Tag: Sony

  • Sony Pictures Television India & Isobar make spider-man fans tap into the multiverse

    Sony Pictures Television India & Isobar make spider-man fans tap into the multiverse

    Mumbai: Sony Pictures Television India and Dentsu’s Isobar have launched a campaign to give the audience an experience of the multiverse, a physics theory that is barely known to the layman.

    Through this campaign, the duo has created a multiverse on mobile devices to bring the essence of the movie “Spider-Man: No Way Home” to the fans before they buy or rent the movie on the BookMyShow stream. For the record, the multiverse was a key part of “Spider-Man: No Way Home” for Sony Pictures Television India.

    Isobar India has developed a website titled, Tap Into The Multiverse, where a single URL – tapintothemultiverse.com can be opened on different browsers to get an experience of different villain universes each time. The website is created to showcase the two universes belonging to the three villains – Doc Ock, Electro and Green Goblin.

    One villain can be accessed with each unique browser visit, while the URL remains the same. The fans are further tested on their villain IQ with interactive questions for a more immersive experience. After this unique experience, the fans are given the option to purchase “Spider-Man: No Way Home” on BookMyShow stream and enjoy extra footage that has never been seen before.

    Talking about the collaboration, Sony Pictures Television South Asia VP, sales and international distribution Sonika Bhasin said, “For a movie like this, the experience of the multiverse just leaves you wanting more. It’s a prelude to an experience that’s completed by streaming “Spider-Man: No Way Home” on BookMyShow stream. People want to not just watch, but also engage with the brand and experience it.”

    Isobar India Group chief executive officer Heeru Dingra said, “It is just not enough to give the audience a taste of a film like this through a trailer. A unique experience is what Spidey fans deserve, and it’s what they got with Tap Into The Multiverse.”

    Isobar India and Taproot chief creative officer Aalap Desai commented, “An iconic franchise like Spider-Man calls for an iconic idea to promote it. A simple question we asked ourselves was, why wait for the movie to get an experience of your friendly neighbourhood Spider-Man? Why not give fans an experience even before they stream it at home? That’s what we did with Tap Into The Multiverse.”

  • Sony Sports Network to live broadcast ‘Roland Garros 2022’ in four languages

    Sony Sports Network to live broadcast ‘Roland Garros 2022’ in four languages

    Mumbai: Sony Sports Network is all set to broadcast the year’s second grand slam event, the ‘Roland-Garros 2022’. The tournament will be live from 22 May. For the first time in India, the audiences will get to watch the Roland Garros in a language of their choice, English, Hindi, Tamil & Telugu across Sony Six SIX, Sony Ten 2, Sony Ten 3, and Sony Ten 4 channels as well as live-stream the tournament on its on-demand OTT platform SonyLIV.

    This is the first year that the Sports Network will be showing the prestigious grand slam and the broadcaster is going all out with live coverage of the event in four languages.

    Sony Sports Network will provide the viewers with an unparalleled viewing experience of the marquee event with a holistic coverage of the tournament with four language feeds and a live studio show. The tournament will see the return of Extraaa Serve, which is the broadcaster’s flagship show for Grand Slam tournaments. The show will be hosted by Sarthak Lal and will feature expert panelists like Olympian Somdev Devvarman, Davis Cup player Purav Raja, and former tennis player Gaurav Natekar.

    The Hindi commentary on Sony Ten 3 channels will be provided by Manish Batavia, Atish Thukral, and Gaurav Natekar. Current Indian players Jeevan Nedunchezhiyan and Arun Venugopal will be part of the Tamil commentary panel, while Asian Game medalist Vishnu Vardhan and Sandeep Kumar will be seen doing Telugu language commentary on the channel.

    Roland Garros has always been circled by tennis fans as this is the only grand slam where they get to watch the top ranked tennis players from across the world perform on the clay court. While the King of Clay, Rafael Nadal is an absolute fan favourite, last year’s champion Novak Djokovic will also look to defend his title and look to join Nadal in the 21 Grand Slam winners club. Apart from the tennis giants, Carlos Alcaraz has also caught the interest of fans with his brilliant performances. In the women’s matches, World No. 1, Iga Swiatek will look to extend her stupendous performance and win her second Grand Slam title against the likes of Barbora Krejcikova, and Paula Badosa. The marquee tournament will also see participation from top-seeded Indian players like Rohan Bopanna and Sania Mirza among others.

    Sony Sports Network has received a huge response from advertisers with brands like Hyundai, Amul, Rolex, Apple, 1x News, Target One, Fairplay News, Lottoland and Dafa News coming onboard.

  • SonyLiv begins registration for ‘Shark Tank India: Season 2’

    SonyLiv begins registration for ‘Shark Tank India: Season 2’

    Mumbai: After a stupendous success of season one, Sony Entertainment Television’s “Shark Tank India” produced by StudioNxt has opened the registrations for its second season from 30 April on SonyLiv.

    With a rapidly changing business environment, India’s dynamic start-up culture has seen innovative ideas that are triggering revolutionary changes. Bringing forth entrepreneurs scattered all over India with innovative business propositions and products.

    Firing up the business growth engine with 85000+ phenomenal entries, the first edition of “Shark Tank India” successfully paved the way for budding entrepreneurs from all walks of life where the Sharks invested Rs 42 crore across 67 businesses. Whether you are a home entrepreneur, business owner, start-up or just have a business idea, here’s your chance to realise your business dream and scale it.

    The first edition of “Shark Tank India” celebrated the distinctive spirit of entrepreneurship including Jugadu Kamlesh’s KG Agrotech, a multipurpose bicycle for farming; Duvvuru Varshitha’s healthcare start-up Vivalyf Innovation’s non-invasive glucometer; ‘Annie’ created by Tinkerbell Labs; Sulay Lavsi’s Bummer, an Indian comfort wear brand; Skippi Ice by, Ravi Kabra and Anuja Kabra or ‘Momo Mami’ Aditi Madan’s BluePine Foods, amongst many others.  

    Following is the four-step process to register for the show:  

    Step 1 – online application

    Download or update the SonyLiv app and fill the Shark Tank India Season 2 registration form by following the instructions mentioned on the app. Mention your business idea. If you hook the Shark Tank team with your idea, you will proceed to the next step.

    Step 2 – the pitch

    In this stage, the Shark Tank team will get to know the applicants and their business ideas better. The applicants will have to tell the team what makes their business idea extraordinary and why is it worth investing in! This will have to be done in the form of a compelling video pitch (three min long) which will decide whether the idea is worth making the cut on “Shark Tank India Season 2.”

    Step 3 – the audition

    The selected applicants will go through a round of auditions with the Shark Tank team which will be the penultimate step towards making it big with the second season of Shark Tank India.

    Step 4 – the Shark tank

    This is the ultimate test of perseverance. The selected applicants or the ‘Pitchers’ in this stage will find themselves face-to-face with the ‘Sharks’ or the investors who will understand, assess and make an offer based on the applicant’s final ‘pitch.’

  • Sony Sports to broadcast ‘Badminton Asia Championships 2022’

    Sony Sports to broadcast ‘Badminton Asia Championships 2022’

    Mumbai: Sony Sports Network will broadcast the upcoming Badminton Asia Championships 2022. The tournament will take place between 26 April and 2 May 2022. The network will get exclusive TV and digital rights to the tournament. The event will be broadcasted in India and the subcontinent, including Pakistan, Afghanistan, Bangladesh, Bhutan, Maldives, Nepal, and Sri Lanka.

    Badminton Asia Championships, rechristened version of the Asian Badminton Championships, will make its comeback in 2022, after being called off in 2020 and 2021 due to the ongoing COVID-19 pandemic. The tournament will be held in Manila, Philippines.

    The tournament will be televised between 29 April 2022 and 1 May 2022 with matches starting from 1:30 pm on April 29 and 10:30 am on the remaining two days.

    The high-octane matches will be available on Sony TEN 2 channels, as well as live-streamed on Sony Picture’s Networks’ on-demand OTT platform SonyLIV.

    India will be represented by Kidambi Srikanth in the men’s singles events. The women’s singles will see PV Sindhu and Saina Nehwal representing the country. The men’s doubles will have prominent Indian duos like Satwiksairaj Rankireddy & Chirag Shetty, Arjun M.R & Dhruv Kapila and Krishna Prasad Garaga & Vishnuvardhan Goud Panjala. The women’s double will feature Simran Singhi with Ritika Thaker and the Mixed Doubles tournament will witness Indian participation with Ishaan Bhatnagar & Tanisha Crasto and Venkat Gaurav Prasad & Juhi Dewangan.   

    Sony Pictures Network’s Chief Revenue Officer and Distribution and Head – Sports Business, Rajesh Kaul said, “The following for badminton is steadily growing with strong performances by Indian players like PV Sindhu, Kidambi Srikanth and others in global marquee tournaments in the last few years.”

    “And badminton fans will once again get to see these players in action at the Badminton Asia Championship on Sony Sports Network. Broadcasting the Badminton Asia Championships will not only serve fans of the sport but also foster a multi-sport viewing culture in the country.”
     

  • Sony launches sustainability guidelines for content production

    Sony launches sustainability guidelines for content production

    Mumbai: Sony Pictures Networks India (SPNI) has launched sustainability guidelines for content production in an industry-first initiative, with a commitment to lead the way for the industry by adopting green practices. These guidelines aim to have SPNI achieve a zero environmental footprint by 2050.

    To begin with, SPNI will implement these guidelines in a few of its shows before extending them to all ongoing productions. The guidelines outline a course of action that all SPNI associated production houses and partners must follow. They have been carefully curated based on extensive industry research conducted across content formats such as fiction, non-fiction, and digital.

    “The measures incorporated cover a wide range of operations and include actionable initiatives such as a complete ban on single-use plastic, thermocol for set design and flex for printing. It also includes using low-VOC paints, FSC certified timber, ethical and eco-friendly cosmetics, and implementing mandatory waste segregation and recycling policy. Furthermore, it recommends training and capacity-building initiatives to develop a workforce and infrastructure sensitised to the ongoing processes associated with the green shift,” said the statement.

    The initiatives emphasised in the sustainability guidelines are a step towards carbon accounting and carbon footprint mapping for all shows, further extending to other formats of operations. These guidelines will help to accelerate the transition to a fully green work model. An essential aspect of implementing green practices is the audit mechanism, which will benefit the organisation by tracking progress. SPNI is committed to making tangible progress toward reducing the ecological footprint by pursuing sustainable activities and partnerships to combat climate change and preserve natural resources, ensuring a healthy and sustainable planet.

    Sony Pictures Networks India’s Managing Director & CEO, N.P. Singh said, “Led by SPNI’s philosophy of taking greener steps, we have parked our investments in a portfolio of green funds focused on developing companies dedicated to environmental causes such as renewable energy, waste and water management, land use and energy-efficient construction, clean transportation, and climate change, among others”.

  • IPL media rights: Major contenders come on board to buy ITT

    IPL media rights: Major contenders come on board to buy ITT

    Mumbai: Within a week of Board of Control for Cricket in India (BCCI) releasing the Invitation-To-Tender (ITT) to sell the Indian Premier League (IPL) media rights for the 2023-27 broadcast seasons, major players such as Disney Star, Reliance Viacom18, Sony, Zee and Amazon, and an unnamed company have bought the document.

    As per a report by The Times of India, American tech giant Apple is expected to buy the ITT next week.

    BCCI invites bids for IPL media rights from 2023-27

    The total base price for the media rights has been set at Rs 32,890 crore calculated on the basis of 74 matches to be played this season. The board has divided the rights into four bundles including TV broadcast rights for the Indian subcontinent set at a base price of Rs 18,130 crore (74 games), digital rights for the Indian subcontinent set at a base price of Rs 12,210 core (74 games), non-exclusive digital rights for Indian subcontinent (18 matches including the opening match, four playoffs and night games of the doubleheaders) set at a base price of Rs 1,440 crore and TV and digital rights for the rest of the world (74 games) set at a base price of Rs 1,110 crore.  

    The e-auction for the media rights will be held in the second week of June. The deadline to purchase the ITT will end on 10 May.

  • Omicron surge: Uncertainty prevails at theatrical box office worldwide

    Omicron surge: Uncertainty prevails at theatrical box office worldwide

    Los Angeles: With the boom in box office grosses from ‘Spiderman: No Way Home’ beginning to subside and the Omicron surge taking its toll, movie theatres worldwide are facing a sobering reality that the first two months of the 2022 box office could turn out to be a gloomy dry spell.

    In the past week, according to TheWrap.com, Sony moved its next Marvel movie, the Jared Leto-led, ‘Morbius’ from late January to 1 April. Then, on Friday, Disney pulled the early-March Pixar film, ‘Turning Red’ from theaters entirely, instead of making it the third straight feature film from the animation studio to get an exclusive release on Disney+.

    That means that the US theaters will soon be lacking all three of the major ingredients for box office riches at this time of year — holiday holdovers, Oscar contenders, and major new releases — with only the prospect of Sony’s Tom Holland action film ‘Uncharted’ on 18 February and Warner Bros.’ ‘The Batman’ on 4 March is on the horizon to lure audiences in large numbers.

    Even prior to the pandemic, box office performances in January and February have been mixed. On one hand, films like ‘Hidden Figures’, ‘Bad Boys for Life’, and Marvel’s ‘Black Panther’ found success with audiences in these early-year slots, combined with December releases like ‘Jumanji: Welcome to the Jungle’ and Oscar contenders like ‘La La Land’ to provide a solid start for the year. However, for the next four to eight weeks, the 2022 box office appears unlikely to see those levels of success play out again.

    To complicate matters, Omicron is beginning to play havoc in Hollywood as a surge in cases is causing production delays. As reported in the Los Angeles Times, despite a rebound in film and TV production in late 2021, as the Covid-19 crises began to subside, the recent emergence of the highly contagious Omicron variant now threatens production output as studios push back work once again. “We’re not seeing the typical level of rebound of production,” FilmLA President Paul Audley told The Times. “We’re hearing from people who are asking to cancel or postpone their permits right now.” FilmLA is the nonprofit group that handles film permits for the Hollywood region.

    The International Box Office faces similar yet unique challenges as the new Omicron variant causes concern around the globe. The new year begins as did the previous one, with cinema closures in several markets. Europe has been particularly affected, with Netherlands and Denmark in complete lockdown and restrictions in many others. Meanwhile, a slowdown in Hollywood productions due to Omicron could eventually hit the International Box Office’s bottom line.  Although Q1 is looking soft, some studio executives are hopeful that the overseas landscape, particularly in the northern hemisphere, will settle down by spring with moviegoers ready to return in Q2 with some normalcy.

    A unique international box office wildcard, as reported by Deadline, is China. With a powerhouse 44 per cent of the 2021 worldwide box office haul, China has been more ornery to navigate than usual, notably not approving a single movie with a Marvel character in 2021, from Disney’s ‘Black Widow’ straight through to Sony’s ‘Spider-Man: No Way Home’ and having a huge influence on the International Box Office in the process.

    In general, China appears to be putting the brakes on Hollywood. 2021 already saw fewer than 20 revenue-sharing movies allowed in, versus 30-plus in 2019. There are varying theories as to why this is happening, which include the 100th anniversary of the Communist Party, which put the focus on local so-called “propaganda” movies like the $900 million-plus grosser ‘The Battle at Lake Changjin’. There also appears to be the targeted blackballing of Marvel. Some believe it may be linked to Black Widow’s depiction of communism, while some think the slate of films was a no-go as years-old comments allegedly made by ‘Eternals’ helmer Chloé Zhao surfaced last year.

    However, notable Hollywood titles that did release in China in 2021 include ‘A Quiet Place Part II’, ‘F9’, ‘Godzilla vs Kong’, ‘Dune’, and ‘Free Guy’. China also allowed films such as ‘Jungle Cruise’ and ‘Snake Eyes: G.I. Joe Origins’ which had already been out elsewhere for months. In doing so, USC professor and China expert Stanley Rosen told Deadline, “They are showing that they’re not closed off, but they are telling Hollywood, ‘We don’t really need you and we will pick and choose for whatever reasons we want to’.”

    Does it matter to China that it left potentially hundreds of millions of dollars on the table by not releasing the Marvel movies? While an oft-heard refrain is that China doesn’t care about money, it’s also said the country does care about cultural power. And, though it may be entirely capable of churning out local films that gross well over $500M at home, without Hollywood products, sources believe it will not be able to feed its ever-growing number of screens (currently 82,248 and eyed at 100K by 2025).

    Rosen stated, “They don’t need Hollywood as much as they used to, that’s very clear. But, they want to be the number one film market in the world and want to show themselves as a global power and not close off. That includes film, so they need to have Hollywood products to show that.”

    As both the Domestic and International Box Offices eye a hopeful Q2, uncertainty remains as Covid-19 (including the Omicron strain) and China appear to hold blind cards to handing 2022 a winning box office prize.

  • SPNI and Zeel sign definite agreements to merge

    SPNI and Zeel sign definite agreements to merge

    Mumbai: Sony Pictures Networks India Private Limited (SPNI) and Zee Entertainment Enterprises (Zeel) announced early on Wednesday that they have signed definitive agreements to merge Zeel with and into SPNI and combine their linear networks, digital assets, production operations, and program libraries.

    The agreements follow the conclusion of an exclusive negotiation period during which Zeel and SPNI conducted mutual due diligence. After closing, the new combined company will be publicly listed in India. The closing of the transaction is, however, subject to certain customary closing conditions, including regulatory, shareholder, and third-party approvals.

    Under the terms of the definitive agreements, SPNI will have cash balance of $1.5 billion closing, including through infusion by the current shareholders of SPNI and the promoters (founders) of Zeel, to enable the combined company to drive sharper content creation across platforms, strengthen its footprint in the rapidly evolving digital ecosystem, bid for media rights in the fast-growing sports landscape and pursue other growth opportunities.

    SPNI is an indirect subsidiary of Sony Pictures Entertainment Inc (SPE). Under the transactions contemplated by a non-compete agreement, SPE, through a subsidiary, will pay a non-compete fee to certain promoters (founders) of Zeel, which will be used by such promoters (founders) to infuse primary equity capital into SPNI, entitling the promoters (founders) of Zeel to acquire shares of SPNI, which would eventually equal approximately 2.11 per cent of the shares of the combined company on a post-closing basis. After the closing, SPE will indirectly hold a majority 50.86 per cent of the combined company, the promoters (founders) of Zeel will hold 3.99 per cent, and the other Zeel shareholders will hold a 45.15 per cent stake.

    Punit Goenka to lead the combined entity

    Punit Goenka will lead the combined company as its managing director & CEO. The majority of the board of directors of the combined company will be nominated by the Sony Group and will include the current SPNI managing director and CEO, N P Singh. On closing, Singh will assume a broader executive position at SPE as chairman, Sony Pictures India (a division of SPE) reporting to SPE’s chairman of Global Television Studios and SPE Corporate Development Ravi Ahuja.

    “It is a significant milestone for all of us, as two leading media & entertainment companies join hands to drive the next era of entertainment filled with immense opportunities. The combined company will create a comprehensive entertainment business, enabling us to serve our consumers with wider content choices across platforms,” said Zeel MD and CEO Punit Goenka. “This merger presents a significant opportunity to jointly take the businesses to the next level and drive substantial growth in the global arena.”

    Synergy in Scripted, factual, and sports programming

    The combination of Zeel and SPNI is expected to achieve business synergies and given their relative strengths in scripted, factual and sports programming, respective distribution footprints across India and iconic entertainment brands, the combined company try to meet the growing consumer demand for premium content across entertainment touchpoints and platforms.

    As part of the definitive agreements, the promoters (founders) of Zeel have agreed to limit the equity that they may own in the combined company to 20 per cent of its outstanding shares. “This construct does not provide the promoters (founders) of Zeel any pre-emptive or other rights to acquire equity of the combined company from the Sony Group, the combined company or any other party. Any shares purchased by the promoters (founders) of ZEEL, must be in compliance with all applicable laws including any pricing guidelines,” it said in a statement.

     “Today marks an important step in our efforts to bring together some of the strongest leadership teams, content creators, and film libraries in the media business to create extraordinary entertainment and value for Indian consumers,” said SPE’s chairman of Global Television Studios and SPE Corporate Development Ravi Ahuja. “I especially want to thank N P Singh, who presented us with the idea to explore this merger well over a year ago.”

    SPNI MD and CEO N P Singh said the merger will create a company that will redefine the contours of the media and entertainment industry. “As a representative of SPE on the Board of the new merged company, it will be my endeavour to provide strategic guidance and support to the company’s operating team in achieving our vision,” he added.

  • Media tome throws light on the biz growth pre and post pandemic

    Media tome throws light on the biz growth pre and post pandemic

    Mumbai: The Indian media business is estimated to be a $19 billion industry in 2021 (EY estimates), said veteran business journalist Vanita Kohli-Khandekar. She observed that the media industry had doubled in the period between 2013 to 2019. But what’s remarkable is not only the change in size but also the composition of the industry.

    Khandekar was speaking at the launch of the latest edition of her book- ‘The Indian Media Business: Pandemic and After’ on Wednesday. The fifth edition of the book published by Sage Publications India was unveiled at a virtual event attended by noted industry leaders.

    To highlight the transformation that the industry has undergone in recent times, she opened the discussion with an intriguing question “What is a media company?”.

    Unlike in the past where media companies used to compete for consumers’ leisure time, today media consumption is no longer only about leisure and entertainment but has permeated every aspect of the consumers’ lives. “The pandemic imprisoned audiences in their homes and access to media via their smartphones, TVs and other devices were the only way they were connected to the world,” she said.

    In FY 2010, the top 10 media companies comprised Times Group (Rs 5000 crore), Zee Group (Rs 4,000 crore), Star India (Rs 3,500 crore), Airtel (Rs 2,900 crore), HT Media (Rs 1,500 crore), Sun (Rs 1,400 crore), Network18 (Rs 1,300 crore), Sony (Rs 1,300 crore), DB Corp (1,100 crore) and Jagran (Rs 900 crore). There isn’t a single digital media company in the top 10 list which is dominated entirely by linear broadcast media organisations.

    Fast forward to FY 2019 where the composition of the media landscape changed significantly. The top 10 companies were Zee Group (Rs 16,300 crore), Star India (Rs 13,500 crore), Times Group (Rs 10,000 crore), Google India (Rs 9,400 crore), Sony (Rs 6,300 crore), Tata Sky (Rs 6,200 crore), Network18 (Rs 5,100 crore), Airtel TV (Rs 4,100 crore), Sun Network (Rs 4,000 crore) and PVR Cinemas (Rs 3,100 crore).

    The pandemic reshuffled the top 10 companies once again but the composition remained largely unchanged. Disney-Star (Rs 14,350 crore), Zee Group (Rs 13,300 crore), Google India (Rs 13,000 crore), Times Group (Rs 10,000 crore), Sony (Rs 5,900 crore), Tata Sky (Rs 5,700 crore), Network18 (4,700 crore), Sun Network (Rs 3,800 crore), Airtel TV (Rs 3,100 crore) and Netflix (Rs 1,500 crore).

    Netflix breaking into the top 10 bracket in FY21 with only Rs 1,500 crore in revenues is indicative of how badly the pandemic impacted the industry on the whole. A leading cinema exhibition chain saw revenues drop from Rs 3,500 crores to effectively zero and a burn rate of Rs 100 crores a month in 2020. Khandekar observed that the opening of theatres and return of film exhibition business is a key indicator that the ecosystem has come back to health. Films are the Gangotri of the media business, she remarked.

    “A key trend during the pandemic was the explosion of audiences without the ability to monetise them,” said Khandekar. “Apart from digital media companies which saw a marginal increase in revenues, most media companies were not able to successfully monetise the growth in audiences during the pandemic.” According to her, Indian media companies have been successful at driving penetration of their business, however, post-pandemic they have realised the need to focus on effective monetisation.

    Khandekar observed that even though there is no import quota on entertainment in India, 90 per cent of the market is watching local content. “We don’t celebrate this industry enough,” she said, adding that the Indian media business is the highest tax-paying industry and could easily contribute five to seven per cent to the country’s GDP. Countries like the US and the UK nurture their media companies but in India, the TV broadcast ecosystem is caught in a regulatory mess and the entire industry is reeling from the pandemic. The media industry that employs over three million people is one of the best markers of India’s soft power,” she concluded.

    Some of the media industry leaders who attended the event included PVR Cinemas chairman and managing director Ajay Bijli, India Today Group vice-chairperson Kalli Purie, director of University of Oxford’s Reuters Institute for the study of journalism and professor of political communication Rasmus Kleis Nielsen and director of YouTube content partnerships at YouTube India Satya Raghavan.

  • Zee-Sony merger no more than camouflage to distract from primary issue: Invesco

    Zee-Sony merger no more than camouflage to distract from primary issue: Invesco

    Mumbai: Invesco Developing Markets Fund has written a biting open letter addressed to the shareholders of Zee Entertainment Enterprises Ltd (Zeel). The investor has raised concerns regarding the “repeated governance failures” and “underperformance” of the company and has claimed that the timing of the announcement of an alignment with Sony Pictures Networks India (SPNI) is a camouflage to distract from the primary issue before the company.

    The letter is signed by Invesco’s chief investment officer Justin M Leverenz.

    It states that the investor has been in talks with Zeel’s management for over two years and has shared suggestions on matters including disclosures, capital allocation, ring-fencing, and distancing Zeel from the long shadow of another family “group companies.” However, the outcome of these discussions has “yielded nothing other than platitudes such as Zee 4.0.”

    The investor observed that Zeel’s stock price increased by 40 per cent after it called for an extraordinary general meeting of shareholders. “The purpose of this action – unique in the almost 25-year history of our fund – is to enable all shareholders to vote on the proposed removal of the remaining non-independent director and to add six additional independent directors to the board,” it said.

    The increase in stock price after our intentions became public demonstrates the frustration of Zeel’s long-suffering investors and the appetite for change, claimed Invesco. Invesco pointed out that the Indian stock market indices have more than doubled in the preceding five years, whereas the stock of Zeel had more than halved in the same period.

    Invesco highlighted the urgent need for independent perspectives on Zeel’s board citing the company’s governance failures and prolonged underperformance. The EGM would hold the board and management of Zeel accountable for the past performance of the company, it said.

    According to the investor, the lack of governance oversight by Zeel’s current board was identified in the Securities and Exchange Board of India (SEBI) letter dated 17 June. The letter highlighted several aspects pertaining to Zeel including “large outstanding dues from related parties,” “letters of comfort issued by directors of the company without informing the board,” and based these and other observations concluded that the “actions of the company are not in the best interest of shareholders.”

    Invesco also expressed its concerns over Zeel’s proposed alignment with Sony, which it noted, “favours the founding family at the expense of shareholders.”

    It said, “This non-binding agreement gifts a two per cent equity stake to the promoters of Zee in the guise of a ‘non-compete,’ even though the current managing director and chief executive officer of Zee will continue to run the proposed merged entity for the next five years. This is dilutive to all other shareholders, which we consider unfair. At the very least, we would expect such largess to be contingent on the MD/CEO leaving said position (thus raising the scenario of ‘non-compete’) or be structured in the form of time vesting and performance-linked ESOPs, which we as shareholders welcome as a transparent way to reward performance and leadership.”

    It added, “The Zee-Sony announcement casually mentions that the Zee promoter family will have the right to raise their stake from four per cent to 20 per cent, without specifying any manner in which this meaningful change will actually happen. Will this change the majority control of Sony in the merged entity? Will it involve open market purchases, warrants, or some other financial instrument? If the latter, will say instruments/warrants to the promoter family be priced so as to advantage them at the cost of ordinary shareholders? This lack of clarity around key aspects of the Zee-Sony announcement should concern all shareholders.”

    Invesco stated that they would view the transaction in a constructive spirit “if and when” additional information regarding the proposed merger is made available.

    Zeel two top investors Invesco and OFI Global China Fund LLC who combined own 18 per cent stake in the company had sent a requisition notice to Zeel on 11 September to call an EGM even after two weeks, the investors moved to NCLT, citing provisions of Company Law, according to which the company is bound to call for an EGM within a specific number of days if stakeholder demanding it owns more than 10 per cent of the company.

    The investors had also sought the removal of long-standing directors and close associates of the Chandra family from the board. The two independent directors Ashok Kurien and Manish Chokhani have already submitted their resignations.

    The investors moved to have six nominees appointed to the board of Zeel, which included Surendra Singh Sirohi, Naina Krishna Murthy, Rohan Dhamija, Aruna Sharma, Srinivasa Rao Addepali, and Gaurav Mehta as independent directors of the board for a term up to five consecutive years. The notice was received by Zeel on 12 September, and it informed the stock exchanges on 13 September, adding that the appointments are subject to approval by the ministry of information and broadcasting (I&B).

    Zeel refused to conduct the EGM citing “shareholders interest,” and moved to Bombay high court on 2 October seeking to declare the requisition notice as “illegal and invalid.”

    “These actions, which ostensibly are being taken in the ‘best interests of all shareholders,’ as Zee’s communications claim, are in fact indicative of a management team that places self-interest over the interest of the institution it leads, its employees and all other shareholders, as well as a Board whose permissive culture has enabled this behaviour and its consequences,” said Invesco.

    Invesco stated that it will exercise its right to conduct an EGM and if the proposal moved at the meeting finds favour from the shareholders so as to carry the vote, then six new independent directors will join the board of Zeel and the sitting managing director and chief executive officer of the company Punit Goenka will be removed from the board.

    The newly constituted board will deliberate and determine the future leadership of the company, including the appointment of an interim CEO, while the formal search for a CEO within the management of the company or from within the Indian media industry is conducted.

    “We wish to clarify the issues on which we will not compromise in connection with any transaction, and where we will continue to make our voice and our vote heard. We will firmly oppose any strategic deal structure that unfairly rewards select shareholders, such as the promoter family, at the expense of ordinary shareholders,” it concluded.