Tag: Sony Pal

  • BARC week 47: Star Plus continues to dominate Hindi GECs; Comedy Central is no.1 in English GECs

    BARC week 47: Star Plus continues to dominate Hindi GECs; Comedy Central is no.1 in English GECs

    MUMBAI: Star Plus continues to lead the Hindi general entertainment channels (GECs) genre and secured leadership position, while Comedy Central emerged as the number one channel in English GECs in week 47 of Broadcast Audience Research Council (BARC) India, all India (U+R) data. 

     

    Hindi GECs

     

    Star Plus grabbed the pole position in the genre with a hike in ratings with 813084 (000Sums) in week 47 against 795810 (000Sums) in previous week.  Zee’s Free to Air (FTA) channel Zee Anmol maintained its second position with 754786 (000Sums) followed by Colors in the third spot with 713600 (000Sums) and Zee TV in the fourth position with 632511 (000Sums).

     

    With a rise in ratings, Star India’s FTA channel Star Utsav stood at the fifth spot with 544176 (000Sums) against 518725 (000Sums)  in week 46. Life OK held the sixth position with 457560 (000Sums) followed by Sony Entertainment Television in the seventh position with 396968 (000Sums). Sab TV jumped one step ahead with 372333 (000Sums) and grabbed the eighth spot.

     

    Sony Pal with 315559 (000Sums) and Rishtey with 284013 (000Sums) stood at ninth and tenth slot respectively.

     

    English GECs

     

    In week 47, Comedy Central led the English entertainment genre and garnered the pole position with 177 (000Sums) followed by AXN, which was the leader of English GECs in week 46 on second spot with 143 (000Sums). Zee Café with 117 (000Sums) grabbed the third spot in the genre.

     

    Star World with 71 (000Sums) and Colors Infinity SD with 64 (000Sums) stood at the fourth and fifth position respectively.

  • Max unveils ‘Khel Fauladi’ themed campaign for Pro Wrestling League

    Max unveils ‘Khel Fauladi’ themed campaign for Pro Wrestling League

    MUMBAI: Multi Screen Media (MSM), which acquired the broadcasting rights of the Pro Wrestling League for five years, has unveiled it’s new blood boiling campaign for the same. Wrestling is a physical sport, which makes the blood boil and the campaign in that sense does justice to it.

     

    The campaign theme in the debut season is Khel Fauladi and has been orchestrated by DDB Mudra. The campaign focuses on skill, strength and endurance as well as centres on putting one’s weaknesses aside, while bringing out the fighter spirit.

     

    Khel Fauladi consists of two TVCs, one targeting the men wrestlers while the other provokes the eves. Two distinct teasers will support the TVCs.

     

    The tournament is scheduled to start from 10 December, 2015 and to generate awareness MSM has already started showcasing the TVCs within its network. “From tomorrow the TVCs will be seen across multiple channels including the kids and news genres. Besides television, we will also promote the league through outdoor and print medium,” Sony Max, Sony Max2 and Sony Mix senior EVP and business head Neeraj Vyas

     

    MSM will broadcast the league on three different channels, which cater to a mix of audience. “Sony Max caters to the HSM (Hindi Speaking Market) while Sony Pal gets the DD Direct audience on board. Sony Six will cater to the urban audience,” informs Vyas.

     

    While Sony Pal and Max will air the Hindi feed, the English feed can be watched on Sony Six. The network is not planning to create any special pre or post show programming. “We will start with the start of the match and our coverage will end as the match ends. Time constraints did not allow us to create any exclusive programming, which is something that we are known for. In the future we might explore opportunities of creating special programming but not this time,” explains Vyas.

     

    In recent times the sports ecosystem has witnessed a lot of collaborative approach between broadcasters and league owners, which spelled success for both. In this scenario too, the two stakeholders are working closely to make things beneficiary in the long run. “It is a partnership and we are working on things together. There will be a few breaks, we have a rough playout ready with us and we will work it out with the league owners. In terms of production and packaging too, we are forging forward with a collaborative effort,” says Vyas.

     

    While cricket continues to be the leader, non-cricket sports which were considered as flying bubbles have started to establish themselves. After Kabaddi’s success it was just a matter of time before another sport was converted to a well packaged “league.” And wrestling grabbed the joint attention of Kartikeya Sharma and Vishal Gurnani’s joint venture ProSportify.

     

    Vyas is of the opinion that two upcoming big budget wrestling based films Sultan and Dangal starring Salman Khan and Aamir Khan respectively will heavily promote wrestling in India. And hence it is one of the best time to start a wrestling league. “Pro Wresting will have all the best wrestlers pitted against each other in both men and women categories. So in terms of quality it will be a sheer experience,” Vyas adds.

     

    The broadcaster is yet to close any sponsorship deals but negotiations are on its last legs with a few brands. Vyas asserted, “The advertisers’ reaction has been very good so far. We have made good progress in such a short span of time and soon we will be in a position to reveal a few names.”

     

    Now it remains to be seen how the new addition to the league business unfolds as the days go by.

     

  • BARC week 46; AXN, Star Plus and Sun TV leads their genres

    BARC week 46; AXN, Star Plus and Sun TV leads their genres

    MUMBAI: Sun TV leads the ratings across genres (check). Star Plus dominates the Hindi general entertainment channels (GECs) while AXN emerged as the number one channel in week 46 of Broadcast Audience Research Council (BARC) India, all India (U + R) data. 

     

    Sun TV leads with 1042012 (000Sums) followed by Star Plus on second spot with 864288 (000Sums) and Colors in the third place with 751722 (000Sums). Zee Anmol, the free to air (FTA) channel of Zee Entertainment Enterprises Ltd (ZEEL), grabbed the fourth place 720000 (000Sums). Zee TV, Star Ustav and Sony Max bagged fifth, sixth and seventh berth with 708635 (000Sums), 520093 (000Sums) and 516832 (000Sums) respectively.  Sony Entertainment Television’s movie channel Sony Max, Life OK, ETV Telugu and ZEEL’s movie channel Zee Cinema  garnered seventh, eighth, ninth and tenth spot with 516832 (000Sums), 489691 (000Sums), 471478 (000Sums) and 437419(000Sums) respectively.  

     

    Hindi GECs

    Star Plus with a rise in ratings led the Hindi GEC genre with 795810 (000Sums) followed by Zee Anmol at the second position with 719433 (000Sums) and Colors on third spot with 708918 (000Sums). ZEEL’s entertainment channel Zee TV bagged the fourth position with 647845 (000Sums). Star India’s FTA channel Star Utsav grabbed the fifth berth with 518725 (000Sums). Life OK and Sony Entertainment Television garnered sixth and seventh berth with 477905 (000Sums) and 388715 (000Sums) respectively. Sony Pal , Sab TV and Rishtey bagged eighth, ninth and tenth slot with 359570 (000Sums), 357130 (000Sums)and 318657(000Sums) respectively.   

     

    English GECs

     

    AXN emerged as the number one channel and secured the leading position in the genre with 223 (000Sums) followed by Star World on second place with 174 (000Sums) and Zee Café on third spot with 128 (000Sums). Comedy Central and Colors Infinity SD grabbed the fourth and fifth slot with 86 (000Sums) and 69 (000Sums) respectively.

  • BARC Week 45: Sun TV remains the forerunner across genres, Star World and Star Plus dominate English and Hindi GEC

    BARC Week 45: Sun TV remains the forerunner across genres, Star World and Star Plus dominate English and Hindi GEC

    MUMBAI: Sun TV remained at the pole position across all genres. Star plus continued to lead the Hindi general entertainment channel (GECs) genre. Zee Entertainment Enterprises Ltd’s (Zeel) free to air (FTA) channel Zee Anmol bagged the second  place this week also. Color gained a place to the third spot whereas Zee TV  fell to fourth place in week 45 of Broadcast Audience Research Council (BARC) India all India (U + R) data. In the English GEC genre Star World continued to lead.

     

    Hindi GECs:

     

    Star Plus led the Hindi GEC genre with 748197 (000Sums), while Zee Anmol bagged the second position with 717923 (000Sums).  Colors secured third spot with 656542 (000Sums), Zee TV fell to fourth position with 638475 (000Sums), followed by STAR Utsav gaining one spot and rising to fifth place  with 499228 (000Sums).

     

    Life Ok fell to sixth place with 441912 (000Sums). FTA channel Sony Sab stood at the sixth spot with 337535 (000Sums), whereas Sony Pal slipped to seventh position with 306217 (000Sums). Sony Entertainment Television climbed down to eighth spot with 301587 (000Sums), while Rishtey remained at the tenth slot as in previous week with 282623 (000Sums). 

     

    English GECs: 

     

    Star World bagged the first position with 174 (000Sums) followed by Comedy Central with 165 (000Sums). AXN  slipped to third position with 158 (000Sums). Zee Café  came down to fourth position with 146 (000Sums) whereas Colors Infinity SD stood at fifth position with 97 (000Sums) 

     

    Regional Channels:

     

    Zee Marathi lead in the Marathi channels genre  with 135219 (000Sums), while the second spot was bagged by Colors Marathi with 67544 (000Sums). The third spot was gained by Zee Talkies with 64649 (000Sums) followed by Star Pravah with 47330 (000Sums) at fourth position. The fifth place was bagged by Maiboli with 24298 (000Sums). 

     

    In the Tamil Regional channels genre, Sun TV retrained the first spot with 1108892 (000Sums).  KTV bagged the second spot with 360611 (000Sums) followed by Star Vijay  on third spot with 208399 (000Sums). Fourth and Fifth spots were bagged by Polimer with 110618 (000Sums) and Jaya TV with 103161 (000Sums).

  • BARC Week 44: Sony Pal enters top ten Hindi GEC; DD National exits list

    BARC Week 44: Sony Pal enters top ten Hindi GEC; DD National exits list

    MUMBAI: MUMBAI: Star Plus has continued to maintain its leadership position. Zee Entertainment Enterprises Ltd’s (Zeel) free to air (FTA) channel Zee Anmol and Hindi general entertainment channel (GECs) have bagged the second and third position respectively. Multi Screen Media (MSM) FTA channel Sony Pal entered the top ten channels of Hindi GECs list. However, DD National which was earlier in the top ten list failed to hold on its position in week 44 of Broadcast Audience Research Council (BARC) India all India (U + R) data. 

     
    Star Plus led the Hindi GEC genre with 787584 (000Sums), while Zee Anmol bagged the second position with 729701 (000Sums).  Zee TV secured third spot with 694864 (000Sums).

     
    Colors dropped to fourth place with 694582 (000Sums) followed by  Life OK at number five position with 534129 (000Sums).

    Star India’s FTA channel Star Ustav stood at the sixth spot with 511090 (000Sums), whereas Sony Entertainment Television was in the seventh position with 342113 (000Sums).

     

    Sab TV grabbed eighth spot with 336141 (000Sums), while Rishtey which was on tenth slot in previous week stood at ninth spot with 263955 (000Sums) followed by Sony Pal in the tenth slot with 252727 (000Sums).

  • Sony turns 20 in India: Retrospect & Prospect

    Sony turns 20 in India: Retrospect & Prospect

    MUMBAI: Glory, agony, poison, panacea… As Multi Screen Media (MSM) (erstwhile Sony Entertainment Television India) completes two decades in the Indian broadcast space, it has witnessed it all. The broadcasting company, which started with one channel, is now sixteen channels strong with even more additions in the pipeline.

     

    In a rapidly changing scenario, where the entire ecosystem is moving towards the digital platform, there are challenges and opportunities alike. And MSM CEO NP Singh is ready to take them all head on.

     

    A Sony veteran, Singh has been privy to the business affairs of the company for as many as sixteen years since first joining the organisation in 1999 as chief financial officer (CFO).

     

    Even as word trickled in about MSM’s collaboration with US-based mega sportscaster ESPN Inc, came the news that the Indian Premier League’s (IPL) title sponsor PepsiCo was withdrawing as it brought ‘disrepute’ to the game. In the midst of some good news and bad, Singh’s core focus at this stage is on the network’s holistic growth.

     

    “My focus is on aggressive growth of the network and consolidation of our existing channels. Along with this, foraying in new areas of businesses, expanding our portfolio and exploring opportunities on the rapidly growing digital platform is what we are looking at. At the same time, course correction of our flagship channel Sony Entertainment Television (SET) is a priority,” Singh says.

     

    To that effect, MSM has made a series of changes in its management team and these are likely to reflect in the programming and content soon enough.

     

    RETROSPECT: PIONEER OF NEW IDEAS

     

    In its two decades of operations in India, Sony has been a pioneer of new ideas that set benchmarks in the Indian broadcast space.

     

    “MSM as a network has pioneered a lot of new ideas, for the industry to follow. The first ever big scale live event was done by us; namely, LataMangeshkar’s live concert. Infact, we’ve had the privilege of hosting both Lataji and Ashaji in live shows.” Singh reminisces.

     

    “In earlier days, MSM also created ripples by airing blockbuster Hindi movies on TV. It started with the airing of the evergreen movie Sholay and was followed by Border. The ratings those days were somewhere close to 30,” he informs.

     

    While today MSM’s flagship channel SET might have lost its yesteryears’ glory, the fact remains that it aired the first ever daily soap in Ek Mahal Ho Sapno Ka, “The show reached a thousand episodes those days during 1998 – 2000 and used to do well against Kaun Banega Crorepati (on Star Plus),” says Singh. hose days were somewhere close to 30,” he informs. says Singh.

     

    From CID, which recently completed a run of 19 years on Sony, to the maiden season of the interactive reality show Indian Idol, the finale of which witnessed a total of five crore votes, there have been landmarks galore for MSM. From India’s first homegrown reality show – Boogie Woogie to the now very popular reality show format – Bigg Boss, which was initially brought to India by Sony, the network has been trailblazer of sorts.  

     

    In March 2005, Sri Adhikari Brothers’ Hindi general entertainment channel (GEC) SAB TV was acquired by MSM and one of the country’s most popular scripted comedy show Taarak Mehta Ka Ooltah Chashmah has been running on the channel for almost eight years now.

     

    In a bid to bring the glitz and glamor of the film industry on television, Sony was also a first mover in televising the Filmfare Awards.

     

    “We were the first ever network to bring sports on a Hindi movie channel – Max in 1999. It continues to be the leader even as today there are many others who do the same. The first ever wrap around show (Extraa Innings) for cricket was done by us during the Colombo Champions Trophy. Extraa Innings is now over 12 years old, and is the highest rated wrap around show for any sport on any channel,” informs Singh.

     

    The rationale behind telecasting cricket on a movie channel was to rope in the women audiences for the game. “In 2003, on the back of Extraa Innings, the female viewership grew by 31 per cent,” he adds.

     

    The retrospective is indeed dotted with many a milestones.

     

    PROSPECTS: GEC ROAD MAP, DIGITAL, SPORTS

     

    “Sony Pal to have original content, ‘KBC’ back in 2016”

     

    The Hindi GEC space has always been one of MSM’s biggest focus area. However, in recent times, the network’s performance in the category has been disappointing to say the least. Now with a new team in place, it might just be a matter of time before MSM’s flagship channel SET takes off again.

     

    “Our flagship channel continues to be my number one priority in addition to growing the network. With that in mind, we have put a new management team in place. Danish Khan has joined as SET business head and has a new team under him catering to content, communication, promotions, research strategy and marketing. I am very confident that in the upcoming months, the new programmes to be launched on SET will increase the viewership on the channel, significantly although with a strong male audience base, Sony is already uniquely positioned at this stage.” says Singh

     

    The centre of the network’s strategy right now is to create new content to lure viewers back to the channel. “We are focusing on gaining both qualitative and quantitative consumer insights so that we can feed those back into the system and create content that not only resonates with the consumer but also reflects his/her cultural ethos”, he says.

     

    Additionally, Sony will also bring back the next season of KBC, with its superlative host Amitabh Bachchan next year.

     

    MSM’s third Hindi GEC, Sony Pal, which was launched as a female-centric channel did not take off as was expected. However, where original shows failed, old shows did the turnaround for the channel. The channel, which currently has archival content from Sony’s library as well as airs South Indian movies, may get back original shows in the future.

     

    “In a few months’ time if we see viewership increasing further, which we are seeing right now, then we will start bringing original content again on Pal. I have a blue print of what I want to do over the next six months,” he says.

     

    DIGITAL

     

    MSM has also been aggressively moving on the digital front with its over-the-top (OTT) platform Sony Liv.

     

    “We are exploring opportunities on the digital platform as it is growing rapidly and we want to be a major part of the action. We’ve taken baby steps towards it by launching Sony Liv. In the last one year, we have upped the ante. Recently we launched our first original series Love Bytes, which already got 1.5 million video views. This resulted in a 300 per cent growth in our video consumption on the digital platform,” says Singh emphasising on digital.

     

    Sony Liv’s growth strategy will be two-pronged. While the platform will develop new original shows for the digital platform, it will also aggregate a lot of third party content. “One of the key aspect of the collaboration with ESPN is to co-create a multi sport app where we will use the expertise of ESPN-Cricinfo,” informs Singh.

    Even as the digital medium is witnessing immense growth in India, players are yet to figure out a concrete revenue model. While a few of them are providing content for free, others have opted for a pay model. “There’s a classical debate going on across the globe about which models is better. As I see it, currently, we have all our content on AVOD (advertising supported video on demand). But we will start putting up some of our marquee content in SVOD (subscription supported video on demand). Again, we were the first ones to put content on the SVOD platform. FIFA 2014 was one of our subscription based products available on Liv Sports,” Singh says.
     
    “We believe that any marquee content should be primarily subscription led, and then eventually free. However, at this stage, a lot of models are being experimented with.

     

     With MSM poised for the next phase of growth and expansion with multiple strategies across its businesses, the network’s road ahead will be watched with keen interest.

     

    SPORTS

     

    MSM has an extensive sports bouquet at this stage and the primary of them is IPL, which now is making headlines as PepsiCo expressed its desire to opt out of the sponsorship deal.

     

    “Any sponsor opting out from IPL won’t affect MSM,” Singh tells Indiantelevision.com. “We have seen a change of sponsors before too but the tournament continued and kept growing,” he adds.

     

    “MSM has made aggressive acquisitions of football properties this year and plans to create a lot of wrap around and editorial programming for it. And now, our collaboration with ESPN has given us an opportunity of presenting international level editorial content. 

     

    With MSM poised for the next phase of growth and expansion with multiple strategies across its businesses, the network’s road ahead will be watched with keen interest.

  • “In next 3 months, we will launch female skewed shows”: NP Singh

    “In next 3 months, we will launch female skewed shows”: NP Singh

    MUMBAI: Sony Entertainment Television (SET), the Hindi general entertainment channel (GEC) from the Multi Screen Media (MSM) stable has for long been perceived as a male skewed channel, but no longer. The channel is working on a content strategy, which will change the perception of the channel, and all this over the next three months.

     

    “A lot of our recent shows were clearly launched keeping the female audiences in mind, but it was perceived to be male centric. In the next three months, we will be launching shows, which will be focused on female audiences,” MSM CEO NP Singh tells Indiantelevision.com.

     

    It can be noted that MSM’s third GEC Sony Pal, which launched in September 2014, is currently airing repeats from Sony and Sab. The strategy has helped the channel double its viewership. So is Sony looking at reviving its old content strategy in order to improve its viewership numbers? Informs Singh, “While we have always tried making content, which is inclusive, there have been a few shows that are more male skewed. Our objective is to get more women on our channel and therefore the new lineup will have a greater appeal to female audiences, to achieve balance between male and female viewers.”

     

    Sony towards the end of June will launch Suryaputra Karn, which according to Singh will see greater traction from female audiences. “The story of Karan has never been shown on TV as a standalone and has always been a part of Mahabharat. I am sure that it will do well,” opined Singh.

     

    Of the current programming lineup, shows, which have been doing well for the channel are Maharana Pratap, Itna Karo Na Mujhse Pyaar, Hanuman, Indian Idol Junior, CID and Aahat.

     

    Sony Pal: Content Strategy

     

    The channel, which currently is airing old shows from Sony and Sab will continue with its strategy. “We will continue with it till we reach a threshold where we believe that the channel can start introducing original content. Our objective of launching the channel was to appeal to audiences in the heartland and to some degree, Pal has been able to achieve that and we are reaching out to those audiences. With the repeats of shows from Sony and Sab, we have been able to actually double our viewership on the channel. We will proceed with that strategy for some more time and then bring in original content for the channel,” says Singh.

     

    MSM and Sports

     

    The network, which currently has few of the biggest sports properties including FIFA World Cup and Indian Premiere League (IPL), apart from National Basketball Association (NBA) is looking at acquiring a lot of other new sports properties. “The announcement will be made in a couple of months,” informs Singh.

     

    When asked which sporting properties the network was looking at, Singh said, “Football is becoming very popular with the youth today, which is what we are focusing on. But, apart from that, we are also focusing on the other properties.”

     

    Talking about the just concluded IPL season eight, Singh said that the property had seen a 20 per cent plus jump in revenue as compared to season six. “We cannot really compare season seven and eight, since the last season was unique as it came in the midst of the general elections. But if we compare season six and eight, the growth has been encouraging,” he informs.

     

    While the network aired this season of IPL in six different languages, it did not sell the property separately for different language feed. “We will continue airing IPL in different languages in the future seasons, but in terms of sales, we will see if we can sell some languages separately than Hindi,” he said.

     

    The highest viewership for the league came from Sony Max, followed by Sony Six. “Within IPL, High Definition (HD) has done well as we saw growth in both revenues and viewership. There is demand for HD content in the market,” opines Singh.

     

    It can be recalled that the network launched a new channel, Sony Kix, right before IPL kick started. Throwing light on the channel Singh said, “In the past three years, MSM has aggregated a lot of sports content, which we showcased on Sony Six and in some cases on Pix. With Kix coming in, it gives us the flexibility of multiple language feeds and that’s what we did with IPL. It also gives us another platform on which we can actually showcase content, which erstwhile were sitting on other channels of the network,” he points out.

  • Sony Pal: Where original shows failed; old shows did the turnaround

    Sony Pal: Where original shows failed; old shows did the turnaround

    MUMBAI: It started off with an aim to target those whose hands controlled the small black device that runs the idiot box. In its bid to win over women, Multi Screen Media (MSM) made a move by launching a third GEC – Sony Pal, under its bouquet to scale up its popularity amongst the core general entertainment TV audience.

     

    However, MSM’s six-month-old off spring did not see its vision being fulfilled for long. In February this year, the channel canned its quota of original shows. The reason was the failure of a few of its shows to connect with the heart of its target audience.

     

    Interestingly, what followed post the closure of the original content went unnoticed. When Pal decided to do away with its new shows, MSM made a smart move by revamping the channel with some of the best shows from its other channels like Sony Entertainment Television (SET) and Sab to keep the flanking channel alive.

     

    If one were to connect the dots here, it can be noted that the channel had sent notices to the producers working on the channel to stop shooting from 13 February this year. Post that, Pal had a different story to tell.

     

    When Indiantelevision.com scanned through the ratings of the channel pre and post the ‘so-called’ revamp, it was noted that before the revamp, on an average the channel recorded 25-30 million GVTs. Post the revamp; in the week 8 of TAM TV ratings (15 – 21 February, 2015), it generated 39 million GVTs.

     

    Courtesy of shows like Bade Achhe Lagte Hain, Saas Bina Sasural, Parvarrish – Kuchh Khattee Kuchh Meethi, Kuch Toh Log Kahenge, FIR and Comedy Circus Jubilee amongst others. Since then, the channel has been consistently delivering numbers between 45-49 million GVTs on an average.

     

    A media planner believes that the move made by the network was an interesting one. “Pal decided to get those shows onto the channel, which worked for Sony and Sab, further bringing in the visibility for those shows. These programmes were once the shining stars for the respective channels until other big channel’s different concepts came into picture, which worked. These series were loved by the audiences and somehow the content still relates to the core TG and is thus still being able to deliver decent numbers despite being a repeat,” the executive opines.

     

    Another media expert asserts, “Once upon a time, Sony had a strong base of loyal viewers who enjoyed watching shows, which had a powerful storyline and Pal decided to get those programmes on-board. With this move, the old viewers have switched back again to Pal, who otherwise don’t go on the main GEC, SET for their own reasons. Sony’s experiments with differentiated content have not paid off so far and we hope when Pal revamps, it keeps its core TG’s expectations in mind.”

     

    What failed?

     

    Launched with a tagline – ‘Yeh Pal Hamara Hai,’ it targeted the ‘traditional, yet modern’ Indian woman.

     

    A media analyst explains that Pal had positioned itself incorrectly. “If the channel claims that it targets the housewives, it should have experimented in the afternoon slots. This would have given Pal many reasons to rejoice. Firstly, visibility, secondly, it would have been the only channel in the GEC space running original content in the afternoon slot and thirdly, good advertisers also would have come in who otherwise don’t have options to put in bucks apart from prime-time and other demanding slots.”

     

    The analyst further goes on to say that in the initial six months, Pal should have seen the response from the audiences and then build up its prime-time slots.

     

    It can be further noted that, even though MSM is trying to target the GEC audience that has been addressed by other Hindi channels so far, the brief for Pal’s programming was decidedly different. The content was designed in a way to be different from what a GEC usually portrays, sans villains.

     

    The channel had also signed up a brand ambassador in keeping with the theme – actor and co-owner of Indian Premier League franchise, Kolkata Knight Riders, Juhi Chawla, who was involved in promoting the channel through appearances in activations and on television.

     

    Apart from launching shows in the prime-time slot and weekend offerings, Pal had got on-board Raveena Tandon for a talk show and a game show with only women as participants.

     

    The channel had series like Simply Baatein produced by GR8 Entertainment and anchored by Raveena Tandon, Dil Hain Chotasa Choti Si Asha, produced by SOL Productions and hosted by Ragini Khanna and Jay Soni, Shashi Productions’ Ek Rishta Aisa Bhi, Miloni Films’ Khushiyon Ki Gullakh Aashi¸ Singhasan Battisi by Creative Eye, Pia Basanti Re by Rashmi Sharma and Pawan Kumar, Tum Sath Ho Jab Apne produced by Sphere Origins, Sister Didi by DJ’s Creative Unit and Yeh Dil Sun Raha Hain by Balaji Telefilms.

     

    Sony Pal’s highest rated programme was Sinhasan Battisi that rated 190 TVTs in its opening week. Ek Rishta Aisa Bhi with 103 TVTs followed behind.

     

    If one were to observe Pal’s viewership ratings, its run so far has been comparable to Zee Entertainment Enterprises Limited’s (Zeel’s) Zindagi, which was launched in June last year. However, while Zeel positioned it as a mass premium channel, Pal was positioned as a mainstream GEC. Both the channels recorded 25-30 million viewers per week.

     

    Pal now features in the genre which has archive content and is thus competing with Zee’s Zee Anmol, Star India’s Star Utsav and Colors’ Rishtey. The ratings of these channels vary anywhere between 60 to 80 million over a week.

     

    A step back

     

    Shutting six months old operations definitely requires courage, especially after a substantial amount of investment was pumped into it.

     

    According to an industry source, the investment in the channel could be anywhere close to Rs 90 – 110 crore, including marketing spends. Ad rates for a 10-sec slot were estimated to be approximately Rs 10,000 to Rs 15,000.

     

    It can be recalled that Sony Pal and Sab senior EVP and business head Anooj Kapoor had earlier said that one of the reasons for the failure of Pal was lack of proper distribution strategy. The channel was not optimally present everywhere at the time of launch, which obviously affected the initial sampling. The fact that, in the digital space, the channel was about 15 LCNs (local channel numbers) away from the leading Hindi GECs made it worse. For the audiences to locate, sample and actually break a habit of viewing other shows was an uphill task.

     

    For a better distribution, Kapoor had stated that the network would plug in the learnings from the core TG when it brought in fresh programming. Moreover, if the channel has already hit a certain threshold, then the investment will also be poured, as that is required to plug in the distribution gaps.

     

    With all the given circumstances, namely incorrect positioning, content not up to the mark and minimal distribution working against the channel, the industry thought it would not survive for long. However, all speculations came to rest when Kapoor issued a statement revealing that the channel will be back with a better plan and content strategy.

     

    “Sony Pal was launched five months ago subsequent to which the channel carried out extensive research. Basis the research, the channel is in the process of realigning its content strategy. Sony Pal has achieved extensive distribution as a pay channel and will continue to be an important asset for the MSM Network,” read the press statement.

     

    Until the time that the channel is back with a fresh line-up of shows, MSM had come up with a strategy to put Pal on Prasar Bharati’s free-to-air (FTA) digital platform DD Freedish.

     

    Moreover, it had added shows from SET and Sab on Pal to attract audiences from the Freedish market. Kapoor earlier stated that the idea on Pal was to get a certain threshold level of ingredients and get in fresh and original programming again.

     

    It can be noted that, in the repeat format today, Star Utsav from the Star India stable, gets 67 per cent of its ratings from Freedish and Kapoor’s understanding was that if Pal wants to reach anywhere near to those figures, it had to get onboard Freedish.

     

    Now it remains to be seen how the upcoming revamp strategy helps to build the channel.

  • TAM week 18: Star Plus, Life OK only gainers amongst GECs

    TAM week 18: Star Plus, Life OK only gainers amongst GECs

    MUMBAI: TAM’s (Television Audience Measurement) week 18 data for HSM (Hindi Speaking Market) signifies continuous dominance of Star Plus in the GEC segment as the general entertainment channel sat comfortably in both household and individual category with 565 and 239 GRPs respectively.

     

    Second placed Viacom 18’s Colors witnessed a dip in both household and individual category as it registered 458 GRPsand 198 GRPs in respective categories.  

     

    Sony Sab and Life OK made headlines in recent past for the close competition between them. However, in week 18, Life OK successfully registered more eyeballs than Sab. With 328 GRPsand 138 GRPs in Household and Individual category respectively Life OK followed Zee TV at the fourth place while decline in ratings pushed Sab to the fifth berth.

     

    Decline was also witnessed in the ratings of newly launched &TV as it secured 113GRPs and 50 GRPs in the respective categories.

     

    Overall in the GEC sector, only Star India’s Life OK and Star Plus managed to secure growth in the ratings while others saw a substantial decline.

     

    TAM ratings for News sector placed CNN – IBN in the pole position over Times Now and NDTV 24/7 in the English News category as per All India data collection. On the other hand, the Hindi category saw clear dominance of AajTak in both household and individual category. ABP and India TV followed AajTak at second and third place respectively in the Hindi Speaking Market.

     

    The sports sector was led by Multi Screen Media’s (MSM) Sony Six with 137 GRPsand 63 GRPs in the household and individual category respectively. Ten Sports and Star Sports 1 followed in the second and third spot.

     

    Click Here For Details:-

  • TAM week 17 proves damp squib for channels, Pal & Epic see marginal gain

    TAM week 17 proves damp squib for channels, Pal & Epic see marginal gain

    MUMBAI: On 28 April, the existing ratings body TAM (Television Audience Measurement) released its first data for Hindi general entertainment channels (GECs), indicating the disparity between household and individual data in the HSM without LC1 markets.

    Today, the measurement body released its week 17 data (19 – 25 April, 2015) on household and individual level in the HSM without LC1 markets.

    The new TAM data doesn’t spell good news for Hindi GECs as all the channels witnessed a drop in viewership.

    Continuing with its numero uno position, Star Plus led the chart with 549 GRPs, down from 634 GRPs on a household level. On an individual level, it scored 227 GRPs as compared to 261 GRPs in week 16.

    On a household level, Colors occupied the second spot with 471 GRPs, down from 484 GRPs. On an individual level, the channel observed a marginal drop from 204 GRPs to 202 GRPs in week 17.

    Zee TV too lost some eyeballs and sat at the third slot with 368 GRPs, down from 399 GRPs on a household level and 161 GRPs, down from 172 GRPs on an individual level.

    Life OK was at the fourth position with 314 GRPs, down from 338 GRPs on a household level and garnered 128 GRPs, down from 134 GRPs on an individual level.

    On a household level, Sab secured at number five noted 278 GRPs, down from 299 GRPs and 127 GRPs, down from 137 GRPs on an individual level. 

    Amongst the old players, Sony stood at the bottom of the chart with 247 GRPs, down from 259 GRPs on a household level and with a marginal difference on an individual level scored 111 GRPs, down from 113 GRPs.

    &TV too dropped from 121 GRPs to 119 GRPs on a household level but remained stable at 51 GRPs on an individual level.

    Sony Pal was the only channel to see a gain and registered 49 GRPs, up from 46 GRPs on a household level and delivered 23 GRPs, up from 20 GRPs on an individual level.

    Epic too witnessed an upward swing and recorded 15 GRPs, up from 11 GRPs on a household level and 6 GRPs, up from 4 GRPs on an individual level.