Tag: Sony Entertainment Television

  • Sony Entertainment Television back on track

     

    Yes, the Hindi GEC space is witnessing the rule of the top three. But old-monk Sony Entertainment Television is racing quite hard to get into that inner ring that includes Colors, Zee TV and Star Plus.
    Sony has done the catch-up exercise with some of its old-running programmes gaining ground while a few of its overhauled prime-time shows have started delivering.

    According to the latest Tam data, Sony has earned 183 gross rating points (GRPs) for the week ended 7 November, up 23 points from the earlier week.

    Says Set business head Ajit Thakur, “We know that Sony is a stronger brand than what the numbers are showing and in the months to come we will push hard for faster growth.”
    Sony had relaunched on 26 May with a new slate of five dailies for the 8-11 pm time zone, donning the tagline, ‘Badal Rahe Hain Hum‘. The channel also lined up two weekend shows, one of which was the return of the big-ticket reality show Dus Ka Dum in season 2 with Salman Khan as the anchor. The revamp strategy also involved the axing of all its weekday prime time content except its age-old shows Boogie Woogie and CID.

    With the new line up, Sony‘s ratings shot to 97 points in week 22 from 78 in the previous week.

    Says a source in the company, “As we were back to our basics, we had to evaluate what was working for the channel and what was not. According to the research we have done, our old properties like CID, Boogie Woogie, Aahat and Dus Ka Dum had worked for us. Hence, step one was to bring these properties back.”

    Backing this statement is Tam data, which reveals that C.I.D., Boogie Woogie and Dus Ka Dum were the top contributors to the channel grades. The last five-week average TVR for C.I.D stands at 3.4, while Dus Ka Dum is at 2.1 and Boogie Woogie at 1.5.

    Though Sony did witness an upward swing instantly post relaunch, it wasn‘t a continuous upward drive. For the following weeks, the channel‘s GRPs dipped to 90 and 82 points for week 24 and 25 respectively.

    And then the tide turned and Sony crossed the 100-GRP mark to pocket 108 grades in week 27.

    As reality became the staple flavour for GECs this season, Sony decided to create the big property, Mujhe Iss Jungle Se Bachao, as part of its relaunch strategy. However, the property failed to perform.

    “Among the fiction shows, Rani Padmini and Palampur Express flopped and therefore they were axed immediately. The other two shows, Bhaskar Bharti and Ladies Special, was performing average for the channel and hence, some investments have been done around that,” says a senior executive in Sony on request of anonymity.

    Still believing in the power of reality, the channel went forward to launch its newest property, the Dance Premier League (DPL).

    “We realised that we had to strengthen some of our stuff quarter-by-quarter. Hence, we gave Boogie Woogie a break and got DPL. The property has done fantastic for us, not only in the form of garnering advertising revenues but in ratings growth. Beginning with a TVR of around 1, it has grown to an average 1.5,” the executive says.

    Meanwhile, to tighten its week-day fiction line up, the channel got on board Balaji Telefilms‘ Beyttaab Dil Kee Tamana Hain and Pyaar Ka Bandhan to firm up the 10-11 pm band. While the former has delivered an average TVR of 0.64 for the week, Pyaar Ka Bandhan has fetched 0.56 average TVR.

    “We are looking at a new fiction line up altogether. This week we launched Sukh By Chance in the 9 pm band and we will be launching two more shows in the next four weeks,” the executive elaborates.

    For the weekend, Boogie Woogie will come back next year while Sony will currently focus on DPL to increase the scale of the 8 pm slot.

    The next few weeks will tell how intense is Sony‘s recovery as it steps up the gas to put up more popular shows.

  • ‘Why would BCCI want its biggest new property on a new channel?’ – Kunal Dasgupta

    ‘Why would BCCI want its biggest new property on a new channel?’ – Kunal Dasgupta

    For Sony Entertainment Television (Set) India CEO Kunal Dasgupta, the big wish for 2008 is to throw up that one hit narrative show that would get some momentum going for his network’s flagship channel Set. Other than the vexed issue of Set and its equally struggling Hindi GEC sibling Sab, the network is doing fine thank you, argues the long serving head honcho of the Indian broadcast operations of Sony Pictures  In conversation with Indiantelevision.com recently, Dasgupta looks back on the difficult year that was 2007 and offers some pointers to the strategic direction Set India (now renamed Multi Screen Media Private Limited) is looking to take in 2008 and beyond.Excerpts:

    Let’s start with the new name. Is this because your parent Sony Pictures Entertainment is distancing the Sony brand name from the Indian broadcast entity?
    Certainly not. The name is reflective of the company’s evolution from a pure television broadcaster to a multimedia one. We want to be on all screens that are video enabled. Going forward, we will be actively investing in mobile, movies, Internet, and out of home screens. Mobile in particular is going to be a focus area for us.

    When you say you want to be on all screens, could you elaborate on that?
    I am going to be recycling the over 30,000 hours of television content and 750+ movie titles that I have with me. We plan to repurpose a lot of it not just across the different screens, but across networks too. The realm of exclusivity is no longer the norm. To stay ahead of the game you have to be focused on how best to leverage the content that you have.

    Like the Rs 40 crore (RS 400 million) deal you did with Peter Mukerjea’s INX for 60 movie titles?
    Yes. That deal entitles INX to three airings of each film I have syndicated to them.

    Looking back to 2007, how would you rate the performance of the channels in the Sony network?
    Well, Max was fantastic; Pix became viable. On Sony and Sab we have suffered reverses on account of our fiction programming not working.

    And looking ahead into 2008?
    The business paradigm is changing and we are at the forefront of that. You could say we are the catalysts for change. Syndication, mobile; these are going to be areas that will explode. The one who reads the writing on the wall and adapts will survive.

    How has the year been in terms of revenues? The perception in the market is that Sony had a terrible year?
    If you add up ad sales, distribution and our international business, it would be Rs 1,200 crores (Rs 12 billion) overall, so you can’t say it was a terrible year.

    One reason for the perception that Sony had a lousy year, aside from its programming not working, was the ICC World Cup debacle in March. We understand you lost some RS 800 million odd due to India’s early exit. Comment?

    The ICC rights should not be looked at from the results from one tournament, but on how it delivered over four years. And it delivered on every count for us.

    Looking at the larger perspective, what have been the big challenges the broadcast sector faced and will face, going forward?
    The pathetically slow pace of digital rollout (Cas) has been the biggest challenge for existing players. Though I do believe digital distribution will come into play from 2008 onwards.Combating all these new players will be the big upcoming challenge. The (leadership) pecking order will have to be reestablished. Star is not complacent in its position of number 1. Even Zee as a challenger is not complacent. Everybody will face challenge. The whole media business will face challenge.

    The industry is seeing huge churn now. The channel explosion is going to further fragment audiences. We will soon have 9/10 channels in each of the genres – news, sports and movies.

    You say pathetically slow digital rollout on the cable front is the biggest challenge for the new players as well as the existing players. But if we look at 9X, the numbers they are drawing are not due to cannibalization, but due to new viewers?
    It’s not cannibalization of GEC but other genres like music.

    So you don’t believe that people have an inherent desire to consume entertainment content but may have been tuned off by the lack of variety presently on offer so they are trying out channels like 9X?
    It’s not just 9X. Even Bindass is getting new viewers. 9X is making a lot of noise but give me a name of one show that stands out. On NDTV Imagine also, nothing will stand out.

    What do we have in 2008? BCCI’s Indian Premier League will take off and what else?
    I don’t know on which channel it will take off. I hope it is on ours.

    But as you yourself said, there will be new sports channels launching and we should expect bids from new players?
    They can of course bid but why would BCCI want its biggest new property on a new channel? Its not just money, they (the cricket board) have to make it successful.

    We do have an example of Ten Sports, which launched with World Cup Soccer in 2002?

    There were only two channels – ESPN and Star Sports – then. Today there are seven channels (DD Sports, Ten Sports, Zee Sports, ESPN, Star Sports, Star Cricket, Neo Sports). Additionally, Max is half a sports channel.

    Each time you launch a new channel, the space will get further fragmented. There is too much out there. There is going be a blood bath.

    What about a platform proposition, like in the case of Sky in the UK? For a rights holder, could IPL potentially become as critical as EPL was to Sky?

    Firstly, in India no exclusivity is being allowed. Secondly, the new guys bidding for the rights are channels which are not yet launched. If platforms like Dish TV or Reliance were to buy the rights, then I would understand but the guys buying are unknown people. They are all startups. They are doing it for their business valuations. They are not bothered whether IPL succeeds or not. Whereas BCCI wants IPL to succeed. IPL will collapse with new players.

    Coming back to the year ahead, how do you see 2008 for your network and the industry?

    As far as the industry is concerned, we would want to see the Reliance launches happening. It’s a very big thing. Then IPL should succeed. New players should enter digital distribution in the cable front. More people are required, more funding is required.

    As for ourselves, we will take some other new initiatives and continue to build our business. We need one hit show. Saat Phere was the starting point for Zee. I need one hit show from Monday to Thursday. That is my perspective. I have no problem in any other area of my business except that. We need to build up, which is not happening.

    Each channel is doing its own thing and so are we. In the meantime, I am doing syndication and international distribution. I am doing everything right except getting that one hit show.

  • Lines open from Feb 10th for entries for Indian Idol 3

    MUMBAI: Indian Idol the hugely popular adaptation of the blockbuster ‘Pop Idol’ format took the nation by storm in its very first season and followed that with an equally popular season 2. While Indian Idol served as the intimate platform for budding singers from across the nation to realize their dreams, the show went on to become the most entertaining and involving show to hit Indian television.

    In keeping with its philosophy of offering innovative and distinct content, Sony Entertainment Television, is now all set to launch the third series of this groundbreaking phenomenon, Indian Idol with an even bigger bang!

     

    This time around, the show promises to bring to the viewers the best singing talent from across the country. To make this possible auditions will be held across the country in 12 cities— Jodhpur – Bhubaneshwar (Feb 15th), Hyderabad- Amritsar (Feb 18th), Srinagar- Nagpur (Feb 21st), Baroda (Feb 27th & 28th), Bhopal (March 7th & 8th), Kanpur (March 12th & 13th), Delhi (March 17th, 18th & 19th), Kolkata (March 24th, 25th & 26th), Mumbai (March 31st , 1st & 2nd April)

     

    To make participation universal and allow for easy registration the channel has set up multiple gateways. Budding aspirants between the ages of 16-30 can realize their dreams by calling to register for a place in any of the above audition centers. The following are the no.s for registration:

    –SMS Idol to 2525

    –call 5052525 and say Idol (available only on select networks)

    –Dial 1255525 (BSNL landline & mobile users which is applicable to all cities)

    Lines open from February 10th.

    Indian Idol is a ‘made-for-television phenomenon’ that combines drama and reality with music, humor, thrill and glamour. The last two seasons of the show experienced a collage of emotions, raising levels of viewer frenzy and excitement coupled with the contestants’ tears and joys, heartbreak and jubilation, learnings and achievements.

    With its immense popularity, Indian Idol showcases exceptional talent on the nation’s biggest platform. The phenomenon of following this journey and ultimately picking that ‘Ek Awaaz Jispar Ho Desh Ko Naaz’ becomes an integral part of the viewers’ lives drawing ardent support and a voting frenzy.

     

    This year too Indian Idol will give the people of this nation the opportunity to chase their dreams and the power to make one talented aspirant ‘ Bharat Ki Shaan’. In addition to a recording contract with Sony BMG, the ‘Indian Idol’ will be awarded a contract with Sony Entertainment Television worth Rupees One Crore, thus catapulting him/her to unparalleled stardom, fame and fortune.

     

    Highlighting the essence of this worldwide phenomenon, geared to hit India once more, Albert Almeida, Executive Vice President & Business Head, Sony Entertainment Television, said, “As witnessed in the last two seasons of Indian Idol the third season too promises to take viewer engagement and interactivity to even greater heights while catapulting the Indian Idol into ultimate stardom. This year too, the channel will give talented singers from across the nation the platform to realize their dreams and put fame and fortune within their reach while offering distinctive, breakthrough entertainment. Indian Idol will showcase the best singing talent from across the nation via a 12-city audition. The journey of finding Bharat Ki Shaan—Indian Idol 3 will enthrall the Indian audiences and help them connect, leading to extreme involvement and mass frenzy.”

     

    A production of such magnitude warrants only the best in the industry to make it happen. Sony Entertainment Television is once again partnering with one of the country’s leading production houses – Miditech Pvt Ltd, the international company – Fremantle Media who are the license holders to the format Indian Idol 3.

    Their expertise in producing successful, top quality format shows along with the unparalleled success of Indian Idol 1 & 2 in the past two years will ensure that this year too Indian Idol is the slickest and most magnificent production on Indian television. Besides, the channel will yet again unleash another wave of innovations as part of its 360-degree marketing and communication campaign. This would leverage various conventional and unconventional media vehicles as well as innovations.

  • SPTI signs development agreement with Base Camp Films

    SPTI signs development agreement with Base Camp Films

    MUMBAI: Sony Pictures Television International’s (SPTI) international networks group is expanding its original production efforts by signing a format development and series production agreement with reality production house Base Camp Films.

    The announcement was made by Marie Jacobson, SPTI’s senior vice president, programming and production, international networks, and by Base Camp principals Brady Connell and Jim Jusko.
    SPTI’s international networks group has been acquiring rights to produce local-language versions of third party formats, mainly for its AXN and Sony Entertainment Television (Set) networks. AXN and Set have produced local-language versions of such international formats as The Amazing Race (on AXN Asia), Big Brother (on Set India as Bigg Boss), Pop Idol (Set India as Indian Idol and Set Latin America) and Strictly Come Dancing (Jhalak Dikhla Jaa on Set India).

    The agreement with Base Camp augments SPTI’s efforts to acquire and develop its own original formats as part of its overall growth strategy.

    “While we’ve found great success with such third party formats as Pop Idol, The Amazing Race and Strictly Come Dancing, SPTI’s international networks are continuously seeking out homegrown, commercial formats with multi-platform extensions which our networks can own and control,” said Jacobson. “Jim and Brady are just the guys to bolster our collective efforts to develop and adapt formats for our international web of channels.”

    Base Camp principals Connell and Jusko will executive produce projects developed under the deal and adapt formats developed or acquired overseas by SPTI for sale in the United States.

    “The opportunities and challenges in the international TV marketplace make it an exciting and growing business for us,” said two-time Emmy winner Connell (The Amazing Race, Survivor, Eco-Challenge). “Our relationship with SPTI has grown steadily over the years, and we share a strong belief in the value of international partnerships for the production of innovative high-value programming,” noted Jusko who, prior to forming Base Camp with Connell in 2002, brought key international partners to Disney’s Air Bud and Lions Gate’s Kiefer Sutherland starrer, Dead Heat.

    As part of the agreement, the first format in active development is Base Camp’s Six Degrees of X. Developed to be scalable for global, regional or local production, Six Degrees of X tests the theory that all people are somehow connected by only six degrees of separation, even today’s hottest celebrities and their most adoring fans.

    “Six Degrees of X is great TV and opens the door for compelling extensions in the web and mobile space,” added Jacobson. “We’re actively developing it out to pilot across our SPTI networks later this year.”

    SPTI is also fast-tracking the development of a groundbreaking cross-platform interactive ‘crimesolving’ project known as MyCrime. To be produced with Base Camp for SPTI’s international channels and networked with internet and wireless devices, MyCrime is set for global launch in mid 2007.

    Pamela Parker, SPTI’s vice president, business affairs and acquisitions, led negotiations on behalf of SPTI. The agreement was negotiated for Base Camp by United Talent Agency.

  • Channel 4 extends ‘Big Brother’ to 2010

    Channel 4 extends ‘Big Brother’ to 2010

    MUMBAI: British broadcaster Channel 4 has extended its partnership with reality show Big Brother for another three years, to continue till 2010.

    The re-commissioning of the Endemol produced show will also include the spinoff programming Celebrity Big Brother, Big Brother/Little Brother and Big Brother/Big Mouth.

    After tasting success in the global market, Endemol brought the format to Indian shores earlier this year, in the form of Bigg Boss on Sony Entertainment Television.

  • Sifymax inks deal with SET for ‘Bigg Boss’ website

    Sifymax inks deal with SET for ‘Bigg Boss’ website

    MUMBAI: Sifymax.com, the broadband portal from Sify Limited, has announced an alliance with Sony Entertainment Television to be the official website of their Indian adaptation of Big Brother, the reality show Bigg Boss. As per the tie-up, Sifymax will feature exclusive footage from each episode, as well as footage not shown on television.

    Sifymax will feature the Bigg Boss show format, profile of the anchor, profiles of contestants who are part of the show, weekly results, chats and message boards. Exclusive podcasts-voice excerpts from the evicted participant and Bigg Boss will be also be aired on a weekly basis.

    “The site is interactive with Bigg Boss fan polls, task ideas, poll feedback, Big Boss blogs and an exclusive Bigg Boss merchandise store. Apart from being the official broadband partner for the program, Sifymax also holds the rights to market the website www.biggboss.sifymax.com, informs an official release.

    Sony Entertainment Television executive vice president and business head Albert Almeida said, “The launch of Bigg Boss has given an all new meaning to reality television and we are happy to extend the same excitement and unseen drama to a larger audience through our web partner. Given the success of our partnerships during Fame Gurukul and Indian Idol, we have immense confidence in the popularity of Sifymax among Internet users and hope that Sifymax-Bigg Boss partnership will take our show to another level.”

    Commenting on the alliance Sify Ltd president portals V. Sivaramakrishnan said, “Bigg Boss has captured the imagination of television viewers across the country with its unique reality show format. Sifymax is the pioneer in broadband content and is consistently innovating to offer a richer entertainment experience to our consumers. We are certain that with this partnership Bigg Boss’ viewers will experience a closer connect with the participants that they have loved or hated. Most of the major programs on the lead television channels are already hosted on Sifymax and for we would like to be the ultimate web destination for all forms of entertainment, including popular reality shows.”

  • Aamna Sharif, Ram Kapoor take top honours at Indian Telly Awards 2006; Maran conferred with Contribution to Television Award, Ekta inducted into Hall of Fame

    Aamna Sharif, Ram Kapoor take top honours at Indian Telly Awards 2006; Maran conferred with Contribution to Television Award, Ekta inducted into Hall of Fame

    MUMBAI: The Popular Nite of India’s premier awards for excellence in television, The Sixth Indian Telly Awards 2006 brought to you by Sony Entertainment Television, were held in Mumbai’s Chitrakut ground on 24th November with star-studded performances and attendance from the television and film fraternity.

    The best actress award was bagged by Aamna Sharif for her performance as Kashish in Kahin To Hoga on Star Plus, while the best actor went to Ram Kapoor for his essaying of the role of Jai Walia in the Zee TV TRP topping drama Kasamh Se…

    Ram and his co-star Prachi Desai (Bani) also won the couple of the year award for their on screen chemistry in the show. Prachi also shared the Fresh New Face of the Year (Female) Award with the Zee TV’s Saat Phere lead Rajashree Thakur.

    Sun Network chairman Kalanithi Maran was conferred with the Contribution to Television award at the hands of Sony Entertainment Television CEO Kunal Dasgupta for driving and growing the southern Indian cable and satellite
    television market through his Sun Network, India’s second largest television broadcasting group. Balaji Telefilms creative head Ekta Kapoor was inducted into the Hall of Fame. Ekta has been the creative brains behind the runaway success that Balaji Telefilms has achieved. Young professionals in television who have contributed a lot to the industry are inducted….

    The evening was marked by energetic dance performances from Sangeeta Ghosh, Eijaz Khan and Akashdeep Saigal, Mona Singh, the Left Right Left cast (Arjun Bijlani(Alekh), Gazal Rai (Pooja), Vikas Manattala (Huda), Priyanka Bhassin (Naina), Harshad Chopra(Ali), Kunal Kapoor(Yudi), a stand up comic act from Great Indian Laughter Challenge runner up Naveen Prabhakar, a performance by debutantes of last year and this year – Barkha Bisht, Sanjeeda, Daljit Kaur – and by television couples – Surveen Chawla and Manish Goel (together on a Sony show), Mouni Roy and Pulkit Samrat (the hot new couple on Kyunkii’s new generation) , Divyanka Trivedi and Sharad Malhotra (the couple from Dulhan on Zee TV).

    The awards evening was anchored by the leading face of television – Kiran Karmakar, Juhi Parmar, Anuj Saxena, Mona Singh and Manav Gohil, Shweta Kawatra, Ayub Khan, Renuka Shahane, Karishma Tanna and Gaurav Chopra.

    Billed as the Indian equivalent of the Emmys, the Indian Tellys are the brainchild of founder Anil Wanvari, who is also a board member of the International Emmy Academy in New York, one of the few Indians to make it there.

    Says Wanvari, “Television is evolving and the awards will also evolve. Our sincere effort is to make The Indian Telly Awards the industry’s benchmark because the awards have been created for the industry to recognise the excellence in the creative, business and technical spheres.”

    The Sixth Indian Telly Awards were brought to you by Sony Entertainment Television, with the show slated to be telecast on 3 December at 8 pm on the channel.

    The ground sponsors for the event were CNN Ibn, Ibn7, Zee Cinema and Times Now; the Radio partner Radio City 91.Fm; Outdoor Partner Bright Advertising; Multiplex Partner Fun Cinema; Print Partner Rajasthan Patrika and Mid-Day; Party Venue Partner Some Place Else; and Pr Partner CMCG.

    Coming in January will be the he Technical Nite of the Indian Telly Awards.

  • Sony withdraws from ICC rights bid process

    Sony withdraws from ICC rights bid process

    MUMBAI: Sony Entertainment Television India, the “incumbent” holder of telecast rights for ICC cricket in the subcontinent, has withdrawn from the bidding process for the next round of bids, for which the deadline for bids submission is 10 November.

    Up for grabs are the audio-visual rights for 18 ICC tournaments starting from the second half of 2007 till the World Cup in 2015. The last agreement began in 2000 and ends with the ICC Cricket World Cup 2007 in the West Indies next March.

    The Sony Pictures Television International (SPTI) board was unwilling to bankroll the bid, which was seen as being too fraught with financial risk.

    Confirming the developments to Indiantelevision.com, Set India CEO Kunal Dasgupta had this to say: “We believe that the terms (of the tender) are quite onerous. We do not want to put our company at risk so we are constrained to hold back our bid. But that does not take away our right to enter into post-bid arrangements with the winning bidders.”

    Dasgupta made it clear that Sony did not want to get sucked into a bidding frenzy similar to what was witnessed in February when Harish Thawani’s Nimbus Communications walked away with the telecast rights to India cricket after putting in a bank-breaking $612.18 million composite bid. Nimbus’ bid was nearly $ 200 million higher than the base price of $425 million that had been set by the Indian cricket board.

    A point also worth noting is that Sony’s composite bid for the BCCI rights, made through Set Satellite Singapore Pte, was $478 million for the global rights and $397 million for the India territory.

    AGAIN A FACE-OFF BETWEEN MURDOCH AND CHANDRA?
    With Sony out of the reckoning, it could well be the same two who finally face off for the current block of cricket property, with Subhash Chandra squaring off against one time ally and now bitter foe Rupert Murdoch. It was Murdoch who won that particular skirmish so there will be some interesting history at play when the bids are opened at the ICC’s headquarters in Dubai tomorrow.

    To rewind to 1999, the News Corp controlled Global Cricket Corporation (GCC) had paid out $550 million to secure the rights after a fierce bidding war with Chandra’s Zee Telefilms. At the time of bidding, the GCC was a 50:50 JV between News Corp and World Sport Nimbus (itself a 50:50 JV between Nimbus and the UK-headquartered World Sport Group). News Corp subsequently bought out WSN’s stake in the JV.

    The GCC had sold the satellite rights for the Indian subcontinent territory to Sony Entertainment Television India for $ 208 million.

    One player that will definitely not be in this particular game is Nimbus. It has been taken out of the equation by the News Corp distribution deal. And neither, for that matter, will News Corp be bidding as a separate entity from ESPN Star Sports.

    Market speculation on how high the bidding will go this time round ranges from at least a billion dollars to even crossing $ 1.7 billion.

  • MindShare promotes Pratibha Vinayak to managing director – Sri Lanka

    MindShare promotes Pratibha Vinayak to managing director – Sri Lanka

    MUMBAI: MindShare has announced that Pratibha ‘Pat’ Vinayak, currently national director – investments for Unilever at Mindshare, will move to Colombo as MindShare Sri Lanka managing director.

    MindShare North, East, Sri Lanka and Bangladesh MD Sundar Raman said, “Pat is one of the most respected media professionals in the industry and we are fortunate to have such a high calibre professional in Pat to lead the MindShare business in Sri Lanka. We are looking forward to the same high level of enthusiasm, drive and innovation that she brought to the business in India.”

    Vinayak is a media professional with experience across agency, publishing and broadcasting businesses. She spent over a decade with Reader’s Digest managing research and marketing before joining JWT to handle media responsibilities on Unilever under the newly formed JWT Fulcrum where she spent over five years.

    She also spent time with Sony entertainment television and Carat before returning back MindShare Fulcrum to manage Unilever investments in 2004. A strong industry advocate, Pat has served on the technical committee of leading industry studies, states an official release.

    It has been said that over the years Pat and her team have been instrumental in bringing discontinuous trading practices in managing investments for demanding clients.

    Commenting on her new role, Pat says “I am looking forward to working with a fantastic management team which has built MindShare into the best agency in the region, and helping consolidate our leading position in Asia.”

  • Tender deadlines for slate of sports properties coming up

    Tender deadlines for slate of sports properties coming up

    MUMBAI: It’s a week of hectic activity ahead for sports broadcasters, with the deadlines for submission of tenders for a number of big and not so big properties coming up over the next few days.

    The big daddy of them all of course is the ICC’s cricket rights, for which the present deadline for bids submission is 10 November.

    Also up for bidding are the tenders for English Premiere League football (7 November deadline) and the rights to Bangladesh cricket (8 November).

    As far as the Big One is concerned, up for grabs are the audio-visual rights for 18 ICC tournaments starting from the second half of 2007 till the World Cup in 2015.

    The current agreement with Global Cricket Corporation (a News Corp subsidiary), which began in 2000, ends in March/April 2007 with the World Cup in the West Indies. GCC, which won the global rights with a $ 550 million bid, had sold the satellite rights for the Indian subcontinent territory to Sony Entertainment Television India for $ 208 million.

    Market speculation on how high the bidding will go this time round range from at least a billion dollars to even as high as $ 2 billion.

    While Sony is the “incumbent broadcaster” for ICC cricket, it is ESPN Star Sports which currently holds the rights to both Bangladesh cricket as well as EPL.