Tag: Siddharth Kumar Tewary

  • Siddharth Kumar Tewary to own the Punjab Bulls team in  Tennis Premier League

    Siddharth Kumar Tewary to own the Punjab Bulls team in Tennis Premier League

    MUMBAI: After a prolific presence on television with some of the most popular shows like Mahabharat, Porus, RadhaKrishn and many more, writer,  director and producer Siddharth Kumar Tewary, founder of Swastik Productions has now set his eyes on the Tennis Premier League. Siddharth Kumar Tewary has bought the Punjab Bulls for the upcoming season.  The Tennis Premier League is all set to flag off its second edition and is scheduled from December 12 to 15 at the Celebration Sports Club in Andheri, Mumbai.

    At the auctions held recently, Siddharth Kumar Tewary has bought the top player in the men's list, Jeevan Nedunchezhiyan who is currently ranked India’s number 4 in the men's doubles and Pranjala Yadlapalli who is currently India’s number 2 in the women’s singles for his team. Punjab Bulls seems to have strengthened their core team in order to establish a mark for themselves.

    The first season, that saw around 132 players fight for the championship in various categories were well accepted by the country. The league received an overwhelming response and tremendous support and encouragement from the entire sports and entertainment fraternity. This season, in a unique format, each team will compulsorily have a player on a wheelchair and 2 winners of the talent day in Delhi, that will be announced later. The league is established under the guidance of  AITA and MSLTA.

    Not many know that Siddharth Kumar Tewary is equally passionate about sports and plays recreational tennis and follows the sport with a lot of interest. He was present at the auctions along with the mentor of his team, Ajay Lakhotia. Commenting on this association, Siddharth said,  “I have been an ardent fan of tennis since I was a child. Having practised the sport myself, I understand the intensity and fitness it demands. I’m glad I have got the opportunity to own Punjab Bulls for the second season of the Tennis Premier League to be held in December. The league is a great opportunity for players from all over our country to showcase their passion for the sport and use this platform to hone their skills further and represent our country internationally. Also, I'd like to congratulate Kunal Thakkur and Mrunal Jain for this great initiative that will help our tennis enthusiasts further their growth.”

  • Colors’ new epic Ram Siya Ke Luv Kush to premier on 5 August at 8.30 pm

    Colors’ new epic Ram Siya Ke Luv Kush to premier on 5 August at 8.30 pm

    Ayodhya: Ramayan, the revered classic, forms the bedrock of Hindu mythology and its teachings are deeply engraved in our cultural history. A tale of Lord Ram and his beloved wife Goddess Sita is rendered eternal and it encourages us to follow the path of righteousness. Narrating the virtues of Ram-Sita through the lens of their sons Luv-Kush in an artistic rendition of the sacred scripture is COLORS’ magnum opus Ram Siya Ke Luv Kush powered by India Gate Basmati Rice. The show will unearth Luv and Kush’s quest to know their father’s identity which leads them to discover the power of his name and reunite their parents for the greater good. Produced by Swastik Productions, the show will premiere on 5th August 2019 and air every Monday to Friday at 8.30 pm on COLORS.

    The show dates to the magical era when Lord Ram-Sita return to Ayodhya after their fourteen years of exile while Sita is an expectant mother. Celebrations galore and they are welcomed amidst festivities, but the happiness is short-lived. Lord Ram is met with a wave of despair as he finds Ayodhya vasisquestioning Sita's morals and purity post her return from Lanka. While this baffles Ram, Sita senses his dilemma. She decides to leave Ayodhya to uphold her and every woman’s honor and Ram as a husband supports her decision. Beneath the quiet and submissive exterior of Sita, lies immeasurable power. She endures the courage to live by herself and gives birth to Luv and Kush. While they are oblivious to their lineage, they imbibe the same wisdom and compassion as their father Ram. They face adversities and overcome them like true warriors which leads them to reunite Ram-Sita, thus completing the eternal epic, Ramayan.

    Commenting on the launch of the show, Nina Elavia Jaipuria, Head, Hindi Mass Entertainment & Kids TV Network, Viacom18, said, “Indian audience has a penchant for mythological shows as its appeal cuts across all age groups. The shows provide a window to witness the glorious tales through nuanced storytelling and larger than life depictions. Ram Siya Ke Luv Kush will showcase Ramayan narrated from Luv-Kush’s standpoint and how they strived to bring their parents together. It will serve as a perfect opportunity for people to reconnect with our culture and relive the timeless tales. The show is one of our biggest launches this year and we are happy to partner with Swastik Productions once again. They are known to breathe life into many mytho-centric stories including our previous offerings Karmphal Data Shani and Mahakali. We are looking at strengthening the 8.30pm timeslot with this show and thus offering variety to our viewers.”

    Speaking about the sponsorship, Mr. Ayush Gupta, Business Head, KRBLsaid, “Indian culture and traditions are largely spun from our scriptures. These values are what makes us humble, humane, brave and intellectually sound at the same time. India Gate Basmati Rice, the largest selling basmati rice brand in India, understands these emotional threads which are woven into the social fabric of Indian society. We are proud to be associated with Ram Siya Ke Luv Kush as it puts impetus and further strengthens our belief in traditional Indian sentiments. We wish the channel and production team all the best for the success of this epic series.”

    Speaking about the concept of the show, Manisha Sharma, Chief Content Officer, Hindi Mass Entertainment, Viacom18, said, "Ramayan, the eternally universal unifier, is an embodiment of our strong culture, which brings alive the virtues of faith, love, bravery, brotherhood, and sacrifice. All these factors hold significant relevance in today’s day and age and the lessons from the epic have been passed on to from generations over, through its traditional stories. Built on this key insight, Ram Siya Ke Luv Kush will highlight the part of Ramayan which puts the spotlight on Lord Ram and Goddess Sita’s sons Luv-Kush, and how they became instrumental in completing Ramayan. The show scales up in terms of detailing in every aspect including storytelling, production value, special effects, and we are hopeful that our vision turns out to be one of the biggest mythological entertainers for our viewers.”

    Producer Siddharth Kumar Tewary, Swastik Productionscommented, “This is the biggest and the most revered story of our country. My vision is to take our nation back to its roots. It will not just entertain the viewers but will also educate us about our values and our culture. We have made the story relevant to today's youth as I believe it's very important for them to understand our core. The visualization and the presentation is of the highest standards on Indian television and I am hoping that the entire family can watch this series together to understand the story of our roots, the story of our nation.”

    Essaying the character of Lord Ram, Himanshu Soni said,“I have grown up listening to mythological tales and have always been mesmerized by its greatness. This is my second time of playing a godly character and I feel fortunate to be able to recreate the magic through my roles. Playing Lord Ram has been a life-changing experience as it’s tough to emulate his powerful demeanor and strength on screen. Doing justice to it was extremely critical to me as an actor. I am looking forward to associating with COLORS and I hope that the viewers appreciate our efforts.”

    Portraying Goddess Sita’s character, Shivya Pathania, said, “My entire family worships Lord Ram and Sita and they were extremely happy when I broke the news of playing Sita in the show. They felt that their dream has come true through me.  I have played various mythological characters in the past but playing Goddess Sita was a different experience altogether. A lot of responsibility lies on your shoulder when you essay a divine character and I wish to live up to everyone’s expectations.”

    Ram Siya Ke Luv Kush is backed by high production value and the costumes, jewelry, and sets have been designed in a way that it complements the grandeur of the era.  Shiba Priya Sen from Kolkata has added elements from Kumartuli to Ram and Sita’s apparels and accessories. From special cuts of Banarasi saree, georgettes, and silk to dried seed and flowers of Santi Niketan, their look boasts of richness. Udit Narayan has sung the title track while the Halidpur brothers, Sangeet and Siddharth have composed it. Ace choreographer Rekha Chinni Prakash has aesthetically choreographed the opening dance sequence for the show. 

    The channel has devised an elaborate marketing and digital plan to reach out to the consumers.  A key on ground highlight is COLORS Bhakti Ki Yatra, one of its kind concepts, manifested in a form of a holy structure on wheels that hosts Hologram technology to showcase Ramayana’s chapters and give Sakshat Darshan of Ram, Siya, Luv, and Kush to the devotees. A jaw-dropping dance performance by a large troupe and grand Ashwamegh structure are the paraphernalia of this Yatra. The audiences will get a chance to witness this breakthrough consumer connect drive across key market areas, colleges, townships in Uttar Pradesh. The initiative will be amplified on local radio stations, cable, digital through contests and meet and greet program. In a first of its kind partnership, the channel is set to associate with Google to enhance the experience for the audience on the digital front. It will enable them to engage with the actors through Google Assistance and share show gifs. Additionally, the channel will be creating a Ram Setu on Twitter by having a slew of influencers engaging through a single tweet and creating an illusion of a bridge on social media. 

    The show also features a stellar cast including Harshit Kabra as Luv, Krish Chauhan as Kush, Zuber Ali as Hanuman and Naavi Bhangu as Lakshman amongst many others.

  • Colors assembles 1000 workers for the set of ‘Ram Siya Ke Luv Kush’

    Colors assembles 1000 workers for the set of ‘Ram Siya Ke Luv Kush’

    MUMBAI: A team of 1000 workers have been employed to create the set of COLORS’ upcoming mythology show Ram Siya Ke Luv Kush. The show is set to go on-air on 5 August at 8.30 pm.

    Boasting of its uncustomary designs and intricacy the set is one of the composites set up of Indian television in today's time.  A team of more than 1000 skilled workers have been employed to bring alive the story of Ramayana through the sets.  The team has been doubling hours and working day and night to beautifully blend India’s rich mytho and the creative imagination of the team.

    Commenting on the grandeur of the set, Siddharth Kumar Tewary said, “The set of the show is the result of a lot of effort and deep thinking. We were challenged and more excited to create the different worlds of the Ramayana. We had to create the Ayodhya palace, the ashram and the forest where Luv and Kush grew up. Everything was very well thought through to bring things alive the pages of Ramayan in the most creative way.”

    Nothing seems to stop the hardworking force not even the heavy showers that posed to be the biggest challenge in this weather. It truly takes an army of skillful people and the imagination of a team to bring to life, history's greatest story. 

  • Broadcasters split over rising production cost of GEC content

    Broadcasters split over rising production cost of GEC content

    MUMBAI: The rise in over the top (OTT) platforms has also led broadcasters and production houses to drive up the investment into its TV shows. The same companies are now even producing for both TV and digital.

    TV still has more headroom for growth, despite the OTT hype. India has 64 per cent TV home penetration and much room for growth. Data also shows that 86 per cent of Indian homes still watch TV on CRT sets and only 3 per cent are multi-TV homes. TV viewing in India has grown from 3 hr 14 min (2015) to 3 hr 36 min (2017) but it is still lower than the US, which boasts of an ATS of 3 hr 54 min. This gives a clear indication that there is immense scope for TV and it will further rise. According to FICCI 2018 report, TV viewership has grown by 21 per cent and it has grown across all age groups. On the other hand, even giants like Netflix and Amazon Prime Video are finding it tough to crack the OTT market here. The country’s online video market, valued at over $700 million, is expected to grow to $2.4 billion by 2023.

    According to Zee TV business head Aparna Bhosle, production cost will not increase. Whereas, Sony Sab, Pal business head Neeraj Vyas believes it will definitely increase. Viacom18 youth music and English entertainment head Ferzad Palia said that the cost of production will not be affected massively but will see a win-win situation for broadcasters, production houses and consumers.

    Viacom18 Hindi mass entertainment and kids TV network head Nina Elavia Jaipuria made her point by saying that a GEC needs fresh episodes every day, unlike OTT where the concept is of limited episodes and seasons with intervals. She added that there could be inflation and there could be little talent cost going up but there would not be that kind of inflation where the cost of production will go up.

    Vyas said, “Content house is constantly growing and this is the time where good, differentiated and innovative content is really needed, and that’s not going to be cheap." Whereas, Bhosle said, “The cost of production will not increase. It largely depends on the kind of story, where you set it and how much you want to spend on it. So you can make a story in Rs 40 lakh or you can also make a story in Rs 5 lakh. It all depends on the quality.” She differentiates that OTT viewing is individual in nature while TV here is more family-oriented. So even if shows are being watched on OTT, it does not mean that it’s eating away from television.

    Moreover, Palia said that there have been cases where the cost of production for digital is higher than what one would pay for television. He said that he has also heard about the instances where the bigger production houses had limited bandwidth and had chosen to do a digital show over a television show. According to him, it is a great opportunity for them because they can now monetise it across different screens and also for the production houses who could earlier make content for television to now broaden its base to mobile screens as well. “So I think it’s a win-win and I don’t think it will massively affect the cost of production. The consumers will also have a broader choice for the content that they want to watch and at a time and place where they want to watch,” he said.

    Indian broadcasters produce over 100,000 hours of content annually across languages and formats while newer players are investing higher amounts per episode and are tying up with leading talent. The increase in cost is expected to impact cost of film acquisition more than costs of episodic content. The overall cost of content rose by almost 2-3 per cent of their top line. With OTT companies refusing to take their foot off the pedal, broadcasters have no choice but to pay up. However, if their bid for quality programming fails to generate higher viewership which can be monetised better, broadcasters may not pursue quality, and stick to current cost metrics, according to a report. 

    Jaipuria said that TV needs to be supplied with 10 episodes a day and to meet such demands, the supply has to be at an affordable rate. While there is always inflation, I’m not sure there is going to be so much inflation in the cost of content per se when the demand is so high. "There has to be a demand and supply which will always even out. Even if there is an increase in cost, we are hoping that in the long term, we better our subscription revenue with the tariff order and that means we will invest more in content," she added. 

    Production houses have a similar story to tell. For Peninsula Pictures, led by Nissar Parvej and Alind Srivastava, the cost of production will not observe a hike. On the contrary, Swastik Productions writer, director, and producer Siddharth Kumar Tewary felt the opposite.

    Parvej said that the money is definitely more in the OTT space, but that doesn't make TV insecure.  “TV will be TV. I feel it will go down because I think the advertising money that they used to get before is not the same. The kind of cost we used to get five years is not seen anymore, it has come down and that is why the competition has become stiff. Reliance etc. are pumping in money but how much of it works, we will have to wait and see. There might be a cut-down or might take 4-5 years for OTT to settle,” he said.

    Srivastava chipped in and said, “I don’t think cost of production will go up. It also depends on the storylines like mythological shows can be made in Rs 10-50 lakh per episode.” Since consumers are exposed to global content now, local players, as per Tewary, will have to work on the content quality.

    Twisting it around, Carat India SVP Mayank Bhatnagar gave a different perspective to the mushrooming trend. He said that in 2019, the production quality has to be good but it will all depend on marketing. “People will only watch this content if there is enough awareness. Here, marketing spends will play a major role. If you look at the overall cost, it includes all the marketing expenses plus the production expenses then definitely the cost of production will go up because the kind of clutter that is there in the market, one needs to invest money behind promotion otherwise nobody will notice it,” he concluded.

    According to the KPMG FICCI report 2017, on an average, 20–30 minutes of fictional digital content can cost anywhere between Rs 12–15 lakh, which is higher than content costs on television. Despite significant beliefs from the broadcasters, production houses and media planners, OTT content is equally or more expensive than producing TV shows.

  • Siddharth Kumar Tewary’s Chandragupta Maurya to present Chanakya Neeti lessons!

    Siddharth Kumar Tewary’s Chandragupta Maurya to present Chanakya Neeti lessons!

    MUMBAI: Siddharth Kumar Tewary's historical mega series Porus recently seamlessly translated to its extension, now Chandragupta Maurya retaining some of its powerhouse actors. The show revolves around the life journey of the founder of the Maurya empire, orphaned & abandoned Chandragupta Maurya. 

    Writer, producer, director Siddharth Kumar Tewary has been instrumental in setting a trend where there are life sermons dictated by the show protagonists towards the end of the episode of his respective shows. Be it Lord Krishna in Mahabharata or Lord Krishna now in his magnum opus mythological show RadhaKrishn. Apparently Chandragupta Maurya will also have this element albeit this time with a character of pivotal importance in our ancient history. 

    A source close to the show shares the development, 'As the show is progressing, we have now introduced the idea of narrating Chanakya's chants at the end of every episode that have been procured from the famous book Arthshastra written by Chanakya himself. Chanakya was an Indian teacher, philosopher & royal advisor. He is credited for having played an important role in the establishment of Maurya Emperor. He is the pioneer of field of economics & political science in India.' 

    The show gradually takes us to the time where Chandragupta is trained under Chanakya , that the history has recorded to be of prime importance. It will progress towards the training that will help Chandragupta become the future king of United India & help him tactfully deal with Dhananand.

  • Black magic, evil forces and unnerving eeriness – COLORS’ new supernatural drama ‘Tantra’ explores the untamed world of the unknown

    Black magic, evil forces and unnerving eeriness – COLORS’ new supernatural drama ‘Tantra’ explores the untamed world of the unknown

    Mumbai: A beautiful house nestled in a beautiful environment houses a beautiful family. But does beauty dwell in everything that looks beautiful? Delving into the realms of the unknown is COLORS’ latest supernatural offering, Tantrawhich explores the world of black magic and its evil effects. The show is an intriguing tale of incantation, mysticism and supernatural elements wrapped in a family drama.

    ‘Tantra’tells the tale of a family who has fallen prey to the clutches of incantation. The Khanna’s are an affluent family who move into their dream home but become unfortunate victims of the gruesome practice of Tantra. The antagonist is the House itself whose eerie effects makes the place unliveable and a nightmare for its inhabitants.

    Actor Sargun Kaur essays the female protagonist Niyati Khanna, while actor Gautam Vig plays her love interest, Akshat. The supernatural thriller marks the comeback of celebrated television actors Manish Goel and Juhi Parmarwho will be seen as Prithvi and Sumati Khanna. Producedby Swastik Productions, Tantra will premiere on 3rdDecember 2018 and will air every Monday to Friday at 11:00 p.m.

    Speaking about this thrilling genre said, Nina Elavia Jaipuria – Head, Hindi and Kids TV Network, Viacom18, "At COLORS we have always provided varied and diverse content choices and experiences to our viewers.  Our intriguing and captivating sagas continue to engage audiences and create benchmarks in storytelling and scale.  With Tantra, we continue to explore another interesting and intriguing genre that is sure to provide viewers with an edge of the seat experience.”

    Speaking about the concept of the show,Manisha Sharma, Chief Content Officer, Hindi Mass Entertainment, Viacom18 said,“The Indian audiences have always been fascinated by supernatural stories. These stories take us back to our childhood, a time when it was easy to believe in the fairy-tales and mystical stories. Whether it’s the costumes, the VFX, the props or the sets, the viewers have always devoured the mysterious world of uncanny tales. The antagonist in our show is a House that has a will of its own. Will Niyati be able to save her family from the clutches of the evil forces entrenched in this House? 'Tantra' will explore this and much more for the viewers.”

    Mr. Siddharth Kumar Tewary of Swastik Productions, the Writer, Producer and Creator of Tantra, "Tantra, the story of a house that has undergone black magic, is a progressive show that truly shows that doing black magic isn’t good and the consequences can be dire. The intricacies in the relationships which each of the family members share with each other as well as the dynamics of a family also plays a crucial role in the story. Tantra is Swastiks’s first foothold into the supernatural genre in which we are bringing to our viewers a house that shall truly ‘live’, a family that shall fight the darkness which comes with black magic and a story that shall grip the viewers through VFX, sets, props etc which has never been seen before in the world of supernatural on Indian Television.”

    Sargun Kaur who plays Niyati Khanna, said, “Niyati’ is a practical young woman who does not believe in superstitions. She must come to terms that her family is inflicted by the evils of tantra and is the only person who can truly save her family from its wrath. I am extremely excited to work with COLORS for the first time and I hope to receive a positive response from audience.”

    Gautam Vig who plays Akshat,said, “Akshat plays Niyati’s love interest. He is undyingly devoted to his lady love. While Niyati’s family relies on her to safeguard their lives, it is Akshat who is Niyati’s pillar of strength. It is my first show with COLORS’ and the concept is pathbreaking, I am sure it will entertain the audience and keep them glued to the television”. 

    Juhi Parmar, who plays Sumati Khanna, said, “I am happy to be back with COLORS and Swastik Productions once again. It is like coming back home for me. But this role is completely different from my last stint. My character Sumati is a god loving woman and a hands-on mother. I am looking forward to this show because of its unique concept and eagerly awaiting audience feedback on the same”.

    Manish Goel, who plays the family patriarch Prithvi Khanna said, “This is my first show with COLORS and I am looking forward to this union. My role as Prithvi Khanna is an atheist but I am a firm believer of god in real life. The show has been conceptualized well and has some beautiful characterisations. I hope the audience appreciates our efforts and make this show a thumping success.”

    Tantra is an esoteric practice and the Khanna’s must band together to fight this evil when they come face to face with the reality of Tantra. This unnerving tale is sure to have the audience by the edge of their seats.

  • India’s Porus Rises In the land of the Rising Sun- Japan

    India’s Porus Rises In the land of the Rising Sun- Japan

    MUMBAI: One Life Studios premium historical drama series Porus, which depicts the legendary warriors battle against the world’s biggest conqueror Alexander the great will now be showcased in one of the top premium OTT platforms in Japan- Hulu. 

    "Porus is the first Indian series to be aired in Japan, this is really special for all of us. We had dreamt  to make Porus as India's first global series and now covering 11 countries and 14 territories. We are moving in the right direction" says Siddharth Kumar Tewary, Writer, Director & Producer – Porus. 

    “We are thrilled to introduce our first acquisition of an Indian drama series “Porus" to the audience in Japan. We are keen to introduce unique and outstanding shows which Japanese audience will not have a chance to watch if Hulu Japan does not exist.”
     Says- Kazufumi Nagasawa – Chief Content Officer of Hulu Japan

    “ Being the first premier Indian television content to be associated with  one of the top  premier OTT platforms in Japan- HULU, it proves that quality content can be of any language- if made well it will relate with the audiences’ worldwide. We are sure our audience in Japan with similar culture will appreciate Porus”
     Says Rahul Kumar Tewary – Managing Director

  • Porus reaches 10 Asian countries

    Porus reaches 10 Asian countries

    MUMBAI: Porus is travelling internationally. The mythological show being aired on Sony Entertainment Television has made its entry in Malaysia, Vietnam, Cambodia, Brunei, Laos and Myanmar through JKN Global Media and in Indonesia with Soraya Intercine Films.

    Porus is now being watched in 10 Asian countries including Sri Lanka and Thailand. In Thailand, the show is being broadcast on weekdays at primetime slot. The show will be dubbed in Malay, Thai, English, and Burmese.  

    In its first week, it bagged 3.6 million impressions in BARC week 48 of 2017. After completing its tenth week on air, the latest ratings of week 5 for 2018 show Porus at 3.3 million impressions.

    One Life Studios founder and chief creative Siddharth Kumar Tewary says, “Porus is rapidly taking over the world, with nine countries sold since the incredible launch just last November. We are very proud to share the important and exciting story of Porus with a global audience, and we intend to announce additional territories in the near future.”

    The story is an epic tale of a war between India’s emperor Porus and the West’s Alexander the Great. Set in 350 BC, the story narrates a time when India was at glorious best and Porus resisted the first attack on Indian soil by the Macedonian legend.

    Also Read:

    ‘Porus’ finds an audience in more countries

    ‘Porus’ viewership soldiers on

  • Siddharth Kumar Tewary features among Asian producers to watch at MIPTV

    Siddharth Kumar Tewary features among Asian producers to watch at MIPTV

    MUMBAI: Indian TV producers can take heart. One of their ilk will be taking centre stage come 10 April at arguably the world’s largest TV and digital content gathering – MIPTV  in Cannes.

    The chutzpah that One Life Studios founder & chief creative  Siddharth Kumar Tewary has displayed by keeping  IP ownership of his on-air Porus on Sony Entertainment, striking innovative distribution deals with productions he does for Indian broadcasters and the massive slate that he has developed in the 10 years since Swastik Productions existence has caught the attention of  the  Reed Midem team.

    And it has  featured him in a session that is entitled Asia: New Producers to watch. 

    And what’s special about Tewary being featured as a top producer is the fact that he is a creative professional who turned entrepreneur. The other folks featuring in the panel are working in networks:  SBS (Seoul Broadcasting System)  global productions producer InSoon Kim and Japan’s Nippon TV producer Hisashi Tsugiya.

    InSoon Kim is a producer in the company which has been behind  such shows as The Fantastic Duo, Running Man, Spooks love her,  I can see your voice,  among many others.  Tsugiya is the producer of a series called Mother, which has ben adapted in several countries.

    Tewary is excited to be able to  give his perspective on producing at MIPTV and to be on a panel which has highlighted him not just as an Indian producer but as an Asian one too. Says he: “We at One Life have been producing historical series for sometime. But what many don’t know is that we have a slew of affiliations with other producers who we are partnering under the One Life/Swastik umbrella. Finally, we have also turned distributor and have been representing a clutch of producers in India for international syndication sales. Hence, telling the story from both a creative and business growth perspective will be quite interesting.”
     

    The Asia: New Producers to watch  session is to take place at Auditorium A, in the Palais des Festivals on Level 3.

  • ‘Porus’ viewership soldiers on

    ‘Porus’ viewership soldiers on

    MUMBAI: Sony’s magnum opus Porus has been the talk of the town–first for being the first show wherein the IP is with the creator and later for its not-so-spectacular viewership. In fact, rumour mills were abuzz that the show would struggle to shrug off its sluggish start and build on its viewership. Broadcast Audience Research Council (BARC) data for the show, however, paints a different picture.

    According to the data, the ratings (U+R) of the show are significantly higher than the ratings of the channel’s prime time daily soap Rishta Likhenge Hum Naya (Rishta Likhenge) and another prime-time show Vighnaharta Ganesh. While Porus is aired at 8.30 pm, Vighnaharta Ganesh precedes it at 8 pm, whereas Rishta Likhenge is shown at 9 pm on weekdays.

    Porus’ launch week bagged it 3.6 million impressions in week 48 of 2017’s BARC data. The second week saw a drop of 0.6 million impressions. After 10 weeks of being on air, the latest ratings of week 5 for 2018 show Porus at a consistent 3.3 million impressions.

    On the flip side, the week 48 of Vighnaharta Ganesh garnered 3.4 million impressions and Rishta Likhenge got 1.9 million impressions. There was no impact of Porus on Vighnaharta Ganesh’s ratings that was apparent in week 49, whereas Rishta lost 0.1 million impressions from week 48.

    Swastik Productions founder Siddharth Kumar Tewary says, “Porus has been consistent in its ratings since its launch and this was our plan to be consistent in the beginning and then grow slowly. We held on to our ratings from the beginning to now. The first episode was a one-hour content and now we are showing 22 minutes content.” He says that comparing the current 3.3 million figure with the initial 3.6 million one shows that the show has actually grown. “We have made Porus with a huge amount of conviction. People have really appreciated us for keeping the promise of giving them differentiated concept and the way of storytelling,” he adds.

    “Porus is a premium product. We have been happy with the viewership we have got and we are expecting it to grow up by 20 percent from February onwards,” said Sony Entertainment Television EVP and business head Danish Khan. During the ten weeks, the highest impressions that Vighnaharta Ganesh holds is 3.8 million impressions, Porus has 3.6 million impressions, and Rishta has 2.1 million impressions.

    SonyLiv EVP & digital business head Uday Sodhi says, “Porus is very popular and among the best performing shows like Taarak Mehta, Yeh Un Dinon Ki Baat Hai and Super Dancer on SonyLiv. The scale and impact of the show is amazing. It is perfect for digital audiences and it is able to capture the scale & the size fruitfully. We are seeing significant consumption of the show on SonyLiv. There is a huge jump in the month of January over December. The viewership of Porus has grown 30 per cent in January as compared to December.” 

    Porus has successfully travelled to Sri Lanka with a new name Digvijaya. The buyer for the 260-episode series is Maharaja Television (MTV) and the show will be dubbed in Sinhala. Earlier, Porus was acquired by Workpoint Entertainment of Thailand for exclusive TV and non-exclusive digital rights.

     

    Weeks

    VIGHNAHARTA GANESH

    PORUS

    RISHTA LIKHENGE HUM NAYA

    Week 48

    3.4 million Impressions

    3.6 million Impressions

    1.9 million Impressions

    Week 49

    3.4 million Impressions

    3.0 million Impressions

    1.8 million Impressions

    Week 50

    3.6 million Impressions

    3.3 million Impressions

    1.9 million Impressions

    Week 51

    3.3 million Impressions

    2.8 million Impressions

    1.7 million Impressions

    Week 52

    3.8 million Impressions

    3.1 million Impressions

    1.7 million Impressions

    Week 1

    3.3 million Impressions

    3.1 million Impressions

    1.7 million Impressions

    Week 2

    3.8  million Impressions

    3.4 million Impressions

    2.1  million Impressions

    Week 3

    3.8 million Impressions

    3.2 million Impressions

    1.8 million Impressions

    Week 4

    3.3 million Impressions

    3.0 million Impressions

    1.7 million Impressions

    Week 5

    3.4 million Impressions

    3.3 million Impressions

    1.8 million Impressions

     

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