Tag: Sony Max 2

  • Sony MAX 2 celebrates ten years of timeless films

    Sony MAX 2 celebrates ten years of timeless films

    Mumbai: Sony MAX 2, the iconic Hindi movie channel, is proud to announce the celebration of its tenth anniversary, marking a decade of enriching the lives of viewers with a curated collection of timeless legendary films. Since its inception in May 2014, Sony MAX 2 has been dedicated to preserving the rich heritage of Hindi cinema and delivering unparalleled entertainment to its audience.

    Over the past decade, Sony MAX 2 has catered to multiple generations of viewers, with a catalogue of films from the 2000s, 90s, 80s and beyond, the channel evokes nostalgia among its audiences with each age group boasting their iconic movies. By showcasing a diverse range of evergreen films, the channel has become synonymous with quality entertainment and nostalgia. From legendary romance to epic dramas, Sony MAX 2 has consistently provided an unforgettable viewing experience with a lifetime of beautiful films.

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    Hindi Movie Channels business head Neeraj Vyas

    “We are humbled and honoured to mark 10 years of Sony MAX 2, a channel that has become a cherished part of audiences’ lives.  The last decade has been a remarkable journey of showcasing the golden era of Hindi cinema, and we are committed to continuing our legacy of showcasing the very best of rich Hindi Cinema.”

    As Sony MAX 2 enters its next chapter, it remains dedicated to delighting audiences and further cementing its legacy as the ultimate destination for film enthusiasts.

  • Need to be nimble, proactive and innovative with our strategies: Sony MAX 2’s Vaishali Sharma

    Need to be nimble, proactive and innovative with our strategies: Sony MAX 2’s Vaishali Sharma

    MUMBAI: A few years ago, Sony Pictures Networks India decided that it was necessary to split its vast repertoire of movies. This led to the birth of Sony MAX 2 which shows movies from the 1950s to the year 2000 that are meaningful or nostalgia-evoking.

    Now, in an attempt to engage with digital viewers and Bollywood fans, the channel has built up a Timeless Digital Awards property with the theme of 'Legends Ke Yadgaar Kirdhar'.

    Sony SAB and MAX Cluster marketing head Vaishali Sharma says, “Four years ago we decided to do a very unique kind of awards in the digital space while everyone was doing on-ground events and that too for latest movies. So, we wanted to start something for movies over the decades. We did around two seasons. This year, we thought of celebrating the viewers’ favourite characters."

    There are four categories: male actor, female actor, comedian and villain. Every 10-12 days, one category is opened up for people to vote. There are around roughly ten legends or character in every category. Sharma says that last year it had around 4 lakh votes, and this year in 10 to 15 days, it has witnessed over 2 lakh votes. “We thought that we will surpass the number what we hit last year. The trend as of now looks exciting," she says.

    The awards take into account previous awards as well as the popularity of characters. “The entire focus is on the digital platform. We are using all social media platforms; we have created online promos and programmatic marketing. We are doing this for our online viewers and it’s an engagement activity," she adds.

    Coming to the channel’s own marketing strategy, Sharma says that it is defined by the business objective as well as the dynamics of the industry which continuously sees many changes in terms of its measurement structure, NTO, etc. “We have to be very nimble, proactive and innovative with our strategies.”

    Revealing her plans for 2020, Sharma informs, “I think this year would be a very exciting year for us both in terms of MAX 2 and MAX which have been leaders in their own genres of Hindi cinema. There are many challenges in the industry with the NTO and we never know what can happen in the future. So, we need to be prepared to be able to work around all the changes that are happening and ensure that we continue to be leaders in this category."

    Despite being just four-years-old, Sharma says that it has done extremely well. “It’s very close to the number four-five in the industry of 32 channels. None of our brands is for rural. That space is something that most television channels have not really started investing in. I think for advertisers and the industry to actually expand and grow opportunities in rural will take time, so the growth in that area will be slow and steady. As of now, we have Sony Wah which caters to small-town India also. We will continue to nurture that so that one day it can expand into smaller markets,” she signs off. 

  • Sony to launch Marathi GEC

    Sony to launch Marathi GEC

    MUMBAI: Sony Entertainment Television (SET) is prepping up to launch a new regional language general entertainment channel Sony Marathi. Sony’s Ajay Bhalwankar will lead the channel, according to a source at SET.

    The channel is at the development stage and the company is building the team by hiring more employees for the new channel. The launch date has not been announced yet but the channel is likely to make its debut after March, said another source.

    Sony is seeking to tap diverse regions of the country by expanding its offerings with a variety of content and by expanding its channel library. Sony Marathi will be the network’s second regional channel after Sony AATH, its regional channel.

    SET had brought Bhalwankar on board as chief creative director in April 2014 to provide creative leadership and direction for SET and lead the programming and on-air production teams. The new channel will run under Bhalwankar guidance.

    Recently, the good times have been rolling for Marathi channels as they are attracting good viewership. The Marathi GECs in the market that currently are doing well are Colors Marathi, Zee Marathi and Star Pravah. The genre has surprisingly turned out some of the most viewed channels in the television space. In week 41 in 2015, the genre had registered 242 million impressions, whereas in week 50 of 2017, the viewership was 594 million impressions, an increase of 145 per cent in the weeks compared.

    Currently, Sony Pictures Networks India has SET, Sony SAB, Sony AATH, Sony TV HD, Sony SAB HD and Sony Pal in the GEC genre.

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  • Celebrate Republic Day with megastar league on Sony Max 2

    Celebrate Republic Day with megastar league on Sony Max 2

    MUMBAI: On Republic Day get ready for an all day long movie marathon with India’s iconic Hindi movie channel from Sony Pictures Networks, SONY MAX 2. Binge-watch the movies of some of Bollywood’s megastars throughout the day on 26th January with SONY MAX 2’s Megastar League. 

    The Republic Day special line up will comprise of a varied genres of movies like Mithun Chakraborty’s action flick ‘Phool aur Angaar’, Rishi Kapoor and Jaya Prada’s family saga ‘Ghar Ghar Ki Khaani, Vinod Khanna’s action-packed movie ‘Farishtay’ and Shammi Kapoor and Sadhana’s romantic movie, ‘Chhote Sarkar’.

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  • Max2 creates campaign to rediscover your cherished bonds

    Max2 creates campaign to rediscover your cherished bonds

    MUMBAI: Sony Max 2 wants to break the clutter with its latest TV campaign titled ‘Kuch filmon ka jadu kabhi kam nahi hota’ (some movies never lose their magic touch). DDB Mudra is the agency that has lent its talent to three-year-old baby from Sony Pictures Network India.

    The TVC focuses on the captivating richness and quality of Hindi movies that never fail to add meaning to our lives. The channel’s objective through this campaign is to continue its brand differentiation and to create a bigger impact to reach out to more viewers.

    Sony Max and Max2 senior VP marketing and communications Vaishali Sharma says, “We have grown a lot in the last three years but wanted to continue brand differentiation. Reaching out to more viewers was another goal.” This was achieved by creating a campaign with tremendous recall value so that viewers can emotionally connect and recollect.

    Mudra was tasked with being creative and yet stick to the channel positioning. Sharma says that all previous campaigns have also stayed true to the brand essence of being an evergreen cinema channel. “We show cinema which is gratifying and will compel you to return. Max2 helps you relive special moments. The brief given to DDB Mudra was that there are some bonds you cherish in life and Max2 helps rediscover them,” she adds.

    Within 3 months, the duo explored several stories and facets and finally hit the bull’s eye. The TVC will be promoted via the movie cluster and other channels like India TV, ABP News, Hindi channels, regional Marathi channels and Gujarati channels among others. Sharma claims that the channel has been a leader for 26 out of 30 weeks from this financial year.

    Through the year, the channel conducts on-ground activities in different states in which it engages with families and help them express through their cinemas. This apart, Sony Max 2 is digitally active as well and has held two seasons of timeless digital awards.

    The channel does a thorough analysis of an area before it considers investing there through marketing. “We look at the growth potential in a particular market and how we can increase our footprint. Depending on areas where we can expand our reach, we undertake marketing activities,” she says.

    Campaigns and advertisements like these are the channel’s way to stay relevant in the minds of the public. This is why ads need to be memorable, distinct and relatable to viewers. Will Max2’s magic be as charming as its campaign claims its movies to be?

     

  • Sony Max 2 to telecast story of woman’s search for her identity – ‘Arth’

    Sony Max 2 to telecast story of woman’s search for her identity – ‘Arth’

    MUMBAI: It seemed to be a reflection of the times to come. Sony Max 2 is set to telecast Arth. The movie, which familiarised the nation with the free-spirited and independent woman of Indian cinema, will be broadcast on 19 November at 7pm.

    Directed by Mahesh Bhatt, the movie was made and released way ahead of its time and garnered appreciation for the director’s out-of-the-box thinking, which revolves around the life of a married man involved in extramarital affairs and its related complexities.

    The movie stars Shabana Azmi, the late Smita Patil and Kulbhushan Kharbanda in pivotal roles. It revolves around Pooja played by Azmi, who is financially and emotionally dependent on her husband, Inder Malhotra enacted by Kharbanda. Inder has an affair with a successful actress Kavita Sanyal played by Patil.

    The movie is a complex characterisation of these three principal characters. Besides the modern storyline, the movie boasts of beautiful ballads like “Tum itna jo muskura rahe ho” and “Jhuki jhuki si nazar” sung by Jagjit Singh.

  • Sony Max 2 to telecast story of woman’s search for her identity – ‘Arth’

    Sony Max 2 to telecast story of woman’s search for her identity – ‘Arth’

    MUMBAI: It seemed to be a reflection of the times to come. Sony Max 2 is set to telecast Arth. The movie, which familiarised the nation with the free-spirited and independent woman of Indian cinema, will be broadcast on 19 November at 7pm.

    Directed by Mahesh Bhatt, the movie was made and released way ahead of its time and garnered appreciation for the director’s out-of-the-box thinking, which revolves around the life of a married man involved in extramarital affairs and its related complexities.

    The movie stars Shabana Azmi, the late Smita Patil and Kulbhushan Kharbanda in pivotal roles. It revolves around Pooja played by Azmi, who is financially and emotionally dependent on her husband, Inder Malhotra enacted by Kharbanda. Inder has an affair with a successful actress Kavita Sanyal played by Patil.

    The movie is a complex characterisation of these three principal characters. Besides the modern storyline, the movie boasts of beautiful ballads like “Tum itna jo muskura rahe ho” and “Jhuki jhuki si nazar” sung by Jagjit Singh.

  • Ek India Happywala is what Sony wants India to sing during IPL

    Ek India Happywala is what Sony wants India to sing during IPL

    MUMBAI: The ballroom in the five star hotel was packed with journalists, jostling for space. The lights were dimmed. Toddlers waddle in cutely with white blossoms in their hands. They  distribute a flower each to the scribes present there –  the fragrance of peace travels all across the ballroom.A tall Sikh gentleman is escorted onto the stage, the LED backdrop lights up. Inscribed on the LED wall were the words:  Ek India…Happywala.

    And as the lights gradually come on, they reveal  the turbaned gentleman. He is none other than Sony Pictures Networks (SPN )-  erstwhile known as Multi Screen Media (MSM) – CEO NP Singh. And what just happened was the unveiling of the 2016 campaign of India’s longest short format league – the Indian Premier League which annually captures the hearts and minds of cricket crazy India. 
    Sony Max and Sony Max2 senior executive vice president Neeraj Vyas follows Singh on the stage,  and without any hemming and hawing proudly announces:  “The biggest brand of the country cannot stay away from the mood of the country.

    And that exactly underlines the campaign’s central theme: unity, harmony and happiness are the three pillars on which the entire Ek India….Happywala (One happy India) is based. 
    The 60 second TVC reflects on the ongoing intolerance brouhaha  in the country and shows how cricket and IPL can help things turn around positively.
    The film starts with greyscale still images of a rickshaw driver getting a thrashing, a horrified inked man and two youth battling it out with a hockey stick each in their hands. 

    The images move to color showing a youth engaged  in vandalising a yellow taxi. A cricket ball lands at  his feet and then follow a group of young kids asking for the ball. He stops smashing up the cab  and joins the young ones in their game. 

    That’s the power of the IPL and that’s what exactly the campaign wants to communicate. 

    The strong message is complemented by Salim and Sulaiman’s touchy background score. 

    “Sonal Dabral and his DDB Mudra team created the campaign for us, they did it last year too. We have also kept the same creators when it comes to music and if you see there is not much of a difference from our last year’s campaign India Ka Tyohaar. IPL is a catalyst that unites the nation and thats what the campaign communicates” explains Vyas.

    The campaign has already rolled out digitally and soon will mark its presence on television. 

    TV will remain the most spent medium when it comes to marketing as per Vyas’ assessment. “50 per cent of the spends will go on TV whereas the remaining 50 per cent will be spent on radio, digital and print” he adds.

    The campaign will have dubbed versions for the regional markets with the outdoors in key HSM markets providing recall support.. 

    “HSM plays a vital role when it comes to the ratings and hence our key focus will be on that market. But the initiatives that we launch will cater to pan India audiences as IPL is popular in every nook and corner. Radio will see a lot of jingles while interactive campaign will orchestrate the digital media initiatives” asserts Vyas.

    The campaign push and strategy will depend on the ICC T20 World Cup and India’s performance in the tournament. 

    “The cricketing mood will be determined by team India’s performance. So we will have to wait, watch, asses and then strategise. We have our plans chalked out, we will be present on our networks as well as on other networks too,”  reveals  Vyas.

    “They have made great use of the generic situations, if you see the car that is broken is a yellow taxi and the man is wearing glasses.  It connects you to Bengal where there is an election. The inked man is still fresh in every mind and the music speaks about unity, happiness and equality. You cannot ignore the negatives if you want to portray a positive scenario and hence usage of this scenario is nothing controversial in my opinion. I think it’s a good anthem and the smaller videos complement it nicely,” says an executive creative director of a reputed creative agency.

    “Whatever is done by us will have repercussions on the young children and that is why we have young children all throughout the video. We will perish soon, what matters is the future of the nation, the igniting minds,” concludes Vyas.

  • Ek India Happywala is what Sony wants India to sing during IPL

    Ek India Happywala is what Sony wants India to sing during IPL

    MUMBAI: The ballroom in the five star hotel was packed with journalists, jostling for space. The lights were dimmed. Toddlers waddle in cutely with white blossoms in their hands. They  distribute a flower each to the scribes present there –  the fragrance of peace travels all across the ballroom.A tall Sikh gentleman is escorted onto the stage, the LED backdrop lights up. Inscribed on the LED wall were the words:  Ek India…Happywala.

    And as the lights gradually come on, they reveal  the turbaned gentleman. He is none other than Sony Pictures Networks (SPN )-  erstwhile known as Multi Screen Media (MSM) – CEO NP Singh. And what just happened was the unveiling of the 2016 campaign of India’s longest short format league – the Indian Premier League which annually captures the hearts and minds of cricket crazy India. 
    Sony Max and Sony Max2 senior executive vice president Neeraj Vyas follows Singh on the stage,  and without any hemming and hawing proudly announces:  “The biggest brand of the country cannot stay away from the mood of the country.

    And that exactly underlines the campaign’s central theme: unity, harmony and happiness are the three pillars on which the entire Ek India….Happywala (One happy India) is based. 
    The 60 second TVC reflects on the ongoing intolerance brouhaha  in the country and shows how cricket and IPL can help things turn around positively.
    The film starts with greyscale still images of a rickshaw driver getting a thrashing, a horrified inked man and two youth battling it out with a hockey stick each in their hands. 

    The images move to color showing a youth engaged  in vandalising a yellow taxi. A cricket ball lands at  his feet and then follow a group of young kids asking for the ball. He stops smashing up the cab  and joins the young ones in their game. 

    That’s the power of the IPL and that’s what exactly the campaign wants to communicate. 

    The strong message is complemented by Salim and Sulaiman’s touchy background score. 

    “Sonal Dabral and his DDB Mudra team created the campaign for us, they did it last year too. We have also kept the same creators when it comes to music and if you see there is not much of a difference from our last year’s campaign India Ka Tyohaar. IPL is a catalyst that unites the nation and thats what the campaign communicates” explains Vyas.

    The campaign has already rolled out digitally and soon will mark its presence on television. 

    TV will remain the most spent medium when it comes to marketing as per Vyas’ assessment. “50 per cent of the spends will go on TV whereas the remaining 50 per cent will be spent on radio, digital and print” he adds.

    The campaign will have dubbed versions for the regional markets with the outdoors in key HSM markets providing recall support.. 

    “HSM plays a vital role when it comes to the ratings and hence our key focus will be on that market. But the initiatives that we launch will cater to pan India audiences as IPL is popular in every nook and corner. Radio will see a lot of jingles while interactive campaign will orchestrate the digital media initiatives” asserts Vyas.

    The campaign push and strategy will depend on the ICC T20 World Cup and India’s performance in the tournament. 

    “The cricketing mood will be determined by team India’s performance. So we will have to wait, watch, asses and then strategise. We have our plans chalked out, we will be present on our networks as well as on other networks too,”  reveals  Vyas.

    “They have made great use of the generic situations, if you see the car that is broken is a yellow taxi and the man is wearing glasses.  It connects you to Bengal where there is an election. The inked man is still fresh in every mind and the music speaks about unity, happiness and equality. You cannot ignore the negatives if you want to portray a positive scenario and hence usage of this scenario is nothing controversial in my opinion. I think it’s a good anthem and the smaller videos complement it nicely,” says an executive creative director of a reputed creative agency.

    “Whatever is done by us will have repercussions on the young children and that is why we have young children all throughout the video. We will perish soon, what matters is the future of the nation, the igniting minds,” concludes Vyas.

  • Cinema 24×7 launches new Hindi movie channel for LC1 market

    Cinema 24×7 launches new Hindi movie channel for LC1 market

    MUMBAI: Even as there are talks of media and entertainment behemoth Eros International looking to disrupt the Hindi movie channels space with its plans to launch a channel that will focus on shortening the window between the theatrical release and television premier of a film, a new player has quietly entered the already cluttered space.

     

    The cluttered Hindi movie channel genre, which has more than ten players like Zee Cinema, Star Gold, Sony Max, Sony Max 2, Zee Classic, Zee Action, &Pictures, Movies OK, B4U Movies, UTV Movies and Filmy, can now add ‘Wow Cinema’ to its growing list. 

     

    The channel, whose tests runs have been on since 1 June, 2015, will be available across the country from 10 June onwards on all Direct to Home (DTH) operators as well as major multi system operators (MSOs).

     

    Armed with a chest of more than 500 Hindi movies, which have been released between 1990 and 2006, the new free to air (FTA) channel from Cinema 24×7’s stable aims to target the LC1 market initially and then gradually move ahead to capture market share in the metros.

     

    From the sound of it, the channel may as well compete directly with Zee Classic, which only airs old Hindi movies. Nonetheless, Wow Cinema does have plans to acquire new movie titles in the near future.

     

    Speaking exclusively to Indiantelevision.com, Cinema 24×7 CEO Hitesh Sabharwal says that the channel will aggressively forge ahead towards buying movies and creating a strong library. The channel has the rights for the movies for a period of five years.

     

    Facing stiff competition from existing players who pull in viewers with big ticket movie premieres along with old but popular Bollywood fare, Wow Cinema aims to be a destination that will offer a mix of old and new. However, Sabharwal refused to divulge names of the movies that the channel has the rights to.

     

    “Wow Cinema will be a destination for Indian viewers to witness the mix of new and old. While we will keep the retro mode with our wide collection from 1990s to 2006, we will also have national premieres on the channel. The channel will give 360 degree value to advertisers on board and in the long run will compete with every player irrespective of new or old, small or big. Our target age group is from 4 to 60 across the country,” he asserts.

     

    Cinema 24×7 head of sales Dipak Shelke explains, “Our priority at this stage is to make a mark in the LC1 market and then gradually evolve in the metros. In terms of viewership, our initial target is to garner around 20 GRPs in the HSM.”

     

    With zilch subscription revenue coming in courtesy its FTA status, the channel’s single source of revenue will be advertising. Moreover, with the 12-minute ad cap regulation still being applied to FTA channels as the Ministry of Information and Broadcasting (MIB) has not yet taken a formal decision to exempt them from it, Wow Cinema’s task has been cut out for it. In a scenario like this, the channel will have an uphill journey in raking in the revenues.

     

    Shelke opines, “Wow Cinema has the potential to emerge as advertisers’ destination as we promise to be audience’s choice by providing extensive content. We are in talks with many brands but it’s too early to name names. All I can say is that FMCG brands and E-Commerce companies are showing keen interest in the channel and we hope to seal the deals soon.”

     

    The channel launch will be backed by a marketing campaign, which will be rolled out soon.

     

    It now remains to be seen how the new channel differentiates itself from existing players and whether it manages to make a mark in the consumers’ mind by offering them fare that they haven’t seen before.