Tag: Sony Entertainment Network

  • LIV Sports bags exclusive rights for the Champions Tennis League

    LIV Sports bags exclusive rights for the Champions Tennis League

    MUMBAI: Multi Screen Media (MSM) has announced that its digital sports entertainment destination www.LIVSports.in holds the mobile and internet broadcast rights of the Champions Tennis League (CTL) for India.

     

    The league has been conceptualised by Vijay Amritraj and All India Tennis Association (AITA). Viewers will be able to watch the live telecast of the league and catch video-on-demand highlights on LIV Sports.

     

    Sony Entertainment Network executive vice president and head digital Uday Sodhi commented that the network was excited to bring the CTL, which has been designed to ignite the passion for tennis and inculcate a love for the sport. “LIV Sports started as the official mobile and internet broadcaster for the 2014 FIFA World Cup Brazil and then moved on to bagging the exclusive web and mobile rights for the ongoing qualifying matches for the 15th European Championship – Euro 2016, for India. It was conceived to offer quality sports-entertainment content that is mass inclusive and not designed to cater only to ardent sports fans”, he added.

     

    The CTL teams made up of the world’s top 25 ranked male and female players will be structured into two groups, each having three teams each, where they would play each other in a home and away format. The teams topping their respective group will play each other in the grand finale for the prize money of Rs 1 crore. The runner-up will receive Rs 50 lakhs. Each of the six teams will also have an international legend as their playing captain, apart from a noted Indian male tennis player, plus a top ranked junior Indian girl and boy from each city.

     

    The CTL will feature six city based teams, who will play 12 matches over a 10-day period from 17 November to 26 November 2014. Each of the six official CTL teams from Chennai, Bangalore, Pune, Delhi, Chandigarh and Mumbai comprises of Indian and International marquee players, including local youngsters handpicked by AITA. Some notable players to participate in India include Martina Hingis, Venus Williams, Somdev Dewarman and David Ferrer among others.

  • Now Challenge your friends and Play “Kaun Banega Crorepati” LIVE!

    Now Challenge your friends and Play “Kaun Banega Crorepati” LIVE!

    MUMBAI: Multi Screen Media (MSM) Pvt. Ltd. today launched the digital destinations for this season’s KBC – the new look for the KBC website – www.KBCSony.com, the Official KBC App and the KBC Play Along Application. Both, the official App and the Play Along app are available on iTunes (iOS), Android and Windows.

     

     

    The KBC Official App

     

    The KBC Official App has 3 key features – the KBC Official Game, the Globe Quiz and Registrations for Ghar Baithe Jeeto Jackpot (GBJJ).

     

    The KBC Official Game gives users an opportunity to play his favourite game any time, from any location across devices. The easy to navigate user interface is similar to the experience of playing KBC on the ‘Hot Seat’. Users have access to the same lifelines as on TV. Cross-devices common social leaderboard will keep users engaged and keep it competitive. The KBC Official game will also be available on Facebook for users to play.

     

    Users can also win by participating in Ghar Baithe Jeeto Jackpot via the KBC App. Previously, the only way to play was to either send SMS or call in. Now, one can play multiple times via the official App.

     

    To download the app, SMS KBCAPP to 52525, or download the app from the iTunes, Google Play and Windows App Stores.

     

    The ‘KBC Play Along’ mobile application

     

    For the 1st time in India, every single TV viewer can play along with the KBC show on-air during its prime-time telecast. This unique and interactive application allows users to participate either via the App or the via the website, and respond to Mr. Bachchan’s questions on-air. Users can also challenge and compete with their friends on social media.

     

    To download the KBC Play Along app, SMS PLAY to 52525. Or download the app from the iTunes, Google Play and Windows App Stores Speaking on the launch, Nitesh Kripalani, Executive Vice-President – New Media, Business Development and Digital/Syndication at Sony Entertainment Network commented “This year, we have embraced the mobile Internet user and enabled them to participate, engage and be rewarded… users can play-along with the hot-seat participant on-air and be rewarded. We have enabled a true second-screen engagement for the viewer. The idea is to bring the KBC experience up close and personal, across multiple mediums, be it mobile, tablet or online”.

     

    The “Upload Your Family Photograph” feature allows users to become a part of the KBC family. They can upload their family photographs accompanied by a brief anecdote; some of the best photographs and stories will be shared by Mr. Amitabh Bachchan during the show.

  • MSM and Blogmint felicitate the winners of the LIV Sports Bloggers World Cup

    MSM and Blogmint felicitate the winners of the LIV Sports Bloggers World Cup

    LIV Sportsand Blogminttodaycrowned Nekib Ahmed as the winner of the first LIV Sports Bloggers World Cup at a grand event in Gurgaon.The Bloggers world cup was a unique Influencer Marketing initiative from LIV Sports and Blogmint that allowed bloggers to blog about their favorite team and compete on a real time basis. The LIV Sports Bloggers World Cup was hosted on the Blogmint platform, a leading Bloggers Marketplace, managed by Tangerine Digital.

     

    The LIV Sports Bloggers World Cup was launched to kindle the football passion in social media savvy youth of India received over 10,000 entries from football bloggers across the Indian sub-continent. Top 32 bloggers were selected to participate based on their social influence, Sports relevancy and passion for innovative Digital Marketing. They followed the similar format as the 2014 FIFA World Cup, from the qualifying rounds, to knockout stages. The top two bloggers from each group were further shortlisted to the quarterfinals on the basis their Blog Score – a measure of their influence.

     

    The awards were given by Mr.Nitesh Kripalani, Executive Vice-President – New Media, Business Development and Digital/Syndication at Sony Entertainment Network.Launched in June this year, LIV Sportsis the Official Mobile and Internet Broadcaster for the 2014 FIFA World Cup. LIV Sports offers both LIVE and Video-on-demand match content, with rich and informative statistics and analysis

     

    Nekib Ahmedwon the month-long competition with a whooping number of views; he had stiff competition from Faisal Haq and Jatin, they finished second and third respectively.“I am so glad that I had the opportunity to be part of this exciting LIV Sports Bloggers World Cup. The entire journey has been a learning experience and every challenge has helped me discover my strength.” said, Nekib Ahmed.

     

    The innovative Influencer Marketing initiativereceived a phenomenal response on the digital platforms with an organic reach of 3 Mn on Social media based on the 151 blogs written by the contestants.

     

    Commenting on behalf of Blogmint, Kesavan Kanchi Kandadai, Chief Executive Officer, Tangerine Digital stated, “We are delighted with the response and interest that the LIV Sports Bloggers World Cup has received on the digital platform. We would like to congratulate the winners and assure that similar properties, across Sports will be launched in the near future.”

  • LIV Sports attracts 20 million page views during 2014 FIFA WC

    LIV Sports attracts 20 million page views during 2014 FIFA WC

     

    MUMBAI: The official mobile and internet broadcaster of 2014 FIFA World Cup LIVSports.in attracted 20 million page views during the month long sporting extravaganza. On an average, viewers spent 28 minutes watching the live streaming of the matches across online, mobile and the tablet LIV sports app.

     

    Sony Entertainment Network executive vice president-new media, business development and digital syndication Nitesh Kripalani said, “The 2014 FIFA World Cup digital viewership is a gratifying proof of LIV Sports’ success since its launch a little over a month ago. Our goal was to redefine the way sports content is viewed and consumed in India via a new category – ‘Sportainment.’ We are glad to see that sports fans have engaged with LIV Sports.”

     

    The top three matches, by time spent were the finals between Germany and Argentina with 48 minutes. Next was the semi finals between Netherlands and Argentina with 42 minutes and finally, the quarter finals between Netherlands and Costa Rica with 42 minutes.

     

    Of the total traction observed on LIV Sports, the maximum percentage of unique views came from the six metros with 53 per cent  with Mumbai and Delhi in the lead (13 per cent each), followed by Bengaluru (10 per cent). 83 per cent of the total viewers in the country were within the age bracket of 18-34 years. The FIFA World Cup on LIV Sports also attracted 25 per cent  female viewers due to engagements like the ‘Predictor’, ‘Mohit Bana Messi – Jerseyfy Me’ and ‘Pehchaan Kaun’

     

    Its blogger outreach programme enabled a reach of over 2.85 million.

     

     

  • Nitesh Kripalani says farewell to SonyLIV

    Nitesh Kripalani says farewell to SonyLIV

    MUMBAI: Multi Screen Media (Sony Entertainment Network) executive VP new media, business development and digital/syndication Nitesh Kripalani has apparently decided to call it a day at the network. He has reportedly put in his papers last week.

    Industry sources confirmed the news to Indiantelevision.com. However Kripalani refused to confirm or deny that he had resigned.
     

    The 33 year old  was ranked amongst the top 40 under 40 executives in India by Business Today magazine as recently as March this year and he was extremely gung-ho about SonyLiv, which the magazine says contributed 5 per cent to MSM’s topline.  And he was hopeful of taking that up to 15 per cent in the next three years.

     

    His departure hence was sudden, and surprised many in the industry.

     

    Kripalani joined MSM in 2009 and was directly recruited by the then CEO and now chairman Man Jit Singh. He spearheaded the broadcast network’s programming syndication initiatives,contributed to some M&A initiatives, and investment decisions. But his biggest success was with SonyLiv digital platform which serves as a central digital point for all the network’s content. Kripalani chose the advertising revenue generation route for SonyLiv which made the going that much more challenging.

     

     

  • Sony kick starts its month-long ‘Mission Mumbai’

    Sony kick starts its month-long ‘Mission Mumbai’

    MUMBAI: The last few years have seen the rise of the crime genre on TV. The number of shows in the genre hasn’t just increased in numbers but also in popularity. Usually featuring the stories from the Indian hinterland or Delhi – the crime capital and the surrounding areas. Not much has been told about the crimes in the city of dreams – Mumbai. However, now Sony Entertainment Television is set to tell the gory stories of Mumbai with a one-month special series – Mission Mumbai.

     

    Mission Mumbai will see the two leading crime shows of the channel – CID and Crime Patrol showcasing the terror, corruption, greed, slavery, molestation, kidnapping prevailing in aamchi Mumbai. ACP Pradyuman and his team and Anoop Soni will depict the tale of horrendous crime stories which have recently taken place in the city.

     

    In CID, ACP and his team will solve a series of mysterious and baffling crime cases of Mumbai – from the locals in the city to the interiors of the bustling city – the team will be seen covering all the lifelines of Mumbai. In fact, to bust the crimes, the CID inspectors will also be seen donning the role of dabbawallas. They will investigate crimes targeting women at the lonely kharghar skywalk to going on a chase across Mumbai in search of clues. The cops would also become passengers on a BEST bus to investigate strange murders on a particular route. The cops also solve a case of missing college girls at kanheri caves, a diamond robbery and a mystery at the worli chawl where the cops go undercover.

     

    In Crime Patrol, two incidents which recently shook the city to the core will be recreated. The first case is about the mysterious disappearance of the small-time theatre actress from Mumbai and the second case focuses on the horrific acid attack which ruined the life of a young girl and took place in Mumbai last year.

     

    Mission Mumbai will start from 7 March onwards, 10:00 pm to 11.30 pm on Sony Entertainment Television.

  • “My immediate focus is on turning around Sony Ent, our flagship channel”

    “My immediate focus is on turning around Sony Ent, our flagship channel”

    He has been fairly low profile, mild-mannered and soft spoken. But underneath the soft exterior NP Singh is tough as nails and a fiesty fighter just like many from the Sikh community – to which he belongs – are known to be. Recently, Singh was hoicked to the CEO’s position at Multi Screen Media India – Sony Entertainment Television Network India – after running it as COO for nearly a decade. He replaced Man Jit Singh – who has moved on to a global position looking after its home entertainment business.

     

    NP is a long time Sony loyalist as he joined it way back in 1999 as CFO.  He has been given charge at a challenging time when the network’s flagship channel Sony Entertainment is at  a lowly sixth position amongst Hindi GECs, just a tad above Sahara. That’s a far cry from the third or fourth spot it occupied until 2012.

     

    Currently in his mid-50s, has seen the highs and lows of not only the Sony Entertainment Network, but the industry as well. His appointment has put his rivals on alert because it is he who pushed the transformation of Sab into a topnotch Hindi comedy offering, Pix into a channel showcasing Hollywood blockbusters, and successfully launched Mix in a crowded music channel market place. 

     

    In a conversation with Indiantelevision.com’s Seema Singh, NP speaks of his immediate plans and the road ahead.

     

    Excerpts:

     

    15 years in Sony and now becoming the CEO. What is the feeling?

     

    I have enjoyed every day that I have been here. I joined the company in June 1999 as the CFO and then got elevated to the position of chief operating officer and now the chief executive officer. I have seen the entire journey. The company is 18 years old and I have been here for the past 15 years. I have been a part of a lot of success and have also faced multiple challenges. Overall, it has been a fantastic journey. I am happy that I have been given the role to head the company.

     

    What are the challenges that lie ahead for the Network?

     

    The number one priority for me is to turn on the power of the flagship channel, Sony. In the short time, this will be my focus. We have seen success on the flagship channel not too long ago. In 2012, the channel was doing extremely well. Since 2012 end, the channel started seeing a drop in viewership; my objective is to arrest that drop and put the channel on the path of growth.

     

    Every CEO has a dream team. What is yours? Do we see any management changes in the future? Who do we see as the next COO for the Network?

     

    We have a strong management team with very good talent across the company. And we have been proud of the team and I will continue to work with them to achieve the dream that we have collectively for the company.

     

    Changes are a part of life and as we go forward, there may or may not be any changes, but it is too premature to comment on.  

     

    For now there will be no COO for the company. We have a strong management team and I will work directly with them to achieve the objectives set.

     

    Will life change for you after becoming a CEO?

     

    I have been here and have been partnering with Man Jit Singh who was here as CEO earlier. I have been part of all the successes and challenges and am acutely aware of what needs to be done. So it doesn’t have any major impact on my life going forward. Except that I will not have a COO right now and so I will interact with the management team directly. This means I will be spending more time in the office, of which I do not complain.

     

    What are the opportunities you have as a CEO?

     

    There are multiple opportunities. In the near term, my first priority is the turnaround of Sony and within that lies an opportunity for growth in revenue of the company. I see growth opportunities on the distribution side as well. That is something we have to stay focused on and we have to help grow the ARPUs at the subscriber level so that the benefit can flow right through the value chain upward to content owners like us.

     

    I see huge opportunity in the exploitation of digital platforms through mobile phones and tablets. If we can get our content to the audience through this medium, we will see a huge rise in revenue.

     

    I also see an opportunity in the regional market that we will evaluate over a period of time and then make our choices.

     

    Sony launched ‘Sony Mahotsav’ in UP, Punjab and Haryana starting from November 2013. What was the reason for it and how has the response been?

     

    We launched it with the objective to engage with our viewers in these markets. We want to take the brand to these markets and also our artistes from major shows to those cities to make the brand more accessible to them.

     

    The response has been positive and we will continue to build on this initiative going forward as well because we want to engage audiences of smaller towns with the channel. This is one initiative. We are also trying to build that engagement through our content and communication.

     

    Phase I and II of digitisation is complete. Do you see that helping the Network in getting better reach and viewership numbers?

     

    Digitisation will not grow our overall viewership base. It will lead to more transparency from the broadcasters’ perspective. Because digitisation will bring about addressability, there will be more information/ transparency about the viewer or subscriber we have for the network. Having said that phase I and II have been completed, set top boxes (STBs) have been installed in the households, but the real addressability has still not happened.

     

    There is still time for that. The MSOs do not have the database for those STBs. We are supporting them through campaigns running on our network. Hopefully in the next few months, they can get the data from the local cable operator and create a database and then start invoicing the subscribers directly. That will happen in the next few months and then over next two years complete addressability will come in and there will be benefits right from the viewer up to the broadcaster and content creator.

     

    Sony has always believed in experimenting with the content. But the past few years have not done too well for the channel. Is it that the channel is too ahead of time? Why aren’t you able to connect with the audience?

     

    It is a combination of multiple factors. Till 2012, we were clearly the number two ranking channel.  We were also at number one during the nine week period when the ratings did not get reported. But since then we have seen a decline in viewership and there are multiple factors behind it. One of the key factors was the universe update by TAM and the inclusion of LC1 markets in reporting viewership. The LC1 market has a 25 per cent share in the total viewership pie and that impacted our ratings. Secondly, some of our fiction shows also didn’t perform the way we expected them to.

     

    But we are the pioneers in the many new concepts and ideas. Some of them have been way ahead of time, for example the YRF shows that we brought to our viewers. Those were top quality shows that were accepted and appreciated by one set of audience, while not taken well by the other set of audience. But that doesn’t mean we will stop coming up with path breaking ideas. We have not been successful in the recent past, but that will not stop us from continuing to follow that path.

     

    The fiction shows have not done well for the channel. Also the non-fiction slate is developing fatigue. How do you plan to strengthen the programming slate?

     

    We have to continue to innovate. We did that successfully with the last season of Indian Idol in which we introduced kids. Also in Kaun Banega Crorepati (KBC) we brought several innovations. Though it was well received in the beginning, eventually it settled down at a lower number. But that doesn’t mean there is fatigue with the format of the show. We will do something more when we bring KBC the next time.

     

    We are looking at refreshing our weekend primetimes and that is why we got Boogie Woogie back on TV, which is doing well for the channel. We will be bringing back Entertainment Ke Liye Kuch Bhi Karega as well. The first and foremost task is to look at our fiction strategy and revamp that. Our plan is to bring in new shows to weekday primetime and strengthen it. We realise that it is there where we can build loyalties with the viewer. So that is the focus, followed by refreshing the weekend.

     

    Though Sony India is doing well and contributes some 40-50 per cent  to the overall revenue of the Sony Pictures’ media networks business, there is pressure on Sony from investors such as Dan Loeb to make Sony’s entertainment business deliver. Is that putting any pressure on you? How do you plan to cope with that?

     

    MSM is a very strong performer for the entire Sony Corporation. We have performed really well and India has a lot of growth opportunity and we are getting a lot of investment from the parent into the company. Whatever new initiative we come up with, till the time it makes strategic and economic sense we will get investment support from the parent.

     

    You will be reporting into Andy Kaplan, what is it like to work with him? Are there more challenges now?

     

    I have worked with Andy for the past several years and I don’t see any change in the dynamics of our relationship. I look forward to working with him even more closely now.

     

    What do you think is missing in the Sony slate?

     

    There will always be some unfinished agenda at any point in time. But right now we have everything to make the network more successful. There are some new initiatives that we are working on for the future growth of the network, which we will announce in due course of time, but first and foremost objective is the turnaround of our flagship channel.

     

    The network bouquet looks weak without any strong regional offerings. Are you looking at strengthening it by moving south?

     

    We have one channel in West Bengal. So we have one channel as far as the regional space is concerned, but it is a small channel, which has carved a niche for itself. We are looking at some other markets and currently we are evaluating all the options and will make our choice in due course of time.

     

    Unbundling of bouquets is something which Dish TV has recently encouraged by offering IndiaCast channels on an a la carte basis. Then the TRAI may soon come up with its recommendation paper on aggregators. Do you see that affecting the distribution of channels?

     

    We always follow very collaborative process in any negotiation that we do with our partners and like everyone else Dish TV is also a strong partner. We have had strong relations with them in the past and even now.

     

    There has been a lot of conjecture about the TRAI consultation paper on aggregators, but no one knows what will happen. Will cross that bridge when the recommendation comes out.

     

     Are you looking at launching any new channel?

     

    We never do something because other networks are doing it. We always do things that are good for our Network. We will do what makes strategic and economic sense for us. And from that perspective, if we have to launch a new channel we will.

     

    You can watch more of what the Sony Entertainmetnt CEO has to say by clicking here: Executive Dossier with MSM India CEO NP Singh

  • Sony LIV launches microsite for Boogie Woogie

    Sony LIV launches microsite for Boogie Woogie

    MUMBAI:  As the iconic dance reality show, Boogie Woogie, returned on television sets after a four-year long wait, Sony LIV has launched a microsite which allows viewers to catch up on all the current and archived episodes.  The microsite is http://www.boogiewoogie.in <http://boogiewoogie.sonyliv.com.

    Sony Entertainment Network executive vice-president –new media, business development and digital/syndication Nitesh Kripalani said, “Boogie Woogie has been the longest-running and one-of-the most successful dance shows on Indian television. Sony LIV gives viewers the opportunity to tune in to the new season without losing the thread of the show’s running episodes. Diehard viewers can catch up with missed episodes using Sony LIV’s online platform. As an added bonus, true blue fans of one of the most entertaining and beloved shows on television can even relive the fun moments of earlier seasons from its 15 year stint through our archives online.”

    In addition, new features have been introduced to enhance viewer engagement with the show. These include: Boogie of the day: Sony LIV users can vote for their favourite, dance videos depending on which contestant they like best and I am a street dancer:  Users can upload videos of their kids dancing ‘Boogie Woogie style’ and thus share it with fellow dance lovers on the site.

  • Sony ties up with Mobicule to manage ad inventories

    Sony ties up with Mobicule to manage ad inventories

    MUMBAI: Sony Entertainment Network has tied up with Mobicule Technologies to device a mobile application that will enable Sony’s sales force to generate the available advertisements spot inventory report and view the same on BlackBerry, Android and iOS devices, thereby increasing workforce efficiency.

     

    The earlier model as followed by the network included a coordinator, who would assess the ad inventory and communicate the relevant required information to sales team through daily printouts or updates. In the system, the sales team did not have direct access to real time information. Mobicule Technologies has now developed an interactive application, which is integrated with the backend system, providing all required data to employees via their handheld devices.

     

    The application aims at optimising the utilisation of available resources and ensures transparency in operation, guaranteeing a seamless operational experience. The application allows data to be updated real time, enhancing productivity, maximising revenue and increasing time efficiency of the sales team. In addition to making processes quicker, the data is displayed in interactive and graphical representations, making the app user friendly and easy to comprehend. A representative can view a sales revenue graph channel-wise, region-wise, programme-wise, executives-wise and the like.

     

    Instead of searching through file cabinets in order to update a customer, the employees at Sony now have all current data on their mobile phones. Mobicule Technologies CEO Siddharth Agarwal said, “We focus our research and developments in the mobile application space to enable companies enhance their efficiency, employee engagement and customer satisfaction. Sony Entertainment has been known for its innovation and this application provides a competitive mobile edge to their business, enabling access to real time information and track the performance at each level of the sales hierarchy.”

    “In the recent past, the entertainment industry has seen a plethora of changes spurred by the use of latest technologies. We at Sony believe in innovation along with the strategic directions in availing information for the right people at the right place in the right time. With this application we have been able to achieve desired excellence which has a catapulting effect on user’s delight,” said Sony Entertainment Network CIO Ajay Kumar Meher.

  • “How is a bad TV rating better than no rating?”: IBF secretary general Shailesh Shah

    “How is a bad TV rating better than no rating?”: IBF secretary general Shailesh Shah

    The Indian Broadcasting Foundation (IBF) got a new president in the form of MSM (Sony Entertainment Network) CEO Man Jit Singh last year. It also got a new secretary general in Shailesh Shah who last was CEO of a Singapore based venture a few months ago.

    Both got their positions when the Indian television industry is going through its toughest transition in known memory.

    India’ cable TV landscape is being rejigged through a government mandated digitisation drive. The government is constantly playing big brother on the content front, threatening to switch off channels on the slightest excuse.

    Advertising revenues for the most part have been growing marginally even as carriage fees have been battering the broadcasters’ bottom lines. And, of course, there has been an explosion with channels popping up almost every second week. This has led to fragmented audiences.

    For more than half a decade since it was set up in 1999, the IBF was a weak agglomeration, set up with the intent of representing the broadcasting community. But it did not seem to go anywhere, until Essel Group managing director Jawahar Goel became its president and it really took off under the leadership of Star India CEO Uday Shankar who invested time to get the government and other partners and affiliates to understand the industry’s point of view and react favourably towards it.

    Shah’s job is not easy: he has many masters as he leads an organisation, which has some of the most influential Indian executives on its board. But he has been running it quite deftly, absorbing and implementing their advice and inputs. Over the past three months, the IBF successfully got agencies to agree to net billings, and it is now working on getting ratings agency TAM Media to take a fresh look at how it conducts its ratings service.

    We spoke to Shah on the IBF‘s strengths, accomplishments, stance on TAM, ad cap and much more…

    Excerpts:

    How does the IBF work?

    IBF is an Association that represents television broadcasters.

    Its sole goal is to collectively improve the governance-bound economic growth prospects of television broadcasters by helping open gateways of access to revenue opportunities that matter. In doing so, the Foundation collectively a) identifies issues of import, b) researches these issues deeply, c) builds consensus around these issues , d) agrees to a strategy and execution plan on resolving issues, and most important, e) stays focused on execution until the issues are resolved.

    Simple. No rocket science. Nose to the grind kind of stuff.

    Like all such sector or industry associations, IBF works through a board.

    Members of the board and/or the foundation office bring issues to the fore, and then follow the process above to figure out if the issue is important enough, the issue is researched sufficiently to arrive at root-causes, precedent, best-practices. The issue can be addressed with a strategy that will deliver a solution effectively, and the strategy and consequent execution plan is enabled by the board to deliver.

    Every issue is dealt with through a working team, a committee, a task force or by the all important team of office bearers to arrive at conclusions and take them forward

    The foundation office ensures that when an issue is important, consensus can be arrived at and discussions, dialogue, research presentations, white papers and the like are used to help arrive at a consensus.

    So what has changed at the IBF that has brought issues like ad-slots, net billing, audience measurement, digitisation and content-complaints to the fore?

    Honestly, nothing. IBF just became a teenager. In the grand scheme of organisational dynamics, the association, I believe is maturing to collectively take on issues more holistically.

    The effort behind issues that bring researched solutions to the fore, make systematic effort to build consensus, ensure issues are genuinely industry-wide, and use the bright wisdom of its board effectively where a multiplicity of strengths lie is what IBF is doing more consistently.

    IBF also is very clear about being governance bound. As a board, it has never attempted to do anything that attempts to lead toward incorrect, monopolistic or oligopolistic practices. Ever so often, emerging sectors face flack on collusion. IBF is extremely clear on this topic – if an issue has any bell or whistle around governance, the foundation will not allow it to be dealt with.

    IBF’s ability to create teams from within its board and membership to address issues is also maturing well. The Foundation is able to consistently bring abroad representation on sensitive issues so that the resulting consensus is real, has stickiness, and will work. Similarly, teams that execute on issues or individuals that participate in committees are much more aligned to getting things done.

    There are instances where slippages do happen, not differently from any other organisation. However, the collective efforts of the board ensure these are being improved upon. More important, the Foundation has every intention of becoming the best representative of its members, ever!

    Who calls the shots at IBF?

    The board, through its president calls the shots at IBF.

    Over the years, IBF has become significantly more aligned on a bunch of topics that have come to either hurt them, or will help them.

    If such topics pass the muster on governance, and will stay governance-bound, IBF’s board will work towards a resolution, plan and focused execution.

    The big change is, there is real impetus over the last two years to not sweep topics under the carpet and the Foundation Office is playing a more active role in ensuring this remains steadfast.

    I am so green behind my ears, it would be audacious for me to claim I have driven any change. I am fortunate to have come in at a time when I am being baptised by fire

     What issues is IBF focused on resolving?

    The key priorities for IBF are digitisation, freedom of expression and a level playing field to bring every local and national channel being broadcast and distributed under the same purview of the MIB as its members and the 828 licensed channels are.

    To address these key priorities, the foundation needs to be strong. Weaning away niggling problems is part of that.

    How is IBF structured to address the issues and concerns of its members?

    IBF forms committees to address issues that will take a while to resolve, or where recurring issues need to be addressed. On point issues, it will form task forces. These get agreed to after a debate at the board.

    What have been the achievements and milestones so far?

    Credit between agencies and broadcasters, has almost become a science. An exceedingly well-established complaints council manages issues related to content. Taxation resulting from the way broadcasters invoice agencies is being resolved. With the help of advertisers and agencies, a next-in-class audience measurement system is on its way. I think the real achievement is, broadcasters are able to see several issues in the same light much more today than ever before.

    The media industry needs to dig deeply into understanding what is necessary to capture, measure and rate this vast linguistic diversity, geographic-cultural-social-economic-not-so-urbanised diversity notwithstanding

    What changes have been brought in the IBF over the past years?

    One of the biggest changes is, the tenure of leadership positions is clearly stated and accordingly, going forward, each leadership position will have limited “reign”. This is welcome because it provides opportunity and creates greater stickiness.

    What changes have you driven?

    I am so green behind my ears, it would be audacious for me to claim I have driven any change. The truth is, today is my hundreth day at IBF. I am fortunate to have come in at a time when I am being baptised by fire.

    What is your vision for it?

    Enable television broadcasters with the economic growth canvas that provides governance-bound access to multiple revenue streams and ensures collective progress through effective advocacy and interventions on issues such as digitisation, copacetic relationships with advertisers, agencies and the government, and most important, the right to express oneself with complete freedom, and the responsibility to do it correctly.

    Tell us how Man Jit Singh came to be elected as the president? How was the election? Isn‘t it true that Uday Shankar wanted another term?
    As I clearly said, the term for leadership positions is now pre-defined. The board follows due process in electing members into leadership positions and this is today followed stringently.

    The Indian Broadcasting Foundation, today, is very much a cheetah in a hurry. The past few months have seen IBF take a united and strong stance on matters like Net Billing, Ad cap and the latest TAM rating issue. What will you accredit this newfound aggression to?

    Firstly, IBF has not come together on all these issues. While we have definitely worked on net billing together with the agencies, and worked with TRAI on trying to resolve advertising minutes, TAM is a problem some broadcasters are working on. We are working with the ministry on several components of digitisation. And we are working to ensure we have the right to genuine freedom of expression as we demonstrate commensurate responsibility in using that right.

     

     

    Broadcasters are unhappy with what they are getting. So are the agencies. We have a road map for TV ratings in mind, but the industry will have to go through its recognition pains

     How has your journey as the secretary general been so far? Tell us about the highlights and accomplishments according to you?

    When one gets to work with smart do-gooders who are intent on getting things done, helping drive that intent strategically, building relationships in places that matter, driving priorities to conclusion and being impactful, the journey becomes fun. The sector is in its infancy and I get to partake as it matures. What could be more satisfying.

    Tell us what roles do the sub committees play in the over-all brand building and administration of IBF.

    As you have seen from NASSCOM, CII and FICCI, the value of any industry or sector association is directly proportional to the work it does. We are becoming a cheetah in a hurry. Time will tell.

    The Broadcast Content Complaints Council (BCCC), today has become the ultimate self regulatory benchmark for the industry. Elaborate on its strength, accomplishments, decisions and scope for improvement.

    10 per cent of our work got done when IBF worked arduously to select a pre-eminent council, which includes socially responsible celebrities and several national commissions. They have executed exceedingly well giving us a rating exceeding 80 per cent. BCCC is evolving and as you shall see in the near term, it will show value from continuous improvement. Secretary general of the BCCC Ashish Sinha has provided yeoman stewardship to ensuring the foundation for self-regulation is well in its place.

    Where do you see the on-going TAM fallout going at? What does the IBF exactly want? Do you think, an interim blackout until the establishment of BARC, is ideal for the industry?

    80+ million Telugu speaking Indians and about 60 per cent of them watching television get compared on the same canvas as 600 million cricket viewers, one million CSI New York viewers and less than 20 million Punjabi television viewers. The media industry needs to dig deeply into understanding what is necessary to capture, measure and rate this vast linguistic diversity, geographic-cultural-social-economic-not-so-urbanised diversity notwithstanding. Simplistic, superficial answers will neither solve the problem nor satisfy ratings watchers who feel like they are at a discotheque. This is a serious problem and it requires serious thinking. To repeat, TAM is not the problem. Its ineffectiveness is viewed as one. I believe a solution will emerge and I request the industry to watch this space.

    We have a road map in mind, but the industry will have to go through its recognition pains.

    In the case of no ratings for the coming month, do you agree that historical benchmarks should be the guide for advertisers? There seems to be a conflicting support on the TAM issue with broadcasters vehemently against continuing ratings, whereas, advertisers are willing to give TAM a chance to solve its issues. What do you have to say about that?

    Let me say this very, very simply – broadcasters are unhappy with what they are getting. So are the agencies. Please help me understand how a bad rating can be better than no rating?