Tag: Spider-Man: No Way Home

  • Hollywood’s Indian box office: Transitioning from superhero dominance to a broader landscape

    Hollywood’s Indian box office: Transitioning from superhero dominance to a broader landscape

    MUMBAI: The Indian – read Hindi cinema-  box office has been going through some earth shaking changes with sleeper movies emerging as gargantuan block busters and big films with A-listers ending up as disasters without even a whimper.  

    But what’s been happening with Hollywood cinema in India? 

    Hollywood films have experienced considerable fluctuations in their box office performance in India over the past decade. The late 2010s saw significant success, primarily driven by superhero films. The pandemic then interrupted this trajectory, leading to a period of decline in Hollywood’s market share.

    Ormax Media has examined Hollywood’s box office journey in India, from the pre-pandemic peak influenced by the Marvel Cinematic Universe (MCU) and other superhero franchises to the post-pandemic environment where Hollywood’s share has decreased, but new genres have emerged as significant contributors in its latest report – Hollywood in India – The decline in numbers. 
     

    spiderman: far from home

     

    The report says that the year 2019 represented a peak for Hollywood in India, with cumulative gross box office earnings reaching Rs 1,595 crore. This growth resulted in Hollywood securing a 15 per cent share of the Indian box office, becoming the second-highest contributor by language, after Hindi cinema. In 2019, the total gross earnings of Hollywood films in India, across both English and dubbed versions, surpassed those of the Tamil and Telugu film industries.

    Indian audiences, with increasing exposure to global content and drawn to large-scale visual productions, attended Hollywood releases in record numbers. This pre-pandemic success was driven by major event films that resonated strongly with young, urban audiences. Global franchises invested significantly in localised marketing strategies for the Indian market, which yielded substantial returns. By 2019, Hollywood studios were no longer niche players in India but were competing with local industries for top box office positions, with superhero films playing a leading role.

    Dr strange

    The superhero genre was a primary driver of Hollywood’s strong performance in India during the late 2010s. The MCU and other competing universes cultivated a significant fan base in the country. Each new Avengers installment achieved greater success than its predecessor, with Avengers: Endgame reaching a record Rs 433 crore in India. 2019 also saw multiple other superhero films contribute to Hollywood’s Rs 1,500+ crore total. This period was characterised by a consistent supply of highly anticipated films, particularly from Marvel Studios, alongside releases from DC and other franchises.

    However, maintaining this momentum after Avengers: Endgame proved challenging. The culmination of a decade of storytelling, particularly the conclusion of Robert Downey Jr.’s portrayal of Iron Man, marked a significant point for superhero fans in India. While the MCU’s Phase 4 introduced new characters and stories, the reception was less enthusiastic, reflecting a global trend of decreasing audience engagement with superhero films.

    Post-Endgame, while some MCU films performed adequately, they did not achieve the record-breaking success of previous installments. Many underperformed expectations, aligning with a global trend where most superhero films in 2023 did not reach the billion-dollar mark globally. DC films also faced challenges. This indicates a shift in audience preferences regarding superhero content.

    Consequently, Hollywood’s overall market share in India declined from approximately 15 per cent in 2019 to single digits by 2023. This was accompanied by a decrease in footfalls. The impact of superhero releases on Hollywood’s India earnings has diminished. Before the pandemic, a major Marvel release could contribute significantly to Hollywood’s annual box office in India.

    However, this trend has seen a decline since 2020. Spider-Man: No Way Home in December 2021 was an exception, achieving a gross of around Rs 250 crore in India. However, other Marvel Phase 4 films achieved more modest results. By 2022, while Indian theaters had fully reopened, Hollywood released fewer films. 

    captain marvel

    Although significant releases like The Batman, Doctor Strange in the Multiverse of Madness, Jurassic World Dominion, and Avatar: The Way of Water contributed to box office revenue, it was not a record year. In 2023, despite the overall Indian box office reaching a record Rs 12,000 crore, Hollywood’s share decreased to nine per cent, with the contribution of the superhero genre declining significantly.

    In contrast to the declining dominance of superhero films post-pandemic, other Hollywood blockbusters gained prominence in India. Audiences showed increased interest in genres such as science fiction epics, biographical dramas, creature features, and animated films. Avatar: The Way of Water achieved the highest gross for a Hollywood film in India, surpassing Avengers: Endgame. Christopher Nolan’s Oppenheimer also performed well, indicating an audience for diverse, high-concept filmmaking. Additionally, the monster-verse films and animated features have found a significant audience. In 2024, several animated films were among the top Hollywood grossers in India, highlighting the genre’s current strength.

    Moving forward, Hollywood will aim to regain market share in India by focusing on diverse and innovative content, supported by effective marketing strategies. The post-pandemic success of films like Avatar: The Way of Water and Oppenheimer, along with the growing appeal of animated films, suggests that while the era of superhero dominance may have passed, Indian audiences still seek compelling cinematic experiences. 

    However, reaching the peak of 2019 may present a considerable challenge in the current landscape.
    One can’t forget that in the years preceding the pandemic, specifically in 2019, Hollywood’s Indian box office reached a significant milestone, achieving a gross revenue of Rs 1,595 crore and a 15 per cent market share. This growth was largely propelled by franchise films and shared universes, particularly within the superhero genre.iin 2019 marked a peak in this trend, generating substantial box office returns.

    However, the momentum experienced in the superhero genre prior to the pandemic began to wane in the subsequent period. Following the reopening of theaters in 2022, Hollywood faced challenges in regaining its previous market share in India. Notably, films outside the superhero genre demonstrated that Indian audiences were increasingly receptive to large-scale productions and diverse narratives.

  • Inox Leisure reports revenues of Rs 301 crore in Q3’ FY22

    Inox Leisure reports revenues of Rs 301 crore in Q3’ FY22

    Mumbai: Inox Leisure Ltd (Inox) has reported financials for the third quarter ending 31 December 2021. The company has posted revenues at Rs 301 crore. The occupancy rate touched 19 per cent with 9.4 million guests visiting Inox cinemas across the country. 

    The quarter also reported the highest ever quarterly Average Ticket Price (ATP) at Rs 226 and the highest ever quarterly Spends Per Head (SPH) at Rs 97.

    A sharp recovery was signaled by major business metrics showing a significant reduction in gap with pre-Covid levels largely due to good content and reduced apprehensions post widespread vaccination.

    The response to “Sooryavanshi,” “Spider-Man: No Way Home,” “Annaatthe,” “Pushpa: The Rise,” and “83” was comparable with the pre-pandemic times, with two films garnering box-office collections in excess of Rs 200 crore and three in excess of Rs 100 crore.

    Inox added three new properties with 13 screens in Q3’FY22 at Aurus Mall, Guwahati, Prabhatam Grand Mall, Dhanbad and WorldMark, Gurugram. In all, CY2021 ended with the addition of 41 new screens. The company now operates 158 multiplexes with 667 screens in 70 cities across the country. Of the planned 41 screens in FY’22, 24 have been launched, while work on 17 screens is nearly 80 per cent complete.

    Besides being net debt-free, the company has also managed to maintain liquidity of close to Rs 300 crore including undrawn limit of Rs 120 crore.

    “Besides being resilient, we maintained an optimistic outlook during the adverse phase over the past eight quarters,” said Inox Group director Siddharth Jain. “Thanks to our strong fundamentals, the spectacular content flow and above all, the infinite passion for cinema prevailing in our country, we have proudly witnessed the recovery happening.”

    “With the addition of 41 new screens, the highest in the industry in CY2021, we have shown that adversities could not dent our passion. Enlightened with lessons from the past, our path ahead will be underlined by innovation and rigor. We will certainly gain strength from our excellent liquidity levels and a zero net debt position,” he further added.

  • ‘Spider-Man: No Way Home’ leaps to box office success amid Omicron concerns

    ‘Spider-Man: No Way Home’ leaps to box office success amid Omicron concerns

    Los Angeles: No one could be surprised that ‘Spider-Man: No Way Home’ would be one of this year’s box office biggest heroes but it’s spinning its way to becoming the best December domestic opening with $253 million, the best ever for Sony and the third best-ever among all films beating 2015’s ‘Star Wars: The Force Awakens’ domestic opening of $247.9 million.

    The film, released exclusively in theatres, is attracting enthusiastic moviegoers with record-breaking support in the US. This is big news for theaters whose continued existence seems under constant threat due to the sustained Covid-19 pandemic.

    American Multi-Cinema (AMC) announced Friday that roughly 1.1 million moviegoers attended the opening night of ‘Spider-Man: No Way Home’ in the US, making it the highest-grossing opening night for a December title in AMC’s history. Cinemark called the film’s debut its “best opening night of all time.” And Regal said the film became its second-highest Thursday box office title in its history and shattered records for IMAX, 4DX, ScreenX, and RPX formats.

    Worldwide, the film, starring Tom Holland as Marvel’s friendly neighborhood Spider-Man, is crushing box office records — with this weekend’s global $587.2 million tally, it ranks as the third-biggest worldwide debut in history behind “Avengers: Endgame” (a historic $1.2 billion) and “Avengers: Infinity War” ($640 million). Notably, the top two films opened in China, which is currently the world’s biggest movie-going market, while ‘Spider-Man: No Way Home’ has yet to secure a release date there.

    In India, the movie continues to keep the Indian box office buzzing. In just three days, the film has managed to cross the Rs 100 crore mark beating other Bollywood films. The much-awaited superhero action film was released on 16 December across 3,264 screens in English, Hindi, Tamil, and Telugu versions.

    “This weekend’s historic ‘Spider-Man: No Way Home’ results, from all over the world and in the face of many challenges, reaffirm the unmatched cultural impact that exclusive theatrical films can have when they are made and marketed with vision and resolve,” said Sony’s Motion Picture Group chairman and CEO Tom Rothman as reported in Variety. “All of us at Sony Pictures, are deeply grateful to the fabulous talent, both in front of and behind the camera, that produced such a landmark film. Thanks to their brilliant work, this Christmas everyone can enjoy the big screen gift of 2021’s mightiest Super Hero — your friendly neighborhood Spider-Man.”

    Credit should also be given to Marvel itself for amping up the prestige of this sequel and fueling fans’ anticipation for months. Directed by Jon Watts, the third chapter in Holland’s trilogy takes place after Peter Parker’s identity is revealed to the world, upending the lives of his girlfriend MJ (Zendaya), his best friend Ned (Jacob Batalon), and his aunt May (Marisa Tomei).

    Critics have embraced ‘Spider-Man: No Way Home’, describing the film as a “satisfying meta-adventure.” Audiences have been equally receptive; the movie secured an “A+” CinemaScore and a 99 per cent Rotten Tomatoes average.

    ‘Spider-Man: No Way Home’ delivered a particularly strong turnout in western Europe, led by the United Kingdom. In the UK, ticket sales reached $41.4 million during its extended five-day opening to notch the fourth-biggest debut ever in that market. The film opened in France with $17.8 million, Italy with $13 million, Germany with $11.4 million, and Spain with $10.4 million. In eastern Europe, Russia led with $17.4 million, followed by Ukraine ($2.4 million) and Turkey ($1.4 million).

    Latin American countries webbed up $79.5 million in total, with Mexico’s five-day tally hitting $32.4 million, the country’s highest of all time. Argentina also recorded its best box office debut with $6.8 million, as did Ecuador with $3.7 million.

    In Asia, the movie notched the largest tally in South Korea ($23.7 million), followed by Hong Kong ($6.3 million). Other notable markets include Saudi Arabia ($5.2 million), Israel ($2.7 million), and New Zealand ($2.3 million).