation of the value of the content created.

    For instance, TikTok is planning to introduce Ghost Kitchens to give users the ability to order a recipe that went viral (remember the Dalgona coffee phase?), fulfilled by Tik Tok and paid for by the user. Their intention is to share the proceeds of the orders for that dish with its Tik Tok creator. One way for TikTok to actually ensure that the right creator gets paid for the recipe is by using blockchain technology to trace the true (first) owner of the recipe on the platform. The value of that token can be gathered with how much it was shared (indexed) so it can influence the price of the recipe created to be produced.

    In the same vein, video platforms can use blockchain technology to allow access to content in an almost peer-to-peer manner. Such platforms could payout tokens to users allowing other users to access their computing resources. And these tokens could be reused within the platform or exchanged for currency at a value determined by the market.

    In this kind of world, content creators can get paid directly by their consumers, and discovery platforms can transition to new business models, relieved of some of the stress of security, hosting, and distribution. We are seeing small but significant moves towards using blockchain technology in content monetisation and the industry is sitting up and noticing it. The amount of capital flowing into web3.0 and blockchain-based companies is off the charts. However, there are several challenges to making this technology commercially viable, and the jury is out on how well it will scale.

    There is no doubt that these are interesting times for the media sector, and blockchain will certainly have its part to play. But it will take a while before it becomes completely mainstream, if ever.

    (Kavita Shenoy is the founder and CEO of Voiro, a Bengaluru-based ad-tech start-up. The views expressed in this column are personal and Indiantelevision.com may not subscribe to them.”

  • Spotify to track music listening across 16 Indian cities with ‘Charts’

    Spotify to track music listening across 16 Indian cities with ‘Charts’

    Mumbai:  Audio streaming platform Spotify will offer city-wise ‘Charts’ across 16 cities in India to track the most popular songs in each city individually. The idea behind ‘Charts’ is to create a destination for fans to see who is trending in their area, and to give artists the opportunity to go deep on all the data and see what music is moving listeners around the world, said Spotify in a statement.

    Each week on Friday, the music streaming app will update the charts for Ahmedabad, Bengaluru, Chandigarh, Chennai, Delhi, Ernakulam, Guwahati, Hyderabad, Imphal, Jaipur, Kolkata, Lucknow, Ludhiana, Mumbai, Patna, and Pune based on activity from listeners in that city.

    Spotify will also be launching ‘Local Pulse’ charts that rank the most uniquely popular songs each week in every city, compared to its popularity around the world to show the distinct taste of local listeners.

  • How Hyundai drove straight to its audience with Spotify

    How Hyundai drove straight to its audience with Spotify

    MUMBAI: In an industry-first innovation, Hyundai has sponsored Spotify’s popular playlist ‘Discover Weekly’ to drive awareness for the launch of the Hyundai i20 N Line. This is also the first time that this flagship playlist is being sponsored in India.

    A fitting partnership since the launch of the Hyundai i20 N Line in India also marks the introduction of Hyundai’s globally popular N Line series in India. With instantly recognisable looks and great handling agility, Hyundai N Line makes each drive a sporty experience. The motorsports-inspired design sets N Line cars apart from everything else and creates a fun-to-drive experience.

    “Hyundai is an innovative brand and our prime focus has always been to create unique curated content and engage new-age customers. We firmly believe that our association with Spotify for an industry-first activation of ‘Discover Weekly’ algorithmic playlist will place Hyundai brand at the center of music culture and will further strengthen our brand connect with smart and trendsetter music lovers,” said Hyundai India director (sales, marketing & service) Tarun Garg.

    ‘Discover Weekly’ is an algorithmically-curated playlist that is personalised and delivered to Spotify listeners across the world every Monday. For a vast majority of these listeners – 36 per cent of who are in the 25 to 34 age range – it’s something they look forward to as they begin their week and to discover new music specially tailored to their tastes and musical preferences. Because of its highly personalised experience, ‘Discover Weekly’ users stream more than two times as long as non-Discover Weekly users. These listeners tend to be smart, savvy, early adopters, and trend-setters who define culture and are eager to embrace the next big thing.

    To tap into this influential audience and reach them when they are at their most engaged and in an environment that is personal and authentic, Hyundai partnered with Spotify India to sponsor ‘Discover Weekly’ locally. By placing a brand message at the center of music and popular culture, Hyundai demonstrated to its audience that the Hyundai i20 N Line is the best fit for consumers’ life and lifestyle. Using a mobile overlay and Spotify India’s Audio Everywhere solution, Hyundai was able to tap into the “discovery” mindset of listeners with customised in-playlist messaging, thus driving action to know more about the car and to experience it.

    “We’re excited that Hyundai is India’s first brand to sponsor ‘Discover Weekly’, a powerful personalisation experience that Spotify uniquely offers our fans. This partnership uses the intimacy of audio, backed by our streaming intelligence, and supercharges discovery for Hyundai’s audience,” said Spotify India head of sales Arjun Ravi Kolady.

    Creative: The customised in-playlist messaging consisted of audio spots that were curated to pique the users’ interest in what it would be like to drive the Hyundai i20 N Line and look at the world as their playground. With the sporty roaring exhaust note sound, engine revving, and the car powering through a road, the creatives exemplified that ‘It’s time to play,’ and made listeners feel the sporty fit that the Hyundai i20 N Line is.

    (This is an advertorial published in association with Spotify)

  • Spotify pushes the cart on the omnishopper’s retail journey

    Spotify pushes the cart on the omnishopper’s retail journey

    Mumbai: It’s never been a better time to be a shopper, given today’s buy-anywhere retail environment. It’s raining deals at stores, on social media, and inside in the comfort of the couch at your fingertips. Mobile commerce is expected to make up 83 per cent of all e-commerce sales by 2024, and 8 per cent of total retail1. And now shopping is such that points of discovery differ from the actual spot of purchase. A product on a streaming platform like Spotify catches a shopper’s eye who then swings by the store or their preferred e-commerce platform.

    Catch the big wave in omnichannel surfing

    With e-commerce sales expected to grow by 27 per cent by the end of 20211, there are more ways to shop and even more places for shoppers to discover that great find. So for an ‘omni-shopper’ who shops across multiple devices and places, more accessibility does not make it easy for brands to target them. These shoppers aren’t just buying what they need, they’re constantly looking for what they want, or didn’t know they wanted until they discovered it. This can make it hard for brands to foresee and prepare for their next move.

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    Being spoiled for choice, messaging to this new-age consumer has to feel authentic, tailored, and respectful of their time and sensibilities. If not, they are going to bounce. So brands need to advertise in the right place that people trust. And when they do make a decision, it’s because they sense a personal relationship between themselves and the brand. At Spotify, we’ve worked hard to build this trust with our listeners.

    Omnishoppers seek out to make a statement. 89.7 per cent of Spotify Free listeners discover brands and products from paid advertising2. A pair of kicks before everyone’s wearing them is a thing of pride, much like being the first in their group to discover a new song from a favourite artist.

    The chase excites them and they know where to find it, just like how 43 per cent of Gen Z Spotify users said they’ve heard a song on social media, and then searched for it on Spotify3. And that’s why our listeners spend their time with us, eager to explore, spending an average of 2.5 hours every day, with multi-device listeners of Spotify Free spending an average of 1.5 hours on Spotify each day4.

    Another big reason for brands to look at Spotify is what our listeners are planning. After delaying purchases in 2020, one in three Spotify users is looking at large, big-ticket purchases. Keep in mind that this is a user base that is likely to spend 15 per cent more on what they want than any other cohort

    The experience gets more personalised for them as they spend more time listening. So Spotify matches their vibe through different moments of their day, and no other media can match that level of connection.

    When it’s relevant, the recall is better too as 75 percent of Spotify listeners say they remember ads more when brands recognise their moment or setting5. Spotify helps brands reach listeners at the right moment, and the numbers speak for themselves – 2.7x higher awareness and 5.3x higher intent than campaigns with basic demographic targeting5.

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    Help shoppers spot the next big thing on Spotify: Your brand

    Spotify listeners are savvy to online shopping trends. They are the trendsetters. Spotify Free listeners are almost 4.3x more likely to discover brands and products via music streaming than through TV ads and 1.5x more likely than through radio ads2. Offers and benefits can be the turning point to steer through a plethora of options. 59% of Spotify Free users agree that free delivery is the top driver of online purchases for them2. 51 percent prefer easy returns and 45 percent pick the lure of discounts and coupons2.

    It all comes down to targeting the right audience and enabling discovery for the engaged listener in an environment of trust. It’s just this that Spotify has built, that listeners keep coming back to every day, giving brands the perfect vantage point to reach the elusive omnishopper.

    [[{“fid”:”1044759″,”view_mode”:”default”,”fields”:{“format”:”default”,”alignment”:””,”field_file_image_alt_text[und][0][value]”:false,”field_file_image_title_text[und][0][value]”:false},”link_text”:null,”type”:”media”,”field_deltas”:{“3”:{“format”:”default”,”alignment”:””,”field_file_image_alt_text[und][0][value]”:false,”field_file_image_title_text[und][0][value]”:false}},”attributes”:{“height”:710,”width”:730,”class”:”media-element file-default”,”data-delta”:”3″}}]]

    Get in touch with us at spotify-advertising-india@spotify.com to see how your brand can engage with the right audience – avid shoppers and people seeking some retail therapy.

    Sources:

    1 – eMarketer, Retail Forecast, IN

    2 – GWI, IN, Q1 2021

    3 – Spotify Culture Next survey, conducted in April 2021 among 500 respondents 15-40 in India

    4- IFPI Digital Music Report 2019

    5 – Spotify Nielsen Brand Effect Studies, 2018

    (This is an Advertorial, published in association with Spotify)

  • Do more with your TVC on Spotify

    Do more with your TVC on Spotify

    Mumbai: When the BBC’s much-awaited ‘Seven Worlds, One Planet’ documentary series with the legendary David Attenborough was set to be released, the studio wanted to extend its campaign reach and amplify its video content to the best extent possible to make it more effective. To do this, it turned to Spotify. And needless to say, BBC achieved what it wanted and more. Spotify created a whole series of content that included 3D audio soundscapes and video content that ran in an enhanced playlist, and on display assets across mobile and desktop, amplifying the campaign, and all this using only existing BBC campaign assets!

    Make your TV commercial do more, a lot more

    If you’re wondering how you can make your TVC do more, just ask yourself a couple of questions. 

    Can a TV commercial be more than just a visual advertisement? 

    Can it evolve and become a multi-format campaign on its own and turbocharge the reach and effectiveness of your campaign?

    The short answer is – YES. How? Bring your TVC to Spotify.

    Once upon a time, evenings and nights created opportunities for brands in the form of primetime TV. But today, with the increase in the usage of mobile devices and the rise of streaming platforms, there has been a drastic shift in viewership away from the ‘TV’ in TVC. The new at-home audience has changed its routines of media consumption and television viewing. All the more reason for brands to opt for newer avenues to ensure that every bit of their communication (and budget) goes a long way. This is exactly what Spotify gives brands: a way to create a complete multi-format campaign using existing assets to deliver the brand message engagingly and effectively to an all-new audience.

    Extend into screen-less moments

    Music is a large part of the current streaming trends, and Indian consumers spend 19 hours per week on digital audio platforms1. And for 80 per cent of this time, listeners can’t be reached through visual media. Spotify’s streaming intelligence knows when the screen is in view and when it is pure audio. 

    For a generation on the go, the power of audio goes a long way in telling a story and building an impression. In our Culture Next report, 56 per cent of Gen Zs say that screen-less moments offer a nice escape from a world of visual overload2.

    With no extra production, brands can add to the audience’s journey and echo the message from the TV ad. Running both video and audio increases ad recall by 90 per cent and results in a 2.2x increase in brand awareness3. With both formats, brands can express a holistic and impactful story to listeners. The campaign on Spotify will be aligned with the brand’s main messaging, with multi-format storytelling to increase reach and frequency.

     

    Create a whole-new multi-format Spotify campaign from your existing TVC

    No additional production, no extra shoots, and no additional brainstorming. Just reach out to Spotify and consider your campaign as good as done. Spotify has a crew ready to convert your TV ad, script, and visual assets into impactful storytelling formats and packages. 

    These packages are customisable and consist of audio ads, display homepage takeovers, mobile display overlays, and display leader boards. 

    All you need is your existing video assets, brand identity & logos, and an e-mail to spotify-advertising-india@spotify.com, and your Spotify campaign is ready to go. So bring your TVC to Spotify and try something different, something better!

    SOURCE: 

    1. IFPI Digital Music Report 2019

    2. Spotify Culture Next trend survey among 4,000 respondents 15-37 globally [U.S., MX, BR, FR, DE, U.K., PH, AU], February 2019)

    3. Nielsen Brand Effect on Spotify, March 2020

    (This is an Advertorial, published in association with Spotify)