Tag: Sony Entertainment Television

  • Changemakers 2024: Culver Max’s Gaurav Banerjee’s emergence from the shadows

    Changemakers 2024: Culver Max’s Gaurav Banerjee’s emergence from the shadows

    MUMBAI: Gaurav Banerjee does not come across as CEO nor as MD material when you meet him the first time. The bespectacled unassuming 47-year-old actually reminds you of a writer or a director or a journalist or a scholarly researcher. But today he sits atop Culver Max Entertainment as the chief executive officer & managing director, a handpicked successor to the quiet and unassuming number-crunching CEO NP Singh who built a profitable broadcast network and retired earlier this year.

    Not for GB, as he is known, are all the pomp and flash that others in the business were vaunt to opt for in earlier times when pay TV was a fat man’s business oozing money like there was no tomorrow. Today, pay TV is shrinking, cord-cutting is rampant cord-nevers are growing and the coming generation will probably not know what cable TV and satellite dishes were.

    GB – a history graduate from St Stephen’s College and a masters-degree holder in film making and TV production from Jamia Milia Islamia,  Delhi – belongs to a group of young executives like Arjun Nohwar who leads Warner Bros Discovery for India and south Asia.

    GAURAV BANERJEE

    These folks know they are leading legacy media companies in rapidly-changing times and they have to ensure that their charges stay relevant even in the midst of rapid churn and chaos.  Their response lies in putting their heads down and focusing on the task they have been assigned: protect and build legacy business and ensure they continue to generate cash which –  like in the past – continues fueling their existence and growth and money-gobbling streaming platforms.

    They also have to make the right moves on the streaming side on content, tech, distribution and business models. And they have to do all this profitably, without breaking the bank. For ranging against them are big players in the media and tech ecosystem: Google, Meta, Netflix, Amazon Prime and the potent combo of JioStar – all having deep pockets and a hunger to invest big and dominate the market. Plus there are others such as Zee5 and Sun Nxt and a string of other OTT players which are being spawned by the hour.

    No one in his or her right mind expected GB to be a candidate for the prized position of Culver Max Entertainment MD & CEO. For long the boyish-looking  executive was known to be a close ally, actually protégé, of current JioStar vice-chairman Uday Shankar and every one expected him to follow him to the joint venture that was in the making. (Danish Khan would succeed NP was most media observers’ guess; we at indiantelevision.com did not speculate about this)

    But GB probably knew otherwise; that it would be Kevin Vaz who would be chosen over him. Hence, when the offer to lead Sony came, he accepted it.

    Of course, he was deserving. A very strong content professional (he began his career as an anchor and producer with news channel Aaj Tak and later at Star News) with an uncanny knowledge of audience preferences, he knows how to weave stories into shows that generate high viewership.

    He did that very successfully both on Star Plus and Hotstar when he was president content at Disney Star India, retaining the network’s numero uno status for more than half a decade. It led others – who struggled to come even close – by a mile. To top it all he had the reputation of being a good manager and leader – earning the loyalty of his colleagues and subordinates.

    LA-based chair of global television studios and Sony Pictures Entertainment president & CEO Ravi Ahuja had expressed total confidence in GB’s visionary approach at the time of his appointment. “ Gaurav’s expertise in content creation and strategic leadership will undoubtedly lead SPNI (read Culver Max) into an exciting new chapter of growth and achievement. We are thrilled to have him at the helm and look forward to the continued success of SPNI under his leadership,” he had said.  

    GB has been playing low key ever since he took over in end-August 2024. He has been building up his A team bit by bit. Most old-timers have been retained, though some like Neerja Vyas chose to quit.

    Danish Khan who was EVP & business head Sony Entertainment Television, Studio Next and SonyLiv was recast to head -digital business, Studio Next, and networks channel licensing.   Ajay Bhalwankar, who  led Sony Marathi successfully,  was handed over Sony Sab to manage along with his existing charge.

    Nachiket Pantvaidya, general manager of Sony Pictures International Productions, was additionally made business head of Hindi general entertainment channel Sony Entertainment Television, marking his third stint with the network.

    Tushar Shah who led English, Bengali, and infotainment channels and  was the chief marketing officer (CMO) at the network was additionally asked to oversee Sony MAX, Sony MAX HD, Sony MAX 2, Sony WAH and Sony PAL.  

    Manu Wadhwa who was chief human resources officer was handed additional responsibility of information technology

    Ambesh Tiwari is currently being groomed to take over as kids channel Sony Yay’s business head when Leena Lele Dutta departs at the end of this fiscal year.

    Ritesh Khosla was brought in as general counsel.

    Veteran Rajesh Kaul, continued in his chief revenue officer, distribution and sports business head.  Aditya Mehta who headed corporate strategy, business monetization, and data analytics’ centre of excellence continues in his position.  Sandeep Mehrotra, continued in his position as EVP -sales.

    A new CFO Sibaji Biswas is slated to join come the first week of January 2025.

    The new leaders, in turn, have been building, their respective A teams.

    GAURAV BANERJEE

    In the meanwhile, GB has been working on getting to know  Culver Max Entertainment, its processes, its people, its neurology, its innards  better. He starting rerunning  episodes of old shows (Beyhadh, Bade Achche Lagate Hain, among others) on Sony excepting for  non-fiction shows Kaun Banega Crorepati and Indian Idol. The two were tweaked with better production quality and selection of participants. Each contestant had a dramatic back story or extremely good talent. Or even both.

    Without incurring any great additional programming costs, the ratings of SET  started rising.

    The teams in the meanwhile strategised on what kind of programming audiences would like to see on the network. The answer was classics like CID and Tenali Rama which would be modernised, have better casting, fabulous production values and improved storytelling. The first is being produced by Banijay Asia and the second by Contiloe Films and have already starting airing on their respective channels Sony Entertainment and Sony Sab. The focus in on gauging audience reactions to these two, before launching new shows which are currently being developed with other producers. Shark Tank, which has been drawing eyeballs and attention ever since it launched three seasons ago is slated to launch on 6 January.

    The second strong plank of content at Culver Max is its sports programming under the Sony Sports Network umbrella. Recently, rights to the Asian Cricket Council covering men’s, women’s, under19’s, and men’s and women’s emerging Asia cup tournaments from 2024 to 2031 were  acquired. The network already has rights to  cricket matches in New Zealand, England, Sri Lanka. Formule E race broadcast rights have been inked for the next three years. 

    For football fans, close to 1,600 matches from the 2024-2025, 2025-2026 and the 2026-27 seasons of the UEFA Champions League, UEFA Europa League, UEFA Conference League, UEFA super cup and UEFA Youth League havbeen be been signed up earlier this year. Ultimate Fighting Championship matches till 2028 should continue attracting its loyal audiences, even though it’s quite possible it will lose the WWE (its staple)  programming to Netflix which has paid top dollar for it as part of a global acquisition deal.  Rights to local Hockey India League championships for three years have also been acquired,. Sony has also been a partner to three of the Grand Slam tennis tournaments. Therefore it has enough heft to keep viewers engaged throughout 2025 with their TV and handphones, says GB.

    SonyLiv is the least of GB’s worries. Led by old-timer Danish Khan and content commissioner Saugata Mukherjee, the streamer has been churning out shows which have attained cult status: The Scam, Rocket Boys, Freedom at Midnight, Gullak, Tanaav, Cubicles, Undekhi, among many others. It has loyal subscribers who know what they are going to get on the platform, and they come there to get it. Sources indicate that it has the lowest churn among all the streamers, though its subscriber base is in the 15-20 million range.

    Four months into his job, and GB has begun to make his presence felt on the Indian entertainment landscape. He has just begun emerging from the shadows as a corporate leader. 2025 will see his influence spreading even further.

    Media mavens had better not be surprised if he makes some sharp moves, especially acquisitive ones. For as his boss Ravi Ahuja expressed to him on his December visit to India: “Exceed expectations, take on new challenges, and build your skills and network – that’s the path to leadership!”

    To his advantage, to many in the industry, he is a mystery, known more for his content savviness, not for his managerial or strategic skills. 

    And that is his trump card. 

    (We asked an AI pic generator to re-imagine Gauarav Banerjee through its tool, and the main picture on our home page is what it came up with. No malice is intended toward Culver Max, Gaurav Banerjee or anyone else asociated with personally or professionally. No copyright infringement is intended either.)
     

  • Indian Idol season 15 tops charts as highest-rated reality show

    Indian Idol season 15 tops charts as highest-rated reality show

    Mumbai: Indian Idol season 15 is hitting all the right notes as it climbs to the top, emerging as the highest-rated reality show in week 44 on Sony Entertainment Television. The singing competition, which airs every Saturday and Sunday at 9 PM, has captivated viewers nationwide, boasting an impressive 3.0 million average viewership (TVM) in its launch week, a 1.5X increase over the channel’s previous slot average.

    Spanning over 20 years and now in its 15th season, Indian Idol has cemented itself as a cultural mainstay and advertiser’s delight, uniting diverse audiences and elevating talent from across the country. This season is co-presented by Birla Opus Paints, with co-power sponsors Smith & Jones Pasta Masala, Code Deodorants, Adani, and Vaseline, alongside associate sponsor Siyarams.

    Renowned for its legacy in launching new musical talent, Indian Idol is more than a singing competition—it’s an institution. This season’s ‘playfront’ philosophy presents each contestant as a complete performer, where every performance is designed to be a grand spectacle, building on its legacy of musical excellence and nationwide impact.

    Indian Idol’s influence continues to shape India’s music landscape, reinforcing its place as the country’s most beloved singing platform.

  • Kaun Banega Crorepati Season 16 airing on Sony Entertainment Television

    Kaun Banega Crorepati Season 16 airing on Sony Entertainment Television

    Mumbai: Celebrating the strength and determination of the common man/woman, Kaun Banega Crorepati returns for its 16th season on Sony Entertainment Television. This season’s campaign, ‘Zindagi Hai. Har Modh Par Sawaal Puchegi. Jawab Toh Dena Hoga’, sparks introspection and reflects the belief that at pivotal moments, life presents us with challenges that test us, and our responses to these situations guide us to new paths. Premiering on 12th August, the beloved game show will air every Monday to Friday at 9 p.m., with the legendary Amitabh Bachchan continuing to inspire us as host. For 24 years, the show has been a beacon of hope and knowledge for millions of viewers and this season promises to be even more thrilling and engaging with exciting new elements.

    This year, the contestants will face a captivating new twist: the ‘Super Sawaal.’ The Super Sawaal is a bonus question between questions 5 and 6 which challenges players to answer without options or lifelines. A correct answer unlocks the ‘Dugnaastra,’ giving contestants the chance to press the buzzer and double their amount on any one question of their choice between questions 6 to 10. The fast-paced ‘Super Sandook’ remains in this season as well to add thrill to the game; the contestant, after successfully crossing INR 3,20,000 will be put to the test with a 10-question rapid-fire quiz which must be answered in 90 seconds.

    Roping in 22 brands, the 16th season of Kaun Banega Crorepati is Co-presented by Hyundai Motor India Limited and Aditya Birla Group. It is Co-powered by Mountain Dew PepsiCo India, Mondelez India, Ultratech Cement and Parag Milk Foods (Gowardhan Ghee). With Special Partner Patanjali Dantkanti, Lauritz Knudsen Electrical & Automation and Ceat, and Banking Partner State Bank of India, the show’s Associate Sponsors are Asian Paints, Kalyan Jewellers, Raymond, Life Insurance Corporation of India, Bikaji, Dorset, RC Plasto Tank and Pipes Pvt Ltd, Amazon.in and Aakash Educational Services Ltd. The reality quiz show also has large partnership deals with the Reserve Bank of India, GSK, and Dr. Morepen.

    Sony Entertainment Television, Sony SAB, Sony PAL, and Sony MAX Movie Cluster business head Neeraj Vyas said, “Over the years, Kaun Banega Crorepati has emerged as a cultural phenomenon that celebrates Indians who dare to dream big and have the courage to turn their dreams into reality. This season’s campaign pays homage to the indomitable spirit of these individuals who are ready to face life’s toughest questions with befitting answers. Year after year, we strive to add fresh and engaging elements to keep the audience captivated and the introduction of ‘Super Sawaal’ adds a new layer of excitement and strategy to the game. This knowledge-based reality quiz show possesses the ability to unite families and promotes wholesome viewing, truly setting it apart from other television shows.”

  • Sony Entertainment Television launches  Aapka Apna Zakir show

    Sony Entertainment Television launches Aapka Apna Zakir show

    Mumbai: Making his way from India’s heartland into the hearts of millions, the ever-popular comedian, poet, actor, writer and producer, Zakir Khan, makes his television debut as a host with Sony Entertainment Television’s Aapka Apna Zakir. Elevating the talk show experience, the light-hearted show will capture the essence of everyday experiences with a comedic twist, promising ‘Khushiyon Ki Guarantee’ and ‘Manoranjan ka Waada’. Each episode will feature Zakir’s signature storytelling style across segments like celebrity interviews, audience interaction, and stand-up with his unique take on life’s ups and downs, making even the mundane seem hilariously significant as he offers advice and empathy in equal measure. India’s Sakht Launda will take you on a journey of laughter, authentic stories, and perspectives that truly make him ‘Aapka Apna.’ Produced by Only Much Louder and Sakht Films, Aapka Apna Zakir is Co-presented by Volkswagen India and Co-powered by Smith & Jones Ginger Garlic Paste and will premiere on 10th August, airing every Saturday and Sunday at 9:30 PM on Sony Entertainment Television.

    Zakir Khan isn’t just a comedian. He’s a storyteller, producer, writer, actor, poet and a cultural phenomenon. Joining him on this journey will be a star-studded cast, with each adding their flavour. There’s Gopal Datt, Zakir’s old friend who lives with him and Zakir wants to get him married as soon as possible. As well as a renowned television actor and diva, Shweta Tiwari who is Zakir’s next-door neighbour. We also have Rithvik Dhanjani, Zakir’s cricket buddy bringing his evergreen energy and dance moves. Last but not least, Paresh Ganatra showcases his love for money and food, constantly keeping Zakir on his toes with his wacky investment schemes. Together, this quirky group of friends will make you laugh till your stomach hurts while delivering a power-packed punch of entertainment

    A delightful blend of humour and heartfelt life lessons, ‘Aapka Apna Zakir’ has it all!

    Zakir Khan, Storyteller, Producer, Comedian, Poet and Actor said, “From humble beginnings to hosting my own show, it’s surreal. This show is for everyone – from the youngest to the wisest in your family. Get ready for a laughter-filled journey filled with relatable stories and unexpected moments. This show isn’t just about comedy; it’s about finding joy in the little things and learning from the big ones, reminding us that we are all in this together. Aur haan, khushiyon ki guarantee aur manoranjan ka waada, aapka dil jeet lunga from bacha to dada.”

    Sony Entertainment Television, Sony SAB, Sony PAL, and Sony MAX Movie Cluster business head Neeraj Vyas commented, “With this fresh format, we are attempting to bring comedy with an edge of apnapan; Zakir Khan’s unique blend of humour and soulful storytelling makes this show an outstanding addition to our content slate. His relatable charm and insightful wit will not only entertain but also build a deeper bond with our viewers and make their weekends more enjoyable. We believe that ‘Aapka Apna Zakir’ will be a cherished addition to our weekend lineup, and we can’t wait for our viewers to experience the magic that Zakir brings to the screen.”

    Only Much Louder  CEO Gunjan Arya said, “Working with Zakir Khan on ‘Aapka Apna Zakir’ has been an incredible journey. He connects with people through genuine stories from his life and those around him, filled with wit and wisdom. These stories have resonated with audiences around the world and are sure to bring the right mix of laughter and reflection to viewers on Sony Entertainment Television. Only Much Louder is excited to produce for the entertainment giant, Sony Entertainment Television, and believes that ‘Aapka Apna Zakir’ has everything it takes to become a landmark show on Indian television. Join us at 9.30 PM — every Saturday and Sunday.”

  • Sony Entertainment Television announces fourth Season of India’s Best Dancer

    Sony Entertainment Television announces fourth Season of India’s Best Dancer

    Mumbai: Dancing evokes a wide range of emotions making it a versatile and dynamic medium for emotional expression. And, inviting viewers to experience this very emotion, Sony Entertainment Television is set to elevate the entertainment fever with the coming of its homegrown dance reality show, ‘India’s Best Dancer – Season 4.’ Heightening the glamour quotient of the show will be Bollywood’s dancing diva, Karisma Kapoor who takes on the role as a judge. And, joining her in this journey will be Terence Lewis, and Geeta Kapur, as they reprise their role as judges this season. Promising a captivating journey of extraordinary talent and electrifying dance moves the fourth season of the much-cherished dance reality show urges viewers, ‘Jab Dil Kare Dance Kar!’

    Co-presented by Maruti Suzuki India Ltd, with trusted partner Garnier Color Naturals and produced by Frames Production Company, India’s Best Dancer Season 4 premieres on 13th July, every Saturday and Sunday at 8 pm only on Sony Entertainment Television.

    In all of 90 seconds on the clock during the auditions, the contestants must showcase three power moves to impress the judges, also known as E.N.T specialists to go ahead in the show. Evaluated based on the criteria of ‘Entertainment,’ ‘Newness,’ and ‘Technique’ this season’s new judge Karisma Kapoor will look at the ‘Entertainment’ factor, Geeta Kapur will keep a keen eye on the ‘Newness’ element and Terence Lewis will focus on the ‘Technique’ of the overall performance. Introducing a new game changer this season, the contestants will be given a compelling task called ‘Mauka Ya Chauka’ where the contestants who get the best buzzer from the judges will face this challenge. Opting for ‘Mauka’ ensures direct entry into the Top 12, bypassing the Mega Auditions, while choosing ‘Chauka’ involves a dance-off against a former contestant of the show who is now a part of the jury panel. Then comes the Mega Auditions where the selected contestants battle it out in pairs of trios to move into the next round. And last comes the Grand Premiere where the judges will announce the Top 12 contestants as the ‘Best Barah’ who will be introduced to their respective mentors in their journey ahead. Each week, these contestants will compete to get one step closer to winning the coveted title of India’s Best Dancer!

    Celebrating talent, diversity, and sheer entertainment, India’s Best Dancer Season 4 promises a dynamic fusion of dance, expression and emotion. Get ready to witness a spectacular showcase of skill and creativity as these dancers compete to captivate audiences and secure their place in the spotlight.

    Tune in to watch the new and talented dancers bring excitement and intrigue to India’s Best Dancer Season 4 starting 13th July every Saturday & Sunday at 8 pm only on Sony Entertainment Television

    Comments:

    Neeraj Vyas, business head – Sony Entertainment Television, Sony SAB, Sony PAL, and Sony MAX Movie Cluster

    Setting new standards and unearthing exceptional dance talent from every part of the country, India’s Best Dancer is a format that not only entertains but also inspires. Season 4 is set to deliver a captivating mix of stunning performances and expert critiques, while also underscoring the transformative power of dance.

    Ranjeet Thakur and Hemant Ruprell, producers, Frames Production company

    We are delighted to collaborate once again with Sony Entertainment Television for yet another exhilarating season of India’s Best Dancer. Our partnership with SET has been instrumental in bringing this platform to life by showcasing unparalleled dance talent from across the country. With our new judge Karisma Kapoor joining our seasoned judges Geeta Kapur and Terence as the ‘ENT’ (Entertainment, Newness and Technique) Specialists on the judges’ panel; season 4 promises to be phenomenal.

  • Sony Entertainment Television and Sony SAB champion their strong female protagonists this women’s day

    Sony Entertainment Television and Sony SAB champion their strong female protagonists this women’s day

    Mumbai: Sony SAB and Sony Entertainment Television have built a strong reputation within the Indian television industry with storytelling that empowers their female protagonists driven by an inherent belief in the dignity and potential of the Indian woman. The channels have also created an environment demonstrating the kind of respect women deserve, as each character from their shows acknowledge their own needs and wants while working for a larger purpose in society or their family. For example, Mauli from Mehndi Wala Ghar’s goal is to bring her family together despite their differences, to Nandini from Kuch Reet Jagat Ki Aisi Hai who is strongly entrenched in traditions yet stands up against the disease of dowry. Similarly, there are other characters such as Yuvika from Vanshaj who has the courage to fight for justice, and Pushpa from Pushpa Impossible, who despite having been deprived of education in her childhood completes it as an adult and goes on to become a mahila adhyaksh.

    This Women’s Day the channels are coming together to encourage women to follow their heart and not keep their needs and dream aside, stemming from an insight that most Indian women are very involved with their family’s need and desires and feel guilty addressing their own. Launching an impactful film titled ‘Khud Ki Suno Khud Ko Chuno’ that shatters the mould, the channels are empowering women to prioritise their own well-being.

    The promo spotlights inspiring female leads from renowned shows across Sony SAB and Sony Entertainment Television and its creative expression uses the fact that women are so alert at listening to the noises around them keeping them alert to the needs of their home and families. Through the narrative pointing out to this fact and encouraging them to listen to their own heart is the powerhouse line-up of women from fiction and non-fiction shows across both channels. 
    Comments:

    Sony Entertainment Television and Sony SAB business head, Neeraj Vyas

    “At Sony, we believe entertainment can be empowering. Our stories mirror real-life challenges, celebrating the strength and resilience women encounter in their daily lives. Our powerful female leads ignite a fire, inspiring women to embrace their agency and pursue happiness. This Women’s Day, through ‘KhudKiSunoKhudKoChuno,’ we want to encourage women to prioritize themselves as television, with its vast reach and mass appeal stands as the one of the most potent and impactful mediums of communication and our characters serve as effective catalysts for highlighting the importance of self-care among women. So, on this Women’s Day, we’re going all out to remind women that their happiness really matters!”

     

     
     
     
     
     
     
     
     
     
     
     
     
     
     
     

    A post shared by Sony SAB (@sonysab)

     

  • SET launches Superstar Singer 3 and Madness Machayenge – India Ko Hasayenge

    SET launches Superstar Singer 3 and Madness Machayenge – India Ko Hasayenge

    Mumbai: Brace yourselves for a weekend filled with entertainment as Sony Entertainment Television brings viewers fresh weekend programming with the perfect combination of music and laughter. Homegrown format, Superstar Singer 3, will showcase the incredible vocal talent of young contestants from across the length and breadth of the country, while Madness Machayenge – India Ko Hasayenge will see a fresh lineup of experienced comedians, who will bring their unique brand of humor to the stage with sharper, wittier, and punchier jokes, that will leave you rolling on the floor.

    Premiering on 9 March 2024, at 8 pm, SuperStar Singer 3, produced by The Content Team, is a homegrown kids’ reality singing show that stands out as an epitome of talent, passion, and unbridled enthusiasm in the world of music competitions. This season distinguishes itself by acting as a platform that will not only preserve but also build upon the legacy and heritage of Indian music, by discovering ‘Sangeet Ke Naye Hunar Jo Banenge Kal Ke Darohar’. Raising the bar in the world of music, this show transcends mere entertainment to become a national platform where children shine, nurtured and mentored by Captains, Pawandeep Rajan, Arunita Kanjilal, Salman Ali, Mohd Danish, and Sayali Kamble. Indian pop sensation Neha Kakkar joins as the super judge, who will guide these young dynamites to push the envelope, accompanied by the charismatic host Haarsh Limbachiyaa who will encourage them and boost their spirits. This season is also elevated by the presence of legendary guests such as Pyarelal Ramprasad Sharma, Javed Akhtar, and Kavita Krishnamurthy who are sure to inspire these young aspiring singers to make a mark for themselves in the music industry. Fueled by the passion of young artists like Khushi Nagar, a 14-year-old with mesmerising vocals and unwavering devotion to Tulsi Das Ji, Laisel Rai, a singer who beautifully captures the essence of musical notes, and Shubhodeep Sutradhar, a 14-year-old instrumentalist and dynamic singer who will captivate the hearts of the viewers, among others, the show promises an unparalleled musical journey for this budding talent. Superstar Singer 3 is co-powered by Ching’s Schezwan Chutney, with special partner, Priyagold Butter Bite Biscuits.

    Get ready to laugh out loud with ‘Madness Machayenge – India Ko Hasayenge’, an uproarious extravaganza that is set to redefine comedy as we know it. Promising a riotous mix of varied formats that will have you rolling on the floor with the incredible Huma Qureshi as Madness ki Malkin and the dynamic Harsh Gujral as its host, this show is produced by Optimystix Entertainment India Pvt Ltd. From side-splitting stand-up routines to uproarious gags and skits, from roasting celebs and online sensations, to spoofs, and everything in between, this show is all set to break traditional norms and present a diverse range of styles through a stellar lineup of comedians such as Paritosh Tripathi, Kushal Badrike, Kettan Singh, Inder Sahani, Snehil Mehra (BC Aunty), Gaurav Dubey, Hemangi Kavi, and Ankita Shrivastav. These comedians, with their remarkable skills, bring a breath of fresh air to the world of comedy as they strive to push boundaries and set new benchmarks through their hilarious performances, making them true trailblazers in their field. Another unique segment that viewers will witness is the funny comedians taking on real-life serious jobs, tackling a new gig each week. Madness Machayenge – India Ko Hasayenge is co-presented by Lahori Zeera, with special partner, Priyagold Butter Bite Biscuits.

    Sony Entertainment Television, Sony SAB, PAL, and Sony MAX movie cluster business head Neeraj Vyas:

    As a brand, we’ve always been committed to entertaining viewers while making a difference in their lives. With our homegrown format, Superstar Singer 3, our goal is to offer a platform for budding talent to hone their skills and perpetuate the glorious tradition of Indian music. With ‘Madness Machayenge – India Ko Hasayenge!’, we are striving to break the mold and usher in a new era of comedy on Indian television with a wide-ranging format that allows seasoned and diverse comedians to do what they do best and make you laugh. We are excited to bring this exhilarating and wholesome family viewing experience to our audiences, promising unforgettable moments of harmony and laughter over the weekend.

    The Content Team Neeraj Sharma:

    We’re excited to raise the curtains for a highly anticipated third season of Superstar Singer; this show has been instrumental in nurturing young talent, and we’re sure that this edition of the show will introduce you to tomorrow’s superstars, with inspiring life narratives. The unmatched synergy between our 5 captains, legendary guest mentors, our Super Judge Neha Kakkar, and the captivating charm of our host, Haarsh Limbachiyaa, will ensure an unforgettable viewing experience for the audiences.

    Optimystix Entertainment India Pvt Ltd founding chairman & MD Vipul D Shah:

    Madness Machayenge – India Ko Hasayenge!’ is poised to revolutionise comedy by delivering unadulterated laughter, by some of India’s finest comedians. This groundbreaking show defies conventions by showcasing a diverse array of comedic styles from a stellar lineup of seasoned comedians. In collaboration with Sony Entertainment Television, we assure our audience an entertainment-packed stressbuster every weekend.

    Starting 9 March 2024, watch Superstar Singer Season 3 at 8.00 pm and Madness Machayenge – India Ko Hasayenge at 9.30 pm, only on Sony Entertainment Television.

  • Sony Entertainment Television’s exclusive linear TV airing of Shrimad Ramayan

    Sony Entertainment Television’s exclusive linear TV airing of Shrimad Ramayan

    Mumbai: Sony Entertainment Television (SET) celebrated the New Year by connecting with Indian television viewers through its exclusive linear TV airing of Shrimad Ramayan. Recognising the enduring allure of linear TV, the channel chose to launch the divine epic exclusively on cable TV and DTH platforms.

    Shrimad Ramayan resonates deeply with millions, portraying essential relationships amid inherent conflicts. The narrative of Lord Ram, the ‘Ideal Man,’ embodies timeless values such as integrity, loyalty, courage, love, and resilience. In an endeavour to echo the relevancy of the value that this timeless epic is known for, SET has created compelling short videos promoting the essence of relationships and essential life lessons

    Beyond the familiar story, Shrimad Ramayan will also showcase multiple untold stories, offering a nuanced understanding of the saga’s depth and eternal beauty. By exclusively releasing it on cable TV and DTH, Sony Entertainment Television aims to play a vital role in revitalizing family viewing.

    SPNI’s distribution marketing and sales head Makarand Palekar emphasises, “In my experience, while streaming services have become increasingly popular, linear TV remains a resilient and relevant part of the media landscape. It is not only coexisting with on- demand platforms but also adapting to evolving viewer habits, ensuring its continued presence in the foreseeable future.”

    Sony Entertainment Networks was amongst the earliest movers to make the bold, industry-first step of discontinuing all its Live TV channels on Sony LIV. This move along with exclusive Linear TV only releases like Srimad Ramayan will help create differentiated content, both in the linear & the OTT offerings of the network, thus helping drive viewership and revenues for both the mediums.

    The network, known for its novel and popular shows, features progressive storylines in existing shows like ‘Kavya – Ek Jazbaa, Ek Junoon,’ ‘Sapnon Ki Chhalaang,’ ‘Mere Dad ki Dulhan,’ and ‘Aangan.’ Upcoming shows such as ‘Mehndi Wala Ghar,’ ‘Kuch Reet Jagat Ki Aisi Hai,’ and ‘Nivedita Maajhi Tai’ promise a rich and diverse content mix.

    Undoubtedly these shows are a huge draw for viewers and also provide advertisers with distinct opportunities for targeted engagement and strategic product placements. Company anticipates that exclusive content like Shrimad Ramayan marks the beginning of a pivotal moment in the continued vitality of television entertainment. The distinctive allure of such shows, with their unique narratives and exclusive platform specific airing, is poised to significantly elevate viewership and reaffirm the enduring appeal of linear television.

  • Captivating responsibility: Crafting a show that resonates with audiences: Neeraj Vyas

    Captivating responsibility: Crafting a show that resonates with audiences: Neeraj Vyas

    Mumbai: The journey has been long—27 years, and I’ve practically grown up here. It’s not just about Sony; I believe this is a crucial perspective for all broadcasters to appreciate. The significance of our broadcasting goals is paramount. Amidst the digital invasion, it’s equally important not to get carried away. We need to maintain faith that linear TV is here to stay, at least for the next five years. This collective belief is essential, and this year has been particularly affirming for all of us, whether considering ratings or other metrics. Despite our digital endeavours, we should collectively hold onto the conviction that linear TV is something we should continue to invest in for the next five years.

    Sony Television launched its new show ‘Shrimad Ramayan’, Poised to capture varied audience segments across the length and breadth of India, Sony Entertainment Television brings viewers Shrimad Ramayan, an epic that holds immense significance and narrates the life and teachings of Lord Ram in its purest form. Having introduced audiences to some of Indian television’s most memorable characters across clutter-breaking shows, the channel is now opening the doors for a new generation to experience the beauty and wisdom of Lord Ram’s journey and is committed to curating differentiated content that holds mass appeal with this saga.

    To bring Shrimad Ramayan to your television screens, Sony Entertainment Television has joined hands with Swastik Productions, well-known as one of the biggest storytellers in Indian television, which has consistently curated content with larger-than-life production values. Swastik has deep-dived into the very roots of Indian culture, history and legends, and will bring alive this story that chronicles the ultimate triumph of good over evil. The attention to detail in the costumes, a mega set design, and visual effects will further enhance the viewing experience, transporting the audience to the enchanting world of Ayodhya and Lanka.

    This sacred saga resonates deeply with the cultural fabric of India and its enduring appeal lies in the universal themes it explores—duty, sacrifice, love, and loyalty as well as the vices of greed, deceit, and ego. The show will go on air Shrimad Ramayan premieres on 1 January 2024, at 9 pm.

    Indiantelevison.com caught up with Sony Entertainment Television, Sony SAB, PAL, and Sony MAX Movie Cluster business head Neeraj Vyas for a chat on the television industry, his role in SET and the launch of the new show…

    Edited Excerpts:

    On how has the year been for Sony and Sony SAB

    For Sony Sab, this year has been focused on consolidation. Over the past three years, our journey to diversify content began with shows like Waghle Ki Duniya, Pushpa, and this year’s successful launch of Vanshij. Pashmina, a unique love story shot entirely in Kashmir over six months, stands out as the first TV unit to film in Kashmir in two decades. While not the typical genre for Sony Sab, this year has been about expanding our content variety while maintaining a delightful mix of shows catering to the broader family audience.

    As for Sony, my tenure began just 5 ½ months ago, marking early days for me. We’ve taken a fresh approach to KBC, launching it this year as a product that resonates with the new, progressive, and emerging India. The creative for KBC was carefully curated to align with this vision. Additionally, we reintroduced ‘Jhalak dhikla Jha on Sony after a significant hiatus, ventured into the thriller genre with Dabangi, featuring a child as the protagonist, and embarked on the ambitious project of bringing Ramayana to the audience, with many more exciting projects in the pipeline for the coming months.

    Personally, it has been an exhausting yet incredibly fulfilling and valuable experience. From a content perspective, I have never worked harder or attended more meetings in my life. Handling different channels has given me insight into the world of nonfiction content, a new and enriching dimension for me.

    With Indian Idol, our focus is on infusing purity into the singing competition. Bringing back Shreya Ghoshal as a judge adds significant value to the show. We are actively breaking moulds and challenging established patterns within the channel. While we haven’t altered the format of KBC, we’ve introduced a few dimensions to make it even faster and more inclusive. Small experiments, like the family week and a simplified participant selection process, aim to reach a broader audience. Notably, this year featured a children’s special, with a young contestant winning a crore, marking a positive step forward in terms of content diversity.

    On launching Shrimad Ramayan now

    In today’s landscape, there exists an audience for relatable content across diverse genres. From my perspective, it’s essential to acknowledge that 96% of households in India are single TV households—a reality that often gets overlooked when we view things through the lens of metropolitan living. Within approximately 30 to 40 kilometres outside every major city, there exists a different India, a new India, where lifestyles and realities differ significantly. People in these areas live distinctly, with varying disposable incomes, purchasing power, and perspectives on life. In these places, television is not just an appliance; it’s a family member. With one TV per household, families gather to watch content together, presenting a tremendous opportunity for us.

    While shows like KBC appeal to a specific audience interested in quizzes and somewhat elitist content, the reach of television extends beyond this demographic. Ramayan, for instance, is more than pure storytelling; it’s an emotion that binds a significant portion of the country. Importantly, it transcends the Hindi-speaking markets. Even in southern cities like Bangalore and Hyderabad, where Hindi is spoken and understood, there is a connection with Hindi films. This presents a substantial opportunity for us to expand our reach into a vast audience that Sony may not have tapped into for years. Historically urban-centric with somewhat elitist content, we now have a chance to connect with a broader, more diverse audience.

    On urban household’s chord cutting and the surge of OTT, how has linear TV especially GEC performed

    When we examine cricket ratings in our country, the reverence it receives is comparable to the worship of Lord Rama. Personally, I’m delighted with the cricket ratings, which have provided a significant boost. These ratings were achieved in an environment where digital access had just become widespread. The IPL and ICC World Cup, two of the largest cricket tournaments, were made available for free on digital platforms for the first time. Despite this, the television ratings were exceptional, emphasizing that television’s reach remains substantial.

    The success can be attributed to the quality of cricket presented during prime time in India, attracting millions of viewers to their TV screens. This underscores the point that television’s influence persists, and the key lies in creating compelling content. The approach of producing a single type of content for a specific target audience has limitations. Relying solely on rating-specific content is not sustainable. It’s crucial to step out of the comfort zone, diversify content, and create multiple touch points within families. This, in my view, presents an opportunity for us to broaden our content horizon and engage with a larger audience.

    On the marketing strategy and advertisers for the show

    We embarked on an intriguing initiative, something I had never done before personally. Knowing that KBC would conclude on the 28 and have the launch date for the new show set for 1 January, we took a unique approach. We released the first promo on the 14 August, strategically placed in the first break of the first episode of KBC. To my knowledge, such a move hadn’t been ventured beyond a certain extent.

    The announcement stated, “Shrimad Ramayan coming in January 2024,” initiating the first phase. Subsequently, we rolled out a series of three promos featuring ‘Shabari kar rahi hai intezar,’ ‘Bharat kar rahe hai intezar,’ and ‘Hanuman kar rahe hai prateeksha,’ showcasing three individuals eagerly awaiting Lord Rama. This marked the second phase of the campaign. About 15 – 20 days ago, we entered the third phase, revealing Lord Rama’s presence in various creative iterations, including ‘puri shrishti mein brahmand Ram’ and moments with Ram and Sita. This comprehensive approach, featuring six creatives, was a first for me, even surpassing my experiences with IPL. It has been an exhaustive process, meticulously staged to build anticipation and understanding.

    Interestingly, many might find it hard to believe, but it was purely coincidental that we had an inkling about the opening of the Ram Mandir in 2024. While we foresaw such an event, the specific timing in January wasn’t known when we announced our show’s date. This coincidence aligns well with the positive mood of the nation, providing an opportune environment for the show to thrive. This, in turn, places a significant responsibility on us to deliver a show that captivates and resonates with the audience.

    There are six sponsors we have locked in, unfortunately this a fiction show, in a non-fiction show you can do product placements. It is going to be a slow journey but the fact that we have closed these sponsors is a great.

    On Jhalak coming back to Sony

    During the initial three years on Sony, it was truly a spontaneous endeavour, a Sony product born out of instinct rather than a grand strategy or meticulous planning. We sensed an opportunity, had a vacant slot, and managed to put together the show within a swift 45 days.

    Although the ratings on Sony and Sab could be better, we’ve deliberately avoided getting deeply entangled in the rat race. We recognise that ratings can be a limiting factor, leading to a predictable pattern that isn’t conducive to the overall growth of television. I am cautious about falling into the trap of producing only a specific type of content that seems to work, limiting ourselves to a fixed number of shows adhering to a certain formula. While the temptation is there, I believe it’s essential to resist it for the sake of television’s evolution.

    Our network has earned respect from advertisers for our commitment to differentiation and the diverse range of content we offer. We are aware that we cater to a slightly more elite audience compared to others, and we are content with occupying that niche. It’s a space we’ve carved out for ourselves, and we are satisfied with the unique position we hold.

    On GEC shows having a finite ending

    It all began with “Pashminna,” which had a definite conclusion. Currently, we’re in the process of developing another show with a similar structure. The issue we face isn’t related to advertising; rather, it’s the cost that poses a challenge. The shorter the show, the more expensive it becomes due to amortization concerns.

    However, I believe that if we shy away from this approach and stick to the comfort of creating endless stories, we’re missing out on a critical shift in the industry. If we reflect on the past two years, it’s evident that the number of show launches has skyrocketed. Unfortunately, many of these shows have not succeeded. This surge in launches is likely because we are not embracing finite storytelling.

    We need to rewrite our approach without changing the fundamental context and tone. Finite narratives are essential, and by focusing on them, we can reshape the industry and break free from the pattern of launching numerous shows that ultimately fall short.

  • SET partners with Gowardhan Ghee for ‘Kaun Banega Crorepati 15’ Khushiyonwali Diwali episode

    SET partners with Gowardhan Ghee for ‘Kaun Banega Crorepati 15’ Khushiyonwali Diwali episode

    Mumbai: Gowardhan Ghee, one of India’s most trusted and beloved ghee brands, is pleased to announce a remarkable initiative in celebration of Vasubaras, preceding Diwali. In partnership with Sony Entertainment Television’s acclaimed reality quiz show, Kaun Banega Crorepati, Gowardhan Ghee has pledged to contribute 100 litres of their finest desi cow ghee for every correct answer in the Khushiyonwali Diwali episode, while the channel has pledged 100 kgs of rice and 100 kgs of wheat for every right answer in the account of Roti Bank Foundation. Started by a teacher in Bihar, named Ravi Shankar Upadhyay, the Roti Bank Foundation’s purpose is to eradicate malnourishment and hunger by providing quality food and nutrients to the needy. With this vision, today, over 200 people cook food in the ‘Maa Annapurna Community Kitchen’ every day and transport the same to multiple places.

    Roti Bank Foundation founder Ravi Shankar Upadhyay expressed his gratitude for the generous contribution, stating, “We are truly appreciative of Sony Entertainment Television and Gowardhan Ghee’s commitment to making a difference in the lives of those who require it the most. The “1800” kgs of rice, wheat and ghee each will help us provide wholesome meals to countless individuals, creating a brighter Diwali for all.”

    Gowardhan Ghee has always been committed to quality, purity, and the well-being of its consumers, and this initiative aligns seamlessly with their values. By giving ghee to those in need, they are not only sharing the richness of their product but also spreading warmth and joy during this festive season.

    Gowardhan Ghee executive director Akshali Shah expressed her enthusiasm for this unique initiative, saying, “Vasubaras is a day that holds great significance for families across India. We are happy to contribute to the joy of this day by making a meaningful donation on Kaun Banega Crorepati. We hope that this gesture inspires others to give back to their communities as well.”

    Kaun Banega Crorepati highlights the stories of the common man and their determination to win in life by participating in this prestigious gameshow. Speaking about how Sony Entertainment Television is celebrating the festival of lights in a meaningful way with its weeklong ‘Desh Ki Diwali’ episodes, each day representing a new cause and new theme, Sony Entertainment Television, Sony SAB, PAL and Sony MAX Movie Cluster business head Neeraj Vyas said, “We believe in fostering connections, and KBC is a format that unites us all, providing wholesome entertainment for families across the nation. Sony Entertainment Television and Gowardhan Ghee will together prove the power of collective efforts and contribute significantly to the noble cause of the Roti Bank Foundation, echoing the true essence of ‘Khushiyonwali Diwali’ in this episode, making the festivities brighter and more meaningful for everyone involved. This initiative further exemplifies our commitment to not only entertain but also create a positive impact on society. “

    Tune in to watch Kaun Banega Crorepati Season 15, every Monday to Friday at 9.00 PM, only on Sony Entertainment Television.