Tag: SonyLiv

  • SonyLIV Launches Married Woman Diaries – Phase 2

    SonyLIV Launches Married Woman Diaries – Phase 2

    MUMBAI: SonyLIV brings to you the second edition of its popular original web series; Married Woman Diaries. After the phenomenal success of the first edition, the new series takes on the life of new parents as they move into the next phase of their married life.

    The series features actress, Sulagna Panigrahi, as Shweta while Abhishek Rawat returns as the husband, Rishi. The first season of ‘Married Woman Diaries’ revolved around how Shweta deals with the changes in her husband post their marriage; while ‘Married Woman Diaries – Phase 2’ will focus on the lives of Shweta and Rishi on becoming parents. The story is inspired by real life situations of modern couples and the different phases of relationships. Life of couples is very different when they are newly married and then becoming parents is the next phase and hence the show is also named as Phase 2.

    How does a couple, so different in every way cope with the stress of parenthood? To add to the tension, an ex-girlfriend of Rishi’s, Alisha, enters the scene. Will sparks fly between the ex- flames and how will Shweta, already overwhelmed with all the pressures of becoming a mother, handle the situation?

    Encapsulated in 10 episodes, ‘Married Woman Diaries – Phase 2’ will be available on SonyLIV starting today and a new episode will air every Wednesday. The series is also available for binge watching for subscribed users. This web series is written by Manu Chobe and directed by Kabir Sadanand and presented by KamaSutra condoms.

  • SonyLIV banked on Akamai to leverage ad insertion for India-SA series

    SonyLIV banked on Akamai to leverage ad insertion for India-SA series

    MUMBAI: SonyLIV, which provides multi-screen engagement to users on all devices, leveraged Akamai’s dynamic ad-insertion capabilities during the India-South Africa cricket series held over January and February 2018.

    Akamai Technologies regional VP, media Asia Pacific and Japan Sidharth Pisharoti said, “SonyLIV has a vast library of original content. However, in India, few entertainment options have the capability to attract mass audiences like cricket. While the challenge on the one hand is to keep audiences engaged with a TV-like experience, the equally hard part is ensuring that advertisers see value in leveraging digital platforms to drive views and consequently, revenue through advertisements. With Akamai’s capabilities, we were able to successfully deliver what audiences and advertisers wanted over the course of the India-South Africa series.”

    SonyLIV was the official and exclusive mobile and internet broadcaster for the India tour of South Africa series and delivered it to millions of users seamlessly across a variety of devices. Digital advertisers gained the most through the course of the series with Akamai’s dynamic ad insertion delivering targeted advertisements during the live stream. With this partnership, SonyLIV achieved a near 100 per cent ad fill rate without compromising on the viewing experience for users.

    Commenting on the partnership, SonyLIV EVP and business head Uday Sodhi said, “The India Tour of South Africa series was a huge success for SonyLIV and our audiences had a seamless experience throughout. We partnered with Akamai and leveraged their technology and added it to our already existing capabilities. The series was a huge hit with all the brands we associated with.”

    Pitch Madison’s Advertising Report for 2018 projects advertising spend on digital platforms to reach Rs 11,629 crore in 2018, representing a 19.5 per cent increase over the Rs 9,303 crore spent in 2017. In 2017, the spend on mobile was 78 per cent (Rs 7,256 crore) of the total digital outlay. Video represented 35 per cent (Rs 3,300 crore) of the total spend. This indicates a strong reflection of growing consumer trends in the country. A report by MoMagic Technologies found that 40 per cent of Indians prefer to watch advertisement videos on their mobile phones over other media. Additionally, as per IDC, India is the fastest growing smart phone market globally with a total of 124 million units shipped in 2017.

    Powered by advertising technology expert Yospace, Akamai’s dynamic ad insertion is designed to help content providers offer greater monetisation opportunities through online advertising, while maintaining a TV-like experience for viewers at scale.

    Also Read:

    2017: The year OTTs went regional in India

    Regional OTT content more than just catch-up TV    

    Sports fans power 35-40% of traffic on SonyLiv

  • SonyLIV doubles MAUs to 15.6mn in Feb: App Annie report

    SonyLIV doubles MAUs to 15.6mn in Feb: App Annie report

    MUMBAI: SonyLIV continued to reign the online pie by grabbing more eyeballs in the month of February. It added 7.9 million monthly active users (MAUs) in its kitty. The platform has doubled its base within a month from 7.7 million MAUs to 15.6 million MAUs and has stomped to the third position from fifth last month (January), according to App Annie data report. This ranking is a combination of iOS App Store and Google Play Store.

    According to the report, YouTube is on the top of all digital platforms with 178.1 million MAUs, followed by Hotstar at 48.1 million MAUs. Amazon Prime Video was in the fourth position with 13.4 million active users. Voot garnered the fifth position with a total of 10.7 million active users overall. The international giant Netflix had 6 million active users and stood at the sixth position. The latest OTT player, Zee5, has left a remarkable mark on the audience within a month of its launch by successfully engaging 5.6 million users on its platform.

    Though SonyLIV has an array of web series, movies, sports, catch up TV shows, music and more, the credit to increase in the viewership clearly goes to the recent India-South Africa cricket series streamed during February.

    App Annie is an app market data and insights company headquartered in San Francisco, California. App Annie focuses on the state of video streaming apps in Asia-Pacific region including emerging markets such as India, China and Thailand, among others.

    Also Read:

    Localised content the way forward for Netflix in India

    2017: The year OTTs went regional in India

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    Indians among top commute streamers for Netflix

  • SonyLIV adds 7 new channels from SPI

    SonyLIV adds 7 new channels from SPI

    MUMBAI: SonyLIV will be adding seven channels from SPI’s bouquet by the end of February. The distribution deal will include international movie channel Filmbox Art House, 24-hour martial arts channel Fightbox, and sports and lifestyle channel Fast&Funbox. In addition, Docubox will present documentary films while clothing design and trends are the focus of Fashionbox. Independent international music videos are showcased on 360TuneBox, and millennials will be catered to with gaming and eSports channel Gametoon.

    Sony Pictures Network India EVP and head digital business Uday Sodhi said that this association will bring to the audiences content from different genres. It will add to the existing channels like Sony SET HD, Sony MAX HD, Sony SAB HD, Sony BBC Earth, Sony MIX etc. He said, “SonyLIV premium users can now enjoy non-stop entertainment around sports, fashion, lifestyle, interactive gaming, music, movies and more.”

    SPI’s head of distribution for MENA, Turkey, APAC, Russia, CIS, Baltics, Bulgaria and Ex-Yugo – Murat Muratoglu said, “As SPI is committed to expanding its distribution footprint in Asia we are excited to deliver top quality television programming to viewers in India thanks to the recent launch of our worldwide channels on SonyLIV.”

    SonyLIV content is available to stream online, on Android and iOS mobile devices, on web and m-web.

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    SonyLiv partners Pocket Aces, brings Filter Copy & Gobble originals

    Regional OTT content more than just catch-up TV    

  • ‘Porus’ viewership soldiers on

    ‘Porus’ viewership soldiers on

    MUMBAI: Sony’s magnum opus Porus has been the talk of the town–first for being the first show wherein the IP is with the creator and later for its not-so-spectacular viewership. In fact, rumour mills were abuzz that the show would struggle to shrug off its sluggish start and build on its viewership. Broadcast Audience Research Council (BARC) data for the show, however, paints a different picture.

    According to the data, the ratings (U+R) of the show are significantly higher than the ratings of the channel’s prime time daily soap Rishta Likhenge Hum Naya (Rishta Likhenge) and another prime-time show Vighnaharta Ganesh. While Porus is aired at 8.30 pm, Vighnaharta Ganesh precedes it at 8 pm, whereas Rishta Likhenge is shown at 9 pm on weekdays.

    Porus’ launch week bagged it 3.6 million impressions in week 48 of 2017’s BARC data. The second week saw a drop of 0.6 million impressions. After 10 weeks of being on air, the latest ratings of week 5 for 2018 show Porus at a consistent 3.3 million impressions.

    On the flip side, the week 48 of Vighnaharta Ganesh garnered 3.4 million impressions and Rishta Likhenge got 1.9 million impressions. There was no impact of Porus on Vighnaharta Ganesh’s ratings that was apparent in week 49, whereas Rishta lost 0.1 million impressions from week 48.

    Swastik Productions founder Siddharth Kumar Tewary says, “Porus has been consistent in its ratings since its launch and this was our plan to be consistent in the beginning and then grow slowly. We held on to our ratings from the beginning to now. The first episode was a one-hour content and now we are showing 22 minutes content.” He says that comparing the current 3.3 million figure with the initial 3.6 million one shows that the show has actually grown. “We have made Porus with a huge amount of conviction. People have really appreciated us for keeping the promise of giving them differentiated concept and the way of storytelling,” he adds.

    “Porus is a premium product. We have been happy with the viewership we have got and we are expecting it to grow up by 20 percent from February onwards,” said Sony Entertainment Television EVP and business head Danish Khan. During the ten weeks, the highest impressions that Vighnaharta Ganesh holds is 3.8 million impressions, Porus has 3.6 million impressions, and Rishta has 2.1 million impressions.

    SonyLiv EVP & digital business head Uday Sodhi says, “Porus is very popular and among the best performing shows like Taarak Mehta, Yeh Un Dinon Ki Baat Hai and Super Dancer on SonyLiv. The scale and impact of the show is amazing. It is perfect for digital audiences and it is able to capture the scale & the size fruitfully. We are seeing significant consumption of the show on SonyLiv. There is a huge jump in the month of January over December. The viewership of Porus has grown 30 per cent in January as compared to December.” 

    Porus has successfully travelled to Sri Lanka with a new name Digvijaya. The buyer for the 260-episode series is Maharaja Television (MTV) and the show will be dubbed in Sinhala. Earlier, Porus was acquired by Workpoint Entertainment of Thailand for exclusive TV and non-exclusive digital rights.

     

    Weeks

    VIGHNAHARTA GANESH

    PORUS

    RISHTA LIKHENGE HUM NAYA

    Week 48

    3.4 million Impressions

    3.6 million Impressions

    1.9 million Impressions

    Week 49

    3.4 million Impressions

    3.0 million Impressions

    1.8 million Impressions

    Week 50

    3.6 million Impressions

    3.3 million Impressions

    1.9 million Impressions

    Week 51

    3.3 million Impressions

    2.8 million Impressions

    1.7 million Impressions

    Week 52

    3.8 million Impressions

    3.1 million Impressions

    1.7 million Impressions

    Week 1

    3.3 million Impressions

    3.1 million Impressions

    1.7 million Impressions

    Week 2

    3.8  million Impressions

    3.4 million Impressions

    2.1  million Impressions

    Week 3

    3.8 million Impressions

    3.2 million Impressions

    1.8 million Impressions

    Week 4

    3.3 million Impressions

    3.0 million Impressions

    1.7 million Impressions

    Week 5

    3.4 million Impressions

    3.3 million Impressions

    1.8 million Impressions

     

    Also Read :

    ‘Porus’ launched as ‘Digvijaya’ in Sri Lanka

    Thai broadcaster Workpoint acquires TV rights for Porus

    ‘Porus’ will alter the economics of the ecosystem, says SET’s Danish Khan 

  • SPI International (FILMBOX) launches 7 thematic channels and VOD Content – Exclusively on SonyLIV Web and App in India

    SPI International (FILMBOX) launches 7 thematic channels and VOD Content – Exclusively on SonyLIV Web and App in India

    Global media group SPI International (FILMBOX) and Sony Pictures Networks India (SPN) have signed a distribution agreement to launch seven thematic channels from SPI’s worldwide TV portfolio exclusively on SonyLIV. SonyLIV streams are accessible online, on mobile devices (Android and iOS), web and m-web. 

    From this month, SonyLIV’s TV line-up will include the following SPI’s channels:

    – FilmBox ART HOUSE – an international movie channel featuring classic masterpieces of world cinema by such prominent directors as Kurosawa, Fellini, Hitchcock, Antonioni, Visconti along with an impressive selection of art house titles and independent films from all over the world. The channel also presents award-winning movies from top film festivals including Cannes, Venice, Berlin, Sundance, Tokyo, Hong Kong and many more.

    – FIGHTBOX – a 24X7 martial arts network with live broadcast of international MMA events and other TV programming covering more than thirty combat sport disciplines.

    – FAST&FUNBOX – a sports/lifestyle channel featuring coverage of international shows and competitions in such disciplines as car racing (Formula One), motorcross, snowboarding, sailing and many more

    – DOCUBOX – a unique documentary channel presenting documentary films and television programming devoted to nature, science, history and human civilization

    – FASHIONBOX – a worldwide TV network focusing on fashion trends, top designers and shopping

    – 360TuneBox – an independent international music video network showcasing breakthrough artists from all over the world and the best of art music video

    – GAMETOON – SPI’s brand new worldwide entertainment TV channel for millennials revolving around gaming and eSports. The Gametoon channel features highlights of popular video games, entertainment content from gaming youtubers, video game tournaments (e-sports) with million dollar prize pools and much more.

  • Ad spend on connected TV globally slated to grow in 2018

    Ad spend on connected TV globally slated to grow in 2018

    NEW DELHI: A new report has found that connected TV advertising is growing and 29 per cent of global advertisers and agencies plan to increase their connected TV advertising spend in 2018.

    In fact, 65 per cent of the respondents said they will maintain their current spend suggesting they were satisfied with connected TV performance to date and only 6 per cent planned to decrease their connected TV spend in the year ahead, according to a recent survey by US-based Videology Inc commissioned through Advertiser Perceptions.

    Explaining the phenomenon, Videology said data-based TV options are evolving every year and it expected more dollars will be shifted from traditional linear TV to advanced TV strategies in the months and years ahead as these strategies provide the ability to bring data and measurement to the entire marketing funnel when part of a holistic, cross-screen video approach.

    What’s connected TV? According to BBC, a connected TV uses a consumer’s broadband internet connection to bring the kind of video content one gets on a computer (including on-demand services) but back where it belongs—on the TV. A consumer can sit back and watch the best of both the internet and television from the comfort of one’s living room. Some connected TV services allow consumers to use the electronic programme guide or EPG to scroll back in time to see if there are any shows from the past seven days that one has missed and would like to catch up on.

    Though the Videology survey didn’t mention specific markets, it’s still unclear how such a trend would play out in India. Still, for the records, SonyLIV, an OTT platform that combines streaming of linear TV programmes and on video-on-demand service in India, had said it got separate advertisers for its streaming services involving some sporting programmes, which were different from the ones who advertised on Sony’s traditional TV channels in India.

    public://connected_TV.jpg

    Videology also added that its Q4 2017 TV and Video Market At-A-Glance Report had revealed that since 2015, there has been a 175 per cent increase in the amount of ad requests for connected TV in the Videology platform. The report also found that the amount of impressions running exclusively on connected TV grew 230 per cent from last quarter.

    According to Videology, the idea of “cross-screen” is key as “agnostic” video planning is another trend uncovered in the Q4 Video Market At-A-Glance report. In Q4, 97 per cent of campaigns run on the Videology platform ran on multiple screens, with 60 per cent of those including a connected TV component.

    As cross-screen strategies continue to grow, and to include connected TV alongside digital video, mobile, and linear TV, advertisers can expect to drive greater results, Videology said, adding there were still a few hurdles to overcome.

    In the Advertiser Perceptions research, 51 per cent of respondents cited consistent cross-screen measurement as their biggest challenge in regard to TV and video advertising, while 44 per cent said they were challenged with how to best leverage data, and over 1/3 said their biggest challenge was “lack of clarity/understanding of what’s available and how to execute.”

    “As we move towards an industry turning point for data-enabled, advanced TV advertising, there is still room for improvement in terms of data, measurement and education, and many in the ecosystem (like Videology) have built solutions to do just that. In the meantime, increased adoption of connected TV and other advanced TV channels is a step in the right direction,” Videology said in a blog.

    Videology Inc. is a company specialising in TV and video advertising. The company’s global technology helps marketers and media companies manage, measure and optimise digital video and TV advertising to drive greater results in today’s converged media landscape.

  • SonyLIV celebrates 5 glorious years

    SonyLIV celebrates 5 glorious years

    MUMBAI: SonyLIV, launched in January 2013, completes 5 years this month. The launch of SonyLIV set the tone for the OTT industry in India. Over the last 5 years, SonyLIV has grown with the digital ecosystem and garnered key insights on the rise of video content, engaging mobile experience, power of choice to the consumer, transformation in payment mechanisms, data science and machine learning to better understand consumer behaviour better. As a brand, it has also paved the path for other national and international players to enter this category in India.

    Aligned to its vision of transforming the video-on-demand space with edgy, relatable, and top-notch content, SonyLIV has many first to its credit. Through the journey of 5 years, SonyLIV has not only introduced new content formats like original web-series, including those in regional languages but also established a presence in top Indian metros.

    Sony Pictures Networks (SPN) EVP and head-digital business Uday Sodhi said, “We take immense pride in the fact that we introduced OTT to India. Over the 5 years, we have learned, grown and been a vital part in building the digital ecosystem in our country. Post the launch of SonyLIV, we have seen a number of home-grown players enter the field along with some international heavyweights. The presence of all these players has further helped increase awareness about OTT as a platform among Indians and created a competitive environment that is beneficial to the industry as a whole. On our 5th anniversary, we would like to thank our viewers, advertisers and partners for being part of this remarkable journey and take this opportunity to reaffirm our commitment towards providing great content and a supreme digital viewing experience. We LIV to Entertain and we will continue to entertain.”

    SonyLIV also went beyond the ordinary entertainment and became the first OTT player to have over 4000 hours of food content and over 3000+ live matches and 4000+ hours of football action among other content. The brand has some of the best cricket properties and presently are the exclusive internet and mobile broadcaster for the India Tour of South Africa. SonyLIV has also enriched viewer experience by launching many contextual short films that not only entertain but also mirror trends in society.

    SonyLIV is home to the widest range of sporting properties including cricket, football, tennis, WWE, UFC, basketball and much more.

    The future for SonyLIV is towards more regional content acquisition and curation to cater to the rural audiences, which is where the next wave of consumption is estimated. SonyLIV is also building an app environment for lower bandwidth consumption. SonyLIV is taking strict measure and working closely with all partners to ensure no ad frauds happen while also ensuring brand safety.

    Also Read:

    Uday Sodhi bets long on short films on SonyLiv

    LoveBytes 2: SonyLiv’s Sodhi says prime focus is youth issues; international Aus matches after Diwali

    SonyLiv partners Pocket Aces, brings Filter Copy & Gobble originals

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  • Live coverage of Australian Open 2018: #LIVtheGrandSlam

    Live coverage of Australian Open 2018: #LIVtheGrandSlam

    MUMBAI: SonyLIV, the premium OTT platform of Sony Pictures Networks India (SPN), is all set to stream the Australian Open 2018. Also, known as the ‘Fans Slam’, the Australian Open is chronologically the first of the four Grand Slam Tennis events of the year. It will play out on SonyLIV from 15-28 January 2018.

    The 106th edition of the tournament will see Roger Federer defend his title, after his memorable five-set win over Rafael Nadal last year. Crowd favourite, Novak Djokovic, will also be looking to leave behind an injury-plagued 2017, as he takes the field in a competition he has won 6 times.

    With the Women Singles defending champion, Serena Williams, opting out as she regains fitness following the birth of her daughter in September, we are set to witness a new champion in this category. The Women Singles event will feature a clinquant array of well-known names and rising stars of tennis, including Simona Halep (No. 1 seed), Caroline Wozniacki (No. 2 seed) and Venus Williams (No. 5 seed).

    SonyLIV will also be exclusively streaming coverage of an additional court along with the regular matches. The matches will also be available as video on-demand (VOD) so that fans can follow the action at their own convenience. SonyLIV has established itself as the go-to destination for sports in the country being home to the widest range of sporting properties across sports like cricket, football, tennis, WWE, basketball and more. Australian Open 2018 on SonyLIV is presented by Johnnie Walker, powered by HP and Volkswagen is an associate sponsor. The tournament will also be telecasted live on SONY SIX, SONY SIX HD, SONY TEN 2 and SONY TEN 2 HD channels.

  • Sports fans power 35-40% of traffic on SonyLiv

    Sports fans power 35-40% of traffic on SonyLiv

    MUMBAI: Contrary to popular opinion, SonyLiv is attracting a significant quantum of viewership courtesy its base of hardcore sports fans. Despite a concerted effort to provide entertainment across genres, sporting events have managed to pull in the eyeballs for the over-the-top (OTT) player in spite of the fickle nature of the audience.

    At present, more than a third of SonyLiv’s traffic is garnered by its sporting properties. Sony Pictures Network EVP and head of digital business Uday Sodhi says, “35 to 40 per cent of our traffic is from hardcore sports followers. This shoots up during large sporting events and then the share gets bigger. Time spent varies from 25 minutes to 40 minutes for sports.”

    Cricket is undoubtedly the first choice of Indians and that is reflective on SonyLiv, too. After cricket, football and WWE grab the attention of consumers the most. Big Bash League is one of the best T20 leagues outside India and it is getting more popular in India. Sodhi expects people to slowly warm up to this long-term property.

    Going forward, the OTT platform will bet big on sports events. Talking about future plans, Sodhi says, “We run three sports television brands in India – Sony Six, Sony ESPN and Ten Sports. With these three brands, we have a strong sports network and we sport it in a big way on digital, therefore we are a large sports player on digital. The network is currently running India vs South Africa cricket series, Big Bash and from Monday will air Australian Open.”

    The channel does a complete 360-degree coverage around sports that includes sports live, VOD, analysis and programming. “From our perspective, sports are a big part of SonyLiv and we will continue to get more and more rights for our users,” he adds. He also states that Sony’s digital platform is profitable.

    On the entertainment front, SonyLiv released a short film ‘Ek Nayi Shuruaat’ in the new year. The platform is keen to syndicate short films from third parties. It is also giving the final touch to three Hindi web originals that will launch in February and March.

    Sodhi expects more OTT players to join the fray in 2018 with focus on the regional market but he does not think consolidation will take place in the near future. Rather, the improvement in bandwidth will increase consumption on screen with increased adoption of Chromecast, Apple TV and regional media devices.

    Also Read :

    Uday Sodhi bets long on short films on SonyLiv

    LoveBytes 2: SonyLiv’s Sodhi says prime focus is youth issues; international Aus matches after Diwali

    SonyLiv partners Pocket Aces, brings Filter Copy & Gobble originals

    Regional OTT content more than just catch-up TV