Tag: Shringar Films

  • Shringar Films plans promos for Fame Adlabs, 3D film

    MUMBAI: Its all about 360 degrees marketing of entertainment through events and promotions. Shringar Films which operates in all the three segments of the film and entertainment business – distribution, exhibition and production – is gearing up for twin celebrations.

    The Shringar owned multiplex Fame Adlabs (in Andheri, Mumbai) has completed one year and is celebrating its birthday through starting 5 April for a week. Shringar is also releasing its 3D filmChota Jadugar to coincide with the summer vacations.

    The Fame Adlabs marketing team has developed several on-ground promotions in an attempt to lure film goers. Here is a rundown on the celebrations and prizes up for grabs….

    5 April : A person with a 0504 in one’s mobile numbers is entitled to win a prize
    6 April: Anyone who is celebrating an anniversary on this day can come and celebrate it the FAME way….and walk away with many prizes
    7 April : A birthday boy or girl gets luckier with more prizes
    8 April: Even “stags” can enjoy and win prizes
    9 April: Musical day… and an artist will perform ………
    10 April : This day has been kept aside for the under privileged children…they will be entertained by a magician, a clown and many other and then will get a treat of being able to watch Chhota Jadugar…. Children can also be a part of this celebrations and get to see Chhota Jadugar before its release.
    11 April – is also a children’s day special…….the largest hot wheel track will be set up and the winner will walk away with a hot wheel track
    12 April: is the lucky bumper day…..

  • How the industry can take the leap forward

    How the industry can take the leap forward

    MUMBAI: CNBC’s “The Entertainment Industry: Taking The Big Leap” brainstorming session held on 19 December in Mumbai, offered several solutions to the woes of the constituents of the entertainment industry. Here, we present some views of the participants.

    KPMG entertainment business head Rajesh Jain, during his presentation on the entertainment industry, called for corporatisation, rationalization of the existing unorganized film sector.

    Jain also added that there might be a phase when the distributors will need to have a ‘portfolio’ of different films catering to different niche audiences. He mentioned that professionalism and innovative financial management could be the key elements of the theatrical distribution sector in the near future. He also envisaged the reversal to the studio system of yesteryears.

    Nimbus’ Harish Thawani made a valid point when he mentioned that the pilferage of revenues, a global phenomenon, implied that professionals needed to look at alternative options (revenue mapping) to multiply their revenue streams.

    Thawani also emphasized that sports was the only segment that had quickly capitalised on each emerging medium and revenue stream; promotions, merchandising, broadcasts, viewership, ‘live’ audiences, webcasts so on and so forth. Thawani also added that the Indian film industry must follow the highly professional system perfected by the Telugu film industry.

    Thawani also claimed that one needs to make small beginnings in legitimising the business of the unorganised sectors that resorted to piracy and unethical practices.

    Shravan Shroff of Shringar Films added that the film industry required tighter scripting; better time management; a tighter grip on cost overruns; and productions that have a longer lifetime in terms of reruns.

    Radio Mirchi (ETIL) boss A.P. Parigi mentioned that the success of the radio industry could be attributed to the FMCG approach wherein the programming was institutionalized. He mentioned that the radio channels had different executive producers for different genres. He added that the radio industry’s success was based on a high level of localization of content.

    UTV chairman Ronnie Screvwalla opined that the need of the hour was iexploring new genres and crossover films that catered to discerning niche audiences.

    Rekha Nigam felt that a system had to be created to be able to protect the creativity of existing resources, spot and nurture new talent. She added that the creative aspect must be the soul of any content; followed by marketing and management functions.

    Columbia Tristar boss Uday Singh claimed that the scripts must be ‘bounced off’ the distributors. He said that his global counterparts involved all the country offices of Columbia Tristar right at the script stage and were involved from the intial stages of conceptualization of a movie. “They ask for marketing and promotion plan inputs very early on and that to from every one of their offices,” he said. He added that all content is created for a target audience. Therefore the distributors had to be in the loop.

    Shravan Shroff seconded the view by adding that distributors have to be consulted from the initial stages of the scripting process.

    TamIndia’s L.V. Krishnan made a valid point that ratings don’t declare popularity but the popularity drove ratings. He opined that good content was the key to better ratings. Screvwalla responded by saying that the television industry was lucky that it had the rating system to modify, correct, change and evolve content based on audience feedback.

    Indiantelevision.com founder and CEO Anil Wanwari said that the Indian film industry could learn from the example of the French television industry which had set in place a system to export french television product globally under the aegis of Television France International with government funding thrown. The organised push international had resulted in French television programme exports touching close to 130 million Euros in the past year from zilch hardly a decade ago.

    UTV’s Biren Ghosh summed up the feelings by saying that the entertainment industry must give adequate importance to the four key elements of the entertainment industry: the structural capital, the human capital, the intellectual capital and the customer capital.

  • Confusion over status of some films on Zee list

    Confusion over status of some films on Zee list

    MUMBAI / NEW DELHI: Have Zee Telefilms’ ambitious plans on the movie front already hit a speedbreaker? Not quite. Though producers of some of the movies the Subhash Chandra network hopes to have on air over the next four months are singing a different tune, Zee has said the matter is being sorted out.

    The Indian Motion Picture Producers Association (Imppa), the apex body of film producers in India is not involved in the controversy generated by producers denying that any agreement about airing their movies has been reached with Zee. Imppa president Ramdayal Sabharwal says negotiations are currently on between the channel and the producers but that the IMPPA is not mediating the discussions. Sabharwal says there is currently a six-month lock in period agreed upon jointly by producers and distributors on the issue of satellite telecast of new films. The problem of course being that there is nothing down on paper.

    According to a senior executive of Zee Telefilms, meanwhile, the issue with Venus, as also some other film producers, is being sorted out and, in all probability, Hathyaar will be aired on Zee TV next year.

    “There is no real problem with the films. We are in talks with producers to sort out the matter and are hopeful that a solution will be found out to everbody’s satisafction, including the viewers of Zee TV.”

    However, with the current Bollywood scenario shaky in the extreme, Sabharwal says producers are willing to try any route that will help them recover some of their costs. “The satellite market is finished as well,” he says. “Earlier, producers were able to recover at least 10 per cent of their costs by marketing satellite telecast rights. Now they are not in a position to recover even five per cent.”

    With the music rights too, not yielding a comfortable figure, producers are in such a dire situation currently that Sabharwal sees a simultaneous theatrical and satellite release for movies by producers desperate to get rid of movies already completed and lacking distributors.

    Currently, however, it is the distributors who are irked by Zee’s full page advertisements which gave details of the movies to be aired along with their telecast dates. The irritation has obviously rubbed off on the producers who backtracked on their commitment to Zee and issued statements to the media on Thursday saying their agreements with the channel were yet to be formalised.

    Shyam Shroff, promoter of Shringar Films, which is distributing Road and Hathyar (two of the films on the Zee list) for the Bombay territory was quite clear that a lock-in period did exist. “Whenever the minimum guarantee amount is involved between the producer and the distributor, there’s a lock in period of 1 year for television and other rights.”

    “I think advertising the telecast date even before the movie is theatrically released is not in the interest of movie itself. If the trend continues, no distributor would offer minimum guarantees to the producer,” he says.

    Queried whether any distributors’ association had taken up this issue, Shroff said, “Distributors have very strong associations. They would safeguard their members’ interest. But, it all depends upon the terms of the contract between the producer and the distributor.” Shroff is however quite clear on one point. And that is that the Zee had not done anything that was out of line in its attempts to get hold of as many films in its inventory as possible. “I don’t think Zee needs to talk to anybody (else) in this regard. It’s between the producers and them.”

    High ticket rates and piracy of the new movies have already built up the film industry’s woes. Sabharwal says there are at least 10 to 12 films currently awaiting release, but are stuck for want of distributors. Nor is there any unity among the film producers. There are at least four motion picture producers’ associations currently, none of which portrays a unified voice of the fraternity.

    Director Yash Chopra, who runs Yash Raj Films, has issued a strong statement denying the fact that Zee had rights for its films Mujhse Dosti Karoge and Meri Yaar Ki Shaadi. The films are scheduled to air on the channel on 7 November and 21 November respectively. Another controversy revolves around Hathyar. The film which is yet to be released has been touted by the broadcaster as one of its yummy forthcoming attractions for the New Year through a marketing campaign which included a full page newpaper ad. MD Venus Films Ratan Jain said that though discussions had been held a final decision had yet to be taken and so the broadcaster had made a mistake.

    Roshan Jumnani of DD Films Combine has pointed out that theatres were already seeing a decline in attendance and campaigns like the one Zee is running will see the situation decay further. He pointed to a clause where a film cannot air on the tube for at least six months to a year after its release.

    On the positive side Jain said that the channel had the rights to air Humraaz later this month. The Zee executive meanwhile, has also said that the response of the first blockbuster aired on Zee TV on October 10, The Legend of Bhagat Singh has been very good.

    “We also took great care to juggle around with the commercial breaks so that the viewers did not feel that there were too many breaks,” the Zee executive said, adding that special care was taken not to have commercial breaks during the film’s emotional moments, so that viewers did not lose the continuity.