Tag: South Africa

  • App Downloads show 11 per cent quarterly growth from leading app stores

    App Downloads show 11 per cent quarterly growth from leading app stores

    MUMBAI: App downloads across the four stores – Apple’s App Store, Google Play, the Windows Phone Store and BlackBerry World – climbed 11 per cent in the first quarter of the year 2013 worldwide over the Q4 2012 total, while direct revenue from paid-for apps, in-app purchases and subscriptions combined grew by a slightly more modest nine per cent.

    A Canalys’ App Interrogator research, covering the leading app stores in more than 50 countries, shows combined downloads from the stores totaled more than 13.4 billion, and revenue reached $2.2 billion (before revenue sharing is taken into account).

    Globally, Apple’s App Store accounted for the largest indexed proportion of revenue between the four stores at around 74 per cent, while the Google Play store saw the greatest number of downloads accounting for about 51% of the stores’ collective total, with Apple close behind.

    Canalys Chief Analyst, Analytics, Adam Daum said, “Apps have had a huge impact on the way consumers use mobile devices, what they value, and what they expect from smart phones and tablets. They are now central to how consumers engage with content and connected services, and how they personalize their devices around the app-enabled features that are important to them. This is a multi-billion-dollar growth market, with more and more consumers around the world now comfortable and confident in finding apps, downloading them and making in-app purchases, on a growing addressable base of smart phones and tablets.’

    The strongest growth was seen in emerging markets such as South Africa, Brazil and Indonesia, helped by the growing base of smart device users in those countries. But robust growth, both in revenue terms and download volumes, was seen in mature mobility markets such as North America, up by eight and six per cent respectively, and Western Europe, up by eight per cent and 10 per cent in the first quarter.

    Canalys Senior Analyst Tim Shepherd said, “Apple’s App Store and Google Play remain the heavyweights in the app store world. In comparison, BlackBerry World and the Windows Phone Store remain distant challengers today, though they still should not be ignored. Each of these four stores represents a different market proposition for developers, and remains the primary outlet to reach users on the platforms they serve. BlackBerry and Microsoft particularly need to continue to proactively work to attract fresh, innovative content and services to their respective catalogues, and fill gaps in their inventories. But they also need to increase device sales around BlackBerry 10 and Windows Phone 8 to increase the addressable market opportunities on offer to developers.”

    He added: “The strength of app ecosystems will increasingly help to determine winners and losers in the smart device industry. BlackBerry 10 now has more than 100,000 apps available through its storefront, showing good growth from the 70,000 it boasted at launch, and the new devices on the platform has given BlackBerry a much greater chance to compete for consumer attention. Its app story is going from strength to strength, but there is no room for complacency. Microsoft, with the help of partners such as Nokia, is also making good progress attracting some important titles to the Windows Phone platform, but it also needs to do more to make building apps for its platform a priority for developers and also do a better job of marketing and communicating the already established strength of its app story.”

    “The Apple-Google duopoly creates certain challenges for app publishers, carriers, investors and device vendors, so there is intense interest in the possible emergence of a third ecosystem,’ added Daum.

  • 100 years of Indian cinema celebrated in South Africa

    100 years of Indian cinema celebrated in South Africa

    MUMBAI: Indian cinema celebrated its centenary with a gala show in South Africa in which 100 awards were given to individuals and organisations which have played a role in promoting the music and dance of the films in South Africa.

    “We are likely to never again in our lifetimes see a gathering like this of every senior artist from the Gauteng province joining social welfare organisations, promoters of Indian live shows and print and electronic media,” Kishore Badal, who coordinated the artists for the show, has been quoted to have said.

    The concept of the Indian Cinema Centenary Awards was initiated by South Africa‘s foremost Bollywood critic and writer, Fakir Hassen, who has written two books on his encounters with people from the Indian film industry for almost four decades.

    His latest book 250 Bollywood Encounters recounts tales of the ups and downs of that number of people from the Indian film industry whom he has met and interviewed.

    “With strong support from the Indian High Commission and South African Indian business sector, the first objective has ensured books being placed in schools and libraries across the country,” quipped Hassen.

  • First Udaipur International Film Festival to feature 47 films

    First Udaipur International Film Festival to feature 47 films

    NEW DELHI: The first-ever Udaipur International Film Festival commencing later this week will feature 47 feature and short films.

    The festival will open on 15 September morning with the short film ‘Open Doors’ and close on 16 September with ‘Meherjaan’ by Rubiyat from Bangladesh starring Jaya Bachchan among others.

    The festival will be held at two venues in the lake city, and has been organized by the organisers of the annual Jaipur International Film Festival with the support of the Western Zone Cultural Centre.

    A total of 21 countries are taking part in the two-day festival. The festival will also feature animation films and documentaries.

    Noted film maker Govind Nihalani, film director Subhash Kapoor and film writer Jalish Sherwani will be the special guests for the opening ceremony at Darpan Auditorium in Shilpagram. The screenings will take place in the Celebration Mall-Lower Ground Atrium.

    The countries participating include the United States, France, England, South Africa, Germany, India, Iran, Peru, Canada, Australia, Spain, Iraq, Norway, Georgia and Bangladesh.

    The Festival will commence with a tribute to Rajesh Khanna, Dara Singh and A K Hangal.
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    There will be a seminar on ‘The 100 years of Indian Cinema’, cultural concerts will be held along with the seminars and workshops for the youngsters on the important subjects like ‘Film Script Writing Workshop’ at Darpan Auditorium both days.

    A poster exhibition will also be held with original posters of the landmark films like Mother India and Mughal-E-Azam etc.

    Films like ‘Mombatti’ (Cannes) and ‘Road to Home’ (Oscar) are being screened. There will be six films by the prominent filmmaker and social activist Iara Lee who had earlier come to the Jaipur festival. Her film ‘Cultures of Resistance’ won the ‘Green Rose’ in the Red Carpet Award Ceremony.

    This year, she has attempted to expose the exploitative face of the American capitalists through various documentary works. Her works highlighted the negative influence of America in various parts of the world including Iraq, Afghanistan and Africa.

    Other films include the documentary ‘Jungle Mein Jalianwala’ by Anurag Sharma based on the massacre of the tribal communities within the state of Rajasthan during the British era.

  • YRF in 3-film deal with South Africa’s Avalon Group

    YRF in 3-film deal with South Africa’s Avalon Group

    MUMBAI: South Africa’s oldest and largest independent cinema exhibition and entertainment company, Avalon Group, has signed a three-film slate deal with Yash Raj Films.

    Both Avalon CEO AB Moosa and Avtar Panesar, head of the international distribution arm of YRF, said the films will feature Bollywood star power.

    Moosa said the movie slate will be blockbusters. “We are having Salman Khan in the first release, Shah Rukh Khan in the second and Aamir Khan in the third,” he added.

    The treaty enables productions from both territories to qualify for the incentives available in each country for homegrown content producers. It is designed to enable collaborations between producers from both countries.

    “The slate agreement with Avalon was concluded at the right time when South Africa strengthens their relations with Ireland,” commented Panesar.

    As far as the treaty with Ireland is concerned, South Africa has attracted recent international productions as Chronicle, Safe House and Dredd. It already has similar arrangements with Canada, Germany, Italy, the UK, France, Australia and New Zealand.

    Signing the treaty on Sunday were South Africa‘s minister of arts and culture Paul Mashatile and Irish arts minister Jimmy Deenihan.

  • ‘We are looking at 20% revenue growth this year’ : India Cements joint president marketing Rakesh Singh

    ‘We are looking at 20% revenue growth this year’ : India Cements joint president marketing Rakesh Singh

     

    IPL franchise Chennai Super Kings has been slowly and steadily building its brand over the past four years on the back of its iconic captain Mahendra Singh Dhoni. The sustained efforts of the last four years are beginning to show result as the franchise looks at a 15-20 per cent revenue growth this year.

     

    By retaining its key players, the franchise has managed to build a loyal fan base not just in Tamil Nadu but also among the Tamil diaspora. The two time IPL champions is leaving no stone unturned as far as engaging with fans is concerned and is stepping up efforts on the merchandising front to grow this revenue stream.

     

    In an interview with Indiantelevision.com’s Javed Farooqui,India Cements joint president marketing Rakesh Singh shares the franchises journey so far and the growth path ahead.

     

    Excerpts:

    Isn‘t Chennai Super Kings targeting a revenue of Rs 1.7 billion this year? What is the break-up?
    We did Rs 1.40 billion last year and are looking at a 15-20 per cent increase this time. It’s difficult to give a break-up for the simple reason that a major chunk of revenue comes from the central pool. There are components in our revenue pool – one is central pool which to my mind was Rs 60 crore (Rs 600 million) plus last year; then there are our sponsors and gate collections.

    Have you reached operational break even?
    In the first IPL edition, we broke even. We lost money in the second season (due to shift to South Africa). While we made marginal profits in the third IPL, we widened that in the fourth edition.

    How has IPL season 5 been for CSK?
    The IPL season has been good for us. Our total number of sponsors have gone up. Aircel is our main sponsor. Gulf Oil is our principal sponsor and then we have Life Ok and Washington Apples as new sponsors. We also have Amrapali Group, Hercules, and Usha International as sponsors.

     

    While our revenue continues to grow at a steady pace, what we are also trying to do is step up the merchandising efforts. We plan to grow merchandising by positioning it as a lifestyle brand so that fans not only buy CSK T-shirts during the IPL season but also wear them during the non-IPL season.

    How did the deal with a Hindi GEC like Life Ok happen with a team franchise from the South?
    There is a study done by one agency which says that 46 per cent of the fans support Chennai Super Kings andMumbai Indians. Now if that is the case, anybody who wants to take full advantage of the IPL needs to come to one of us. For somebody who wants make a Hindi GEC popular, it is a nice way of riding on the popularity of Chennai Super Kings. Another thing is that while we are the most popular team in Tamil Nadu, in most other cities we turn out to be the second most popular after the home franchise. I think that is because of the kind of team that we have with four Indian players – MS Dhoni, Suresh Raina, Ravindra Jadeja and R Ashwin.

    ‘We had made Rs 1.4 billion last year with revenue from central pool contributing over Rs 600 million. We have got new sponsors in Life Ok and Washington Apples‘

    The IPL has seen a lot of sponsor switches. How did CSK manage to retain its sponsors?
    We believe in consistency and that is the reason we don’t believe in changing our players. We don’t change our management and we don’t believe in changing sponsors. That has clicked because that does not confuse the fans. We treat our sponsors well and we give them a value for their money for at the end of the day sponsors look at RoI.

    There are reports that title sponsor DLF is not sure of continuing its IPL sponsorship?
    I don’t know about that but what I would like to say is that when the BCCI terminated the Nimbus contract, everybody was saying that the BCCI won’t get Rs 31.25 crore (Rs 312.5 million) per match. But ultimately the rights were sold for a much higher price. I think it has become a favourite time pass for everybody to talk ill of the only sporting brand that India has today.

    So are the team loyalties settling down?
    I think so. If you see the matches where Mumbai or Chennai are involved, the viewership will be high due to team loyalties. That is also the case globally where matches involving Man-U or Chelsea will have higher viewership as compared to other smaller teams. In the first three IPLs, most of the matches were 8 pm matches and the number of teams were less. But now we have more teams and the number of matches have gone up.

    What do you think is CSK’s USP?
    Our USP is that we always focus on cricket, unlike other teams who are focussed on glamour and parties. Not to say that these things don’t work but IPL at the end of the day is a cricket tournament. We have a disciplined team; so whether its on-field or off-field, our team carries a certain character. We have a very strong fan following in Tamil Nadu and Chennai in particular. As per one survey report, 96 per cent of Chennaites support Chennai Super Kings, which is the highest for any franchise in their home city. Mumbai Indians come second with 86 per cent fan support.

    How did you engage with fans?
    Besides youngsters between 15-24 age groups who form our vital fan base, we believe that we have also get a lot of support from families. If you look at our merchandise, there is a lot of emphasis on women and children – it’s not just the typical male cricket fan. A lot of families come to watch our matches in the stadium. To reach out to our fan base, we have also tied-up with Radio Indigo besides The Hindu and Dina Thanthi. Our media tie-ups is a cash plus barter deal. But the barter part is helping us a lot on activation. That is something that was missing last year. What it has done is bring down our marketing cost.

     

    We also launched a new video ‘Wave your hands” which has got one lakh views within no time that it was uploaded on YouTube. We launched this campaign sometime in the first week of April, and by the third week we already have one lakh views on YouTube. Earlier we had done “Whistle podu” which was also a big hit. Every fan wants to do something to support his or her team, so that way we are channelising their energy into doing something to support the team.

    How is licensing and merchandising doing?
    We have been giving merchandising a big push since last year, but it takes time. For example, we got almost Rs 4 crores (Rs 40 million) through merchandise sales last year but what comes to us is only 10-15 per cent after excluding the costs. What we are seeing is that it is a good platform to engage with fans. But in terms to revenue contribution, it is only about five to seven per cent. But internationally this percentage is 60 per cent and that is what our goal is: how to grow this stream. This year we have opened an exclusive in the Chennai airport where you get all kinds of stuff. We have also partnered UniverCell for distribution of merchandise in North America and Europe.

     

    In terms of licensing, for the first time we have partnered with Café Coffee Day to make it a hub for Chennai Super Kings fans. Similarly Park Sheraton has converted their lounge into a CSK Bar. So we want to see how these deals work and whether we can make it a yearlong thing. We are working on a fixed fee basis wherein licensees can use our name and do certain things. This year we aim to double our licensing and merchandising revenue.

    How has been the response been to ticketing? There were lots of empty seats during your home matches?
    There are three stands in the stadium which, due to certain clearances issues, the state government has not allowed us to use. On the rest of the stadium, we are overselling. Till we get the clearance, we won’t be able to sell tickets for those stands.

  • IPL5 opening ceremony fails to mesmerise viewers

    IPL5 opening ceremony fails to mesmerise viewers

    MUMBAI: Blame it on overdose of cricket, lacklustre performance of Indian cricketers or simply bad presentation, but the opening ceremony of the fifth season of the Indian Premier Leage (IPL) has failed to enthral the viewers.

    Despite the presence of Bollywood Badshah Amitabh Bachchan and a host of other celebrities, the event on 3 April remained a disappointment with a TVR of 1.11 in the six metros, as per data provided by TAM Sports (C&S, 4+).

    Incidentally, this is the lowest rating garnered by the opening ceremony in India. Only in the second season when IPL was conducted in South Africa, the rating for the six metros was lower at 0.29 TVR.

    In the first season, the opening night had clocked a TVR of 2.9. In the third and fourth seasons also, the ratings stood at 2.9 and 3.3 TVR respectively.

  • BRICS Youth Short Film Festival in Delhi to feature over 35 films

    BRICS Youth Short Film Festival in Delhi to feature over 35 films

    NEW Delhi: Over 35 short films from the BRICS countries – Brazil, Russia, India, China and South Africa – will be screened in a three-day festival to be held in the capital from 13 March.

    Around 31 films including four from Russia and the rest from India will be in competition. A block of short films from South Africa and one film each from Brazil, Russia, and China are in the non-competition section.

    ‘Film Dialogue 2012’, the BRICS Youth Short Film Festival, is being organised jointly by Delhi’s Citizens Film Forum and the Russian Centre for Science and Culture.

    The films include documentaries, short fiction films, animation films, and those with drama and action.

    According to Vimal Mehta of the Forum, the festival is aimed at encouraging young filmmakers from these countries and offer them a platform.

    The best films will receive awards and all films that take part will be given certificates of participation.

  • PVR Director’s Rare to release Chaurahen on 16 March

    PVR Director’s Rare to release Chaurahen on 16 March

    MUMBAI: PVR Director‘s Rare, the recently launched alternative programming initiative of PVR Cinemas, will release Rajshree Ojha’s Chaurahen (Crossroads) on 16 March.

    Chaurahen is an evocative and poignant film consisting of three separate stories set in three different cities in contemporary India. The vignettes present snippets of everyday life. There is a troubled adulterous affair in Kolkata, a family dealing loss of a son in Kochi and a young man in Mumbai dealing with memories of his ancestral home.

    The crossroads at which their lives are at render heartfelt situations between characters that create empathy. The film is presented in English language with Rajshree Ojha‘s inimitable, stark visual story telling style.

    Said PVR Ltd. joint managing director Sanjeev Kumar Bijli, “I feel extremely proud that our second movie under the PVR Director‘s Rare Banner is releasing on March 16th this year and it will be released exclusively at select PVR Cinemas. Chaurahen is a well-woven film based on three different stories. It also boasts of an ensemble cast consisting of very talented actors.”

    The film has won rave reviews during its festival rounds at the South Asian International Film Festival – New York, Mumbai International Film Festival (MAMI), Mumbai Osian’s Cinefan Film Festival -New Delhi, Cairo International Film Festival – Egypt, Marbella Film Festival – Spain, Imagine India, Madrid Film Festival, Everglades Film Festival, Durban – South Africa, Cape Town Bollywood Film Festival, The Swansea Bay Film Festival, England, Bogotá Film Festival in Columbia and the Trichur Film Festival.

    The film stars Soha Ali Khan, Ankur Khanna, Victor Banerjee, Kiera Chaplin, Roopa Ganguly, Zeenat Aman, Shayan Munshi, Karthik Kumar, Suchitra Pillai, Arundathi Nag, Nedumudi Venu and Siddharth Makkad among others.

  • Tintin becomes highest grossing animated film in India

    Tintin becomes highest grossing animated film in India

    MUMBAI: The Adventures of Tintin: The Secret of the Unicorn has become the highest grossing animated film in India with a total gross of Rs 254.4 million at the box office while in its fourth week in theatres.

    Sony Pictures India managing director Kercy Daruwala said, “The film has been bolstered by strong word-of-mouth and we expect it to play for several more weeks. It is bringing in a lot of bulk bookings and repeat audiences because of the great 3D experience.”

    The film had earlier achieved the highest opening of all time for an animated film with a gross of Rs 73.5 million when it released on 11 November with 351 prints including English and Hindi in 3D, 2D and IMAX 3D formats.

    The Adventures of Tintin has grossed approximately $221.6m internationally in box-office collections through its recent release in select territories, with several major territories such as the US, Canada, Australia, New Zealand, South Africa and Latin America yet to release.

  • Bond bids goodbye to India

    Bond bids goodbye to India

    MUMBAI: James Bond has bid goodbye to India even before landing here. In spite of a green signal from the Indian railways, the shoot of the British super spy film has been shelved.

    “The production company, India Take One Productions, have communicated to the railway ministry that they are not shooting the next Bond film in India, and that they are looking at other places,” sources from the railway ministry have said in a statement.

    The producers of the film titled Bond 23, wanted to shoot high-speed stunts on the Indian Railways. There was a request to shoot on the rooftop of a moving train, as well as inside a tunnel. However, due to security reasons, they were facing trouble getting the permission.

    In spite of the Railway ministry‘s go-ahead signal, officials were worried about the production team‘s demand of “locking off the lines for seven-eight hours a day for seven days in a row”.

    The crew is now likely to move to South Africa for the shoot.