Tag: Sony

  • Endemol looks at more formats; eyes fiction

    Endemol looks at more formats; eyes fiction

    MUMBAI: A year has passed since global television format creator and distributor Endemol set up shop in India. Buoyed by success the company is looking to bring in more formats in India.

    As far as the fiction side is concerned India head Rajesh Kamath says that Endemol is evaluating the scene. By May it will have decided whether it wants to buy a stake in a production house or go on its own. In fact, before coming into India it had weighed the possibility of acquiring a production house in the fiction space. However it decided to enter the country as a production outfit rather than simply sell formats. It will kick off its fiction slate towards the end of the year.

    Says Kamath, “We are delighted at the success of Bigg Boss, Fame X on Sony and The Great Indian Laughter Challenge on Star One. We produce all three shows and it has been a learning experience.

    “Certainly shooting Bigg Boss day in and day out has been a challenge in terms of keeping the 100+ crew members motivated. They become like one family as the show becomes their life as it were for the shooting period. Earlier there were doubts as to whether the show would work as it was seen to be niche. However the success shows that if the format is unique, the participants are broad based and the audience understands the concept it will work. The Metro viewers were the early adopters as data from the Tam Elite Panel shows. Bigg Boss and Fame X get over next month.

    “We might bring one or both of them towards the end of the year. The temptation might be to do Bigg Boss immediately seeing that it has fared so well. However in the format business you have to create a sense of anticipation on the part of the viewer. So we wait for at least nine months before bringing a format back on air. I am confident that the second season of Bigg Boss will se more people particularity from the small towns jumping on the bandwagon. On the flip side Deal Or No Deal did not work but it is to be expected that not everything will work. Fame X is on an upward curve. As the number of participants goes down the involvement of the viewers goes up.”

    The question arises – what is next? There are two formats that Endemol is looking to sell and produce in India. Right now discussions are on with different broadcasters including Star and Sony. One format is called 1 vs 100. This is already airing in the US on NBC. Here you see one contestant pitting his knowledge against 100 others. It works like this. One contestant is in the hot seat answering a question. The 100 others are the audience members who also answer questions. The studio in fact has 100 screens and one answers by pressing one of three buttons.

    Each of the 100 contestants has a value say Rs 1000 in addition to the value of the question. If the contestant gets it right and say 30 of the audience members get it wrong then he gets that much money. For the next question the value of each audience member goes up depending on how many are remaining. If the person in the hot seat answers incorrectly he goes out and one of the audience members is randomly chosen to replace him. The catch is that if the person in the hot seat answers correctly and so do all the audience members then he gets no money for that question as nobody got eliminated.

    So it is a question of judging whether one should ask for an easy question or a difficult one. There are different genres one can choose from. A difficult question increases the chances of audience members and the person in the hot seat getting it wrong. The viewer at home can also participate through SMS. In some countries the person in the hot seat can choose to discontinue playing and walk off with what he has won. In other countries he must keep playing. The audience members in the US come from different walks of life and are segmented. So you could have five sports people, five businessmen etc.

    The other format is called Set For Life. This was recently introduced by Endemol globally. Here there are 15 buttons half of which are red and the other half are white. If one presses a white button one wins money and goes to the next stage. If one presses a red button one goes back a level. The logic is the same as the Snakes and Ladders board game explains Kamath. The prize money keeps increasing. Four red buttons and one is out.

    However there is a family member in an enclosed room who can see what is happening. This member can choose at any time to stop the game though the contestant keeps playing. So the contestant can win Rs one million when in actual fact the family member pressed the stop button when he had won half a million. It is a question of trusting the participant’s ability and also luck. So a contestant can press four red buttons and feel that he has lost when in actual fact the family member had pressed the stop button earlier.

    The firm is hoping to have at least one if not both these shows on air sometime in August- September. Kamath hints that 1 vs 100 has a better chance of making it first. It is also going to produce the second season of Fear Factor for Sony which it is is hoping to put on air sometime in June. This will be shot in South Africa or Malaysia. The production house is looking to increase the level of stunts involved. It is examining the possibility of having a boot camp where participants are put through a series of tests. It is thinking in terms of categorising the show as Extreme Fear Factor.

    Before all this though it is looking at a participation television show. This is where viewers call in to answer questions on a show. They pay for this privilege. Endemol is working on the business model of a show like this in terms of the technology platform, how the revenues are split, where does it come from? To what extent does it come from advertising? It will be aired either in early primetime that is at 7 pm or in the afternoon that is at around 1:30 pm or at midnight.

    It is hoping to put in a participation call TV show on air within a couple of months time either on Star or Sony. BrainTeaser is a possible format here. This is a word based show and has different variants. For instance one might be given the letter H as the start of a word and then clues. One has to guess the word. Then there is the scramble variant where words of eight or more letters are partitioned into four or five pieces, rearranged and presented. One has to unscramble them.

    It is also talking to kids channels about a kids format. However Kamath was loathe to discuss further details. He is also further down the line looking at a sports based format The Match which is a celebrity based football match. In the UK proceeds went charity and aired on Sky. Interestingly Endemol is looking to produce all formats that it sells in India. That is because of the success of Bigg Boss, Fame X and The Great Indian Laughter Challenge.

  • SAB, Visa to give ‘Fame X’ winner opportunity to sing Indian Cricket anthem

    SAB, Visa to give ‘Fame X’ winner opportunity to sing Indian Cricket anthem

    MUMBAI: Sony’s general entertainment channel SAB, has partnered with the official regional sponsor for the ICC World Cup, Visa International to award the winner of its musical talent hunt show Fame X with an opportunity to sing an Indian cricket anthem in support of the team at the tournament. Apart from this, the winner will also receive a contract with Sony BMG.

    The cricket anthem aptly titled ‘Inspire India’ will be composed by the musical trio Shankar Ehsaan Loy and will be a tribute to inspire the Indian cricket team at the upcoming ICC Cricket World Cup 2007, in the West Indies. The music video will feature the 1983 cricket stars Mohinder Amarnath, Syed Kirmani and Kris Srikanth.

    Visa is the regional official sponsor for the ICC cricket tournaments for the South Asia region, including India, Sri Lanka, Bangladesh and Pakistan. This initiative will showcase support for the Indian cricket team, while being the core platform that will launch Visa’s activities for the World Cup, states an official release.

    SAB business head Vikas Bahl commented, “Fame X is based on an internationally successful format that has the potential to drive viewership with its gripping content and high emotional quotient. For SAB, the show has garnered a larger set of audience with its took and feet and it has successfully increased our reach in the Hindi speaking market.”

    “Often the winner of such reality shows is not able to make it big, due to the lack of a suitable and large platform. Keeping this in mind, we are glad to announce our association with Visa International for the Inspire India Cricket Anthem in association with Fame X. The Fame X winner wilt get this opportunity to sing the Inspire India Cricket Anthem for the Indian Cricket team. This is an excellent way to pay tribute to all the Indians who have supported the contestants throughout their musical journey.”
     

  • HC adjourns Sony case against Trai to 24 Jan

    HC adjourns Sony case against Trai to 24 Jan

    NEW DELHI: The Delhi High Court bench hearing the case on the issue of the Telecom Regulatory Authority of India’s (Trai) constitutional standing to be a regulator today heard arguments by Sony Entertainment Television’s counsel, before adjourning it again to 18 January.

    The crux of senior counsel Soli Sorabjee’s hour-long argument was around the previously stated position that broadcasters are not covered under the Telecom regulatory nor cable operator acts. Hence Trai is not in a position to eithwer fix tariff or issue any other regulations or orders.

    The court had last December fixed the day for hearing this matter while stating that there would be no impact of the continued hearing on implementing Cas from the designated date: 31 December, 2006.

    The petition by Sony is now the main petition being heard by the court. The earlier petitions by first Star (2005), and then Sony, are all being heard as part of this main petition.

    Star had filed the orginal case in 2005 challenging the constitutional validity of Trai as a regulatory authority for broadcasters.

    Since the very locus standi of Trai had been sought to be shown as unconstitutional by Star, automatically all its powers and orders were challenged, including the order of tariff freeze. Later, Sony had filed a seperate petition on the orders of 24 August and 31 August regarding Trai’s constitutional validity, its orders relating to price fixing under Cas regime at Rs 5 per pay channel, as well as its order on interconnection.

    Trai had issued an order saying that signals to a cable operator or MSO could not be disconnected, whatever be the reason, by a broadcaster unless 21 days prior notice is issued.

    On the price fixing at Rs 5, the court had asked Sony to appeal to TDSAT as that was a quantitative issue.

    HC at the moment is only hearing the constitutional issue, which will continue on 24 January.

  • Disney licenses ‘Ugly Betty’ to Spanish broadcaster Cuatro

    Disney licenses ‘Ugly Betty’ to Spanish broadcaster Cuatro

    MUMBAI: Disney’s international TV distribution arm, Buena Vista International Television (BVITV), has announced that Spanish free TV broadcaster Cuatro will launch the Golden Globe -winning show Ugly Betty to its viewers later this year.

    Yesterday the show won a Golden Globe for Best Television Series – Musical or Comedy. America Ferrera (who plays Betty Suarez) also received a Golden Globe for Best Performance by an Actress in a Television Series – Musical or Comedy.

    The show was adapted in India by Sony as Jassi Jaisi Koi Nahin. Ugly Betty follows Betty Suarez, a seemingly plain, but intelligent and hard-working, secretary at fashion magazine Mode. Few people get to know her because in the world of fashion, Betty is the oversized square peg in the petite round hole. When publishing mogul Bradford Meade hands the reigns of his fashion magazine over to his son Daniel (Eric Mabius), he hires Betty as his son’s new assistant, because she’s the only woman in NYC who Daniel won’t sleep with. Neither of them knows the ins and outs of the fashion world, but together they’re a formidable team against the label-wearing sharks who will do anything to see them fail.

    Ugly Betty is based on Yo Soy Betty La Fea the Colombian telenovela. Cuatro has also picked up the other Touchstone Television series Day Break and Six Degrees. Taye Diggs stars in the thriller Day Break that takes a bad day and multiplies it by infinity. Detective Brett Hopper (Diggs) is having a hellacious day; the kind of day where nothing goes his way and he just can’t wait to put it behind him… only he can’t, because he’s living the same day over and over again. Only when Hopper figures out why his life is broken and how to fix it will he awaken to a brand new day.

    Six Degrees created by J.J Abrams Lost, is an ensemble drama which follows the notion that everybody is connected to one another by a chain of six people, which means that nobody is a stranger for long. Six very different New Yorkers go about their lives not realising the impact they’re having on each other – yet. A mysterious web of coincidences will gradually draw them closer, changing the course of their lives forever.

  • Grouper partners with Sony to put user-generated video on TV

    Grouper partners with Sony to put user-generated video on TV

    MUMBAI: User-generated video community Grouper has announced its role as one of the channels on Sony Electronics’ new TV feature — the Bravia Internet Video Link.

    The optional module will allow the newest Bravia Sony televisions to access a wide array ofpremium Internet video content available through Sony’s Internet video service in the US.

     
    Owners of Sony Internet video-ready HDTVs, available later this year, will be able to view some of the highest quality user-generated content from the Web via a small optional module easily attached and concealed behind the TV. Video on the Grouper channel on Bravia Sony televisions will be higher resolution than video found on Grouper.com and will be appropriate for all ages. Content from Sony Pictures Entertainment and Sony BMG Music, as well as other providers will also be available.

    Grouper co-founder and co-president Josh Felser says, “This exciting partnership reinforces Grouper’s leadership in distributing video of all types across different platforms. Grouper’s channel on the Sony Bravia Internet Video Link brings enhanced quality user-generated videocontent into the living room and makes it possible for people to have more control over what and where they watch.”

     
    The module links the television set directly to a user’s broadband Internet service provider via an Ethernet connection. Sony Internet video content can then be accessed directly on the TV without use of a personal computer.

    The Bravia Internet Video Link will initially be supported by Sony’s Bravia S-series flat-panel LCD high-definition television line, which was also announced today. The new TV models include the KDL-46S3000, KDL-40S3000, KDL- 32S3000 and KDL-26S3000 units — all shipping this spring.

  • Warner, LG look to resolve confusion in HD DVD arena with hybrid offerings

    Warner, LG look to resolve confusion in HD DVD arena with hybrid offerings

    MUMBAI: Right now high definition (HD) DVDs have not taken off in the US due to the prevailing system of two incompatible formats.

    One is blu ray which has the backing of Sony and the other is HD DVD which has the backing of Toshiba. Now however there could be some light at the end of the tunnel.

    Warner Bros. media reports state will introduce a high-definition DVD that can hold films and TV shows in rival and incompatible formats. Warner said that it developed the Total HD Disc.

    Warner Bros. will place both formats of movies on a single disc. This though shows that there is no resolution on a single format.

    Meanwhile LG Electronics is planning to market a dual-format DVD player. Other electronics makers are expected to do the same.

    Warner Bros. has also patented a disc that can hold three versions of a film — one in each of the rival high-def formats and a third that can be viewed on standard-definition players. This eliminates the need for the consumer to upgrade his DVD if he/she does not want HD in the first place. Reports add that from a technological standpoint this could be as groundbeaking as when LP records were introduced in the late 1940’s.

  • ‘Twenty20 injects new life into sports broadcast’

    The sports genre will be known for four key things in 2007. Firstly, the upheaval that happened regarding cricket. Second, a breakaway initiative by the Essel Group forced the BCCI to wake up from its deep slumber. Third, a new format emerged that rejuvenated the bat and ball game. Fourth, even if cricket goes down there is no other sport to replace it.

    As regards the first point, there was a huge build up for the World Cup in March. Everyone from broadcaster Sony to marketers, advertisers had a calypso tune on their lips. Pepsi, one of the ICC’s partners, even went Gold for the event. Two matches into the World Cup and things went into free fall. India was eliminated. Information available with Indiantelevision.com indicates that Sony lost at least Rs 800 million as a result of unsold inventory. The overall loss to the economy from the World Cup debacle is believed to have been in the region of Rs. 2.5 billion.

    However, a few months later things had come full circle. This was due to two things. India won the T20 World Cup. Additionally, Twenty20, which was initially looked upon with some scepticism, proved to be a perfect fit for today’s attention-challenged youth. As a format it has proved to be a win-win situation for all parties involved – TV channels, advertisers and viewers.

    In the ultimate analysis, India’s unexpected showing in the T20 World Cup in South Africa looks like having the kind of long term impact that India’s even more unexpected victory in the 1983 ODI World Cup did.

    The biggest reaper of the T20 windfall was of course ESPN Star Sports (ESS). The T-20 success also means that ESS will get more bang for its buck that had been anticipated when it won the ICC rights late last year with a $ 1.1 billion punt.

    That apart, there is the BCCI’s ‘officially sanctioned’ Indian Premiere League, which if it takes off in the manner that IPL chairman Lalit Modi is envisaging, could well be to cricket what the Uefa Champions League currently is to soccer.

    It is worth recalling here though that it was Subhash Chandra’s Essel Group that first bet on the Twenty20 format when in April it announced the launch of its breakaway Indian Cricket League (ICL). The stated aim of the ICL, behind which Essel put in an initial investment of $ 1 billion, was to unearth talent from India and also to raise the standards of domestic cricket.

    And despite the Indian cricket board’s best efforts to ensure that the ICL remained stillborn, the fact that the inaugural tournament was staged with moderate success highlights one point. Carping apart, ICL has clearly validated itself. Suffice to say that the ICL’s calendar of five events for 2008 speaks for itself as regards Chandra’s intent to stay the course.

    What the IPL and ICL will likely do is that just as Europe is where the world’s best soccer talent congregates, the same will happen in India vis-?-vis cricket.

    The BCCI’s response to Chandra may have in initially been borne out of its outrage at the ‘temerity’ of a private body’s to take it on, but the positive fallout was that it increased the pay packet of domestic cricketers to prevent further exodus. Additionally, when it does launch its IPL, it will go that extra mile to ensure that it’s a success for all those involved in it.

    The upcoming IPL in April is structured as a franchisee-based Twenty20 Series with top international players. The likes of Russell Crowe, Shah Rukh Khan and Vijay Mallya have bid to own a team.

    Lodestar Media CEO Shashi Sinha feels that there is room for both. Also there are clients who will get in as the risk factor is less. Numbers may not be too high but they will not shoot down as was the case with the World Cup. A loyal audience is what clients will pay for as long as the price is right. Even a sixes event will work as long as it is pushed at a national level.

    As far as the rest of the sports broadcasters are concerned, 2008 will be key for Ten Sports as a host of cricket rights it has including Pakistan and Sri Lanka come up for grabs. Whether its association with Zee affects its position with cricket boards remains to be seen. Still, WWE has ensured that the channel remains steady in terms of weekly reach.

  • Twenty20 injects new life into sports broadcast

    Though it had cricket, Neo Sports also found the going tough. Its distribution deal with Star fell through. This cost it crores of rupees in terms of ad revenue not to mention the fact that the payments that were contractually due to Neo were delayed – or never arrived. It set up its own distribution team headed by Arun Poddar. But without branding in the market monies it got would have been affected.

    On the advertising front Neo Sports CEO Shashi Kalathil says that the fact that DD bid heavily to do its own marketing for the Pakistan series proved to be a boon. It added Rs. 180 million its kitty, claims Kalathil.

    Non Encryption: There is no respite for sports broadcasters on this issue. Sports feed to DD will not to be encrypted for four to five years. This will impact all the players, more so Neo Sports since it holds the India rights.

    In terms of other sports ESS is re-jigging its Premier Hockey League (PHL) initiative. ESPN had to be careful and innovate the strategy this year since there are a lesser number of teams – this being the Olympic selection year and most top international players being busy – and so the duration of the tourney is also shorter. The media fraternity though, feels that PHL is still to attain some sort of sizeable recognition even though ESS has been doing it for the past few years.

    Mallya brings home an F1 Team: The biggest non cricket event though was news that Vijay Mallya bought the Dutch F1 team Spyker Ferrari. It was then renamed Force 1 India. This news coupled with the fact that India will hold an F1 event a few years down the road is expected to give a boost to motor racing in the country in a big way.

    The Advertising Scene

    Information available with Indiantelevision.com indicates that the sports genre earned around Rs. 7.5 billion this year. ESS made around Rs. 2.2 billion. Ten Sports and Zee Sports combined made around Rs. 700 million. Sony made Rs 3 billion.

    Sinha says that the biggest learning is that everything depends on performance. “When India does well clients get a very healthy return. But when they do not it can be disastrous which is what happened with the World Cup. Hundreds of crores were lost by clients. T20 was a success more due to India’s performance in the form of the game as opposed to the format itself.”

    “Had India fared poorly in the T20 World Cup also the mood would have been very different. Some fringe clients who occasionally invest in cricket got out after the World Cup experience. India’s failure to quality for the Super Eight is something that will haunt some clients and media planners for a long while. The premiums paid were so high that it was impossible for anybody to prepare for what was to follow.”

    And what about talks of accountability? Sinha notes that it is practically difficult apart from maybe a couple of big clients to do this. Venkateish maintains that ESS did not fall into this trap. “After all clients who get involved know that there are ups and downs. If the ratings for a tournament are great we do not ask those who have already signed on to pay more. So why should we take less?”

    Set India executive VP Rohit Gupta adds that for clients like Pepsi it balances out in the long term. “The 2003 World Cup was a bonanza. Yes the 2007 World Cup was bad but then things turned for the better. Most clients who get involved understand this. They are in for the long haul. In addition for each category there are several companies vying for a spot. So in telecom if Reliance for instance pulls out of cricket there will always be an Idea or Vodafone to step in.”

    It is pertinent to note that clients who kept the faith and got in early for the England series and especially the T20 World Cup got a terrific bang for their buck. After all the net effect of the World Cup debacle was that clients were able to negotiate better rates for the events that immediately followed.

    In conclusion, what both IPL and ICL bring to the Twenty20 table is that it is all to the good for the stakeholders – because it derisks cricket.

  • Incablenet announces Rs 1500 STB scheme with free subscription for six months

    Incablenet announces Rs 1500 STB scheme with free subscription for six months

    MUMBAI: The price war is on. Hinduja-owned Incablenet announced its bouquet options to subscribers in the Cas (conditional access system) areas of Mumbai and Delhi, retaliating against rival offers from direct-to-home (DTH) service providers and other multi-system operators (MSOs).

    Subscribers can own their digital set-top box (STB) at Rs 1500 (plus taxes) and will be provided free cable TV subscription for six months on three bouquet packages. Incidentally, DTH operator Tata Sky has come out with an offer in Cas areas of free subscription for six months if customers book during the period 28 December-10 January.

    For those who want Incablenet’s Sitara (Star) package, 18 pay channels will be available including all the 12 Star India distributed channels. Besides CNBC TV18, CNBC Awaaz, CNN-IBN and BBC, customers will have the liberty to choose a single channel each from the Zee-Turner and SET-Discovery bouquets.

    In the Sona (Gold) package, Incablenet is offering 20 channels. This includes 13 Sony channels, CNN-IBN, CNBC TV18, CNBC Awaaz and two channels each from the Zee-Turner and Star bouquets.

    The Zabardast scheme has on offer 35 channels which include 33 Zee channels. Sunscribers can also choose a single channel each from the Sony and Star bouquets.

    Neither of the three packages have sports channels included in them. “We are offering consumers total choice from all the three distribution platorms. They can select a Star-loaded or Sony or Zee package. We have covered all the categories and consumers can plan their monthly cable bills,” said IndusInd Media and Communications Ltd director-in-charge Ravi Mansukhani.

    Wire & Wireless Ltd (WWIL) has on offer outright purchase of STBs for Rs 1800 inclusive of a one-year subscription for 33 channels. These include a load of Zee-Turner and SET-Discovery distributed channels like Zee TV, Zee Cinema, Zee Smile, Zee News, Zee Trendz, Zee Jagran, Sony, Discovery, Animal Planet, Animax, Pix, Sab and MTV. Only Star Plus from the Star bouquet is being offered. BBC, CNBC TV18, CNBC Awaaz and Cartoon Network are also available in this package.

    “We have a complete package including the regional channels. In Mumbai we are offering Zee Marathi while in Delhi it is Zee Punjabi and in Kolkata Zee Bangla. ETV Urdu and ETV Telugu are also available while consumers have a choice to take any other ETV channel of their choice. For Mumbai, ETV Marathi is free,” said WWIL CEO Jagjit Kohli.

    Under the STB rental scheme, Incablenet is offering the Optimiser package at Rs 120 which will have the Star and Sony bouquets. For the second TV set, the subscription is Rs 55.

    In the Super Saver scheme, the Star, Sony and Zee bouquets are available at a price of Rs 190. The second TV set will be priced at Rs 100.

    Subscribers do not have to pay a deposit amount on the Rs 45 rental scheme, Mansukhani said.

    Hathway Cable & Datacom has not come out with an outright purchase scheme for the STBs. Neither has the MSO included the Zee-Turner channels in its packages. “We haven’t decided yet on the STB purchase scheme. As for the Zee channels, once we arrive at a settlement with them, we will be creating a new package,” said Hathway Cable & Datacom MD and CEO K Jayaraman.

  • Indian Telly Awards tops ratings on Sony with 3.54 TVR

    Indian Telly Awards tops ratings on Sony with 3.54 TVR

    MUMBAI: The Indian Telly Awards has hit the sweet spot yet again on the ratings front for Sony.

    The three-hour awards show had a 3.54 TVR (CS 4+, HSM), making it the number one show on the channel for the week 3 to 9 December, well ahead of the other two Sony shows in the Top 100 – CID and kids dance talent show Boogie Woogie.

    The top three markets for the awards show were Orissa with a TVR of 6.44, Gujarat (4.63) and Mumbai (4.46) respectively.

    The Sixth Indian Telly Awards presented by Sony Entertainment Television, which was held on 24 November, was telecast on 3 December from 8 pm to 11 pm. It ranked 63rd in the Top 100 charts for shows across all channels. The chart topper for the week was Star Plus’ Kahaani Ghar Ghar Ki with a TVR of 12.45 , followed by Kyuunki Saas Bhi Kabhi Bahu Thi with a TVR of 12.06 (both on 6 December). The top rated Zee TV show was Saath Phere with a TVR of 5.75 on 8 December.

    The evening was marked by dance performances by TV stars including Sangeeta Ghosh, Eijaz Khan and Akaashdeep Saigal, Mona Singh, the Left Right Left cast (Arjun Bijlani – Alekh), Gazal Rai (Pooja), Vikas Manattala (Huda), Priyanka Bhassin (Naina), Harshad Chopra (Ali), Kunal Kapoor (Yudi).

    A stand-up comic act from Great Indian Laughter Challenge runner up Naveen Prabhakar brought down the house. Another performance by debutantes of last year and this year – Barkha Bisht, Sanjeeda, Daljit Kaur – and by television couples – Surveen Chawla and Manish Goel (together on a Sony show), Mouni Roy and Pulkit Samrat (the hot new couple of Kyunkii’s new generation), Divyanka Tripathi and Sharad Malhotra (the couple from Dulhan on Zee TV).

    A special award was presented to Sun Network chairman Kalanithi Maran for his contribution to Television by Sony Entertainment Television CEO Kunal Dasgupta.

    The award was an acknowledgement of his effort in enabling the growth of cable and satellite television market in south India through his Sun Network, television broadcasting group.

    Balaji Telefilms creative head Ekta Kapoor, the creative brain behind the runaway success that is Balaji Telefilms, was inducted into the Hall of Fame, a category for young professionals in television for their contribution to the industry.

    The function was hosted by popular faces of television – Kiran Karmakar, Juhi Parmar, Anuj Saxena, Mona Singh and Manav Gohil, Shweta Kawatra, Ayub Khan, Renuka Shahane and Gaurav Chopra.

    Billed as the Indian equivalent of the Emmys, the Indian Telly Awards is the brainchild of founder Anil Wanvari, who is also a board member of the International Emmy Academy in New York. One of the few Indians to have achieved that status. Says Wanvari, “Television is evolving and so will the awards. Our sincere effort is to make The Indian Telly Awards the industry’s benchmark because the awards have been created for the industry to recognize the excellence in the creative, business and technical spheres.”

    The ground partners for the event were CNN IBN, IBN7, Zee Cinema and Times Now; the Radio partner Radio City 91.Fm; Outdoor Partner Bright Advertising; Multiplex Partner Fun Cinema; Print Partner Rajasthan Patrika and Mid-Day; Party Venue Partner Some Place Else; and PR Partner CMCG.