Tag: Snap INC

  • APOS: Perspectives on the advertising economy & role of video

    APOS: Perspectives on the advertising economy & role of video

    Mumbai: APOS, the defining voice and global platform for the Asia Pacific media and telecoms industry, took place from 26-28 September 2023, at the Ayana Estate in Bali, Indonesia.

    Created & curated by Media Partners Asia, APOS is the ultimate destination for deals, partnerships and thought leadership with a focus on content, connectivity and commerce sectors.

    APOS was established in 2010 and is attended by global, local, and regional industry leaders.

    In a one-on-one conversation with Snap Inc president APAC Ajit Mohan on ‘Perspectives on The Advertising Economy & Role of Video’, here are his views on the same.

    On the topic of significant changes, Mohan said, “I believe that Snap represents a major shift in how people, especially younger generations, communicate. It’s evident in the creative world and the essence of authentic and private communication it offers, which is increasingly valuable in today’s world.

    Snap is currently at a pivotal stage in its journey as a 12-year-old company with a substantial and rapidly growing community of around 750 million users. This community predominantly consists of younger individuals who grasp the value proposition. However, we haven’t yet built a business that matches the scale of this community.”

    When asked about the exciting opportunities, Mohan replied, “I see an exciting opportunity in this part of the world, where I believe the next phase of innovation for the company can originate. Asia holds great potential, and I’m enthusiastic about what lies ahead for both Snap and our community.

    On APAC, Mohan said, “Our focus on APAC over the past four to five years has primarily centered on Australia, India, and Japan, with limited exposure to China. However, we are now gaining traction in countries like the Philippines, Indonesia, and Malaysia. As a relatively smaller company competing with tech giants and media conglomerates, my priority over the next 12 to 18 months is to ensure the sustained growth we’ve witnessed in these regions.

    For instance, in India, we’ve gone from zero to 200 million users in just two and a half years once the community grasped the visual, fun, and highly private nature of our platform. It’s clear that when our proposition resonates, and we achieve a certain scale, growth takes off.”

    On the other markets in the world, Mohan said, “My objective is to replicate this success in regions like Europe, the US, Southeast Asia, and North Asia. Much of our current efforts are focused on product localization and tailoring our approach for the specific needs of each community. Deeply localizing our proposition, while challenging, is a crucial step in our journey. This approach sets us apart from other tech companies and aligns with our commitment to delivering value to diverse audiences across the globe. Exciting developments are unfolding in Asia as we work towards these goals.”

    On revisiting the fundamental essence of why Snap makes sense, Mohan said, “It all begins with our unique concept—the app opening to the camera, enabling users to authentically express themselves within a close-knit circle of friends and family. This emphasis on privacy and authenticity sets us apart and was conceived as a counterbalance to traditional social media.”

    He went on to add, “This starting point has spurred much of our innovation around cameras and lenses. Younger generations use the camera as their primary mode of communication, creating lenses and augmenting their visuals to engage throughout the day.”

    Earlier this year, we introduced an AI Chatbot experiment, My AI, in the messaging context. Surprisingly, over 150 million users quickly embraced this service. It revealed that people not only desire interactions with friends and family but also value conversational AI that harnesses the potential of advanced language models.

    On venturing into the AR, Mohan stated, “We’ve also ventured into the realm of dreams, where Augmented Reality (AR) takes center stage. With approximately 250 million Snapchatters actively using AR, we possess one of the world’s largest AR communities. Recent developments in AI have presented exciting opportunities, such as creating stylized images of oneself and collaborating with friends in this creative process.”

    He further added, “In this context, it’s essential to understand that AI and machine learning have evolved beyond mere content matching. While technology and media companies have historically used tech for content recommendation, we’ve reached a stage where we’re redefining the conversation. Our innovation revolves around enhancing the user experience within our beloved community, leveraging advances like conversational chatbots and general AI capabilities to keep the conversation authentic and engaging.”

    Snapchat’s AR features have revealed an interesting trend, particularly among our younger user demographic. Many of them use AR to virtually try on clothing and shoes, suggesting a strong appetite for this kind of interactive experience. Consequently, numerous brands are engaging with our community to bring these try-on experiences to Snapchat.

    Our decision to explore taking these capabilities beyond the platform aligns with our ongoing investments in AR. We recognize that this opens up various possibilities for us to explore.

    We’ve reached a significant milestone in terms of the size and loyalty of our community. With a strong focus on privacy and authenticity, especially catering to the younger demographic prevalent in this region, we’ve established ourselves as an innovative platform. However, we acknowledge that we’ve been somewhat less successful in building a robust monetization engine around it. Over the past two years, we’ve been working diligently on improving performance and optimizing the platform for advertisers. We’ve seen early positive results, and given the rapid innovation happening in this region, we’re optimistic about the growth opportunities.

    Our strategic approach involves diversifying our revenue streams. The launch of Snapchat Plus, a subscription service offering early access to products and features, has exceeded our expectations, recently surpassing five million subscribers. Additionally, we’re exploring opportunities in the ever-evolving retail and e-commerce landscape. Our community, primarily aged 30 to 34, is open to discovering new categories and products, making us well-positioned to tap into the thriving retail and e-commerce industry catering to millennials.

    Our key priorities and pillars of growth for 2024 are as follows:

    Maintain Momentum: We aim to sustain the impressive momentum we’ve achieved in countries where we’ve rapidly gained traction, such as India and Australia. This includes continuing to scale up our business, which is part of our global agenda.

    Focus on APAC Agenda: The Asia-Pacific (APAC) region presents unique opportunities and challenges. We have a specific agenda for APAC, recognising its importance in our global strategy.

    Learning from Industry Leaders: We see valuable learning opportunities from experts in both the media and tech industries, many of whom are present in this room. Collaborating and gaining insights from industry leaders will be instrumental in our growth strategy.

    Expanding to New Territories: With a strong foundation in place, we intend to carefully select new markets, such as Indonesia, Vietnam, Korea, and the Philippines, where we can introduce the magic of the Snapchat community and grow our presence.

     

  • Snap Inc. onboards Pulkit Trivedi as India managing director

    Snap Inc. onboards Pulkit Trivedi as India managing director

    Mumbai: Snap Inc., the technology company that brings the world Snapchat, today announced the appointment of Pulkit Trivedi as India managing director, reporting to Snap’s APAC president Ajit Mohan.

    Trivedi joins Snap from Google where he has spent the past five years as the Director of Google Pay – India Business Team. As a part of the leadership team, Trivedi was responsible for building strategic plans for the business, forging key partnerships, and leading the monetization agenda for Google Pay in India.  

    In his role, Trivedi will be responsible for leading the organization’s Indian operations including driving revenue, supporting partners, and nurturing the creator ecosystem. Under a new operational structure, the Growth, Market Development, Partnerships, Content and Creator Ecosystem teams will now report directly to Trivedi. This new, highly localized structure reinforces Snap’s commitment to India to further build unique experiences for the company’s growing user community.

    Snap Inc. APAC president Ajit Mohan said, “I am thrilled to welcome Pulkit to the Snap team at such an exciting time for our organization, both in India as well as more broadly across Asia-Pacific. Pulkit’s deep expertise in building and scaling businesses and finding ways to drive outsized growth for partners will enable us to continue delighting our surging community of over 200 million Snapchatters in India.”

    Mohan continued, “Unifying our local teams under this new structure will set the right stage for making accelerated investments in India and enable us to further fuel the growth of our community and partners.”

    Trivedi brings with him over 23 years of experience from top technology companies, including leadership roles at Meta and Google in India.

    Trivedi said, “Snap has a reputation for being a true innovator and has built a thriving community in India with a product that has connected with so many young Indians. I could not be more excited to join Snap and look forward to unlocking the enormous opportunity alongside a capable and dynamic team, supporting brands, creators and the community alike. India is one of the world’s fastest-growing internet economies giving Snap an exceptional opportunity to actively contribute to the expansion of our community and businesses.”

    In May, Snap announced the milestone of over 200 million monthly active Snapchatters in India with more than 120 Million Indian Snapchatters watching content across Stories and Spotlight, the fourth and fifth tabs of the app. Spotlight has continued its significant growth with time spent in India alone more than tripling, with a new generation of creators building audiences and businesses on Snapchat.

  • MTV India & Fully Faltoo announce a strategic partnership with Snap Inc

    MTV India & Fully Faltoo announce a strategic partnership with Snap Inc

    Mumbai: Viacom18’s Youth, Music and English entertainment (YME) cluster announced a strategic content partnership with Snap Inc. The cluster aims to provide its clutter-breaking content and innovations from Fully Faltoo and MTV India to Snapchat’s widespread user-community.

    Snapchatters will get to enjoy snackable content and snackable clips of select content across genres and a variety of youth fiction and non-fiction shows—from Parodize Station and Bad Breakups from multi-format content destination Fully Faltoo, to pop-culture and genre-defining MTV offerings such as Splitsvilla, Hustle 2.0, new seasons of action-adventure reality show Roadies and more.

    Speaking on the partnership with Snap Inc., Viacom18 YME cluster digital partnership lead Tarun Saxena said, “As we continue to scale up, we aim to close the fragmentation of touchpoints and offer our cluster’s rapidly growing content inventory to our audience through a multiplatform strategy. Engaging with the dynamic generation of Snapchatters, we see a great opportunity to achieve meaningful reach and deepen engagement with the youth across yet another canvas.”

    Snap director media-partnerships-APAC Kanishk Khanna added, “At Snap, we are committed to localising the app experience for our Indian community and driving relevant, interesting content for them. Our partnership with Viacom18’s Youth, Music and Entertainment cluster will add value to Snapchatters and reinforce our local-first content strategy.”

    As short-form content continues to permeate and significantly redefine mainstream consumption, snackable content has become the mainstay of audience engagement and transmedia storytelling. Riding this wave and surpassing its own benchmarks with a swiftly growing content library, the YME cluster is all set to revolutionise the category with unique digital partnerships.

  • MIPCOM 2017 – Content Really is King!

    MIPCOM 2017 – Content Really is King!

    Eye-opening, international, new content for multi-platform that fully embraced digital and VR were my key takeaways from MIPCOM 2017. The world may be going digital but content will always be king!

    MIPCOM is an education and has the power to reinforce your own strategies as a business as well as support and network you to grow the future. As an individual, I was pleased to see how broadcasters and the industry are defining 360 degrees digital strategies as well as traditional TV protocol. With keynotes and sessions on how to stand out in the over the top (OTT) and mobile space as well as defining strategies for new digital commissions e.g., ViaPlay (Nordics), Vivendi’s STUDIO+ (France) and others, it was great to see how they are attracting new audiences.

    New partnerships are flourishing too as Sky Original programming and Amazon launched their co-production of Britannia, a TV series to rival Game of Thrones. Even Sean Mills, senior director of content programming, Snap INC and NBC Universal announced their JV to produce content for a digital audience. Facebook head of global creative strategy Ricky Van Veen director of video product Daniel Danker announced the launch of their video product, Facebook Watch as well as the launch and remake of a Norwegian teen video drama SKAM.

    The Palais, La Croissette and Riveria were basking in the sun as meetings, conversations and networking were taking place over lunch, crepes, bagettes, champagne and canopes. It was mind blowing to see the number of exhibitors and new content within the Palais from Zee Entertainment, BBC Worldwide, Discovery and new platforms and services like One Life Studios and Jukin Studios. I could be in a queue for lunch and meet Russian content distributors one minute and then sit outside in between sessions and openly chat with African distributors after which they invited us to parties on the Croisette. Every hour there, I gained a new learning or a new contact or a new view on the content marketplace.

    Spanish and Russian content were celebrated magnificently this year. TV Azteca CEO Benjamin Salinas Sada launched ‘Dopamine’ at the 25th anniversary celebrations and confirmed their international and new programming formats (https://www.rapidtvnews.com/2017101849301/mipcom-2017-grupo-salinas-aims-for-international-production.html#axzz4x5WNBzyd). In addition, there truly was a Russian content revolution where the spotlight was on the world premiere of Trotsky, an epic biopic of Marxist revolutionary Leon Trotsky, with his famously complicated romantic life featured as well as his political beliefs. NTV broadcasting and other Russian studios also showcased a wide array of high quality products. (http://pressroom.mipcom.com/press-release-en-2017/russian-content-revolution-set-to-shake-up-mipcom-2017-1004-5793).

    Diversity also was a huge theme this year. Sir Lenny Henry launched Diversify TV and the Diversify TV Excellence Awards evening celebrated those that had achieved brilliance in these groups (https://mipblog.com/2017/10/diversify-tv-excellence-awards-winners-mipcom-report/). The sponsors were A+E Networks, Viacom and Ebony TV and the evening paid tribute to international programming that provides a fair, accurate representation of ethnic groups, LGBTQ (lesbian, gay, bisexual, transgender and queer) and disabled communities.

    In all of this, my own question as a British-born, international Indian was…where are you India? The traditional studios and broadcasters from Star India, Zee Entertainment, Eros and more were, of course, well represented and as humble as ever and welcomed meetings and future opportunities for content buyers and sellers. However, Baahubali, Dangal…the world was asking me where were you at MIPCOM! I know you very well and your content is beyond outstanding on many levels. I want to see more of the Indian industry there, coming to showcase, use and learn from MIPCOM and to then come back with more and more blockbusters. Although India has been the country of honour before at MIP, I look forward to hearing what you do next especially in the animation space (http://www.animationxpress.com/index.php/mipcom-2017/mipcom-2017-sees-signing-of-big-deals-in-india-and-asian-market) and I also look forward to producing the future with you (http://www.artsforindia.org/areas/cinema/)
    Baaaaaahhhuuuubbbhhhaaaaallllliiiii   !!!

    public://Sonal_Patel.jpgSonal Patel,  Digital Queen by Day; Charity Committee, Arts for India & Producing the Future.The views expressed are personal and Indiantelevision.com need not necessarily subscribe to them.