Tag: Sony

  • Half of video production may see greater RoI migrating to IP

    MUMBAI: Ooyala, a global provider of video monetization technology and services, and the Digital Production Partnership (DPP), the media industry’s business change network, launched the industry’s first report analyzing the benefits of adopting Internet Protocol (IP)-based processes and technologies in video production, “The Business Benefits of IP Production.” The findings show that by 2022, more than half of the video-production environments analyzed in the report will recognize greater business benefits, efficiencies and return-on-investment (ROI) by adopting IP.

    Surveying nearly 30 companies across the video supply chain, including ITV, Sky, BBC and Sony, the report shows where IP migrations will result in greater cost savings, cost avoidance, creative benefits and competitive advantages. Tracking against ten different production environments, five will see the greatest ROI by adopting IP, including:

    ● IP Distribution: Companies with internet-first distribution services, OTT

    ● Live Streaming: Companies distributing live content across devices and social
    platforms

    ● Single Camera Shooting: Companies accessing on-site footage via the cloud

    ● Media Management: Companies managing, moving and storing media

    ● Cloud Playout: Linear TV stations adopting cloud-based services

    The findings show media companies with online distribution at the heart of their business, particularly OTT services, will find the greatest value and ROI in adopting IP-based technologies. Other areas that IP disruption will impact are asset management, cloud playout and post-production, benefiting from technologies that reduce manual-labor costs such as automating metadata insertion.

    “The fact is, the move to IP has inherent benefits for many processes, but only specific environments will see the greatest benefits and highest returns today,” said DPP Managing Director, Mark Harrison.

    “Within a few years, IP infrastructure may be essential in doing business because of the impact it is having across media companies and distribution.” “As the first in the industry, the report brings to light the ROI opportunities for producers, broadcasters and media companies to adopt IP processes,” said Ooyala Co-founder and SVP of Products and Solutions, Belsasar Lepe. “Media logistics solutions like Ooyala Flex provide the ability to connect inherently disconnected and on-premise systems so companies can take
    advantage of IP benefits immediately or incrementally as needs change over time.”

    Ooyala and the DPP will host a special NAB morning event on Tuesday, 25 April at 8am PST in Ooyala’s booth, SV1000, to discuss the report and the future of IP production alongside BT Sport and PBS.

    Built with superior analytics capabilities for advanced business intelligence, Ooyala’s solutions help broadcasters, operators and media companies build more engaged and more profitable audiences, with personalized experiences across every screen.Vudu, Star India, Sky Sports (U.K.), ITV Studios (U.K.), RTL Group (Germany), M6 (France), TV4 (Sweden), Mediaset (Spain), America Television (Peru), and Media Prima (Malaysia).

  • Smart TV & streaming device makers may collaborate as race intensifies for on-demand content: F&S

    MUMBAI: Growing preference for over-the-top (OTT) content is catalysing demand for streaming media devices and smart TVs. The market, which slowed down during 2014-15 fiscal, is now ready to match consumer expectations by offering seamless accessibility to on-demand content through a new generation of competitively priced streaming devices. Major market contenders are embracing strategic collaboration to increase their footprint. For instance, smart TV manufacturers such as Samsung, TCL, LG, Sony and Panasonic are developing apps in collaboration with streaming media device manufacturing companies such as Roku, Apple and Amazon.

    “High-efficiency video coding (HEVC), 4000 pixels (4K) and high dynamic range (HDR) will drive sales and shorten upgrade cycles, but competition will continue to intensify,” said Frost & Sullivan’s Digital Media Research Analyst. “Their agility and ease of replacement continue to provide streaming devices a distinct competitive edge over smart TVs.”

    Global Smart TV and Streaming Media Devices Markets, Forecast to 2021, a part of Frost & Sullivan’s Digital Media Growth Partnership Service program, finds that the smart TV market, which stood at 190 million devices in 2016, will grow at a compound annual growth rate of 5.1% between 2016 and 2021, even as the price per unit steadily decreases. Google, with 33.1% share, will lead the streaming media devices market, followed by Apple with 31.% and Roku with 15.2%.

    For complimentary access to more information on this analysis and to register for a Growth Strategy Dialogue, a free interactive briefing with Frost & Sullivan’s thought leaders.

    While the streaming media devices and smart TV market is meeting consumer expectations in terms of ease of viewership and usability, it has not yet been able to offer a unified and intuitive search facility. Further, frequent updates are required to make the user interface of consumer-facing devices seamlessly operable. As a result, consumers find it difficult to use the devices to their full potential, which, in turn, can dampen interest in these services.

    “The primary screen will continue to play a dominant role in content consumption, but content will increasingly be discovered and played back from devices other than the set-top box,” observed the analyst. “The key to capitalising on this demand is to refine user experience and content inventory on connected devices to be at par with the quality and consistency of a fully managed experience.”

  • Oppo Mobiles new sponsor of Indian Cricket Team

    MUMBAI: The Board of Control for Cricket in India (BCCI) has announced Oppo Mobiles India Private Limited as the new team sponsor for the Indian Cricket Team. The mobile manufacturing giant Oppo’s association with BCCI will start from April 2017 for a period of five years. The Oppo deal may reportedly be worth over Rs 538 crore, the amount which Star India had paid BCCI for its deal. (This figure was later confirmed to be Rs 1079 crore.)

    The next deal that the BCCI may sign is for the IPL broadcast rights. The rights are currently with Sony, and will end after this year’s IPL.

    A month before its contract for the Team India’s jersey sponsorship comes to an end in March 2017, Star India’s Chairman and CEO Uday Shankar has set the game up.

    “Given all the volatility, we are indeed concerned about the health of cricket in the days ahead. We have been very proud that our name is carried on the jersey of Team India. But given all the uncertainties, we have decided not to bid for it again. The commitments being asked for are too onerous without any clarity,” Shankar bared a marketing fang in an interview given to Times of India.

    A veteran of many journalistic face-offs earlier and now a master corporate strategist, Shankar’s message to BCCI or Indian cricket’s administrative body was clear, if not politically loaded: forget Team India’s indifferent performances at times on field, we can live with it; it’s the off-field boardroom games that’s making us uneasy to risk our money.

  • Star Plus & Rishtey retain respective market leadership

    MUMBAI: In week 8, Star Plus continued to dominate the Urban+Rural and Urban market with a  leadership position whereas Rishtey too maintained its top position. Colors maintained its second spot this week. Apart from top channels, Sony’s free to air (FTA) channel Sony Pal has gained the positive ratings across markets.  

    Hindi GEC

    Star Plus led the genre with an increase in number with 712076 Impressions (000s) against  657742 Impressions (000s) followed by Colors with 640525 Impressions (000s) on second slot and Rishtey on third with 537507 Impressions (000s).

    In week 8 Sony Pal climbed up at number four with 523334 Impressions (000s) and Zee TV stood at five with 508260 Impressions (000s).

    Zee Anmol stepped down at number six with 504534 Impressions (000s) followed by Sony Entertainment Television grabbed seven spot with 467421 Impressions (000s).

     Star Utsav, Sab TV and Life OK ranked on the eighth, ninth and tenth positions with 448900 Impressions (000s), 390487 Impressions (000s) and 390466 Impressions (000s), respectively.

    Hindi GEC Rural

    Rishtey and Zee Anmol respectively bagged the first and second positions in this category with 409571 Impressions (000s) and 400799 Impressions (000s) followed by Sony Pal  on third slot with 373988 Impressions (000s).

    Star Utsav stood on number four with 342382 Impressions (000s) and Star Plus bagged fifth position with 235398 Impressions (000s).

    Zee TV and Colors  grabbed sixth and seventh spot with 227197 Impressions (000s) and 211405 Impressions (000s), respectively.

    Life OK, Sony Entertainment Television and Big Magic garnered eighth, ninth and tenth spot with 154190 Impressions (000s), 142834 Impressions (000s) and 129779 Impressions (000s), respectively.

    Hindi GEC Urban

    In this category, Star Plus led the chart with 476677 Impressions (000s) followed by Colors on second position with 429120 Impressions (000s).

    Sony Entertainment has maintained its position at third slot with 324587 Impressions (000s) followed by Zee TV on number four with 281062 Impressions (000s) and Sab TV on fifth with 269453 Impressions (000s).

    Life OK stood on number six with 236276 Impressions (000s). Sony Pa, &TVl and Rishtey bagged seventh, eighth and ninth slot with 149345 Impressions (000s), 135671 Impressions (000s) and 127935 Impressions (000s), respectively.

    Star Utsav grabbed tenth spot with week and registered 106518 Impressions (000s). 

  • Ajay Bhalwankar-led Sony’s maiden inhouse show partners Beyond Dreams

    Ajay Bhalwankar-led Sony’s maiden inhouse show partners Beyond Dreams

    MUMBAI: Sony Pictures Network India is all set to produce its first show in-house for the network which will be led by the industry veteran Ajay Bhalwankar.  Also, Sony’s internal production house has partnered with Yash Patnaik’s Beyond Dreams for their first show.

    A source close to the development informed indiantelevision.com that the production house will be headed by the creative director Bhalwankar.

    Bhalwankar, an industry veteran of 20 years, was earlier the content head of Zee TV. Prior to joining to Zee TV, he worked as the programming head for SET from November 2009 to June 2011.  In 2014, he rejoined SET as the chief creative director.

    At the launch of Sony’s historical show Peshwa Bajirao, SPNI CEO NP Singh informed, “The first show of our production house is going into production early next month. It will be a fiction series and will go on air in 3- 4 months time.”

    This is not the first instance that a broadcast network is getting into TV production. Zee Network has its Essel Vision, which has been involved in many of its marquee properties. Star India had taken a 25.99 per cent stake in Balaji Telefilms in April 2004, only to exit it on 5 August 2015.

    ALSO READ :

    Sony Pictures Networks India to foray into TV production

    DD sets up ‘War Room’ to revitalise programming & revenues

  • Ajay Bhalwankar-led Sony’s maiden inhouse show partners Beyond Dreams

    Ajay Bhalwankar-led Sony’s maiden inhouse show partners Beyond Dreams

    MUMBAI: Sony Pictures Network India is all set to produce its first show in-house for the network which will be led by the industry veteran Ajay Bhalwankar.  Also, Sony’s internal production house has partnered with Yash Patnaik’s Beyond Dreams for their first show.

    A source close to the development informed indiantelevision.com that the production house will be headed by the creative director Bhalwankar.

    Bhalwankar, an industry veteran of 20 years, was earlier the content head of Zee TV. Prior to joining to Zee TV, he worked as the programming head for SET from November 2009 to June 2011.  In 2014, he rejoined SET as the chief creative director.

    At the launch of Sony’s historical show Peshwa Bajirao, SPNI CEO NP Singh informed, “The first show of our production house is going into production early next month. It will be a fiction series and will go on air in 3- 4 months time.”

    This is not the first instance that a broadcast network is getting into TV production. Zee Network has its Essel Vision, which has been involved in many of its marquee properties. Star India had taken a 25.99 per cent stake in Balaji Telefilms in April 2004, only to exit it on 5 August 2015.

    ALSO READ :

    Sony Pictures Networks India to foray into TV production

    DD sets up ‘War Room’ to revitalise programming & revenues

  • LG, Sony to stop making 3D TV sets

    LG, Sony to stop making 3D TV sets

    MUMBAI: At one stage it was touted as the future of television. Thanks to the stupendous success that James Cameron’s 3D version of Avatar achieved at the box office with its spectacular 3D graphics and colors. A rash of manufacturers rushed in rolling out 3D TV sets which could be watched with either wearables or with a screen to make the images jump out at viewers. 3D channels by DirectTV, Sky, ESPN, Comcast, Sony and other players in different parts of the world were launched.

    But 2017 will be the year when 3D TV was given a quite burial or cremation if you so like. The world’s largest manufacturers of TVs – LG, Sony – informed CNET last week that they were going to stop integrating 3D capabilities into the TV sets they manufacture from 2017.

    The reason: the technology required viewers to sit stationary and view the programming from a specific angle. Which consumers did not buy into at all.

    The channels that were launched were shuttered quickly but 3D TV capabilities continued to be offered by manufacturers. Until this year, that is.

    “3D capability was never really universally embraced in the industry for home use, and it’s just not a key buying factor when selecting a new TV,” said LG’s director of new product development Tim Alessi, to CNET. “Purchase process research showed it’s not a top buying consideration, and anecdotal information indicated that actual usage was not high. We decided to drop 3D support for 2017.”

    Manufacturers will now be focusing on 4K, UHD, HDR and smart TV features going forward.

  • LG, Sony to stop making 3D TV sets

    LG, Sony to stop making 3D TV sets

    MUMBAI: At one stage it was touted as the future of television. Thanks to the stupendous success that James Cameron’s 3D version of Avatar achieved at the box office with its spectacular 3D graphics and colors. A rash of manufacturers rushed in rolling out 3D TV sets which could be watched with either wearables or with a screen to make the images jump out at viewers. 3D channels by DirectTV, Sky, ESPN, Comcast, Sony and other players in different parts of the world were launched.

    But 2017 will be the year when 3D TV was given a quite burial or cremation if you so like. The world’s largest manufacturers of TVs – LG, Sony – informed CNET last week that they were going to stop integrating 3D capabilities into the TV sets they manufacture from 2017.

    The reason: the technology required viewers to sit stationary and view the programming from a specific angle. Which consumers did not buy into at all.

    The channels that were launched were shuttered quickly but 3D TV capabilities continued to be offered by manufacturers. Until this year, that is.

    “3D capability was never really universally embraced in the industry for home use, and it’s just not a key buying factor when selecting a new TV,” said LG’s director of new product development Tim Alessi, to CNET. “Purchase process research showed it’s not a top buying consideration, and anecdotal information indicated that actual usage was not high. We decided to drop 3D support for 2017.”

    Manufacturers will now be focusing on 4K, UHD, HDR and smart TV features going forward.

  • Grey strengthens A-Pac team with triple hire

    Grey strengthens A-Pac team with triple hire

    MUMBAI: Grey Group has unveiled a set of triple hires in a move to bolster its leadership core in Asia, with a special focus on Grey Group Singapore. The trio will play an instrumental role in deepening Grey Group Singapore’s creative offerings and creative processes, as well as drive the ongoing digital transformation of the company, across the region. The senior appointments demonstrate Grey’s commitment to design a path for repositioning and expanding its services, in order to focus on growth as well as meet clients’ needs through famously effective work.

    Måns Tesch comes on board in the newly created role of Chief Strategy Officer for Grey Group Asia Pacific in order to lead the strategy teams and set the strategic direction across the region and to oversee Grey’s continued immersion into the areas of innovation, mobile and social.

    A well-respected and accomplished strategic and digital veteran he joins Grey from Crispin Porter + Bogusky where he was Chief Strategy Officer for Scandinavia. He led strategy and planning in Stockholm, Gothenburg and Copenhagen, working across the entire client spectrum including; Arla, Carlsberg, Ikea, Infiniti, Scania and Sony.

    Earlier in his career, in 1996, he co-founded Tesch & Tesch, a pioneering creative hotshop in Stockholm which quickly established itself as one of the top digital creative agencies in Northern Europe. In 2002 they were acquired by Lowe Worldwide and became known as Lowe Tesch before merging with leading Scandinavian agency Lowe Brindfors, in 2007. Thereafter, Måns was named Global Digital Strategy Director at Lowe Worldwide and based out of London, he developed the digital efforts of the Lowe network around the world whilst working with their global clients, Nestlé, Stella Artois, Unilever and Nokia, amongst others.

    In 2008, Måns took on the role of Digital Strategy Director at Fallon in London before re-launching Tesch in 2010 as a strategic and creative consultancy, advising brands such as Cadbury, LVMH, Samsung, Spotify & Unilever, on how to become more relevant through innovation.

    Måns joined Razorfish as Executive Strategy Director in March 2013 where he worked with names such as Argos, BlackBerry, DHL, and McDonalds and won new clients including; Beats by Dre, JP Morgan, Novartis and Spotify. This was followed by a stint at Wieden + Kennedy in London working on Samsung’s Olympic Sponsorship and the launch of Angry Birds 2.

    Måns is one of the world’s most awarded strategists and has been recognized as a ‘Digital Pioneer’ by the FWA (world’s leading community for digital creativity). He has participated on numerous jury panels including Campaign Big Awards, Creative Circle, and D&AD and is a sought-after speaker having chaired Creative Review’s annual “Click”-conference, and spoken at seminars such as The Guardian’s Changing Media Summit, Ad Tech London, and held lectures at Hyper Island.

    Marthinus Strydom has been appointed to the role of Global Creative Leader, Team GSK, Grey Group Singapore. He will work closely with Ali Shabaz (Chief Creative Officer, Grey Group, South East Asia) to set the overall creative direction for Grey’s GSK operations. In line with the agency’s reputation for creative excellence, he will be responsible for fostering an even-deeper culture of creativity and accelerate Team GSK’s digital transformation. Over the span of his much-lauded career, Marthinus’ work has been recognized at the D&AD, Webby, Cannes, One Show, Effies, and has been featured on the Gunn Report and other prominent industry publications.

    Originally from South Africa, Marthinus has called Singapore home for the past 12 years. Prior to Grey, he did a six-year stint as a Creative Director of BBH Asia Pacific (Singapore), where he led several memorable projects for the likes of Google, IKEA, UOB Bank, Chupa Chups, and Vaseline. In an earlier role as Digital Associate Creative Director at BBDO (New York), Marthinus was credited for the development of groundbreaking integrated work for A-list clients including AT&T and GE.

    The appointments of Måns and Marthinus follow that of key senior hire, Neil Cotton, who has joined in the dual role of Global Strategy Director for GSK and Chief Strategy Officer (CSO) for Grey Group Singapore. His career has seen him collaborate with many exciting brands such as Coca Cola, Johnson & Johnson, Heineken, Audi, IBM, and Nokia, amongst others.

    Prior to Grey, Neil was the founder of Liberty Networks, a brand and innovation consultancy with Unilever, Infiniti, OCBC, and Channel News Asia amongst its clientele. An industry veteran of 27 years, he has previously held a number of senior leadership roles including; Senior Partner & Worldwide Group Planning Director (1992-2002) at Ogilvy & Mather, New York, where he worked on IBM’s fast growing software business as well as assisting the client with several big acquisitions and partnerships. Neil then went on to become the Regional Head of Planning (2002-2005) at Bates, Hong Kong (HK), and was instrumental in building the planning function and re-positioning the Bates network before it was acquired by WPP. In 2005, he joined Lowe Worldwide, HK, as the Regional Chief Strategy Officer (2005-2007) and was widely credited with bringing in the planning discipline to their Asia operations. Neil was also the founder of GMT+8 Consulting, HK/Shanghai (2007-2009), where he worked with agencies and clients to find solutions to big strategic communications problems. From 2009-2011, he took on the role of Regional Chief Strategy Officer at Young & Rubicam, Singapore, and was attributed as a key contributor in developing their planning resources.

    A true globetrotter and citizen of the world, he has lived across several geographies including Singapore, Hong Kong, New York, and London.

    The group’s Asia Pacific, Middle East, & Africa chairman & CEO Nirvik Singh said: “In order to enhance Grey’s core leadership team, we continue to hire world-class talent in Neil Cotton and Marthinus Strydom. They have deep knowledge and proven track records in their specific areas of expertise and their roles are directed towards delivering our very best for our clients.”

    On having Måns Tesch on board, he commented: “In today’s dynamic environment, strategy, data and technology all play a crucial role and Måns is one of the world’s most experienced in this field. We want to take Grey to the next level and there is no better person to help us achieve this goal.”

  • Grey strengthens A-Pac team with triple hire

    Grey strengthens A-Pac team with triple hire

    MUMBAI: Grey Group has unveiled a set of triple hires in a move to bolster its leadership core in Asia, with a special focus on Grey Group Singapore. The trio will play an instrumental role in deepening Grey Group Singapore’s creative offerings and creative processes, as well as drive the ongoing digital transformation of the company, across the region. The senior appointments demonstrate Grey’s commitment to design a path for repositioning and expanding its services, in order to focus on growth as well as meet clients’ needs through famously effective work.

    Måns Tesch comes on board in the newly created role of Chief Strategy Officer for Grey Group Asia Pacific in order to lead the strategy teams and set the strategic direction across the region and to oversee Grey’s continued immersion into the areas of innovation, mobile and social.

    A well-respected and accomplished strategic and digital veteran he joins Grey from Crispin Porter + Bogusky where he was Chief Strategy Officer for Scandinavia. He led strategy and planning in Stockholm, Gothenburg and Copenhagen, working across the entire client spectrum including; Arla, Carlsberg, Ikea, Infiniti, Scania and Sony.

    Earlier in his career, in 1996, he co-founded Tesch & Tesch, a pioneering creative hotshop in Stockholm which quickly established itself as one of the top digital creative agencies in Northern Europe. In 2002 they were acquired by Lowe Worldwide and became known as Lowe Tesch before merging with leading Scandinavian agency Lowe Brindfors, in 2007. Thereafter, Måns was named Global Digital Strategy Director at Lowe Worldwide and based out of London, he developed the digital efforts of the Lowe network around the world whilst working with their global clients, Nestlé, Stella Artois, Unilever and Nokia, amongst others.

    In 2008, Måns took on the role of Digital Strategy Director at Fallon in London before re-launching Tesch in 2010 as a strategic and creative consultancy, advising brands such as Cadbury, LVMH, Samsung, Spotify & Unilever, on how to become more relevant through innovation.

    Måns joined Razorfish as Executive Strategy Director in March 2013 where he worked with names such as Argos, BlackBerry, DHL, and McDonalds and won new clients including; Beats by Dre, JP Morgan, Novartis and Spotify. This was followed by a stint at Wieden + Kennedy in London working on Samsung’s Olympic Sponsorship and the launch of Angry Birds 2.

    Måns is one of the world’s most awarded strategists and has been recognized as a ‘Digital Pioneer’ by the FWA (world’s leading community for digital creativity). He has participated on numerous jury panels including Campaign Big Awards, Creative Circle, and D&AD and is a sought-after speaker having chaired Creative Review’s annual “Click”-conference, and spoken at seminars such as The Guardian’s Changing Media Summit, Ad Tech London, and held lectures at Hyper Island.

    Marthinus Strydom has been appointed to the role of Global Creative Leader, Team GSK, Grey Group Singapore. He will work closely with Ali Shabaz (Chief Creative Officer, Grey Group, South East Asia) to set the overall creative direction for Grey’s GSK operations. In line with the agency’s reputation for creative excellence, he will be responsible for fostering an even-deeper culture of creativity and accelerate Team GSK’s digital transformation. Over the span of his much-lauded career, Marthinus’ work has been recognized at the D&AD, Webby, Cannes, One Show, Effies, and has been featured on the Gunn Report and other prominent industry publications.

    Originally from South Africa, Marthinus has called Singapore home for the past 12 years. Prior to Grey, he did a six-year stint as a Creative Director of BBH Asia Pacific (Singapore), where he led several memorable projects for the likes of Google, IKEA, UOB Bank, Chupa Chups, and Vaseline. In an earlier role as Digital Associate Creative Director at BBDO (New York), Marthinus was credited for the development of groundbreaking integrated work for A-list clients including AT&T and GE.

    The appointments of Måns and Marthinus follow that of key senior hire, Neil Cotton, who has joined in the dual role of Global Strategy Director for GSK and Chief Strategy Officer (CSO) for Grey Group Singapore. His career has seen him collaborate with many exciting brands such as Coca Cola, Johnson & Johnson, Heineken, Audi, IBM, and Nokia, amongst others.

    Prior to Grey, Neil was the founder of Liberty Networks, a brand and innovation consultancy with Unilever, Infiniti, OCBC, and Channel News Asia amongst its clientele. An industry veteran of 27 years, he has previously held a number of senior leadership roles including; Senior Partner & Worldwide Group Planning Director (1992-2002) at Ogilvy & Mather, New York, where he worked on IBM’s fast growing software business as well as assisting the client with several big acquisitions and partnerships. Neil then went on to become the Regional Head of Planning (2002-2005) at Bates, Hong Kong (HK), and was instrumental in building the planning function and re-positioning the Bates network before it was acquired by WPP. In 2005, he joined Lowe Worldwide, HK, as the Regional Chief Strategy Officer (2005-2007) and was widely credited with bringing in the planning discipline to their Asia operations. Neil was also the founder of GMT+8 Consulting, HK/Shanghai (2007-2009), where he worked with agencies and clients to find solutions to big strategic communications problems. From 2009-2011, he took on the role of Regional Chief Strategy Officer at Young & Rubicam, Singapore, and was attributed as a key contributor in developing their planning resources.

    A true globetrotter and citizen of the world, he has lived across several geographies including Singapore, Hong Kong, New York, and London.

    The group’s Asia Pacific, Middle East, & Africa chairman & CEO Nirvik Singh said: “In order to enhance Grey’s core leadership team, we continue to hire world-class talent in Neil Cotton and Marthinus Strydom. They have deep knowledge and proven track records in their specific areas of expertise and their roles are directed towards delivering our very best for our clients.”

    On having Måns Tesch on board, he commented: “In today’s dynamic environment, strategy, data and technology all play a crucial role and Måns is one of the world’s most experienced in this field. We want to take Grey to the next level and there is no better person to help us achieve this goal.”