Tag: SonyLiv

  • Industry bigwigs sound the alarm on piracy from OTT platforms

    Industry bigwigs sound the alarm on piracy from OTT platforms

    KOLKATA: Digital piracy is nothing new. But it has registered a massive uptick as millions of people have been forced to stay cooped up in their homes because of the Covid2019 pandemic. Illegal streaming could cost the industry around $12.5 billion by 2024 and the only way to curb the threat is a concerted effort by policy makers and service providers, according to experts.

    In a webinar hosted by Indiantelevision.com, panellists agreed that a 360 degree approach can help win the battle against piracy. ZEE5 India technology head Tushar Vohra, SonyLIV technology head Manish Verma, Synamedia intelligence and security operations VP Avigail Gutman participated in the discussion, which was moderated by Indiantelevision.com founder, CEO and editor-in-chief Anil Wanvari.

    Gutman elaborated on how piracy from streaming platforms has come to be the most significant problem in the last five-ten years. Content is being extracted from the devices from where it is legitimately supplied, says Gutman. Along with that, another kind of copyright violation has emerged including identity theft and skimming of customer credentials. While there are many security solutions that prevent older forms of piracy, streaming is now “the lowest hanging fruit” for pirates.

     

     

    With more and more people switching to digital platforms, piracy is also increasing in tandem, states SonyLIV’s Manish Verma, agreeing to the fact that the issue is ever-evolving. He explained that it started with a very simple process like deep linking of content. It went one step further when people started using proxy and VPN to stream content illegally. This gradually devolved into credential theft, identity sharing, screen mirroring and copying the content on screen.

    Read more news on OTT

    Verma believes that the rise in content piracy has a lot to do with malpractices on social media platforms like Telegram, which allows people to share large multimedia files without supervision. The messenger app became immensely popular after the government crackdown on peer-to-peer file sharing sites, better known as torrents. While the company behind the app claims to have a zero tolerance policy on pirated content, its encryption makes it nearly impossible to find out what users are sharing.

    “With content acquisition and content production costs increasing – whether it is for original content or live sports events –it is very important for us to see what all we can do to stop piracy,” he added.

    ZEE5’s Vohra pointed out how they witnessed a big spike in piracy in the wake of Covid2019 crisis. As TV content dried up with the beginning of lockdown, the platform saw a huge increase in credential theft, and original content getting pirated. This is only going to increase as people have now already tasted original premium content, he warned. 

    “It is easy for pirate services to lure audience as they combine content from several platforms and offer it freely or for a much lower price,” Vohra said. Clearly, 360 investment from content owners, communities, governments and lawmakers is the need of the hour to tackle this challenge.

    With the evolution in the nature of piracy, security solutions have also changed. Verma said that at the outset, the platform used to take basic steps earlier as the volume of traffic and impact wasn’t very high. Then they went from encrypting content, user URLs, using DRMs to blocking proxy and VPN access. Now, they’re looking at more advanced measures at different layers to make the service completely watertight against piracy.

    On the other hand, ZEE5’s Vohra said that the company believes in creating a barrier. It is trying to warn pirates that ZEE5 can catch them by figuring out their IP, user id, device etc. The platform is working on a forensic watermark to be launched on the web player in October. Later, it will be launched on all applications expect for KAIOS by end of December. He is optimistic that the OTT service will be in a better position after six months.

    “We were engaging with the government of India for data protection laws and we stressed content protection as one of the most important clauses that the lawmakers should take up. We are seeing good results from that engagement. We are hopeful that a new law that doubles down on copyright protection will be introduced by April,” Vohra added.

    Gutman concurred that there is great need for stricter law enforcement as hackers are attacking DRMs exploiting the loopholes, legitimate CDNs, video services. As piracy becomes increasingly sophisticated, it demands equally progressive regulations to check it.

  • SonyLIV’s KBC Play Along heightens consumer delight with KBC 12

    SonyLIV’s KBC Play Along heightens consumer delight with KBC 12

    KOLKATA: SonyLIV makes staying-at-home rewarding with an unprecedented offering of ‘Har Din 10 Lakhpati’ under ‘KBC Play Along’. As the most awaited reality show makes a grand comeback, SonyLIV takes audience engagement notches higher with this innovative extension. This season KBC Play Along’ is aimed at rewarding the Aam aadmi like never before.

    A crowd puller since its inception in 2018, ‘KBC Play Along’ registered more than eight million users (1 billion interactions) on the platform last year. This season, SonyLIV takes the excitement notches higher by upgrading it to ‘Har Din 10 Lakhpati’, where ten winners across India will stand a chance to win 1 lac each every day through the season. SonyLIV also adds on the feature of playing in teams this year. With this, users can invite their friends and family and form their own teams. The team score will be the total sum of the Individual players’ scores and the top-scoring team will win 1 lakh prize money every day. There is also the chance for referrals. A user can invite/refer friends and family to win additional points and earn a free subscription to SonyLIV for themselves.

    Adding further excitement to the competition are the numerous prizes like a car, television set, mobile phones, bluetooth speakers amongst various electronics and gift cards that the users stand to win through the season.KBC has always been a beacon of encouragement. In times like these, KBC Play Along is excited to offer moments of happiness to its users by winning big from the comfort of their homes. 

     “From the first ever digital auditions on SonyLIV to a resounding response online, this has been a year of innovations for Kaun Banega Crorepati. Our new feature ‘Har Din 10 Lakhpati’ is an extension in that direction to build the momentum around KBC Play Along and make winners out of our viewers. By gratifying 10 lakhpatis everyday, we not only intend to reward viewers sitting at home and expand winners’ numbers but also cater to aspirations of countless Indians for participating in India’s biggest reality game show,” SPN digital business marketing head Aman Srivastava said.

    “KBC Play Along this year brings together an interesting blend of the existing and the new. While we retain the magic of the game, we are also bringing alive new features like Teams to add another dimension to user experience and take second screen engagement to a new level. Therefore, to innovate further, this season with ‘Har Din 10 Lakhpati’ we are aiming to gratify the fans of KBC and turn home seats into hot seats,” SonyLIV digital business programming and new initiative head Amogh Dusad said.

  • SonyLIV and Lionsgate sign IAMAI’s self regulation code

    SonyLIV and Lionsgate sign IAMAI’s self regulation code

    KOLKATA: The Internet and Mobile Association of India (IAMAI) today announced SonyLIV and Lionsgate as the latest leading online curated content providers in India to sign the Universal Self-Regulation Code.

    The code has already garnered wide support from the industry and has onboarded 15 of the leading Online Curated Content Providers in India like ZEE5, Viacom 18, Disney Hotstar, Amazon Prime Video, Netflix, MX Player, Jio Cinema, Eros Now, Alt Balaji, Arre, HoiChoi, Hungama, Shemaroo, Discovery Plus, Flickstree.

    Read more coverage on self-regulation code 

    IAMAI digital entertainment committee chairman Tarun Katial said, “I am overwhelmed with the support received on the code and delighted to welcome SonyLIV and Lionsgate as the 16 and 17 leading OCC providers in India to sign the ‘Universal Self-Regulation Code’. We already have India’s leading OTT providers as the signatories and expect more players to join the initiative in the coming weeks.”

    Sony Pictures Networks India general counsel Ashok Nambissan said, “We are delighted to join the league of signatories of the Universal Self-Regulation Code. We look to working closely with the IAMAI and other OTT players to get broader acceptance for the Code as well as the Government’s support for the industry’s efforts at self-regulation.”

    Read more coverage on IAMAI

    The Code is effective from 15 August 2020 and allows OCCPs to comply with all the guidelines in a timebound manner. Each signatory to the code has agreed to appoint an external advisor as part of the grievance redressal mechanism within 60 days from the launch of the code i.e. 4 September 2020.

  • SET gets back to basics with new series IndiawaaliMaa

    SET gets back to basics with new series IndiawaaliMaa

    MUMBAI: Sony Pictures Networks India (SPNI) GEC Sony Entertainment Television (SET) has always differed from the rest of the pack in that it has done well with stories which appealed to the younger demographic and in more urban settings. (Remember the smash hit JassiJaisiKohiNahin, Bade AccheLagate Hai, Patiala Babes).

    Now, SET is all set to bring another series IndiawaaliMaa which tells an endearing relatable tale of a mother who helps her son through difficult times. The daily premieres on 31 August and will air from Monday to Friday at 8:30 pm.

    The show is produced by Jay Productions and has Suchita Trivedi (Kaushalya), Nitesh Pandey (Hasmukh), AkshayMhatre (Rohan), and Sheen Dass (Chinamma) in the main lead.

    Jay Productions founder Kinnari Mehta says the idea of making IndiawaaliMaa  was spawned eight months back when writer Imtiaz Patel narrated a story about a mother’s journey traveling to London for her son who gets into  trouble.

    “A few months back in a meeting with Sony TV, I narrated the idea,” she shares.  “They instantly loved it.” 

    Originally, the plan was to film in London, but with restrictions on travel and budgets brought about by the pandemic, the story was tweaked with Mumbai as a location.

    According to Mehta, the studio faced many challenges while drafting the script and shooting while adhering to all the SOPs with limited crew.  Additionally, multiple units where shoots are happening simultaneously, are being resorted to ensure that there is no overcrowding in one location and social distancing is maintained.

    Also, due to restrictions on travel, the team is doing most of the coordination over Zoom calls.

    Kinnari says, “We wanted someone who looks like my mother and for that, we conducted auditions, practically from the entire industry and the biggest challenge we faced was most of the women who are in their forties  have toned bodies. I couldn’t relate to them. When Suchitra came for the audition, she wore a normal saree, hooped earrings, and donned messy braids. I instantly chose her for the role as she perfectly fits in it.”

    As far as Nitish Pandey is concerned, Mehta wanted someone who is like a strict father but also a loving husband.

    “This is a show which will allow all of us to know the heart of a mother – the heart of an unconditionally loving  Indian mother –  closely. IndiawaaliMaa is not just a show it is an  emotion. A story that can’t be said and can only be felt,” says Kinnari.

    SPNI  digital business & SET content  head Ashish Golwalkar  says that the show will appeal to almost everyone as at its heart are real human emotions. “A mother is someone who stands by her son through thick and thin,” he says. “And in IndiawaaliMaa,Kaushalya or Kaku, the mother, takes it upon herself to resurrect her son Rohan who has lost direction and is struggling to cope,” says Golwalkar.

    Overall, he is pleased with the way that things are progressing with SET. Says he: The channel has always focused on relevant topics and at younger audiences. Our content is mostly around people and laughter. The Kapil Sharma Show is doing relatively well."

    He  is happy that the production of Kaun Banega Crorepati has commenced last week with extremely high safety precautions for its host Amitabh Bachchan and crew members. It may be recalled that Bachchan was discharged from hospital earlier this month after recovering from Covid2019. Says Golwarlkar: “We lost KBC around August and its shooting schedule was postponed. Hopefully, it will be launched next month.”

    The good news is that auditions for both Kaun Banega Crorepati and Indian Idol have been completed and the participants decided. Indian Idol is set to launch in end-October, replacing India’s Best Dancer which is in its final  stages.

    During the lockdown, Golwalkar has observed that audiences are preferring shows which are full of nostalgia. “There is no denying that digital consumption is growing very fast. I head content for SonyLIV and see that the younger generation watch more on the digital platforms,” he shares.He further adds, “Our digital platform still gets a lot of traction from Tarak Mehta KaUltaChashma, Balveer, The Kapil Sharma Show and India’s Best Dancer. A lot of television consumption is slowly shifting to digital but it is just the change of screen. I believe television is as relevant as it was before.”

  • Juggernaut Productions’ Samar Khan shares his untold experience in making Avrodh: The Siege Within

    Juggernaut Productions’ Samar Khan shares his untold experience in making Avrodh: The Siege Within

    Director and producer Samar Khan, who is known for his critically acclaimed war drama film Shaurya, is now busy creating stories for streaming platforms. Almost one-and-a-half years after Vicky Kaushal's Uri: The Surgical Strike, SonyLiv has come up with a series named Avrodh: The Siege Within.

    Based on a book written by Shiv and Rahul, Avrodh showcases what exactly happened during the 2016 surgical strikes conducted by the Indian Army in Pakistan-occupied Kashmir (PoK). The former journalist is passionate about creating stories for armed forces as most of his work like Regiment Diaries on Epic channel, The Test Case, or the AltBalaji-ZEE5 series Code M revolves around the same subject.

    In a special discussion with IN10 Media Network's production arm Juggernaut Productions chief operating officer (OTT) Samar Khan  gives more insights on the show.

    Edited Excerpts:

    Avrodh is based on Shiv and Rahul’s book. So, how did you conceptualised the show? 

    I have always been intrigued by stories of armed forces. Before Avrodh I have made Shaurya and Test Case. I picked up Rahul and Shiv Aroor’s book and was taken aback after reading the first chapter. I also spoke to the authors and realised that they were also very interested in making its OTT version. We all felt that the book deserved to be made in a series rather than a film. Post this, I immediately approached Applause Entertainment’s Sameer Nair with the idea, and he was equally convinced about it. So that is how we went ahead with this concept.

    It looks more like a quasi-documentary style of a contemporary action film. So, do you think it would have been better if it was a documentary than a series?

    No, not at all because the concept is more dramatic in its storytelling. It is now a show that can be made in a documentary style. We always believed that the dramatic storytelling format would be the best way. I don’t think anyone was confused about the route we wanted to take. I think a series would do justice to it. The documentary is a different part of storytelling. I am not saying that it would not have been effective for this show. It is just that we have picked another way of storytelling. There are already many.

    Were you scared that people would take it as a jingoistic show? How have you maintained the line between jingoism and patriotism?

    We were proud of our story, and we wanted to show the story in the way it has happened. We were clear about telling a story of bravery, and we wanted to show it as humanely as possible. I come from NDA background and have friends in forces with whom I interact on a regular basis, so I know the way they think and operate. Our entire team had just one single aim of creating a human story. In my opinion, the show doesn’t have any jingoism elements.

    Where did you shot the story?

    Initially, the plan was to make a 10 episode series, and we had the goal to expand the world of the book. The book talks about the surgical strike, so we picked up the story even before the Uri attacks happened then later in the show, we showcased Uri attacks and then the ten days that led to the surgical strike. So initially, we thought to name the series as ‘10 Days’. We researched about what political establishments were doing and how the planning was done. The actual scripting process took eight to nine months. It was important for us to stay true to the story, but we did take some cinematographic liberties. One of the most crucial things I and Applause Entertainment decided to do was to bring the director of Neerja movie Raj Acharya. That was one of the best decisions we took. So, later on, we brought the team on-board, then the casting process happened. Amit Sadh was our first choice because we share a similar thought when it comes to the army. We brought on board some of the esteemed names from the film industry like Neeraj Kabi, Darshan, Anant Mahadevan, and Vikram Gokhale.

    We also received great help from the Indian army as they provided us with the locations, places to shoot, and equipment. We submitted the entire script to them for approval. They were also part of storytelling. We found locations in Bhadarwa, located in Jammu, and then we shot in Mumbai and some parts of Delhi. We spent a lot of time in talent scouting for junior artists and other actors. We did army training with them, taught them how to hold a gun, and how to walk, talk, and salute like army men. We had an ex-army man as a trainer who helped us in designing the look for the boys. It was important for us to maintain the authenticity and real look of the show. We fabricated and made guns like the real ones. But the Bofors, trucks, Jeeps are from the army.

    The music perfectly magnifies the chaos of war in the series. Can you elaborate more on this?

    A lot of credit for music goes to Deepak Sehgal and Priya Jhavar from Applause Entertainment. I think between Raj Acharya, Sehgal, and Jhavar the background music got reworked several times. Nirmal Pandya also kept on innovating with different tools and instruments. We didn't want the background music to look more like jingoistic or patriotic.

    Also, in the commercial cinema, audiences are served with a bouquet of things which included crime, romance, drama, and thriller. Do you think streaming platforms have changed this scenario?

    We are now able to tell stories in a more defined and chiseled way. I think we don't need to unnecessarily fill up the story with everything. Apart from streaming giants, I would also like to give credit to audiences. I believe it is not important to have everything in one story. It is fantastic that audiences have also evolved; they can enjoy things without fitting everything into one.

  • OTT platform runs commercials for liquor brand, report says

    OTT platform runs commercials for liquor brand, report says

    KOLKATA: Sparking a new controversy, the streaming service SonyLIV runs commercials for liquor brands between breaks. It appears the liquor brands which can’t use television or print, are utilising OTT platforms in the absence of advertising codes. The OTT platforms don’t have any advertising code yet for their original content.

    According to a Mint report, the liquor brand Diageo India promoted its 180 ml pocket-size flasks called 'Hipsters' which launched last year for scotch whiskey brands Black Dog, Black & White, and Vat 69.

    However, it displayed the ad with a disclaimer that it should not be shared with people below the legal drinking age. The brand has shown on-screen during the cricket tournament that young consumers are pouring whiskey from a flask to make a chilled drink on multiple occasions when the drink can be enjoyed.

    "It is in accordance with the Diageo Marketing Code and Diageo Digital Guidelines, that guide for all communications that go out across any platform," a company spokesperson said as quoted by Mint.

    Advertising Standards Council of India (ASCI) secretary-general Shweta Purandare said these matters are beyond the scope of ASCI. According to ASCI, such matters are best examined and dealt with by the concerned regulators.

  • SonyLIV unveils teaser of Scam 1992 – The Harshad Mehta Story

    SonyLIV unveils teaser of Scam 1992 – The Harshad Mehta Story

    KOLKATA: ‘SonyLIV 2.0’ has significantly upped its game in original premium content space. After releasing successful shows like Avroadh, Undekhi, it has now released a teaser of its upcoming show Scam 1992. Directed by Hansal Mehta, Scam 1992: The Harshad Mehta Story is about the real-life 1992 stock market scam involving the eponymous stockbroker, which led to major reforms, including the formation of Securities and Exchange Board of India (SEBI) Mehta has adapted a book on the 1992 stock market scam. The teaser of ‘Scam 1992’ has been unveiled featuring Pratik Gandhi, Shreya Dhanwanthary, and Sharib Hashmi. The story is set in the 1980’s and 90’s Bomba. At the beginning of the teaser, Sharib tells Shreya, about a Rs 500-crore fraud which has taken place. “We wrapped a mammoth 85 days shoot spanning 6 months, 550 pages, 170+ characters, and 200+ locations. It was tough but eventually satisfying. A great team saw this (and is still seeing it) through all the limitations and adversities. #Scam1992 is THEIR show. Thank you team!,” Mehta tweeted.

  • Brands go creative for 2020 mood calendar meme trend

    Brands go creative for 2020 mood calendar meme trend

    NEW DELHI: If people could borrow something from Harry Potter this year, it would probably be the time turner. Who wouldn’t want to go back and undo the year 2020 or stop COVID2019 from crippling the world?

    But since Muggles can’t do that, they must make do with the memes. Social media never backs out from coming up with a new challenge every now and then. This time, a new challenge is keeping netizens busy – 2020 mood of the month.

    It all started when celebrity Reese Witherspoon shared a meme capturing the many moods people felt in the year. Captioned “Yup. #2020,” Witherspoon’s Instagram post garnered over 1.4 million likes, showing just how deeply the meme resonated with people. It was widely shared and appreciated by netizens. From Priyanka Chopra, Mindy Kalang to many celebrities followed the trend but how can brands lag in the trend race?

    Many OTT players and entertainment brands leveraged this opportunity and came up with their own memes resonating with their audiences. Brands too tried to showcase the mood of the people in the year 2020. Here are some brands who decided to join the bandwagon:

    1. Sony Pix India:

    2. Sony Liv:

    Seems legit

    A post shared by SonyLIV (@sonylivindia) on

    3. Kotak Mahindra Bank:

    Sony Sports: https://www.facebook.com/SonySportsIndia/posts/3205422396209857

    5. South Africa Tourism:

    6. Warner Bros. Tv

    7. Netflix India:

    8. Amazon Prime Video India:

    moodposting ft. @bajpayee.manoj

    A post shared by amazon prime video IN (@primevideoin) on

    9. Alt Balaji:

    When will this calendar end? #ALTBalaji @sufisoul

    A post shared by ALTBalaji (@altbalaji) on

    10. MTV Beats:

  • THE NBA UNVEILS NEW SPOT FOR SEASON RESTART #WHOLENEWGAME

    THE NBA UNVEILS NEW SPOT FOR SEASON RESTART #WHOLENEWGAME

    After a long hiatus, the National Basketball Association (NBA) is back with a ‘Whole New Game’, a campaign that inspires fans to reimagine the game of basketball in its purest form for the rest of the 2019-2020 season. The heart of the game remains unchanged but everything else will be different.  With 22 teams set up in the bubble at the ESPN Wide World of Sports Complex at Walt Disney World Resort near Orlando, Florida, the season restarts on July 31, 2020. The games will be available live for Indian fans on SONY SIX SD & HD, SonyLIV, FanCode and NBA League Pass. 

    The restart of the 2019-20 season will be one for the books given the never-seen-before elements, be it the broadcast innovations or the immersive fan experiences. The high energy global campaign film opens with empty arena pondering on the profound changes that the world has witnessed this year, reminding fans where we left off the last season and building anticipation for the restart. With no fans or the sparkling glamour in the court, the game we all love is like we have never seen before echoes through the story.

    The NBA has introduced never-before-seen camera angles and enhanced audio of players and coaches. With digital video boards in the stands, fans can virtually live the game experience along with an all-encompassing sound system, the restart will be nothing short of a modern-day miracle. 

    The US only version of the film features prominent American actress, writer and producer, Issa Rae, literally walking the fans through the Whole New Game. Translated in more than 10 languages including Chinese, French, German, Indonesian, Italian, Japanese, Polish, Portuguese (Brazil), Spanish (Spain), Spanish (Mexico) and Thai, the campaign has also been integrated throughout the NBA Campus in Orlando and will be an integral part of the comprehensive social media activation amplifying the user-generated content on @NBA platforms. 

    Fan all over the world including Bollywood superstar Ranveer Singh, Indian cricketer and LA Lakers fan Mayank Agarwal, star YouTuber Bhuvan Bam and actor Rannvijay Singha expressed their awe and excitement by sharing the campaign film minutes after it was launched.  

    It’s a new world and yes, it’s a Whole New Game! 

    Block your calendars and catch the action live starting July 31, on SONY SIX, SONYLIV, FanCode and NBA League Pass.

    Schedule of the game:

    DAY

    DATE

    MATCH

    IST

    Fri

    7-31-20

    New Orleans vs. Utah

    4:00 AM

    Fri

    7-31-20

    L.A. Lakers vs. LA Clippers

    6:30 AM

    Sat

    8-1-20

    Milwaukee vs. Boston

    4:00 AM

    Sat

    8-1-20

    Dallas vs. Houston

    6:30 AM

    Sun

    8-2-20

    Toronto vs. L.A. Lakers

    6:00 AM

    Sun

    8-2-20

    Brooklyn vs. Washington

    11:30 PM

    Mon

    8-3-20

    Houston vs. Milwaukee

    6:00 AM

    Mon

    8-3-20

    Miami vs. Toronto

    11:00 PM

    Tue

    8-4-20

    Utah vs. L.A. Lakers

    6:30 AM

    Wed

    8-5-20

    Miami vs. Boston

    4:00 AM

    Wed

    8-5-20

    Portland vs. Houston

    6:30 AM

    Thu

    8-6-20

    L.A. Lakers vs. Oklahoma City

    4:00 AM

    Thu

    8-6-20

    Boston vs. Brooklyn

    6:30 AM

    Fri

    8-7-20

    Dallas vs. LA Clippers

    4:00 AM

    Fri

    8-7-20

    Houston vs. L.A. Lakers

    6:30 AM

  • SonyLIV strengthens its live sports portfolio

    SonyLIV strengthens its live sports portfolio

    KOLKATA: Mexican waves, boisterous applause and an edge of the seat adrenaline; the joy of witnessing live sports is unmatchable. This monsoon, SonyLIV augments its offerings with back to back sporting spectacles starting 8 July 2020. From international cricket to the best of football to the biggest basketball sensation and more, SonyLIV’s live sports portfolio is brimming with the best of tournaments for all sports aficionados in India.

    The cricket season begins today. First up is a clash between England and West Indies, marking the return of International cricket with 3 consecutive Test series. Interim captain Ben Stokes will lead England against the visitors boasting off a bunch of power hitters captained by Jason Holder for the 33rd Time in Test Cricket. Quite interestingly, Jason Holder is also the World's no 1 Test all-rounder who will look to retain his position against Stokes who comes a close second. All three Test series will be streamed live at 3:30 PM on SonyLIV in India.  This will be followed by England vs Ireland starting July 30. 

    Next up is the on-going battle of the heavyweights in the Ultimate Fighting Championship on and from 12 July in Abu Dhabi. The tournament will have a fresh set of fights with strong contenders like Kamaru Usman, Alexander Volkanovski, Max Holloway, Jose Aldo, Jessica Andrade, Paige Vanzant and others locking horns in Abu Dhabi, UAE. Also going live is WWE Extreme Rules 2020, the no holds barred sporting tournament. Touted as ‘The Horror Show’, this one will witness some power packed clashes and epic rivalries on and from 20 July. All matches will be live streamed on SonyLIV.

    And then there’s the biggest highlighter of the month. The 2019-20 NBA Season begins on July 30 with 22 teams participating in the big battle. While there would be no live audience, SonyLIV users in India will be able to watch all the matches on the platform. This coveted league will continue till the finale in October 2020.

    But that’s not all. Bringing the best of International football to screens, The 2019/20 UEFA Champions League quarterfinals, semi-finals and finals will also resume as a straight knockout tournament on and from 7 August. Round of 16 2nd Leg matches will also be held preceding the main tournament leading up to the finale on August 24. Adding to this is The FA cup semi-finals on 19 July and the on-going Serie A.

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