Tag: Sidharth Jain

  • OTT or not OTT: Streaming takes a starry U-turn in India

    OTT or not OTT: Streaming takes a starry U-turn in India

    MUMBAI: OTT promised to disrupt, democratise and decentralise content.

    But as of 2025, that promise is looking increasingly like a nostalgic trailer.

    In the latest firecracker of an episode from the podcast What India Needs!, host and media entrepreneur Shutapa Paul sat down with content maven Sidharth Jain to lift the lid on Indian streaming’s messy midlife crisis.

    Jain, the guy behind hit shows and sleepless nights for scriptwriters everywhere, joined Paul for a raw and revealing chat on what’s working, what’s worrisome, and what’s getting washed out in India’s $4.5 billion OTT pool – a figure projected to cannonball to $27.2 billion by 2033.

    “The beauty of OTT is that there’s something for everyone,” Jain said, though he noted that grim, gritty narratives are slowly being benched in favour of feel-good, lighter content. Apparently, viewers want dopamine, not depression. And that shift is forcing creators to think pastel instead of pitch-black.

    Paul took aim at censorship, calling out platforms for self-censoring and dodging anything remotely political. “Streaming platforms don’t want to commission or carry content which can be political or controversial,” she said. Jain didn’t disagree. “Why create something that could lead to legal battles and unnecessary trouble?” he added.

    Under India’s IT Rules of 2021, platforms now navigate a vague maze of self-regulation, which has led to more red tape than revolution. Ambiguity is the enemy, and it’s pushing creators to pull punches before they’ve even picked up the pen.

    So, is streaming still a playground for the underdog? Not quite. Jain threw shade on the idea of democratisation, noting how star-driven content and legacy studios have once again taken centre stage. “OTT was always about convenience… The real democratisation is happening on platforms like Youtube and social media, where anyone can create and share content,” he said.

    In fact, OTT has started borrowing a page from the FMCG playbook. Star power is the new sugar, slick campaigns are the packaging, and your attention is the shelf space everyone wants. Jain pointed out that platforms now prefer faces that can light up billboards—and bring built-in followers to boot.

    For those looking to break in, Jain offered a reality check, not a rose-tinted filter: “I would never recommend someone to enter this industry for an easy career. It’s easier to become a pilot or climb a mountain peak than find a sustainable career here.”

    His advice?

    Start scrappy.

    Use Youtube.

    Make short films.

    Be consistent.

    Be authentic.

    And, above all, be ready to get punched in the creative gut before anything clicks.

    The episode isn’t just a chinwag – it’s a crash course in surviving India’s streaming jungle. Jain and Paul unpack the evolution of OTT from a scrappy disruptor to a polished, star-backed machine that’s still figuring out where to go next. In a market with over 480 million OTT users and growing, the stakes – and expectations – are sky-high.

    Watch link: https://open.spotify.com/episode/5yVct5K2dKP0VoMmtYtIBF?si=DEwz-r8xTwudBkrhqa7BHg 

  • Baweja Studios & House of Talkies seal three-project deal at Mip London: Variety report

    Baweja Studios & House of Talkies seal three-project deal at Mip London: Variety report

    MUMBAI: Harman Baweja’s Baweja Studios and Sidharth Jain’s House of Talkies have partnered for a three-project deal announced at Mip London, uniting two content-driven Indian production houses, Variety has reported.

    Baweja Studios, producer of Zee5’s Mrs.—a reimagining of The Great Indian Kitchen—will collaborate with House of Talkies, the company behind Netflix’s Trial By Fire, which won the Filmfare OTT critics award for best series.

    House of Talkies, linked to Jain’s The Story Ink, specialises in book-to-screen adaptations, representing 500+ stories. Baweja Studios’ upcoming projects include Dil Ka Darwaza Kholna Darling, directed by Vikas Bahl (Queen, Super 30), starring Jaya Bachchan, Siddhant Chaturvedi, and Wamiqa Gabbi, along with Boy From Andaman by Delhi Crime creator Richie Mehta and Imagine Entertainment.

    “At Baweja Studios, storytelling is a sacred responsibility,” said Baweja. “Trial By Fire showed a fearless voice, and Sidharth ensures stories reach audiences in their most powerful form.”

    Jain added, “Baweja Studios crafts films with transcendental power. Our upcoming films and series will explore human conditions while engaging audiences.”

    “With The Story Ink ecosystem scaling up, the timing of this collaboration couldn’t be better,” he noted.

  • The Content Hub 2024 – Changing Business of Content: How big is the shift and how long is it to stay?

    The Content Hub 2024 – Changing Business of Content: How big is the shift and how long is it to stay?

    Mumbai: The eighth edition of The Content Hub Summit delved into the ever-changing world of content creation. With the consolidation of platforms, creators face new hurdles in gaining visibility, maximizing revenue, and maintaining creative freedom. The event explored the remarkable theatrical success of Indian cinema and unraveled the secrets behind its unprecedented profits, with a critical eye towards its sustainability.

    The esteemed panel of industry leaders have shared their expertise on adapting to the shifting landscape, tackling daily challenges, and envisioning the future of production. 

    The session was moderated by Elara Capital senior vice president Karan Taurani which included panelists: Fremantle India managing director Aradhana Bhola, House of Talkies founder & producer Sidharth Jain, Jio Studios Head – Originals Tejkarran Singh Bajaj and producer & content head Ashima Avasthi Chaudhuri.

    Guiding the dialogue was Taurani, who steered the conversation towards the imminent trends in content consumption. Bhola espoused the paradigm shift in storytelling possibilities post-COVID, elucidating on the burgeoning spectrum of narratives that now captivate both creators and consumers alike.

    Bajaj gave a nuanced perspective on the role of data in decision-making, cautioning against its exclusive reliance. With eloquence, he delineated the delicate balance between leveraging data insights and preserving the intangible essence of creativity that distinguishes human ingenuity from algorithmic predictability.

    Jain elucidated on the challenges inherent in curating compelling narratives, underscoring the pivotal role of assembling adept teams to actualise creative visions seamlessly.

    Lastly, Chaudhari offered profound reflections on the evolving palate of the audience, emphasizing the imperatives of captivating their increasingly discerning sensibilities. With perspicacity, she underscored the exigency of recalibrating cinematic endeavors to resonate with the evolving expectations of the viewer, amidst the segmentation of diverse entertainment mediums.

    In essence, the session forged a roadmap for content creators to navigate the landscape of the digital age. 

  • Story Ink, Locomotive Global Inc acquire screen adaptation rights for ‘The Making of Star India’

    Story Ink, Locomotive Global Inc acquire screen adaptation rights for ‘The Making of Star India’

    MUMBAI: India is getting its very own version of Mad Men on the life and times of the broadcasting world. The meteoric rise of Rupert Murdoch’s Star India during the satellite boom of the 1990’s will now be the base for an upcoming digital drama series. Locomotive Global and The Story Ink have acquired the screen adaptations for Vanita Kohli-Khandekar’s book ‘The Making of Star India’.

    The book takes the reader through the fascinating journey of Star: how Rupert Murdoch bought Star TV, then a pan-Asian broadcaster, from Hong Kong businessman Richard Li, and its transformation over the years into one of the three largest media companies in India.

    Story Ink founder Sidharth Jain and Locomotive Global co-founder Sunder Aaron will produce a 10-episode, multi-season, scripted drama series using the book as a base. The fictional series will be based on the heady days of Indian television, during the 90’s and 2000’s, rather than a literal translation of the book.

    Jain stated, “Our aim is to create a global quality scripted series. A ground-breaking new show that will be akin to Mad Men meets Succession, and set in the roaring rah-rah early days of the Indian television industry of the late 1990’s and early 2000’s.”

    The on-screen adaptation will carry the audience on a journey through the meteoric rise and revolution of the Indian television industry. Jain and Aaron’s objective is to produce a premium drama series that will be made available to viewers via a global streaming platform partner. 

    Aaron commented, “We aim to pull the curtains back and present the story of Indian television in an unconventional and groundbreaking way that people around the world will find compelling to watch. Today more than ever before, viewers of premium drama series want to lose themselves in an authentic world they find fascinating and yet never knew existed.”

    “As a teenager, I won awards for fiction; I found my profession in non-fiction. Now over two decades later a piece of non-fiction I have written is being used to create a drama series. Life comes full circle,” shared Kohli-Khandekar in a LinkedIn post.

    One such show that has been previously attempted was TVF’s Thinkistan that explored the advertising industry in the 1990s.

  • Juggernaut Productions inks content licensing deal with The Story Ink

    Juggernaut Productions inks content licensing deal with The Story Ink

    MUMBAI: Juggernaut Productions, the platform-agnostic content creation studio providing an end-to-end solution by IN10 Media Network, today announced a significant content licensing deal with The Story Ink, India's largest story company and also the leader in book-to-screen-content solutions. The production house has acquired the official screen adaptation rights of Jay Alani and Neil D’Silva’s Haunted to create yet another edgy series.

    One of the most popular titles in non-fiction horror genre, Haunted chronicles the real-life adventures of paranormal investigator Jay Alani in ten of the spookiest locations in India. Co-authored by Neil D'Silva, these exploits provide a ringside view of these hair-raising paranormal journeys for everyone interested in exploring the dark side of the normal. Over 1000 copies have been sold since the book was released in November 2019.

    Commenting on the acquisition of screen rights of Haunted, Samar Khan – COO, (OTT), Juggernaut Productions, said:  “With the arrival of digital platforms the scope for differentiated stories has quadrupled. For a 360-degree content creation hub, this is a great opportunity allowing us to work on a variety of tales across genres, including supernatural stories from Haunted. We look forward to start working on the onscreen adaptation and hope that the retelling will be as gripping and exciting as the book.”

    On the association with Juggernaut Productions, Sidharth Jain, Founder, Producer and Chief Storyteller, The Story Ink, said: “Juggernaut Productions was my first choice as a producer for Haunted and I am confident that Samar and team will do a terrific job to scare the audience with these real experiences."

    Paranormal Investigator Jay Alani, who recounts his real-life experiences in Haunted, said: "Haunted is not just a book; it's a journey, a journey that depicts the reality of the paranormal as seen by me, which made me realize that the scariest entity on this planet are humans, not ghosts. As a paranormal investigator, it has been a tough journey for me. I have been bitten by snakes, attacked by wolves, survived on leaves and the most impure water. This was all to discover the reality of this dark world which has been expressed beautifully by Neil D'Silva in Haunted. I am sure Mr Khan and his team at Juggernaut will do great justice to its screen adaptation."

    A bestselling author, Neil D’Silva, known for his horror novels Maya's New Husband, Yakshini and Haunted said: "The stories of Jay's paranormal investigations in the most haunted locations of India as written by me are both shocking and educational at the same time. While they cater to the sensibilities of horror fans, they also show us a grim reality of the other side that is not often showcased. I am glad that Haunted will have a screen version with Juggernaut Productions, for now this gritty truth of Indian horror will reach out to many”.