Tag: Sony Pix

  • Sony PIX aims 20 per cent market share by 2014 in English movie space

    Sony PIX aims 20 per cent market share by 2014 in English movie space

    KOLKATA: Hollywood movie channel Sony PIX is looking to increase its market share to 20 per cent by the end of the current year 2014 in the Hollywood movie channel space from the present 18 per cent by strengthening its content.

     

    “Our aim is to grow our share and take it upwards to around 20 per cent by the end of 2014. In terms of viewership, the company has a market share of 18 per cent,” said Sony PIX EVP & Business Head Saurabh Yagnik, while announcing two initiatives – premieres of four big movies back to back and Pix Premiere Nights with the latest movie, Robocop in Kolkata, on Friday.

     

    “In 2013, we were consistent and maintained the second position, we even banged Star Movies occasionally from number one spot,” he said.

     

    On being asked the strategies to achieve this target, he said that the channel would focus on strengthening its content, while being innovative and relevant. “We are evaluating for other tie ups for content,” Yagnik said as he said that the channel plans to pump in more money to acquire content.

     

    When asked about the channel’s penetration in the Kolkata market, he said Sony Pix’s market share was 22 per cent in 2013, more than its average pan India share as people in WB are more inclined towards English movie channels.

  • Sony Pix presents Pix Premiere Nights

    Sony Pix presents Pix Premiere Nights

    Sony PIX, India’s premium Hollywood movie channel is geared up for the biggest amazement yet again! The channel is all set to make you go ‘Wow’ with an exciting proposition for its viewers on February 13 – PIX PREMIERE NIGHTS with the latest movie –‘ROBOCOP’
     

    PIX PREMIERE NIGHTS, is a unique proposition for the viewers to exclusively watch the premiere of the latest Hollywood movies before its theatrical release in India. Sony PIX will present this exclusive opportunity to its viewers to experience the thrill of a Hollywood blockbuster movie a day before its release in Indian theatres. The lucky few who win this contest stand a chance to win couple invites to the exclusive premiere of the summer blockbuster movie ROBOCOP.

     

    Commenting on this initiative, Neville Bastawalla – Marketing Head, Sony PIX says, “As part of our brand promise ‘Stay Amazed’, we push ourselves to being true to this promise. PIX Premiere Nights is one such brand deliverable that delivers this promise and will be a key tent pole on the channel. PIX PREMIER NIGHTS GIVES VIEWERS A CHANCE TO WATCH MEGA BLOCKBUSTERS month on month before India does in theaters, a day before the release. This also addresses strong viewer needs, giving our viewers badge value and flaunt value amongst their peers. It’s actually like secret screening of movies for select elite before the masses can see the movie. Also the scale across 6 cities is truly one of a kind by any English movie channel in India.

     
    From January 24th, a TAB on Sony PIX Facebook page gave the fans a chance to enter the contest and win tickets to watch the action – packed movie on February 13th, a day before anyone in India does. Viewers can also enter the contest by giving a missed call on 1800 3000 1140. 1200 tickets will be up for grabs as the contest will be run in 6 cities (Mumbai, Delhi, Bangalore, Pune, Hyderabad and Ahmedabad).

     

    PIX Premier Nights is presented by Fair and Lovely Max Fairness.  

     

    Get ready for the biggest amazement with PIX PREMIERE NIGHTS and watch ROBOCOP before anyone in India does only with SONY PIX

  • “My immediate focus is on turning around Sony Ent, our flagship channel”

    “My immediate focus is on turning around Sony Ent, our flagship channel”

    He has been fairly low profile, mild-mannered and soft spoken. But underneath the soft exterior NP Singh is tough as nails and a fiesty fighter just like many from the Sikh community – to which he belongs – are known to be. Recently, Singh was hoicked to the CEO’s position at Multi Screen Media India – Sony Entertainment Television Network India – after running it as COO for nearly a decade. He replaced Man Jit Singh – who has moved on to a global position looking after its home entertainment business.

     

    NP is a long time Sony loyalist as he joined it way back in 1999 as CFO.  He has been given charge at a challenging time when the network’s flagship channel Sony Entertainment is at  a lowly sixth position amongst Hindi GECs, just a tad above Sahara. That’s a far cry from the third or fourth spot it occupied until 2012.

     

    Currently in his mid-50s, has seen the highs and lows of not only the Sony Entertainment Network, but the industry as well. His appointment has put his rivals on alert because it is he who pushed the transformation of Sab into a topnotch Hindi comedy offering, Pix into a channel showcasing Hollywood blockbusters, and successfully launched Mix in a crowded music channel market place. 

     

    In a conversation with Indiantelevision.com’s Seema Singh, NP speaks of his immediate plans and the road ahead.

     

    Excerpts:

     

    15 years in Sony and now becoming the CEO. What is the feeling?

     

    I have enjoyed every day that I have been here. I joined the company in June 1999 as the CFO and then got elevated to the position of chief operating officer and now the chief executive officer. I have seen the entire journey. The company is 18 years old and I have been here for the past 15 years. I have been a part of a lot of success and have also faced multiple challenges. Overall, it has been a fantastic journey. I am happy that I have been given the role to head the company.

     

    What are the challenges that lie ahead for the Network?

     

    The number one priority for me is to turn on the power of the flagship channel, Sony. In the short time, this will be my focus. We have seen success on the flagship channel not too long ago. In 2012, the channel was doing extremely well. Since 2012 end, the channel started seeing a drop in viewership; my objective is to arrest that drop and put the channel on the path of growth.

     

    Every CEO has a dream team. What is yours? Do we see any management changes in the future? Who do we see as the next COO for the Network?

     

    We have a strong management team with very good talent across the company. And we have been proud of the team and I will continue to work with them to achieve the dream that we have collectively for the company.

     

    Changes are a part of life and as we go forward, there may or may not be any changes, but it is too premature to comment on.  

     

    For now there will be no COO for the company. We have a strong management team and I will work directly with them to achieve the objectives set.

     

    Will life change for you after becoming a CEO?

     

    I have been here and have been partnering with Man Jit Singh who was here as CEO earlier. I have been part of all the successes and challenges and am acutely aware of what needs to be done. So it doesn’t have any major impact on my life going forward. Except that I will not have a COO right now and so I will interact with the management team directly. This means I will be spending more time in the office, of which I do not complain.

     

    What are the opportunities you have as a CEO?

     

    There are multiple opportunities. In the near term, my first priority is the turnaround of Sony and within that lies an opportunity for growth in revenue of the company. I see growth opportunities on the distribution side as well. That is something we have to stay focused on and we have to help grow the ARPUs at the subscriber level so that the benefit can flow right through the value chain upward to content owners like us.

     

    I see huge opportunity in the exploitation of digital platforms through mobile phones and tablets. If we can get our content to the audience through this medium, we will see a huge rise in revenue.

     

    I also see an opportunity in the regional market that we will evaluate over a period of time and then make our choices.

     

    Sony launched ‘Sony Mahotsav’ in UP, Punjab and Haryana starting from November 2013. What was the reason for it and how has the response been?

     

    We launched it with the objective to engage with our viewers in these markets. We want to take the brand to these markets and also our artistes from major shows to those cities to make the brand more accessible to them.

     

    The response has been positive and we will continue to build on this initiative going forward as well because we want to engage audiences of smaller towns with the channel. This is one initiative. We are also trying to build that engagement through our content and communication.

     

    Phase I and II of digitisation is complete. Do you see that helping the Network in getting better reach and viewership numbers?

     

    Digitisation will not grow our overall viewership base. It will lead to more transparency from the broadcasters’ perspective. Because digitisation will bring about addressability, there will be more information/ transparency about the viewer or subscriber we have for the network. Having said that phase I and II have been completed, set top boxes (STBs) have been installed in the households, but the real addressability has still not happened.

     

    There is still time for that. The MSOs do not have the database for those STBs. We are supporting them through campaigns running on our network. Hopefully in the next few months, they can get the data from the local cable operator and create a database and then start invoicing the subscribers directly. That will happen in the next few months and then over next two years complete addressability will come in and there will be benefits right from the viewer up to the broadcaster and content creator.

     

    Sony has always believed in experimenting with the content. But the past few years have not done too well for the channel. Is it that the channel is too ahead of time? Why aren’t you able to connect with the audience?

     

    It is a combination of multiple factors. Till 2012, we were clearly the number two ranking channel.  We were also at number one during the nine week period when the ratings did not get reported. But since then we have seen a decline in viewership and there are multiple factors behind it. One of the key factors was the universe update by TAM and the inclusion of LC1 markets in reporting viewership. The LC1 market has a 25 per cent share in the total viewership pie and that impacted our ratings. Secondly, some of our fiction shows also didn’t perform the way we expected them to.

     

    But we are the pioneers in the many new concepts and ideas. Some of them have been way ahead of time, for example the YRF shows that we brought to our viewers. Those were top quality shows that were accepted and appreciated by one set of audience, while not taken well by the other set of audience. But that doesn’t mean we will stop coming up with path breaking ideas. We have not been successful in the recent past, but that will not stop us from continuing to follow that path.

     

    The fiction shows have not done well for the channel. Also the non-fiction slate is developing fatigue. How do you plan to strengthen the programming slate?

     

    We have to continue to innovate. We did that successfully with the last season of Indian Idol in which we introduced kids. Also in Kaun Banega Crorepati (KBC) we brought several innovations. Though it was well received in the beginning, eventually it settled down at a lower number. But that doesn’t mean there is fatigue with the format of the show. We will do something more when we bring KBC the next time.

     

    We are looking at refreshing our weekend primetimes and that is why we got Boogie Woogie back on TV, which is doing well for the channel. We will be bringing back Entertainment Ke Liye Kuch Bhi Karega as well. The first and foremost task is to look at our fiction strategy and revamp that. Our plan is to bring in new shows to weekday primetime and strengthen it. We realise that it is there where we can build loyalties with the viewer. So that is the focus, followed by refreshing the weekend.

     

    Though Sony India is doing well and contributes some 40-50 per cent  to the overall revenue of the Sony Pictures’ media networks business, there is pressure on Sony from investors such as Dan Loeb to make Sony’s entertainment business deliver. Is that putting any pressure on you? How do you plan to cope with that?

     

    MSM is a very strong performer for the entire Sony Corporation. We have performed really well and India has a lot of growth opportunity and we are getting a lot of investment from the parent into the company. Whatever new initiative we come up with, till the time it makes strategic and economic sense we will get investment support from the parent.

     

    You will be reporting into Andy Kaplan, what is it like to work with him? Are there more challenges now?

     

    I have worked with Andy for the past several years and I don’t see any change in the dynamics of our relationship. I look forward to working with him even more closely now.

     

    What do you think is missing in the Sony slate?

     

    There will always be some unfinished agenda at any point in time. But right now we have everything to make the network more successful. There are some new initiatives that we are working on for the future growth of the network, which we will announce in due course of time, but first and foremost objective is the turnaround of our flagship channel.

     

    The network bouquet looks weak without any strong regional offerings. Are you looking at strengthening it by moving south?

     

    We have one channel in West Bengal. So we have one channel as far as the regional space is concerned, but it is a small channel, which has carved a niche for itself. We are looking at some other markets and currently we are evaluating all the options and will make our choice in due course of time.

     

    Unbundling of bouquets is something which Dish TV has recently encouraged by offering IndiaCast channels on an a la carte basis. Then the TRAI may soon come up with its recommendation paper on aggregators. Do you see that affecting the distribution of channels?

     

    We always follow very collaborative process in any negotiation that we do with our partners and like everyone else Dish TV is also a strong partner. We have had strong relations with them in the past and even now.

     

    There has been a lot of conjecture about the TRAI consultation paper on aggregators, but no one knows what will happen. Will cross that bridge when the recommendation comes out.

     

     Are you looking at launching any new channel?

     

    We never do something because other networks are doing it. We always do things that are good for our Network. We will do what makes strategic and economic sense for us. And from that perspective, if we have to launch a new channel we will.

     

    You can watch more of what the Sony Entertainmetnt CEO has to say by clicking here: Executive Dossier with MSM India CEO NP Singh

  • Chrome Data: Week 1 meant business

    Chrome Data: Week 1 meant business

    MUMBAI: Money isn’t thought to be the biggest cause of worry for no reason. At least it seems so in this case. As the New Year ushered in, it was the news about money and the ups and downs that it saw in the last year that kept the TV viewers glued to their TV sets in the first week of the year. As various channels presented the yearly round-up, the business channels took away the largest share of audiences. The business channels topped the chart in the Week 1 of opportunity to see (OTS) as per Chrome Data Analytics & Media.

     

    The business channels across eight metros saw an increase of 1.4 per cent with the Hindi business channel, CNBC Awaaz, leading with 83.0 per cent OTS.

     

    And considering it was the holiday season, the second on the list were the English movie channels that fared really well in the eight metros. The genre saw a rise of 1.1 per cent. Pix reclaimed its first position, pushing behind Star Movies that had climbed to the first position in Week 52. The channel got 89.4 per cent OTS.

     

     

    Infotainment channels across India too saw an increase of 1 per cent with Discovery gaining 91.6 per cent. Sports channel claimed the fourth place in the OTS list with 0.9 per cent grow across India. Looks like the Ashes kept cricket fans occupied as Star Sports 1 was ahead of others in the genre with 77.9 per cent OTS.

     

    As for the bottom four, Hindi news channel in the Hindi speaking market (HSM) saw a fall of 1.4 per cent. Aaj Tak continued to be the popular one in the genre and garnered 94 per cent. English entertainment too didn’t get many viewers and fell by 0.9 per cent in the eight metros. Star World, however, toppled AXN which premiered the much-awaited season three of Sherlock. The channel from the Star bouquet scored 82.5 per cent OTS.

     

    In the HSM, music channels saw a slight dip of 0.1 per cent, whereas the religious channels didn’t see any change. Sony Mix with 89.2 per cent and Aastha channel with 98.3 per cent topped their respective genres.

  • NP Singh’s triumph and challenges at Sony Entertainment

    NP Singh’s triumph and challenges at Sony Entertainment

    In 2009 when MSM India CEO Kunal Dasgupta resigned suddenly, industry insiders were betting that the COO NP Singh would take over. But that did not come to pass. MSM India chairman Man Jit Singh – who had taken charge as interim CEO and was also leading the search for Dasgupta’s replacement – was given the job after a nationwide hunt.

     

    Hence, when news emerged on Friday (3 January) that NP (as he is known by all in industry) was being elevated as CEO of MSM India, it was time to bring out the bubbly and cheer for him. The collective belief amongst most in the know is that NP has got his just rewards, finally!

    During the 15 years at MSM India, the turbaned NP has served the organisation well. Extremely low profile and mild-mannered, he was the perfect foil for the aggressive, innovative and outspoken Kunal Dasgupta.

     

    “He was always there, which gave Dasgupta the freedom to innovate and grow the network. He offered the rock solid stability which the organisation really needed,” says a person who has worked very closely with both Dasgupta and NP. “He is a very good leader, man manager and operations man. And he is extremely sharp with numbers because of his finance background. To top it all, he is a gentleman in every sense of the word – a rarity in the current cutthroat world of media and television.”

     

    His big win has been the biggest success of the Sony Entertainment Television (SET) Network in recent times – the channel Sab. After SET acquired it in 2005 for Rs 57 crore from Sri Adhikari Brothers, the management quickly moved it away from its comedy positioning which founder Markand Adhikari had given it and relaunched it as a youth-oriented channel. Not a very good move, really as its audiences disintegrated almost instantaneously. The team persisted with the youth demographic for two years, until NP proffered that it should stick to its original positioning of comedy, and went about cobbling together a clutch of funny shows along with Sab head Anooj Kapoor. Amongst the shows which emerged from those early huddles include the long-running Tarak Mehta Ka Oolta ChasmaChidiya Ghar and FIR.

     

    The net result: the audiences flocked back and Sab, today at times, figures amongst the top 5 GECs. And it is highly profitable too. Mother channel Sony Entertainment, which it was supposed to simply flank, has comparatively not lived up to its potential and has been struggling to get its fiction show act right for several years now.

     

    NP’s second success has been Sony Max, which offers a cocktail of cricket and movie fare to its viewers. It arguably tops the Hindi movie channel category at all times of the year and it shines brilliantly through the annual flashy IPL tournament when it has at times moved to the number one spot (it has even beaten Hindi GECs).

     

    He and the team under him have been innovating with Max’s programming by bringing in more entertainment into the prizewinning Extraa Innings – new anchors, cricket veterans like Navjyot Singh Sidhu and Sunil Gavaskar (cracking jokes in Hindi), better sets, cheerleaders, a live band and even added doses of comedy and movie integration. Max has over the years also dabbled in Hindi and Bangla language commentary, much before ESPN and Star Sports did.

     

    The third six that the extremely articulate NP has hit is with Sony Pix, the international movie channel that in the SET portfolio. It is currently placed at the No 2, behind Star Movies. But it took some doing getting it there. From a classic movie positioning when it was launched, it was refocused as a channel which delivers new fare from the world of English cinema with the tag line ‘Stay Amazed’. NP has secured long term content deals with Sony Pictures and MGM which have delivered films such as SkyFallMission Impossible III and Spiderman, among several other films. It was NP who decided to acquire Slumdog Millionaire and air it in both English and Hindi which worked very well for the network as a whole. And last year he recruited Saurabh Yagnik from Star with a clear mandate to take it to the number one spot. 

    NP also pushed for the shift of AXN – the English general entertainment channel – from Singapore to India and has been acquiring content which suits Indian tastes more. And that strategy seems to be working for AXN even though it has tough competition from Star World and Zee Café.

     

    When he decided to launch the music channel Sony Mix a couple of years ago in an overcrowded market, not many gave it a chance. But today it has beaten back the leader 9XM with innovations such as music based programming on time bands and moods and also bringing in radio host Anurag Pandey onto the channel with his own show.

     

    Along with Man Jit Singh, NP  has also been quietly building a slate of low cost movies under MSM Motion Pictures, which should start adding revenues to SET’s top line and hopefully its bottomline in the coming year.

     

    That he is getting charge of one of the jewels in the Sony Pictures Entertainment (SPE) international crown shows how much confidence he has managed to gain from Los Angeles-based bosses Andy Kaplan and Michael Lynton. SPE, on its part, has been under pressure in recent times with declining profits and it even announced that it would prune its movie slate and focus more on television content. It hired a consultant firm Bain & Co in November 2013 to help it generate $250 million in savings. One of the options it is looking at is streamlining its international operations by setting up more joint ventures, apart from lowering head count.

     

    According to reports in the international media, its Indian network reaches about 484.1 million pay TV subscribers, but it would like to see more revenues emerging from India. MSM India annually contributes nearly $600 million in revenues and $130 million in profits annually to SPE’s media networks’ business which tots up $1.5 billion in revenues overall, reveal Media Partners Asia estimates.With India’s cable TV networks on a digital rollout nationally, the hope is that subscription revenues will rise substantially for all the major Indian broadcast networks, amongst which figures MSM India.

     

    NP has his work cut out. He has to focus on making the nearly billion dollar investment the network made in the IPL generate more revenues (the deal ends in 2017 and probably around 40 per cent of the investment has already been recovered), he has to make fiction work at Sony Entertainment, build a stronger creative team to bring in cutting edge series, and strengthen its non-fiction lineup at a time when fatigue is setting in amongst viewers.

     

    This apart, he has to strengthen the Sony Entertainment network’s channel bouquet, bring in regional language and niche services to take advantage of the monetisation opportunities that digitisation will throw up in the next four to five years. All this at a time when its US parent is putting the squeeze on money and trying to generate savings, which means the accountant in NP will really have to do some financial legerdemain.

     

    Most industry watchers are betting that NP will do the trick. “NP’s core strength is also distribution. Remember, he has been one of the architects of putting together the content aggregator One Alliance. So clearly, he will be able to work some magic on distribution and subscription revenues,” says a media analyst. “The problem with its major content offering – Sony the Hindi GEC – has been too many people have being driving it in the past, which has impacted its performance. With a single leader at the top in NP and a good programming head in place, expect Sony to really drive ahead on its programming initiatives. NP loves a challenge.”

     

    It is precisely this quality in him that will prove handy as he goes about building Sony Entertainment Television for a digital and young India.

  • Tonic Media takes digital experience to a new level with Skyfall on Sony Pix

    Tonic Media takes digital experience to a new level with Skyfall on Sony Pix

    MUMBAI: The landscape of digital marketing in India is changing at a rapid pace. Smart marketers are on top of this dynamic trend, as they mirror their strategies to consumer behavior.

    Sony Pix is one such example, creating a unique, engaging digital experience for their audience every time. Its latest campaign for the Skyfall’s television premiere on 27 October used innovative technologies to glue their audience.

    Devised by Tonic Media, its digital agency, the campaign aimed to bring about the biggest Skyfall Bond experience ever! Through this campaign, the user was given a taste of Bond’s secret missions. It was an opportunity for them to become a special agent under MI6, and win a trip to Bond in Motion London. Similar to the plot of Skyfall, the crux of these missions were to save people the users were close to (from their Facebook accounts).

    Using integrated communication not just limited to social media, the users were led to the Skyfall game on the Sony Pix Facebook tab, where they were tested through a series of skill drills required to be a secret agent.

    Apart from testing their focus and control skill in the first level of the bomb diffusion game, the most unique proposition was that, the users could convert their mobile phones into a remote control gun and directly play interacting with their desktops/PC’s.

    The gaming experience was extended to innovative rich media banners on leading platforms like Yahoo India, MSN India and Times of India’s digital platform. Users coming to these platforms were given an experience of converting their mobile phone into a remote control gun and directly shooting in the Banner eliminating the villians.

    And, the last phase of the secret mission was to enter secret codes flashed during the television premiere/telecast of Skyfall on Pix. This ensured sustained interest till the day of the premiere driving viewership on the grand finale day. Appointment viewing on television was taken to the next level.

    On the digital campaign Tonic Media CEO Chetan Asher said: “The objective was to use digital experiential marketing and create excitement and buzz for Skyfall on Pix leading to viewership. Using innovative properties, we successfully used digital to bring alive the experience across all digital platforms.”

  • Watch the Mega premiere of SKYFALL on Sunday 27th October at 1pm and 9pm on Sony PIX

    Watch the Mega premiere of SKYFALL on Sunday 27th October at 1pm and 9pm on Sony PIX

    MUMBAI:  Daniel Craig is back as James Bond 007 in SKYFALL, the 23rd installment of the longest running film franchise in history.

     

    When Bond’s latest assignment goes gravely wrong and agents around the world are exposed, MI6 is attacked forcing M to relocate the agency. These events cause her authority and position to be challenged by Gareth Mallory (Ralph Fiennes), the new Chairman of the Intelligence and Security Committee. With MI6 now compromised from both inside and out, M is left with one ally she can trust: Bond. 007 takes to the shadows – aided only by field agent, Eve (Naomie Harris) – following a trail to the mysterious Silva (Javier Bardem), whose lethal and hidden motives have yet to reveal themselves.

     

    Come witness the biggest bond movie ever; ‘SKYFALL’ on 27th October 1pm and 9pm only on Sony PIX

  • Stay Amazed with the New Sony Pix

    Stay Amazed with the New Sony Pix

    MUMBAI: Brand Sony is getting a makeover. Days after Sony Entertainment Television Network announced its fresh new look, Sony Pix is following suit, starting with a repositioning from ‘Hollywood is here’ to ‘Stay Amazed’.

    The new brand identity will be unveiled along with the world television premiere of Skyfall on 27 October at 1:00 pm and 9:00 pm on the channel.

    As opposed to the earlier tagline ‘Hollywood is here’, ‘Stay Amazed’ defines what it is about Hollywood that people like, breaking the clutter and making the channel stand out from the crowd. Significantly, it’s a brand promise that viewers of the rebooted Sony Pix will never have a dull moment, whether they’re watching it on television, social media or on-ground.

    The channel rifled through pitches from some 24 companies across five continents before zeroing on Argentina-based Medialuna (MDL) for designing the new look

    Says Sony Pix executive VP and business head Saurabh Yagnik: “The whole idea is to break the clutter and give the audience what they truly want to see and experience. The revamped look propagates the brand philosophy of being fresh, innovative and progressive. Our content and branding will establish Sony Pix as the most exciting, fun and entertaining English movie channel.”

    The repositioning has been a gruelling exercise with Team Sony Pix burning some serious midnight oil to brainstorm and understand what Indian audiences really want from in particular English movie channels and in general Hollywood. The channel has rifled through pitches from some 24 companies across five continents before zeroing on Argentina-based Medialuna (MDL) for designing the new look.

    Our content and branding will establish Sony Pix as the most exciting, fun and entertaining English movie channel says Saurabh Yagnik

    And the result is for all to see – an all new packaging in eye-catching ‘neon green’, which is part of Sony Pix’s revamped strategy to stay-in-sync with an increasing number of young viewers. What’s more, synergies have been worked out between the upcoming instalment of the Krrish franchise and Sony’s rebranding campaign.

    “The whole revamped look took nearly six months to execute, and we narrowed down on Medialuna after taking a close look at their body of work. We are really glad with the final outcome,” exults Yagnik.

    The new look will unravel along with the premiere of ‘Skyfall’ on 27 October

    Coming to the Skyfall premiere, a 360-degree promotional campaign is on the anvil, which promises to engage viewers like never before. The channel is gearing up for the ‘Biggest secret mission ever’ on Facebook – designed to give viewers a once in a lifetime opportunity to win a trip to the ‘Bond in Motion’ exhibition in London. (Bond in Motion is the largest official collection of original James Bond vehicles over the past 50 years).

    Says Sony Pix vice president – marketing Neville Bastawalla: “This is something that is really going to get our viewers engaged and get more involved with the channel. The mission will be played over three phases: one to crack a maze of obstacles using clues, second being a first of its kind game where your mobile phone becomes a remote to chase clues, and the third being simply type in the codes that are flashed on the screen during the premiere to win a chance to visit the ‘Bond in Motion’ exhibition in London.”

    It’s all about getting our viewers engaged and getting them more involved with the channel believes Neville Bastawalla

    While the in-house team has designed, conceptualised and executed the on-air promos, the outdoor Skyfall campaign, to be carried out in Mumbai and Delhi, will be handled by Leo Burnett India. Tonic Media will look after the digital front. Approximately 80-85 per cent of the marketing budget has been kept aside exclusively for the repositioning, and the channel is confident of a great response from the trade and audiences alike.

    Snapdeal.com is the presenting sponsor for the Skyfall campaign while Dell and Engage Deos are the powered by sponsors. Other sponsors include Toyota, Lombard suiting, Whirlpool, We Chat and many more.

    In charge of the digital component of the entire rebranding exercise is Tonic Media. With nearly 33,300 followers on Twitter and a little over 3,275 likes on Facebook at the time of penning this article, Sony Pix is looking to intensify its engagement with viewers on social media.

    Notty Pixy will get the inside dope of all the gossip from behind the scenes in Hollywood

    On the cards is an interactive initiative with NottyPixy, who is touted as this Hollywood insider, who works hard and parties harder, is quirky, has loads of attitude and resonates with the youth. The #NottyPixy hashtag has been launched to promote the Notty Pixy character, with Notty Pixy taking over the @SonyPix handle every Thursday. Further, Notty Pixy will get onto the channel from end-November, every Friday, at 7:00 pm, to run a movie of her choice and interact with viewers through social media as well as on-air with ‘Wow trivia with a Notty Pixy twist’.

    While the repositioning is aimed at taking the channel to greater heights, even presently, Sony Pix appears to be in a good space.

    A 360 degree campaign will be carried out for the repositioning

    Movies-wise, the channel has nearly 250 – 300 active film titles, which include the Rocky series, Spider Man franchise, Mission Impossible series, Terminator franchise, animation films like Madagascar, Shrek and Kung Fu Panda plus a recent acquisition – the complete Bond franchise along with the latest flick, Skyfall.
    Pix also boasts some big-ticket releases of 2013 including: Hansel & Gretel: Witch Hunters, Captain Phillips, The Hobbit: The Desolation of Smaug, Hotel Transylvania, Smurfs 2, White House Down, Django Unchained, Grown Ups 2 and After Earth among others. Moreover, the channel is associated with five of Hollywood’s leading studios such as Paramount Pictures, Lionsgate, Sony Pictures, MGM and Universal.

    So does Pix plan to restructure its FPC (Fixed Point Chart) with the implementation of the 10+2 ad cap rule? “Firstly, I really don’t believe that the ruling will make a very big difference to English movie channels, but if it does get implemented, then we are ready for it as we at Pix believe we can deliver engaging content to keep our viewers hooked on,” replies Yagnik.

    Currently airing (14+2) 16 minutes of advertisements per hour of programming and second only to Star Movies in the English movie channel space, Pix has seen a 35 per cent growth in terms of its reach pre-DAS and post-DAS, and a 36 per cent growth in terms of TSV (Time Spent per Viewer), so while the channel is well placed, it is also making all the right noises to pip competitors at the post.

  • Stay Amazed with the New Sony Pix

    Stay Amazed with the New Sony Pix

    MUMBAI: Brand Sony is getting a makeover. Days after Sony Entertainment Television Network announced its fresh new look, Sony Pix is following suit, starting with a repositioning from ‘Hollywood is here’ to ‘Stay Amazed’.

    The new brand identity will be unveiled along with the world television premiere of Skyfall on 27 October at 1:00 pm and 9:00 pm on the channel.

    As opposed to the earlier tagline ‘Hollywood is here’, ‘Stay Amazed’ defines what it is about Hollywood that people like, breaking the clutter and making the channel stand out from the crowd. Significantly, it’s a brand promise that viewers of the rebooted Sony Pix will never have a dull moment, whether they’re watching it on television, social media or on-ground.

    Says Sony Pix executive VP and business head Saurabh Yagnik: “The whole idea is to break the clutter and give the audience what they truly want to see and experience. The revamped look propagates the brand philosophy of being fresh, innovative and progressive. Our content and branding will establish Sony Pix as the most exciting, fun and entertaining English movie channel.”

    The repositioning has been a gruelling exercise with Team Sony Pix burning some serious midnight oil to brainstorm and understand what Indian audiences really want from in particular English movie channels and in general Hollywood. The channel has rifled through pitches from some 24 companies across five continents before zeroing on Argentina-based Medialuna (MDL) for designing the new look.

    The channel rifled through pitches from some 24 companies across five continents before zeroing on Argentina-based Medialuna (MDL) for designing the new look

    And the result is for all to see – an all new packaging in eye-catching ‘neon green’, which is part of Sony Pix’s revamped strategy to stay-in-sync with an increasing number of young viewers. What’s more, synergies have been worked out between the upcoming instalment of the Krrish franchise and Sony’s rebranding campaign.

    “The whole revamped look took nearly six months to execute, and we narrowed down on Medialuna after taking a close look at their body of work. We are really glad with the final outcome,” exults Yagnik.

    Coming to the Skyfall premiere, a 360-degree promotional campaign is on the anvil, which promises to engage viewers like never before. The channel is gearing up for the ‘Biggest secret mission ever’ on Facebook – designed to give viewers a once in a lifetime opportunity to win a trip to the ‘Bond in Motion’ exhibition in London. (Bond in Motion is the largest official collection of original James Bond vehicles over the past 50 years).

    Says Sony Pix vice president – marketing Neville Bastawalla: “This is something that is really going to get our viewers engaged and get more involved with the channel. The mission will be played over three phases: one to crack a maze of obstacles using clues, second being a first of its kind game where your mobile phone becomes a remote to chase clues, and the third being simply type in the codes that are flashed on the screen during the premiere to win a chance to visit the ‘Bond in Motion’ exhibition in London.”

    While the in-house team has designed, conceptualised and executed the on-air promos, the outdoor Skyfall campaign, to be carried out in Mumbai and Delhi, will be handled by Leo Burnett India. Tonic Media will look after the digital front. Approximately 80-85 per cent of the marketing budget has been kept aside exclusively for the repositioning, and the channel is confident of a great response from the trade and audiences alike.

    Snapdeal.com is the presenting sponsor for the Skyfall campaign while Dell and Engage Deos are the powered by sponsors. Other sponsors include Toyota, Lombard suiting, Whirlpool, We Chat and many more.

     

    The new look will unravel along with the premiere of ‘Skyfall’ on 27 October

    In charge of the digital component of the entire rebranding exercise is Tonic Media. With nearly 33,300 followers on Twitter and a little over 3,275 likes on Facebook at the time of penning this article, Sony Pix is looking to intensify its engagement with viewers on social media.

    On the cards is an interactive initiative with NottyPixy, who is touted as this Hollywood insider, who works hard and parties harder, is quirky, has loads of attitude and resonates with the youth. The #NottyPixy hashtag has been launched to promote the Notty Pixy character, with Notty Pixy taking over the @SonyPix handle every Thursday. Further, Notty Pixy will get onto the channel from end-November, every Friday, at 7:00 pm, to run a movie of her choice and interact with viewers through social media as well as on-air with ‘Wow trivia with a Notty Pixy twist’.

    While the repositioning is aimed at taking the channel to greater heights, even presently, Sony Pix appears to be in a good space.

    Movies-wise, the channel has nearly 250 – 300 active film titles, which include the Rocky series, Spider Man franchise, Mission Impossible series, Terminator franchise, animation films like Madagascar, Shrek and Kung Fu Panda plus a recent acquisition – the complete Bond franchise along with the latest flick, Skyfall.
    Pix also boasts some big-ticket releases of 2013 including: Hansel & Gretel: Witch Hunters, Captain Phillips, The Hobbit: The Desolation of Smaug, Hotel Transylvania, Smurfs 2, White House Down, Django Unchained, Grown Ups 2 and After Earth among others. Moreover, the channel is associated with five of Hollywood’s leading studios such as Paramount Pictures, Lionsgate, Sony Pictures, MGM and Universal.

    So does Pix plan to restructure its FPC (Fixed Point Chart) with the implementation of the 10+2 ad cap rule? “Firstly, I really don’t believe that the ruling will make a very big difference to English movie channels, but if it does get implemented, then we are ready for it as we at Pix believe we can deliver engaging content to keep our viewers hooked on,” replies Yagnik.

    A 360 degree campaign will be carried out for the repositioning

    Currently airing (14+2) 16 minutes of advertisements per hour of programming and second only to Star Movies in the English movie channel space, Pix has seen a 35 per cent growth in terms of its reach pre-DAS and post-DAS, and a 36 per cent growth in terms of TSV (Time Spent per Viewer), so while the channel is well placed, it is also making all the right noises to pip competitors at the post.

  • Watch The Hobbit: An unexpected Journey on 22nd September at 1pm & 8pm on Sony PIX & on AXN

    Watch The Hobbit: An unexpected Journey on 22nd September at 1pm & 8pm on Sony PIX & on AXN

    MUMBAI: The prequel to the Oscar winning ‘Lord of the Rings’ series, The Hobbit: An Unexpected Journey follows title character Bilbo Baggins, who is swept into an epic quest to reclaim the lost Dwarf Kingdom of Erebor, which was long ago conquered by the dragon Smaug. Approached out of the blue by the wizard Gandalf the Grey, Bilbo finds himself joining a company of thirteen dwarves led by the legendary warrior Thorin Oakenshield.

    So calling out all the ‘Lord of the Rings’ fans to come and be a part of this epic journey and see where it all began from.

    Come be a part of an adventure; ‘THE HOBBIT: AN UNEXPECTED JOURNEY’ on 22nd September 1pm and 8pm only on Sony PIX and simultaneous telecast on AXN