Tag: Sony

  • Sony to strengthen weekend lineup, begins with ‘Super Dancer’

    Sony to strengthen weekend lineup, begins with ‘Super Dancer’

    MUMBAI: The trio that has given Indian television some top of the line dance reality shows is back again with program in the same genre: Super Dancer – Dance Ka Kal. Ashish Golwalker, Ranjeet Thakur and Hemant Ruparel are all set to launch their new kids dance reality show on Sony Entertainment Television. It promises to showcase dance talent from across the country on one national platform and will air from 10 September at 8 pm on Saturday and Sunday.

    Produced by Frames Production, Super Dancer will have 12 dance contestants who will get a golden opportunity to compete for the coveted title of India’s top emerging talent. Each finalist will be paired with one notable choreographer in charge of mentoring, understanding and nurturing their strengths, while introducing them to different dance techniques and bringing out the best in them week on week.

    To run for 27 episodes over 13 weeks, the production team has already canned four episodes at the time of writing.

    According to information available, the per episode production cost of Super Dancer is said to be between Rs 65 and 70lakh per episode and a 10 second TV commercial is being sold at Rs. 1.5 lakh.

    The channel has roped in Patanjali Powervita as the presenting sponsor and Quick Heal as co-powered by sponsor.

    Super Dancer will be judged by actress Shilpa Shetty, choreographer Geeta Kapur and Bollywood director Anurag Basu. Rithvik Dhanjani and comedian Paritosh Tripathi will host the show.

    Speaking to Indiantelevision.com, Sony Entertainment Television EVP & business head Danish Khan says: “Sony Entertainment Television has always celebrated talent across India – Indian Idol, Entertainment Ke Liye Kuch Bhi Karega, KBC amongst others. Super Dancer will give a national platform for dancing talents to be nurtured, groomed and honed. We are delighted to have Frames Production Company as our creative partner.”

    Khan also announced that Sony will soon launch another season of Indian Idol after a four years hiatus, once Super Dance is over. This will fall in line with the channel’s plan to renew its marquee shows with new seasons.

    “With Super Dancer we will have weekend prime time. The talent show will be at 8 pm, comedy at 9 pm followed by the thriller C.I.D at 10 pm and reality show Crime Patrol at 11.30 pm. By October and November we will have a full-fledged weekend line up. Soon after Super Dancer, we will launch Indian Idol season 9.”

    Dance Plus on Star Plus, which is also produced by Frames Production, airs at the same time slot as Super Dancer is proposed to be. Will that not impact the ratings of the new show or the older one because of cannibalisation? Frame Production co-founder Ranjeet Thakur does not think so. He explains: “Both the shows are different in their own way. One is a kid’s reality show and the other one is for youngsters. The audiences are different. I believe that Super Dancer will also become a successful show.”

  • Sony to strengthen weekend lineup, begins with ‘Super Dancer’

    Sony to strengthen weekend lineup, begins with ‘Super Dancer’

    MUMBAI: The trio that has given Indian television some top of the line dance reality shows is back again with program in the same genre: Super Dancer – Dance Ka Kal. Ashish Golwalker, Ranjeet Thakur and Hemant Ruparel are all set to launch their new kids dance reality show on Sony Entertainment Television. It promises to showcase dance talent from across the country on one national platform and will air from 10 September at 8 pm on Saturday and Sunday.

    Produced by Frames Production, Super Dancer will have 12 dance contestants who will get a golden opportunity to compete for the coveted title of India’s top emerging talent. Each finalist will be paired with one notable choreographer in charge of mentoring, understanding and nurturing their strengths, while introducing them to different dance techniques and bringing out the best in them week on week.

    To run for 27 episodes over 13 weeks, the production team has already canned four episodes at the time of writing.

    According to information available, the per episode production cost of Super Dancer is said to be between Rs 65 and 70lakh per episode and a 10 second TV commercial is being sold at Rs. 1.5 lakh.

    The channel has roped in Patanjali Powervita as the presenting sponsor and Quick Heal as co-powered by sponsor.

    Super Dancer will be judged by actress Shilpa Shetty, choreographer Geeta Kapur and Bollywood director Anurag Basu. Rithvik Dhanjani and comedian Paritosh Tripathi will host the show.

    Speaking to Indiantelevision.com, Sony Entertainment Television EVP & business head Danish Khan says: “Sony Entertainment Television has always celebrated talent across India – Indian Idol, Entertainment Ke Liye Kuch Bhi Karega, KBC amongst others. Super Dancer will give a national platform for dancing talents to be nurtured, groomed and honed. We are delighted to have Frames Production Company as our creative partner.”

    Khan also announced that Sony will soon launch another season of Indian Idol after a four years hiatus, once Super Dance is over. This will fall in line with the channel’s plan to renew its marquee shows with new seasons.

    “With Super Dancer we will have weekend prime time. The talent show will be at 8 pm, comedy at 9 pm followed by the thriller C.I.D at 10 pm and reality show Crime Patrol at 11.30 pm. By October and November we will have a full-fledged weekend line up. Soon after Super Dancer, we will launch Indian Idol season 9.”

    Dance Plus on Star Plus, which is also produced by Frames Production, airs at the same time slot as Super Dancer is proposed to be. Will that not impact the ratings of the new show or the older one because of cannibalisation? Frame Production co-founder Ranjeet Thakur does not think so. He explains: “Both the shows are different in their own way. One is a kid’s reality show and the other one is for youngsters. The audiences are different. I believe that Super Dancer will also become a successful show.”

  • The Indian broadcast & film industry poised to redefine creativity at Broadcast India Show 2016

    The Indian broadcast & film industry poised to redefine creativity at Broadcast India Show 2016

    MUMBAI: Saicom Trade Fairs & Exhibitions Pvt. Ltd. is pleased to announce The Broadcast India Show 2016 to be hosted at the Bombay Exhibition Centre, Goregaon (E) in Mumbai, India from 20 -22 October 2016.

    The show will be complemented by a two-day Conference that will be held along with the main exhibition. The conference will bring together CEOs, directors and proprietors of companies, along with engineers, technicians and technologists to facilitate a medley of technical presentations, product promotions and in-depth discussions.

    Broadcast and entertainment technology continues to evolve at breakneck speed, and The Broadcast India Show with its formidable 26-year reputation will once again be the subcontinent’s prime platform showcasing the latest innovations from around the world.
    Thus far, companies like Blackmagic Design, Panasonic, Sony, AVID, RED Digital, Canon, Datavideo, Ross Video, FOR-A, On Air Asia, Adobe, Grass Valley, AJA, PlayBox, IHSE, Primestream, Canare, Ikegami, Hitachi, Chyron Hego, Monarch, Boston, Netweb, Seagate, ARRI, Canara Lighting, GoPro, Atomos, Carl Zeiss, Cooke Optics, Tiffen, Vitec Group, Panther, Yamaha, Sennheiser, Digigram and Planetcast Media Services to name just a few, have already confirmed their participation at the 2016 show.

    Broadcast India Show 2016 will allow visitors and delegates to witness technology’s direct impact on content creation and management in an unprecedented fashion – a massive show floor focused on and dedicated to hands-on, experiential learning. As is tradition, the show will bring together companies and corporates, veterans and professionals, suppliers and customers, stalwarts and other stakeholders from the industry to optimize opportunity, facilitate meaningful trade links and enable information-exchange on a global level.

    Last year, around 19,000+ trade visitors and 580+ participants from more than 35 countries gathered to connect with the future of the industry. This year is poised to exceed those numbers, a veritable win-win for all.

  • The Indian broadcast & film industry poised to redefine creativity at Broadcast India Show 2016

    The Indian broadcast & film industry poised to redefine creativity at Broadcast India Show 2016

    MUMBAI: Saicom Trade Fairs & Exhibitions Pvt. Ltd. is pleased to announce The Broadcast India Show 2016 to be hosted at the Bombay Exhibition Centre, Goregaon (E) in Mumbai, India from 20 -22 October 2016.

    The show will be complemented by a two-day Conference that will be held along with the main exhibition. The conference will bring together CEOs, directors and proprietors of companies, along with engineers, technicians and technologists to facilitate a medley of technical presentations, product promotions and in-depth discussions.

    Broadcast and entertainment technology continues to evolve at breakneck speed, and The Broadcast India Show with its formidable 26-year reputation will once again be the subcontinent’s prime platform showcasing the latest innovations from around the world.
    Thus far, companies like Blackmagic Design, Panasonic, Sony, AVID, RED Digital, Canon, Datavideo, Ross Video, FOR-A, On Air Asia, Adobe, Grass Valley, AJA, PlayBox, IHSE, Primestream, Canare, Ikegami, Hitachi, Chyron Hego, Monarch, Boston, Netweb, Seagate, ARRI, Canara Lighting, GoPro, Atomos, Carl Zeiss, Cooke Optics, Tiffen, Vitec Group, Panther, Yamaha, Sennheiser, Digigram and Planetcast Media Services to name just a few, have already confirmed their participation at the 2016 show.

    Broadcast India Show 2016 will allow visitors and delegates to witness technology’s direct impact on content creation and management in an unprecedented fashion – a massive show floor focused on and dedicated to hands-on, experiential learning. As is tradition, the show will bring together companies and corporates, veterans and professionals, suppliers and customers, stalwarts and other stakeholders from the industry to optimize opportunity, facilitate meaningful trade links and enable information-exchange on a global level.

    Last year, around 19,000+ trade visitors and 580+ participants from more than 35 countries gathered to connect with the future of the industry. This year is poised to exceed those numbers, a veritable win-win for all.

  • Madhuri Dixit new face of Intex Washing Machine, features in TVC

    Madhuri Dixit new face of Intex Washing Machine, features in TVC

    New Delhi: Recently signed brand ambassador Bollywood actress Madhuri Dixit has featured in the first television commercial for the Fully-Automatic Washing Machine of Intex Technologies. The 20-seconds TVC will be broadcast pan-India across all major GECs, news channels and regional broadcasts.

    Keeping in line with the company’s business strategy, the month long On-Air TVC will cover the Hindi heartland featuring in more than 25 key TV channels like Star Plus, Colors, Zee TV, Sony, Aaj Tak, Zee News etc. The regional outreach includes Southern and Western Indian market. The campaign will also feature in major women magazines and shown in cinema halls covering more than 30 cities.

    Intex Technologies Director Keshav Bansal said: “We are delighted to have Madhuri Dixit as the brand ambassador and the new TVC for our fully-automatic washing machine targets women who want smart washing in less time. Intex has always received phenomenal response for its products and we are confident with Madhuri endorsing our innovative product, it would further enhance our consumer connect.”

    Intex had recently signed film actress Madhuri Dixit as its brand ambassador for Refrigerators and Washing Machines for a period of two years, and she will be seen in the company’s TV commercials besides being the face of the company for a series of brand promotions and activations.

    Intex has been present in the washing machine segment since 2014 with a range of semi-automatic machines and washers. It has now added the all new fully automatic top-loading washing machine to its portfolio.

    The fully automatic model with 6.2 kg capacity has varied features that ensure superior performance with high quality. The unique Magic Filter ensures all lint inside the tub is captured for top quality filtering to deliver consistently effective cleaning results. The machine also comes with the Delay Start feature that helps in setting the delay start time from 1 hour to 24 hours. Washing machine has 10 pre-set programs to enable different types of washing requirements.

  • Madhuri Dixit new face of Intex Washing Machine, features in TVC

    Madhuri Dixit new face of Intex Washing Machine, features in TVC

    New Delhi: Recently signed brand ambassador Bollywood actress Madhuri Dixit has featured in the first television commercial for the Fully-Automatic Washing Machine of Intex Technologies. The 20-seconds TVC will be broadcast pan-India across all major GECs, news channels and regional broadcasts.

    Keeping in line with the company’s business strategy, the month long On-Air TVC will cover the Hindi heartland featuring in more than 25 key TV channels like Star Plus, Colors, Zee TV, Sony, Aaj Tak, Zee News etc. The regional outreach includes Southern and Western Indian market. The campaign will also feature in major women magazines and shown in cinema halls covering more than 30 cities.

    Intex Technologies Director Keshav Bansal said: “We are delighted to have Madhuri Dixit as the brand ambassador and the new TVC for our fully-automatic washing machine targets women who want smart washing in less time. Intex has always received phenomenal response for its products and we are confident with Madhuri endorsing our innovative product, it would further enhance our consumer connect.”

    Intex had recently signed film actress Madhuri Dixit as its brand ambassador for Refrigerators and Washing Machines for a period of two years, and she will be seen in the company’s TV commercials besides being the face of the company for a series of brand promotions and activations.

    Intex has been present in the washing machine segment since 2014 with a range of semi-automatic machines and washers. It has now added the all new fully automatic top-loading washing machine to its portfolio.

    The fully automatic model with 6.2 kg capacity has varied features that ensure superior performance with high quality. The unique Magic Filter ensures all lint inside the tub is captured for top quality filtering to deliver consistently effective cleaning results. The machine also comes with the Delay Start feature that helps in setting the delay start time from 1 hour to 24 hours. Washing machine has 10 pre-set programs to enable different types of washing requirements.

  • “TV ad rates will continue to be under pressure” – Ashish Bhasin

    “TV ad rates will continue to be under pressure” – Ashish Bhasin

    MUMBAI: From leading brands discussing the advertising fraternity’s readiness to deal with the digital onslaught to panel discussions after panel discussions dedicated to cracking the content code of the digital world in reputed conferences; the Indian media world is truly enamored with the word ‘digital.’ And rightly so, as the media has completely changed how the trade works in the sector.

    But little is being discussed on the specifics of digital media’s effect on television and its business. To put this into perspective and shed light upon the current realities of the television industry from a media executive’s point of view, indiantelevision.com reached out to Dentsu Aegis Network chairman and South Asia CEO Ashish Bhasin.

    In a free flowing conversation, Bhasin opens up on sophistication employed in a new age television plan with the help of data analysis, ad-rates discrepancies in India,  future of TV media from advertising perspective, and more.

    Excerpts:

    Does Big Data and interpreting it play a role in today’s TV plans?

    It is important to pay attention to Big Data and analyse it right. At Dentsu Aegis Network we have set up our own data stack, which is driving through econometric modelling. That team is using it…it is composed of a young team of statisticians and senior data analysts, economists, and technicians who are analysing and decoding the available data on behalf of our clients.

    For example, you can get 44 percent reach for a particular plan on television.  Now if you spend 10 percent extra on your budget, you probably can get 46 percent reach on the same plan. This 10 percent of budget spends for 2 percent of incremental reach isn’t viable for the client. Thats where the data team comes in, who have developed a software who figures out where is that wastage happening. They combine the television exposure and digital exposure and tells us here is the sweet spot for advertisers to spend that 10 percent on.

    The age old problem of advertising is that advertisers know 50 percent of their advertising works but don’t know which half. Our approach helps the advertisers to know to some extent which half works.

    Many fear that digital will eat into television’s ad revenues even as TV continues to grow. What are your thoughts on this?

    Well in the distant future, in theory, digital will eat into television’s market share because everything will become digital. It is already happening in the more mature western markets but in India that has a long way go because television penetration has some way to go. We are all seeing it still from a Mumbai-Delhi point of view but the growth is not going to come from these two metros, there is already 100 per cent penetration there. The growth will come from tier III tier IV rural towns.

    There it is a long way to go. Therefore for the next five to 10 years there is enough space for all media to grow. Even print, which is collapsing everywhere else in the world is still still growing in India because literary levels are growing. But we don’t doubt that digital will grow faster – at least we believe – than any other medium.

    Will the per unit realisation (valuation) of television go up?

    Per unit realisation is the function of the audiences you get. More your distribution, more your audience, more is the realisation. I don’t think it will go because there are contradictory factors acting. On the one side you are getting more audiences, on the other side, the time of these audiences is getting more fragmented. It is getting fragmented — within television, and also between television and digital.

    So, there will be a balancing factor. It won’t collapse like it has in many other parts of the world. It may go up but gradually because there will be the other factor of the fragmentation which will come into play. There will be the two paradoxical forces acting together.

    Compared to markets like US, Indian television ad rates are very low even after adjusting the purchasing power parity. Your comments?

    I think it is unfair to compare US national rates with Indian semi regional rates because they are operating on completely different bases. There are 300 million people in the US. Out of that the TV audience is about 150 million. Per person per secondage average if you compare the two, you will understand, there are two different bases you are operating from. It’s unfair to compare US national rates with Indian semi-national or regional programs. Because then what you should compare is the 0800 ads in Minnesota, Iowa. You see their rates, their rates are less than or equal to the rates in India, even though the ones there are in dollars. The Super Bowl, one refers to, is a dense packed audience nationally – it is a unique phenomenon.

    Could the IPL be that property in India?

    It probably could be, But the IPL has already peaked; it will not go beyond this. That’s why IPL is commanding the premium; one spot on IPL is so expensive. It is anywhere between Rs three to five lakh for a 10 second spot.  

    What trend do you notice in the current television advertising rates per spot?

    I feel that the pricing on television will further go down. Today, we are looking at 0.1 rated programs. There are hundreds of programs that rated 0.1 by BARC. Tomorrow, you will be having programs with e rated 0.05, hypothetically. An advertiser is ultimately paying for the eyeballs the show is getting. If that number will go down, suddenly the prices can’t go up right?

    It is true that some premier shows will command higher ratings, such as a cricket match etc. But I don’t see the ratings going up in general.

    An advertiser is only paying more money to get more audience. To an advertiser it does not matter whether the viewer is watching it on Zee, Sony, Star or Colors, he is interested in that my target audience, say a million people, where do I reach them? So, if the reach or number of people is going to get more and more fragmented, then the per spot rate is headed south. Overall the advertiser may end up spending more because he has to take that many more spots to reach the audience he wants, but the per spot rate realisation will not go up, it will come down.

    The problem with television is also that there is too much supply, too many channels, too much inventory. The TV industry had one chance to limit the supply when the TRAI asked them to limit ad time on TV to 12 minutes an hour. Limiting supply could have had to benefit of taking rates up. But the industry did not comply with this. Hence, now there has been a commodisation of television air time.

    Do you think we will need  TV broadcaster going forward?

    The reduction of dependency on a broadcaster is at least five to 10 years away in India, which is what I keep reminding people. We are at that sweet spot where everything is going to grow. While there will be a lot of digital pressure and digital will grow fast, actually if there were no other contradictory pressures, TV should have started collapsing. That will not happen because TV is growing.

    Doordarshan has started giving away its Free Dishes in the south now. They started this in the north earlier. With this the penetration of free to air channels is going to really rise. Hence the distribution increase is going to keep an inward positive upward pressure for TV coming up. Digital is going to put pressure on it to push it down. Therefore it will remain in balance for four to five years. Finally, digital will prevail. Once you more or less have penetrated India. You have more or less got everyone in. That stage, that will be tipping point when digital will take over.

    What will happen when Jio launches?

    Globally, if you see, smart phone penetration when it goes over one third, it’s the rule of thumb. That’s the inflection point in digital anywhere. In India we are probably at around 18-20 per cent. We are about 12-18 months away from that point. The moment smartphone penetration crosses 33 per cent, bandwidth gets available cheaper and cheaper. And you get good quality bandwidth. That inflection point is going to happen.

    How will that impact the advertising agency?

    Lines are blurring. There is no difference between media  or technology or content. There is only one solution. And the advertiser is looking at a comprehensive digital solution from his communications partner.

    What does a traditional client looking for digital solutions want from an agency these days?

    The client today doesn’t want generalists. He wants super specialists. If it is digital, he doesn’t want a normally media guy to handle it, he wants a digital specialist to handle its social media, a search specialist and then a display specialist.

    The clients today want the benefits of specialization but he does not want the hassles of silos. Fortunately or unfortunately, all the legacy agencies are constructed in silos. For a guy in a creative agency, it does not matter if the media goes to any other agency. Because they are all separate companies. Because of this they have not been able to provide a single solution under one umbrella.

    The reason we have been successful is that we are structured as one P&L. Everything from media in India reports into me – whether it is Carat or Isobar or iProspect or  Dentsu Creative or whatever. And that is our biggest strength because you can bring talent in, think around the client in one seamless way.  And almost all of the others have not focused on this.

    Your take on ad blockers?

    Ad blocking is a very tricky subject. As a consumer when I look at it, ad blockers are damn good because audiences don’t want an intrusion when they consume content. I think advertising businesses are to be blamed for getting the pushback from the consumers because people just went berserk with displays online. Consumers are not paying to see your advertising, they are paying for content. So if advertisers start intruding so much, there will be push back. And it will only go up unless we figure out some standardisation. The future of digital advertising is going to be opted.

    We see ad blocking in conjunction with bot fraud and click fraud, it will lead to a scenario where the media will collapse unless the cleaning up doesn’t happen.

    We have a large programmatic buying division. The biggest challenge they face is how do you that it’s a human being consuming the content on the other end. So ad blocking will continue to happen unless you have incentivized the consumer to opt it. Either by choice or by incentives. Privacy laws will get stronger, they are much stronger abroad than they are here.

     

  • “TV ad rates will continue to be under pressure” – Ashish Bhasin

    “TV ad rates will continue to be under pressure” – Ashish Bhasin

    MUMBAI: From leading brands discussing the advertising fraternity’s readiness to deal with the digital onslaught to panel discussions after panel discussions dedicated to cracking the content code of the digital world in reputed conferences; the Indian media world is truly enamored with the word ‘digital.’ And rightly so, as the media has completely changed how the trade works in the sector.

    But little is being discussed on the specifics of digital media’s effect on television and its business. To put this into perspective and shed light upon the current realities of the television industry from a media executive’s point of view, indiantelevision.com reached out to Dentsu Aegis Network chairman and South Asia CEO Ashish Bhasin.

    In a free flowing conversation, Bhasin opens up on sophistication employed in a new age television plan with the help of data analysis, ad-rates discrepancies in India,  future of TV media from advertising perspective, and more.

    Excerpts:

    Does Big Data and interpreting it play a role in today’s TV plans?

    It is important to pay attention to Big Data and analyse it right. At Dentsu Aegis Network we have set up our own data stack, which is driving through econometric modelling. That team is using it…it is composed of a young team of statisticians and senior data analysts, economists, and technicians who are analysing and decoding the available data on behalf of our clients.

    For example, you can get 44 percent reach for a particular plan on television.  Now if you spend 10 percent extra on your budget, you probably can get 46 percent reach on the same plan. This 10 percent of budget spends for 2 percent of incremental reach isn’t viable for the client. Thats where the data team comes in, who have developed a software who figures out where is that wastage happening. They combine the television exposure and digital exposure and tells us here is the sweet spot for advertisers to spend that 10 percent on.

    The age old problem of advertising is that advertisers know 50 percent of their advertising works but don’t know which half. Our approach helps the advertisers to know to some extent which half works.

    Many fear that digital will eat into television’s ad revenues even as TV continues to grow. What are your thoughts on this?

    Well in the distant future, in theory, digital will eat into television’s market share because everything will become digital. It is already happening in the more mature western markets but in India that has a long way go because television penetration has some way to go. We are all seeing it still from a Mumbai-Delhi point of view but the growth is not going to come from these two metros, there is already 100 per cent penetration there. The growth will come from tier III tier IV rural towns.

    There it is a long way to go. Therefore for the next five to 10 years there is enough space for all media to grow. Even print, which is collapsing everywhere else in the world is still still growing in India because literary levels are growing. But we don’t doubt that digital will grow faster – at least we believe – than any other medium.

    Will the per unit realisation (valuation) of television go up?

    Per unit realisation is the function of the audiences you get. More your distribution, more your audience, more is the realisation. I don’t think it will go because there are contradictory factors acting. On the one side you are getting more audiences, on the other side, the time of these audiences is getting more fragmented. It is getting fragmented — within television, and also between television and digital.

    So, there will be a balancing factor. It won’t collapse like it has in many other parts of the world. It may go up but gradually because there will be the other factor of the fragmentation which will come into play. There will be the two paradoxical forces acting together.

    Compared to markets like US, Indian television ad rates are very low even after adjusting the purchasing power parity. Your comments?

    I think it is unfair to compare US national rates with Indian semi regional rates because they are operating on completely different bases. There are 300 million people in the US. Out of that the TV audience is about 150 million. Per person per secondage average if you compare the two, you will understand, there are two different bases you are operating from. It’s unfair to compare US national rates with Indian semi-national or regional programs. Because then what you should compare is the 0800 ads in Minnesota, Iowa. You see their rates, their rates are less than or equal to the rates in India, even though the ones there are in dollars. The Super Bowl, one refers to, is a dense packed audience nationally – it is a unique phenomenon.

    Could the IPL be that property in India?

    It probably could be, But the IPL has already peaked; it will not go beyond this. That’s why IPL is commanding the premium; one spot on IPL is so expensive. It is anywhere between Rs three to five lakh for a 10 second spot.  

    What trend do you notice in the current television advertising rates per spot?

    I feel that the pricing on television will further go down. Today, we are looking at 0.1 rated programs. There are hundreds of programs that rated 0.1 by BARC. Tomorrow, you will be having programs with e rated 0.05, hypothetically. An advertiser is ultimately paying for the eyeballs the show is getting. If that number will go down, suddenly the prices can’t go up right?

    It is true that some premier shows will command higher ratings, such as a cricket match etc. But I don’t see the ratings going up in general.

    An advertiser is only paying more money to get more audience. To an advertiser it does not matter whether the viewer is watching it on Zee, Sony, Star or Colors, he is interested in that my target audience, say a million people, where do I reach them? So, if the reach or number of people is going to get more and more fragmented, then the per spot rate is headed south. Overall the advertiser may end up spending more because he has to take that many more spots to reach the audience he wants, but the per spot rate realisation will not go up, it will come down.

    The problem with television is also that there is too much supply, too many channels, too much inventory. The TV industry had one chance to limit the supply when the TRAI asked them to limit ad time on TV to 12 minutes an hour. Limiting supply could have had to benefit of taking rates up. But the industry did not comply with this. Hence, now there has been a commodisation of television air time.

    Do you think we will need  TV broadcaster going forward?

    The reduction of dependency on a broadcaster is at least five to 10 years away in India, which is what I keep reminding people. We are at that sweet spot where everything is going to grow. While there will be a lot of digital pressure and digital will grow fast, actually if there were no other contradictory pressures, TV should have started collapsing. That will not happen because TV is growing.

    Doordarshan has started giving away its Free Dishes in the south now. They started this in the north earlier. With this the penetration of free to air channels is going to really rise. Hence the distribution increase is going to keep an inward positive upward pressure for TV coming up. Digital is going to put pressure on it to push it down. Therefore it will remain in balance for four to five years. Finally, digital will prevail. Once you more or less have penetrated India. You have more or less got everyone in. That stage, that will be tipping point when digital will take over.

    What will happen when Jio launches?

    Globally, if you see, smart phone penetration when it goes over one third, it’s the rule of thumb. That’s the inflection point in digital anywhere. In India we are probably at around 18-20 per cent. We are about 12-18 months away from that point. The moment smartphone penetration crosses 33 per cent, bandwidth gets available cheaper and cheaper. And you get good quality bandwidth. That inflection point is going to happen.

    How will that impact the advertising agency?

    Lines are blurring. There is no difference between media  or technology or content. There is only one solution. And the advertiser is looking at a comprehensive digital solution from his communications partner.

    What does a traditional client looking for digital solutions want from an agency these days?

    The client today doesn’t want generalists. He wants super specialists. If it is digital, he doesn’t want a normally media guy to handle it, he wants a digital specialist to handle its social media, a search specialist and then a display specialist.

    The clients today want the benefits of specialization but he does not want the hassles of silos. Fortunately or unfortunately, all the legacy agencies are constructed in silos. For a guy in a creative agency, it does not matter if the media goes to any other agency. Because they are all separate companies. Because of this they have not been able to provide a single solution under one umbrella.

    The reason we have been successful is that we are structured as one P&L. Everything from media in India reports into me – whether it is Carat or Isobar or iProspect or  Dentsu Creative or whatever. And that is our biggest strength because you can bring talent in, think around the client in one seamless way.  And almost all of the others have not focused on this.

    Your take on ad blockers?

    Ad blocking is a very tricky subject. As a consumer when I look at it, ad blockers are damn good because audiences don’t want an intrusion when they consume content. I think advertising businesses are to be blamed for getting the pushback from the consumers because people just went berserk with displays online. Consumers are not paying to see your advertising, they are paying for content. So if advertisers start intruding so much, there will be push back. And it will only go up unless we figure out some standardisation. The future of digital advertising is going to be opted.

    We see ad blocking in conjunction with bot fraud and click fraud, it will lead to a scenario where the media will collapse unless the cleaning up doesn’t happen.

    We have a large programmatic buying division. The biggest challenge they face is how do you that it’s a human being consuming the content on the other end. So ad blocking will continue to happen unless you have incentivized the consumer to opt it. Either by choice or by incentives. Privacy laws will get stronger, they are much stronger abroad than they are here.

     

  • BARC week 29: Star Utsav emerges as the no.1 channel in Rural HSM

    BARC week 29: Star Utsav emerges as the no.1 channel in Rural HSM

    MUMBAI: Star Plus continued to lead the Hindi general entertainment channel (GEC) genre in Urban+ Rural Hindi speaking market (HSM)  whereas  Zee TV  maintained its position at second slot as per Broadcast Audience Research Council (BARC) India ratings for week 29. On the other hand Star Utsav  emerged as the number one channel in rural HSM, pushing down Zee Anmol, which had ruled the top spot earlier.

    Urban + Rural HSM

    Even after witnessing a fall in ratings, Star Plus continued to lead the Hindi general entertainment channel genre with 696376 Impressions (000s) against 720065 Impressions (000s) in last week while Zee TV maintained its second position with 636898 Impressions (000s) followed by Colors on third spot with 584678 Impressions (000s).

    Star India’s free to air channel Star Utsav grabbed the fourth position with 450259 Impressions (000s) and Life OK was at the fifth slot with 437569 Impressions (000s).

    Zee Anmol stood at sixth with 433515 Impressions (000s) followed by Sony Pal at number seven with 413606 Impressions (000s) and Sony Entertainment Television at number eighth with 359426 Impressions (000s). Sab TV on number nine with 358682 Impressions (000s) and Rishtey maintained its tenth spot with 289896 Impressions (000s).

    Rural HSM

    In week 29, Star Utsav toppled Zee Anmol and grabbed leadership position with 348824 Impressions (000s) followed by Zee Anmol  at second position with 329641 Impressions (000s) and Sony Pal on third slot with 313911 Impressions (000s). Zee TV maintained its fourth position with 280475 Impressions (000s).

    Star Plus garnered  fifth spot with 218160 Impressions (000s)  while Rishtey grabbed sixth spot with 204803 Impressions (000s) followed by Colors at number seven with 169977 Impressions (000s) and Life Ok which stood at eight with 150327 Impressions (000s).

    Big Magic grabbed ninth spot with 102056 while Sony Entertainment Television stood at tenth 100707 Impressions (000s).

    Urban HSM

    Star Plus garnered first position with 478215Impressions (000s) followed by Colors on second position with 414701 Impressions (000s) and  Zee TV with 356423Impressions (000s) stood at number three.  

    Zee TV bagged third place with 356423 Impressions (000s). Life OK grabbed the fourth spot with 287242 Impressions (000s) followed by Sab TV at fifth with 266242 Impressions (000s) and Sony entertainment television with 258719 Impressions (000s).

    In Urban HSM,  &TV maintained its number seven position with 114297 Impressions (000s) followed by Zee Anmol with 103873 Impressions (000s) on eighth and Star Utsavl bagged ninth spot with 101436 Impressions (000s).  Sony Pal   bagged tenth spot with 99695 Impressions (000s).

  • BARC week 29: Star Utsav emerges as the no.1 channel in Rural HSM

    BARC week 29: Star Utsav emerges as the no.1 channel in Rural HSM

    MUMBAI: Star Plus continued to lead the Hindi general entertainment channel (GEC) genre in Urban+ Rural Hindi speaking market (HSM)  whereas  Zee TV  maintained its position at second slot as per Broadcast Audience Research Council (BARC) India ratings for week 29. On the other hand Star Utsav  emerged as the number one channel in rural HSM, pushing down Zee Anmol, which had ruled the top spot earlier.

    Urban + Rural HSM

    Even after witnessing a fall in ratings, Star Plus continued to lead the Hindi general entertainment channel genre with 696376 Impressions (000s) against 720065 Impressions (000s) in last week while Zee TV maintained its second position with 636898 Impressions (000s) followed by Colors on third spot with 584678 Impressions (000s).

    Star India’s free to air channel Star Utsav grabbed the fourth position with 450259 Impressions (000s) and Life OK was at the fifth slot with 437569 Impressions (000s).

    Zee Anmol stood at sixth with 433515 Impressions (000s) followed by Sony Pal at number seven with 413606 Impressions (000s) and Sony Entertainment Television at number eighth with 359426 Impressions (000s). Sab TV on number nine with 358682 Impressions (000s) and Rishtey maintained its tenth spot with 289896 Impressions (000s).

    Rural HSM

    In week 29, Star Utsav toppled Zee Anmol and grabbed leadership position with 348824 Impressions (000s) followed by Zee Anmol  at second position with 329641 Impressions (000s) and Sony Pal on third slot with 313911 Impressions (000s). Zee TV maintained its fourth position with 280475 Impressions (000s).

    Star Plus garnered  fifth spot with 218160 Impressions (000s)  while Rishtey grabbed sixth spot with 204803 Impressions (000s) followed by Colors at number seven with 169977 Impressions (000s) and Life Ok which stood at eight with 150327 Impressions (000s).

    Big Magic grabbed ninth spot with 102056 while Sony Entertainment Television stood at tenth 100707 Impressions (000s).

    Urban HSM

    Star Plus garnered first position with 478215Impressions (000s) followed by Colors on second position with 414701 Impressions (000s) and  Zee TV with 356423Impressions (000s) stood at number three.  

    Zee TV bagged third place with 356423 Impressions (000s). Life OK grabbed the fourth spot with 287242 Impressions (000s) followed by Sab TV at fifth with 266242 Impressions (000s) and Sony entertainment television with 258719 Impressions (000s).

    In Urban HSM,  &TV maintained its number seven position with 114297 Impressions (000s) followed by Zee Anmol with 103873 Impressions (000s) on eighth and Star Utsavl bagged ninth spot with 101436 Impressions (000s).  Sony Pal   bagged tenth spot with 99695 Impressions (000s).